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Pages 262-320. Printed upon glossy stock. Nice reproductions of black and white photos. Features: The Nashaway Woman's Club; Early Life of rev. Thomas Baldwin; The Vegetable Food of Birds; The Christian Science Home School; The Baptist Church in Hopkinton; Poems. Unmarked. Moderate wear. Binding sound. A quality vintage copy. Magazine
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 79 p., color ills. Like moths to the flame: The Ottoman fire brigades.= Ates pervaneleri: Tulumbacilar. [Exhibition catalogue]. February 24 - May 31, 2011. 500 copies were printed. Our struggle, conducted under the direction of Alm I las beginning in 1005, to see that the machines and items used in, and the documents and photographs pertaining to the Cibali Tobacco and Cigarette Factory be returned to their rightful place, reached a positive conclusion in 2008, when these items were temporarily handed over to the Rezan Has Museum after being inventoried at the Museum for the History of Science and Technology in Islam. Following two years of restoration and conservation work, we held the first of a series of exhibitions about the Factory, titled "Like Moths to the Flame: The Ottoman Fire Brigades", in order to revive the spirit of the Cibali Tobacco and Cigarette Factory and to share with you t hi- important historical artifacts on their way back home. The "Like Moths to the Flame: the Ottoman Fire Brigad(-: features those indomitable heroes of the city of Istanbul, managed again and again to rise from the ashes. Heroes outfits, performers of daring acts, these brave characters fearir:ssly fought the fires that were Istanbul's greatest nightmare. Firei'vtj.i.t.(2rs, those voluntary soldiers of Istanbul, had their own unique culture, their own rally cries, attitudes, and sayings, their own characteristic relationships, and even veritable tradition of criminal incidents amongst their own, all of which provide insight into the street culture of the city of Istanbul, and the socio-cultural structure and state politics of the period. In addition to the artifacts and historical documents belonging to the Cibali Tobacco and Cigarette Factory, our exhibition also contains selected items from the Istanbul Metropolitan Municipality Directorate of Libraries and Museum's Firefighting Museum Collection and the Suna and Inan Kirac Foundation's Old Istanbul Photographs Collection. Numerous individuals worked together to make this exhibition happen, and to each of them we would like to express our thanks. First and foremost the Ministry of Culture and Tourism, but also the Atatark Library, our team who so painstakingly worked on the restoration and conservation of the works exhibited, Prof. Dr. Baha Tanman for his contributions, Galru Tanman, who was so generous with her support, and the Istanbul Research Institute, all of you have our eternal gratitude.
New English Original bdg. HC. Oblong 4to. (30 x 31 cm). In Turkish. [16], 193 p., fully b/w photos. Ankara, 1930-1960. Preface by Murat Karakaya.
Fine English Paperback. Pbo. Roy. 8vo. (23 x 18 cm). Articles in Polish, English, French, and Turkish. 315, [1] p., b/w plates. "The book constitutes a multiperspective analysis of the relations between the national, political, and humanist thought linking Adam Mikiewicz with Turkey and Europe in the 19th century. Settled in the last way of Mickiewicz in Istanbul, it is at the same time an opening for the new ways of reading, understanding, and interpreting the life and oeuvre of the poet. In contains articles presenting the continuity of the tradition of Polish-Turkish relations also vivid in our times. Written by outstanding comparatists, literary scholars, museologists, and historians of culture, they are joined by a polyphonic character of expressing into an an interesting and cohesive set of research proposals, as well as important factual decisions. The book, unique in the realm of Polish humanities, written in four European languages, speaks one language only. That is respect of tradition, using it as a source for the idea of United Europe.".
New English Paperback. Pbo. 4to. (29 x 22 cm). In English. 243 p., color and b/w ills. Contents: Kadir Topbas "Introduction" / Ilber Ortayli "Introduction" / Hilmi Aydin "Preface" / Seyit Ali Kahraman "Imperial surre" / Sevgi Agca "Tradition of imperial surre" / Sibel Alparslan Arca "Embroidered clothes sent to Haremeyn" / Selin Ipek "Religious fabrics in the Topkapi Palace Museum sent to Mecca and Medina" / Emine Bilirgen "Precious objects in the Imperial Treasury related with sacred places" / Merve Cakir "Hajj travel books and and the travel book of Al-Hajj Ibrahim Efendi" / Senay Eren "The travel book of the surre procession captain" / Catalogue / Catalogue texts / Glossary. This book is prepared for the "Imperial Surre" exhibition organized by the Ministry of Culture and Tourism General Directoratefor Cultural Heritage and Museums, and Istanbul Metropolitan Municipality, Istanbul Culture and Art Works Co., in Topkapi Palace Museum on 16 April - 25 May 2008.
