[Laet (Joannen de ; 1581-1649)]Livre Rare Book
4 867 résultats
162921438Lugd. Batav. (Leyde), ex officina Elzeviriana, 1629 ; in-24 (108 mm), vélin rigide de l’époque, titre manuscrit au dos ; [16], 498 pp., [1] f. de Privilège, titre gravé illustré de blasons.
190820939Privas, Imprimerie Centrale, 1908 ; in-4° (315 mm), demi-chagrin rouge sang, dos à nerfs plats, titre doré (reliure de l'époque) ; [6], 495, [1], LXI pp., nombreux blasons.
160021332Paris, Jérémie Perrier, 1600 ; in-8 (166 mm), demi veau havane, dos lisse à faux nerfs de filets dorés, fleurons à froid, titre en long (reliure ancienne postérieure); [4], 60 ff. Fleuron au titre, gravé sur bois montrant un chevalier qui pique un chien sauvage qui l’attaque, lettrines et bandeaux gravés sur bois ; l’Achevé d’imprimer est du 15 janvier 1600.
191216140Paris, Honoré Champion, 1912 ; in-4 ; demi-chagrin maroquiné vert-empire à coins, dos à nerfs, titre doré, couverture et dos conservés (reliure moderne) ; X, (2), 507, (1) pp., 5 planches hors-texte de blasons chromolithographiés.
192620501926. Etching on watermarked FJ Head cream laid paper with a deckle edge 11 1/8 x 8 3/4 inches 283 x 223 mm; sheet 14 3/4 x 11 1/2 inches 374 x 292 mm full margins. Signed and dated in the lower margin in pencil. From the edition of 100 printed by Frederick Reynolds in 1926. In very good condition with scattered light areas of minor discoloration unobtrusive and only visible when the sheet is viewed through raking light. <br /> <br /> Fletcher 176. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1932160911002Hollywood CA: Hollycrofters Inc. Co 1932. First Edition. Hardcover. Very Good. First edition limited issue of 150 copies signed by editor introduction writer and all illustrators. 121 pp. Original blue cloth with pasted-on title. Near Fine sans jacket as issued. Outer coating of cloth just a bit lightly mottled very light wear to tips pages toned with age. A very nice. An unusual collection of children's stories about dolls vividly illustrated and signed by by notable California artists such printmaker Paul Landacre; professor painter and architect Millard Sheets; and impressionist painter Jessie Arms Botke. Hollycrofters, Inc. Co hardcover books
1590842898-11-1Mason Crest. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Mason Crest unknown
1849666Couverture rigide Chez Les principaux libraires et chez l'Auteur, Plainpalais, 386 1849 Genève 21x14 cm
2005CBS-9780824729844Taylor & Francis 2005. New. Taylor & Francis unknown
2005CBS-9780824729844Taylor & Francis 2005. New. Taylor & Francis unknown
1876500037357London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain <br/> <br/> The English Picture Publishing Company paperback
1876500037356London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain <br/> <br/> The English Picture Publishing Company paperback
19652110502150902424Not Available 1965. Soft Cover. Fine. Volume: 1 Not Available paperback
175-Do.J. Feder in Braun, Aquarell, Deckfarben und Goldbronze, auf Pergament. 20,7:15,3 cm. - Stellenweise leicht berieben und angeschmutzt.
1674P1-06-0Dom, Petri Frambotti, 1674. In-4 (200x145 mm), relié plein vélin époque, charnière faible, (16), 391 pp, (29). Deuxième édition parue la même année que la première. Avec 59 figures de Médailles dont 48 recto verso, 4 figures de Blason dont l’une répétée une fois, 6 Initiales gravées et 2 Culs-de-Lampe dont l’un répété 3 fois et une belle Marque de l’Imprimeur à la fin : « À l’image de Minerve appuyée sur un olivier, avec une devise : Pacis opus ». L’ouvrage est divisé en 4 parties dont les 3 dernières consacrées en partie à Byzance et à l’empire Ottoman. Ouvrage peu commun.
