Jerry a Shields, Carol L Shields,Biblio.com
4 867 résultats
23943900-nnew. unknown
200112486Saint-Jorioz Les Editions du Gui 2001 Fac-similé du manuscrit n°4790 propriété de la Bibliothèque nationale de France, conservé par la bibliothèque de l'Arsenal. Réalisé en collaboration avec le service reproduction de la B.N.F. Deux volumes in-folio pleine toile noire, titre à l'oser jaune, sous étui cartonné blanc illustré, non paginé et 338 pages. Bel exemplaire, l'un des 1000 exemplaires version prestige (le n°922).
23257Lyon, veuve Benoist Coral, 1681. In-12, [12]-201-[3] pp. 2 pl., basane marbrée havane, dos à nerfs orné de caissons dorés, tranches mouchetées (manques et épidermures, petites rousseurs, quelques taches).
1999WOC-2296Préface par le Professeur Michel PASTOUREAU. Index armorum par Michel POPOFF. Saint-Jorioz, éditions-du-Gui, 1999. 2 volumes in-folio (33,5x24cm) pleine toile bleu foncé, titre et tomaison dorés aux dos, plats supérieurs aux Armes de Napoléon, sous étui cartonné blanc illustré.
199912485Saint-Jorioz Les Editions du Gui 1999 Deux volumes in-folio pleine toile marine, titre doré, sous étui cartonné blanc illustré, 581 pp., xii et 117 planches couleurs et table, feuillet d'errata. Exemplaire numéroté, l'un des 500 (le n° 113).
35122Rouveyre en 1895, sur l'imprimé à Paris en 1660. Réimpression en fac-similé. 2 vols. in-folio en demi-reliure. Exemplaire imprimé sur Papier Vergé. 678 pages à la suite avec Table des Maisons et Familles dont les Armoiries sont représentées et blasonnées en ce Livre .Très nombreuses planches, tableaux dépliants et illustrations in-texte. Bon exemplaire avec de rares rousseurs, quelques notes , dessin en marge sans gêne, cachet d'un ancien collectionneur sur pages de gardes et haut de faux-titre.
16191115791619 A Paris, Chez Abraham Pacard, 1619, 1 volume in-4 de 165 x 235 mm environ, (4) ff. ( Page de titre, Table, Votum pro regiae familiae propagatione), 745-1612 pages, (16) ff. dont Table, (1) f. blanc. Plein velin d'époque au dos titré à l'encre ancienne, traces de cordon d'attache. Exemplaire solide mais en condition moyenne (dérelié, traces de mouillures importantes en début de volume et marginales en fin de volume, déchirures dans manque).
1866WOC-1065Tirés des Principales Bibliothèques de L'Europe. Ouvrage orné de 60 planches chromolithographies en un ton ou en couleurs, 12 planches concernant les Armes,Chiffres et Blasons et 48 planches les Alphabets (manque l'alphabet n°36). Paris, A. Morel, Libraire-Éditeur, 1866. In-folio (45x33cm) relié demi chagrin noir, dos à faux-nerfs avec titre doré, coiffes faibles, petit manque au coin du plat inférieur et restauration sur l'autre.
197824494Tokyo, Kodansha, 1977-1978. 5 volumes from a total of 6 published (volume 2 is missing): Vol. 1: Jomon doki = Jomon pottery. - Vol. 3: Dogu, haniwa = Clay Figurines, Haniwa. - Vol. 4: Taku, tsurugi, kagami = Bronze Objects. - Vol. 5: Buki, soshingu = Arms, Ornaments. - Vol. 6: Hekiga, sekizobutsu = Mural Paintings, Stone Structures. - Text, table of contents and list of plates in Japanese and English. Captions in Japanese only. 217; 219; 215; 217; 227 pages with numerous illustrations in colour and black and white. Fol. (37 x 27 cm), Illustrated original cloth bindings with spine titles debossed in red and black in the illustrated original half-linen slipcases. [9 Warenabbildungen]
112 pages. Reprint of the 1928 first Chinese edition. "Here, for the first time, martial artists were encouraging and openly teaching the Chinese people how to stand on their own and regain pride in their country... Huang's book is often quoted in martial arts literature. This is due, for the most part, to its significance as a manual for training military personel in unarmed and armed combat applications of hsing-i ch'uan. Somewhat above-average wear externally. Contents clean and unmarked. Binding intact. Usual library markings. A sound reference copy. Book
23943902like new. unknown
23943902-nnew. unknown
1996__0471961396John Wiley & Son Ltd 1996. Hardcover. New. 433 pages. 10.00x7.00x1.25 inches. John Wiley & Son Ltd hardcover
2021Scientific-9781788823982Ed - Tech Press 2021. Hardcover. New. Ed - Tech Press hardcover
2021Scientific-9781788823982Ed - Tech Press 2021. Hardcover. New. Ed - Tech Press hardcover
2012x-0765633531M E Sharpe Inc 2012. Hardcover. New. 2nd edition. 276 pages. 9.25x6.25x0.75 inches. M E Sharpe Inc hardcover
1857145238Philadelphia: Parry and McMillan 1857. 342 pp. Duodecimal. Original black straight grain cloth over stiff boards. Very slight bit of chipping to exterior edges. Two small rubber stamps of the Rhode Island Historical Society. A very nice copy of a fragile item. Not in AB. Very scarce bit of Kane ephemera referenced on page 205 of the Villarejo biography of Kane. Rare. 1857 Parry and McMillan hardcover