Good English Original binding. Hardcover. 4to. (35 x 24 cm). 64 p. In Turkish and English. 2000 copies were printed. Signed and dedicated by the painter. Metin Güçlü. [Catalogue of the artist]. Translator: Ali Mesut Önen.
Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
Very Good Very Good English Original bdg. Dust wrapper. 4to. (27 x 25 cm). In English and Turkish. 129, [1] p., color ills. From the Society of Ottoman painters to the Association of Fine Arts, 1909-1921.= Osmanli Ressamlar Cemiyeti'nden Güzel Sanatlar Birligi'ne, 1909-1921. Contents; As the society sets out towards its ninetieth year = Cemiyetimizin doksaninci yilina dogru., Nazan Akpinar.; The years behind us, (1909-1991) = Yillar geride kalirken, (1909-1991)., Abdülkadir Günyaz.; Those who take up the torch and carry it forward to days of ever more enlightenment = Mesaleyi, elden ele, daha aydinlik günlere tasiyanlar., Abdülkadir Günyaz;Concerning the Society of Ottoman Painters = Osmanli Ressamlar Cemiyeti hakkinda., Sezer Tansug.; Plates = Eserler.
New New English Original bdg. Dust wrapper. Oblong 4to. (30 x 34 cm). In English and Turkish. [12], 223, [1] p., color and b/w photos. Jerusalem in photographs from past to present.= Fotograflarla dünden bugüne Kudüs. Photographs (old); IRCICA archives. Photographs (new); Khaled Zaghari. Project managers; Halit Eren, Sefer Turan. This album was published within the framework of the 40th anniversary commemoration of the OIC, which has the problem of al-Quds and Palestine as its foremost cause. Prof. Ekmeleddin Ihsanoglu, Secretary General of the OIC, wrote the Foreword. As he mentions, preservation of the multicultural character of the city with due respect of the populations and the shrines of each faith is an indispensable part of any acceptable solution of the problem. This character is well reflected in the authentic photographs in the album. Due to its special importance, al-Quds/Jerusalem was visited and described by many travelers. Then, the region became the first place of interest of the pioneer photographers. The Ottoman Palace was among the first in the world to acquire photographs of the region. The Yildiz photograph collection which was formed during the reign of Sultan Abdülhamid II contains a large number of them. The album contains the reproductions of 405 photographs gathered from IRCICA's archive comprising the Yildiz Photograph Albums and several other collections.
New New English Original bdg. Dust wrapper. Oblong 4to. (30 x 34 cm). In English, Turkish, and Arabic. [12], 223, [1] p., color and b/w photos. Jerusalem in photographs from past to present.= Fotograflarla dünden bugüne Kudüs. Photographs (old); IRCICA archives. Photographs (new); Khaled Zaghari. Project managers; Halit Eren, Sefer Turan. This album was published within the framework of the 40th anniversary commemoration of the OIC, which has the problem of al-Quds and Palestine as its foremost cause. Prof. Ekmeleddin Ihsanoglu, Secretary General of the OIC, wrote the Foreword. As he mentions, preservation of the multicultural character of the city with due respect of the populations and the shrines of each faith is an indispensable part of any acceptable solution of the problem. This character is well reflected in the authentic photographs in the album. Due to its special importance, al-Quds/Jerusalem was visited and described by many travelers. Then, the region became the first place of interest of the pioneer photographers. The Ottoman Palace was among the first in the world to acquire photographs of the region. The Yildiz photograph collection which was formed during the reign of Sultan Abdülhamid II contains a large number of them. The album contains the reproductions of 405 photographs gathered from IRCICA's archive comprising the Yildiz Photograph Albums and several other collections. A very heavy volume. Extra shipping fee will be able to request.
Fine English Paperback. 4to. (28 x 24 cm). In Turkish. 55, [1] p., many color ills. Ottoman sultans in the marbling art. An exhibition catalogue. 1000 copies were printed. Ebrû san'atinda Osmanli sultanlari. 1 Ekim - 12 Aralik 2013. Merkez Bankasi. [Exhibition catalogue].
New New English Original bdg. Dust wrapper. 4to. (30 x 30 cm). In English. 160 p., color ills. Ankara: The history our capital city.
