6 701 résultats
2017Adhya-9781782621881RSC 2017. Hardcover. New. RSC hardcover
2020x-3030283143Springer Nature 2020. Hardcover. New. 2nd edition. 1002 pages. 11.00x8.50x2.25 inches. Springer Nature hardcover
19835504CONDOR 1983. 2. softcover. Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
198853165GOLDMANN WILHELM 1988. 1. softcover. GOLDMANN, WILHELM paperback
19857025CONDOR 1985. 2. softcover. Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
198710181CONDOR 1987. 1. softcover. Besonders empfohlen für Kriegsdienstverweigerer Bundestagsabgeordnete Bundeswehroffiziere Gewerkschaftler Studenten und kritische Mitmenschen! Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
19858454CONDOR/BETA 1985. 1. softcover. Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR/BETA paperback
2024Adhya-9781789247336CABI 2024. Hardcover. New. CABI hardcover
2024Adhya-9781789247336CABI 2024. Hardcover. New. CABI hardcover
199915624CONDOR 1999. 1. softcover. Das Beste von Bonvi! Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
CL250313040GT14Delius Klasing Verlag GMbH 2014-12-21. hardcover. Very Good. 12x1x12. Hardback--in slip case--excellent condition Delius Klasing Verlag GMbH hardcover
199514637CONDOR 1995. 1. softcover. Das Beste von Bonvi! Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
199715053CONDOR 1997. 1. softcover. Das Beste von Bonvi! Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
199815380CONDOR 1998. 1. softcover. Das Beste von Bonvi! Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
199815492CONDOR 1998. 1. softcover. Das Beste von Bonvi! Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR paperback
199915740CONDOR 1999. 1. softcover. Maloftege! OPAS WEHRMACHT: CONDOR paperback
199712637CONDOR/BETA 1997. 1. softcover. Maloftege! SO WAR PAPIS WEHRMACHT: CONDOR/BETA paperback
29435Parma Italy: M. Nino Amoretti. 1975. First French edition. First French edition. Limited edition. Signed by the editor. Text in French. Publisher's original black silk with gilt titles and small parma violet illustrations to the upper board and spine with a printed illustration by Erté to the upper board. Housed in the dark grey cloth folding case with white card label with black titles and borders pasted to the backstrip. Patterned endpapers. Printed on handmade blue paper with the deckled fore-edge. Illustrated throughout with 78 tipped in colour plates by Erté including a photograph of the artist himself and 42 black and white line drawings of the artist's costume and prop designs. A near fine copy the binding square and firm the lower board very lightly spotted to the top edge and a little marked with a touch of rubbing to the extremities. The contents are clean throughout and without inscriptions or stamps. An attractive example. Issued in an edition of 3000 copies carried out in two successive print runs of 1500 copies from which this example is numbered 2697 and signed by the editor Franco Maria Ricci in black ink on the colophon. A luxuriously-bound study of Russian-born French artist fashion designer and set designer Romain de Tirtoff 1892-1990 popularly known by the pseudonym Erté from the French pronunciation of his initials. Richly illustrated throughout with a series of reproductions of the artist's works this volume includes an accompanying essay by French critic and literary theorist Roland Barthes followed by an extract from Erté's memoirs. The text was published in a series of six languages Italian English French Spanish German and Russian. Widely considered 'The Father of Art Deco' Erté's most famous art deco costume creations were worn by international stars of the stage and screen such as Marion Davies Lillian Gish and Irène Bordoni. Yet Erté is particularly remembered for his artistic contributions to print media having contributed over 200 covers for Harper's Bazaar fashion magazine in his signature art deco style between 1915 and 1937. His work has since been described as a major factor in the magazine's rise in popularity to the extent that the magazine's owner and publisher William Randolph Hearst is said to have once commented "what would Harper's Bazaar have been if it wasn't for Erté" Jon Astbury for Dezeen 2025. The Alphabet and Numeral Suites featured in this book reportedly came from his childhood with the artist explaining in an interview for The New York Times 'When I was learning to write I thought of it as a kind of drawing. It amused me to make the letters in fancy ways and I guess I came to think of the human body as a pliable part of a design in Maria Petitpa's ballet class' Flora Lewis for The New York Times 1976. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Parma, Italy: M. Nino Amoretti. 1975 hardcover