192510381925. Etching on cream wove Japon paper 7 3/8 x 7 3/4 inches 188 x 197 mm full margins. Signed and dated in pencil lower margin. In excellent condition with some minor surface soiling on the recto as well as inscriptions in pencil at the left and right corners verso. One of 150 impressions printed by Frederick Reynolds. French Church Series No. 5; Illustrated in Dorothy Noyes Arms Churches of France p. 16. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
194412671944. Etching on bluish-grey thin laid paper 9 1/2 x 5 1/2 inches 242 x 140 mm full margins. Signed dated and numbered "II." In very good condition with three pin-point sized dots of brown discoloration in the left margin well outside of the image area and paper tape at the top and botton corners at the right sheet edge verso. A trial proof from a total of 13 proof impressions. A luminous impression on unusual paper.<br /> <br /> English Series No. 11.<br /> <br /> Fletcher 381. On an impression of this work belonging to William Dolan Fletcher Arms mentions that he spent 236 hours on the first state and an additional 53 1/2 hours on the second state.<br /> <br /> Awards:<br /> 1945: Annual Exhibition of the Royal Academy London<br /> 1945: Best Print in Exhibition 22nd Annual Exhibition Arts & Crafts Assoc. Meriden CT.<br /> 1947: Honorable Mention for Excellence 30th Annual Exhibition Chicago Society of Etchers Chicago IL.<br /> 1948: Special Mention for Excellence 30th Annual Exhibition Palm Beach Art League West Palm Beach FL. unknown
194412601944. Etching on cream laid paper 3 3/16 x 1 9/16 inches 81 x 41 mm full margins. Signed dated and inscribed "II" in pencil lower margin. From the second state of 2 before the reduction of the plate. Fletcher states a total of three trial proofs an unknown number of first state impressions and a regular edition of 136 second state impressions. We believe this impression may be one of the two known second state trial proof impressions. Printed by David Strang. In very good condition with paper tape at the top and bottom left-side corners on the verso. Illegible inscription in brown ink in the top right sheet area on the recto well outside of image area. <br /> <br /> Fletcher 382. No. 32 from the Miniature Series<br /> No. 12 from the English Series. unknown
193112661931. Etching on bluish-grey wove paper 8 5/8 x 5 1/8 inches 221 x 130 mm full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various framer's notations in pencil in the lower margin on the verso. Second state of 2. Printed by Charles S. White. <br /> French Church Series No. 30.<br /> <br /> Fletcher 240. Illustrated as the frontispiece Contemporary American Etching American Art Dealers' Association New York 1931 limited edition. unknown
1946927Kansas City: Miniature Print Society 1946. Etching on antique cream laid paper 3 5/16 x 1 7/8 inches 84 x 49 mm full margins. Signed by the artist and with a "#" in pencil the area of the left margin. A proof impression aside from the edition of 260 printed by David Strang for the Miniature Print Society Kansas City Mo. With the John Taylor Arms collection ink stamp in black on the lower-center margin on the recto. Mounting tape tabs at the top right and left corners well outside of image area as well as some marginal toning. There is a 19th century inscription in brown ink on the verso which predates the impression. Miniature series no. 34. <br /> <br /> Fletcher 398. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. Miniature Print Society unknown
1951149591Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br/><br/>Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br/><br/>Shot on location in West Bengal India. <br/><br/>8 x 10 inches. Very Good plus.<br/><br/>Ebert III. BFI 619. Criterion Collection 276. United Artists unknown books
19722196153The Borealis Press 1972. First Edition. Trade Paperback. Near Fine. Signed by author. First edition - a paperback original. Signed by author without inscription on title page. Handwritten postcard written to previous owner in different ink than the title page signature signed by Shields and dated 29/5/02 laid in. An interesting combination of early and late signatures - the author passed away in 2003. 1972 Trade Paperback. We have more books available by this author!. 60 pp. Author's first book. A collection of poetry by the American-born Canadian author most well-know for her Pulitzer Prize winning novel The Stone Diaries. This work was never published in the United States. The Borealis Press paperback books
1890252105Chicago: Rand McNally 1890. First. hardcover. good. Plates and text Illustrations. 581pp. ad pages. 8vo original brown with gilt decoration corners bumped and lightly worn cloth lightly spotted and lightly soiled very light foxing to margins of plates foxing to first blank page margin of title page and last blank page. Chicago: Rand McNally 1890. First Edition<br/><br/> Internally a tight bright copy.<br/><br/> Rand, McNally unknown books