New English Original bdg. HC. Oblong: (25 x 34 cm). In Turkish. [144] p., color and b/w ills. Çanakkale gravürleri (16.- 17.- 18.- 19. yüzyil). Engravings on Çanakkale and the Hellespont in 16.-17.-18. and 19th centuries.
New New English Original velvet bdg. Dust wrapper. 4to. (32 x 25 cm). In English and Turkish. [12], 160 p., color ills. Love for Ahl al-Bayt in the Ottoman Empire.= Osmanli Devleti'nde Ehl-i Beyt sevgisi. [Exhibition catalogue]. August 25 - November 24, 2008; Topkapi Palace Museum, Istanbul. Preface by Ilber Ortayli.
New Turkish Original bdg. HC. Folio. (33 x 24 cm). In Turkish. 247 p., b/w and color ills. Anilarla Ege'de otomotiv tarihi. Edited by Memet Tiryaki. History of the automotive industry in the Aegean region.
New English Original bdg. HC. In special publisher's box. Folio. (41 x 30 cm). In English. 257 p., 107 numerous color plts. Chora: The scroll of heaven. Photos by Ahmet Ertug. First Edition. The building that was originally the Monastery of the Holy Savior in Chora is regarded as one of the most sublime examples of Byzantine art because of its early 14th century mosaics and frescoes. The level of artistic achievement attained in the Chora frescoes parallels the Pre-Renaissance movement that began in Italy and heralds the advent of a new style in Byzantine art. Chora: The Scroll of Heaven takes the reader on a scholarly and artistic journey that delves all the details of this jewel-like structure. The book's text was written by Cyril Mango, one of the most respected names today in the field of Byzantine art history, while its photographs were taken by Ahmet Ertug, an internationally recognized architect and photographer. The photographs appearing in the book were exhibited at the International Byzantine Congress held in Paris in 2002, where they received many accolades. The exhibition was repeated at the Japan Foundation in Tokyo during August 2003 and at the New York Art Institute in May 2004. 30 by 41 cms., hardbound covered with Japanese cloth, presented in a slipcase. BYZANTIUM Byzantine art Architecture Constantinople Istanbul Kariye Church Mosque History of art Mosaic Christian art Icon.
Fine English Paperback. Pbo. Oblong large 8vo. (18.5 x 18.5 cm). Ills. 36, [4] p. In Turkish. Reyyan Somuncuoglu. Ottowoman: Reyyan'in firçasiyla Osmanli'nin dört kadin padisahi. [Exhibition catalogue].
Fine English Paperback. Pbo. 4to. (33 x 24 cm). In English and Turkish. [40] p., color and b/w ills. and musical scores. The musicians of the Ottoman dynasty.= Müzisyen Osmanogullari. Photos by Sami Güner.
As New English Paperback. Pbo. Mint. Cr. 8vo. (19 x 13 cm). In French. 78, [2] p. Le Mensoge du 'Genocide Armenien' dans les Documentes Armeniens-7. Le mensoge du genocide a partir des documents Armeniens et Russes. Le resume des documentes presentes par Dogu Perinçek au Tribunal de Lausanne.
New English Paperback. Pbo. Roy. 8vo. (24 x 18 cm). In English and Turkish. 210 p., color and b/w ills. The Dardanelles campaign and naval victories in postcards.= Kartpostallarda Çanakkale savasi ve Çanakkale deniz seferi. [Exhibition catalogue]. The Çanakkale naval war has a special place in the history of naval warfare. Although offensive victories are the rule, the Çanakkale naval war is an exception because it was a defensive victory. This exhibition of Allied postcards depicting the invasion of the Dardanelles on March 18, 1915, and the subsequent land warfare campaign in Gallipoli consists of items painstakingly selected by collector and doctor of chemistry Dr. Seyhun Binzet among hundreds of postcards he acquired from a number of countries over decades to evoke an imagery of some of the darkest days in Turkish history. The exhibition is laid out in 12 sections presenting a panaroma of the Allied view of the many aspects of the Dardanelles Campaign: The Italian invasion of the straits of Çanakkale., Preparations for the Dardanelles Campaign., The naval victory of March 18 and the subsequent Gallipoli Campaign.
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [xv], 532 p. Talât Pasa. (Bir örgüt ustasinin yasam öyküsü). A biographical study of Talat Pasha. OTTOMANIA Armenians Union and Progress Party (Ittihad ve Terakki Cemiyeti) II. Constitution Politic history.