2035Etching on antique cream laid paper with a deckle edge 9 1/8 x 9 3/4 inches 232 x 248 mm; sheet 12 1/8 x 12 3/4 inches 307 x 323 mm full margins. Signed and dated in pencil in the lower right margin. In excellent condition with some extremely minor uniform toning a light pencil notation "56" in the lower margin perhaps in the artist's hand and with the upper-right extreme corner loosely dog-eared well outside of the image area. Paper tape tabs at the top right and left corner verso. A magnificently detailed image with excellent inking and rich burr. <br /> <br /> <br /> Fletcher 206. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
CBS 9780781779821USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
229991911. Grant of Arms on vellum hand-coloured coat of arms and three heraldic crests manuscript text with first line in gilt duty stamps to left margin signed by Sir Alfred Scott-Gatty Garter King of Arms and and William Weldon on behalf of George Edward Cokayne Clarenceux King of Arms to lower margin appended red wax seals in gilt skippets. The document approximately 67 x 72 cm rolled and contained in original hinged wooden box 565 x 145 x 64 mm with red morocco covering the lid bearing three royal gilt-embossed 'GR' ciphers each surmounted by a crown. Very good. 1911. hardcover
2007CBS-9781588296337Sp Springer 2007. New. Sp Springer unknown
2007CBS-9781588296337Sp Springer 2007. New. Sp Springer unknown
2007Adhya-9781588296337SPRINGER 2007. Hardcover. New. SPRINGER hardcover
2007Adhya-9781588296337SPRINGER 2007. Hardcover. New. SPRINGER hardcover
1856AQ242771856. Manuscript on paper. Single bifolium. With original stamped envelope. Old horizontal and vertical folds. Short tears at folds cross-written on terminal page. Envelope worn and soiled. An autograph letter in the hand of private Thomas Arms of the 12th Royal Lancers addressed to his sister written at Scutari Istanbul 17th January 1856 two months prior to the cessation of hostilities during the Crimean War. Arms references his participation in the Battle of Tchernaïa the fall of Sebastopol and the conditions he and his fellow soldiers had to endure: 'You wished for some small token from Sebastopol but I had nothing but a Russian musket and bayonet and those I sold to one of our officers as I have no means of sending it to England.things are very dear 1lb of bread here is 1/6 meat we cannot buy for any price we give 2 shillings for a bottle of porter or ale and we are only getting half allowance of rum to what we used to get and there it is a great deal of gambling amongst the troops'. The cross-written portion of the letter is of particular note for a passing mention of reformer of army medical services and of nursing organisation Florence Nightingale 1820-1910: 'Dear sister their sic are some kind ladies in these hospitals and kind nurses here to attend upon you. Miss Nightingale is here and Miss Roberts and some more very amicable from England'. . unknown
192823171928. Etching with drypoint on antique cream laid paper 12 x 5 9/16 305 x 142 mm; sheet 13 1/4 x 8 1/2 inches 337 x 216 mm. Signed dated and inscribed in the lower margin in pencil. Although Fletcher specifies only 2 trial proofs Arms himself has inscribed "Trial Proof VII" in pencil in the lower margin. An impression aside from the regular edition of 100 printed on 18th century paper with a contemporary inscription in ink in the upper right corner which reads "Cent quatre vingt quatre" one hundred twenty four. There are some areas of light discoloration in the margins that date to the origin of the paper. Printed by Frederick Reynolds assisted by Henry Carling. A magnificently detailed impression in excellent condition. <br /> <br /> Fletcher 212. Périgueux has one of the most extensive old towns in the Dordogne department in France. The Périgueux Cathedral was originally built in the 12th century but it was rebuilt by the architect Paul Abadie between 1852 and 1895. The base of the bell tower was part of the original church. Today the square bell tower has three tiers pierced with arches that support a tall dome. In Arms' etching the bell tower looms above a narrow cobblestone alley lined with ancient stone buildings. In perhaps a tribute to Whistler Arms left building surfaces unmarked by his etching needle. Light vertical passages draw the viewer's eye toward the darker more detailed center of the image. One's eyes move upward with the play of shadow texture and light toward the imposing domed bell tower.<br /> <br /> Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
193710391937. Etching on antique cream laid paper with an "England" watermark; 13 7/8 x 8 5/8 inches 353 x 221 mm full margins. Signed dated titled numbered "III" and inscribed in pencil. One of approximately 175 third state of 4 impressions before the inscription was removed. In superb condition. French Church Series No. 39. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. <br /> <br /> -William Dolan Fletcher A Man For All Times p. 15. unknown