2002481173Bologna Italy: G.A.M. Edizioni Maggiore 2002. Paperback in very good condition. Text in Italian. HCW. paperback. Very Good. Used. G.A.M. Edizioni Maggiore Paperback
19681412967Florence: Edizioni Stanza 1968. Limited Edition: #65 of 97. Hardcover. Quarto 55 leaves. In Very Good condition. In dark green cloth quarter binding with wooden boards with white titling to spine. Boards show some scuffs to covers and rubbing along edges. Torn paper label affixed to the front cover creased missing majority of the text. Chipping to paint titling on front cover. Lettering on spine is faded from rubbing. Light fraying at the head and tail of spine. Text block shows light age toning. Very slight wrinkling/curling to bottom fore corners of pages throughout. Small scuffs on endpapers. Splitting along the bottom half of the front hinge. Interior otherwise clean. Shelved in Room A Oversized Overflow<br /> <br /> <br> <br> . A very rare art book handcrafted in 97 numbered copies 90 commercially available numbered from 1 to 90 and 7 with Roman numerals reserved for the authors by the Stanza Group - the collective's first. The plates used to print this book were destroyed after publication. 1412967. Special Collections - Upstairs. Edizioni Stanza hardcover
15459473-071Giolito De Ferrari: In Vinegia Appresso Gabriel 1545. Half Leather Hard Cover. Acceptable. Leather and marbled paper hardcover with gold gilt lettering on spine. 1.25 x .5" tear on a front section of the leather near the spine rectangular shaped. Bookplate pasted down inside front cover. Title page has bottom 3/4" cut neatly off horizontally. First 8 pages have a dampstain on the outer edge of the margin resulting in discoloration but no wrinkling. Rear endpage has residue from a previously removed paste down of some sort. Can send photos. Size: 4 1/2 x 6 1/2 <br/> <br/> In Vinegia Appresso Gabriel hardcover
2M2577Flammarion Paris 2006. 381 S. mit zahlreichen Abbildungen Leineneinband mit Schutzumschlag im Original-Schuber quart Schuber gering berieben. unknown
1401JC072<p>In appendice contributi di Francesco Quieto Aldo Ziggioto. Nuova Raccolta Colombiana. XVII. Ministero per i Beni Culturali e Ambientali. Comitato Nazionale per le Celebrazioni del V Centenario della Scoperta dellAmerica. Istituto Poligrafico e Zecca dello Stato. Roma. 1993.</p>_x000d_<p>De 30x21 cm. Com 309 págs. Encadernação do editor em pergaminho rígido com ferros a ouro na lombada e nas pastas acondicionada em caixa.</p>_x000d_<p>Profusamente ilustrado com as várias hipóteses de arquitectura naval sugeridas pelos especialistas ao longo dos tempos para a construção dos navios Santa Maria Pinta e La Niña.</p>_x000d_<p>Obra impressa em papel de linho filigranado produzido especialmente para esta edição e apresentando marca-de-água com a efígie de Colombo em todos os fólios.</p>_x000d_<p>Inclui bibliografia e índice. Obra completa pertencente à colecção editada pelo Estado Italiano com o título de Nuova Racolta Colombiana. Tiragem especial de 47/100 exemplares.</p> I-28-D-1 unknown
3-33362Bologna Sampietro 1966 8vo quadrato cm. 23 x 23 cartonato editoriale con bella sovraccoperta illustrata a colori cuciture con elastici pp. nn. 150 ca.: introduzione di Adriano Spatola 70 splendide tavole in bianco e nero di Vaccari per lo più tracce appunto di un'arte collettiva urbana murale intramezzate da pagine in cartoncino marrone. Piccoli strappi marginali alla sovraccoperta; peraltro esemplare in ottimo stato facente parte della tiratura di 1000 esemplari numerati per il mercato italiano viene segnalata una seconda tiratura per il mercato estero sempre di 1000 esemplari identificati con numeri romani. La nostra copia è la n. 236. Edizione originale. unknown
ANAIS-0030723078Oxford University Press. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Oxford University Press hardcover