New Turkish Paperback. In Turkish. 248 p. Telsiz Telgraf Ihtiyat Zabiti Tevfik Riza Bey'in Çanakkale günlükleri. Prep. by V. Türkan, E. Yasemin Yücetürk, Rasit Dogruöz Gündogdu. Diary of an Ottoman soldier during the Dardanelles War in 1915 (WW 1).
Very Good Turkish, Ottoman (1500-1928) Original illustrated wrappers. Folio. (33 x 24 cm). In Ottoman script (Old Turkish with Arabic letters). 32 p., richly ills. First published in any form of this symbolist poem, is the manifest of the attempt to settle in New Zealand by falling into pessimism, written during Sultan Abdülhamid II's tyranny period between two Constitutionalist regimes in the Imperial Ottoman, by Servet-i Fünûn literary scene leading of Ottoman poet Tevfik Fikret and his friends like Mehmed Rauf, Hüseyin Kadri, Dr. Esad Pasa, Hüseyin Cahit, Süleyman Nesip, Ahmet Hikmet Müftüoglu. In the westernization period, there is an escape especially the Servet-i Fünuncus to New Zealand, Scotland, and Finland. This escape can be seen as both alienation and help-seeking. Historical point of view, sociological research and in-depth analysis personal sufferings of intellectuals who attempted to escape can provide true findings and information, which can light this period, about the dualism of these intellectuals and their attempts to escape. Tevfik Fikret is one of the pioneers who symbolize this escape. Fikret does not leave the homeland, but in much poetry, he attributes a mission of escape and rescue to places in his poem. Places, where this mission is the most intense, are streets, Asiyan, grave, mosque, Istanbul, the parliament, palace, garden, and village. The first utopian texts in Turkish literature were dreams written in an effort to save the declining Ottoman State. In the period of Servet-i Fünûn [i.e. The Wealth of Sciences], which was a time of crisis, some utopias such as the Yesil Yurt [i.e. Green Land]. Fikret decided to go to New Zealand (after Manisa city) with friends from his literary circle. After a while, he changed his mind and began to construct a special house for his family on the Bosphorus, which he called "Asiyan" (meaning close friends). Asiyan was finished in 1906. New Zealand carries all the characteristics of a utopian place in this poem by Tevfik Fikret. (Utopias from the Middle East 13).
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 180 p. Contents: "Preface 1. Turco-Armenian controversy and conspiracy theories Conspiracy Theories on the Adana Incident: Prototypes - Rehashed Theories: The Armenian Version - Rehashed Theories: The Turkish Version - A Disputable Document: the "Report" of Agop Babikyan - A Disputable Documents: The Memoirs of Mehmed Asaf. 2. The Adana province during the nineteenth century The Land of Derebeys - The 'Reform Division' and the Beginning of the Centralized Administration - Cotton Export and the Development of Agrarian Economy - Massive Colonization during the Second Half of the Nineteenth Century - Land Accumulation - Emergence of New Local Bosses: The Aghas - The Plight of Muslim Peasants - A Multi-Ethnic Society and the Ethnic Division of Labour - Turco-Armenian Relations 3. The Young Turk revolution and its impact on the Adana province CUP Takeover of Power and its Weakness - Ambivalent Charac-ters of the CUP Adana Branch - The New Provincial Government - Anti-CUP Sentiment among the Muslims - Struggle between the Pro- and Anti-Cevad blocks - Muslim-Armenian Tensions after the Revolution - The Smuggling of fire arms - Armenian cultural activities and their side-effects. 4. A hidden agenda: Demographic warfare and land disputes Armenian Nationalism and the Muslim reaction - Demographic dimension - Rising tension in communal relations - Repeated dispute over the Taylan Çiftligi - New Demographic Pressure after the Young Turk Revolution - Dispute over the Armenian land ownership after the Revolution - The repercussions of the land dispute over Armeno-Muslim relations. 5. The April incidents in Adana The Hovannes Affair and the Excitement of the Muslim Population - The Outbreak of Hostilities - Defence of the Armenians - Muslim Mob - How the Provincial Government Reacted - The End of the Initial Hostilities and an Interlude - The Second Incident. 6. Riots and massacres in the countryside The Hamidiye Incident - The Tarsus Inferno - The Attack of Kozoluk - The Disturbance in the Cebel-i Bereket - The retreat of the Hasanbeyli Armenians - The siege of Dörtyol - The Kozan Prefecture. 7. The aftermath The Casualties - The Relief and Recon-struction Works - A Farewell to Conspiracy Theories. Bibliography". ARMENIANS Politic history II. Mesrutiyet Ottoman politic history Adana 1909.