19th Century EngraverBiblio.com
8 059 résultats
71-4428London: The Illustration London News 27 April 1872. Wood engraving. 26 x 38 cm. sheet. Very Good. Light toning along sheet edges. London: The Illustration London News, 27 April 1872. unknown
71-8746London: Punch or The London Charivari 1868. Hand-colored illustration. 27 x 21 cm sheet. Good light toning tears and a hole along sheet edges horizontal tear at left center extending into the image. London: Punch, or The London Charivari, 1868. unknown
71-3159London: British Publisher circa 1842. Steel engraving. 161 x 180 mm. sheet. Good vertical tear at top edge of sheet two vertical creases margins trimmed.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London: British Publisher, circa 1842]. unknown
71-7646London: British Publisher circa 1830. Hand-colored etching. 34 x 27 cm sheet. Very Good.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London: British Publisher, circa 1830]. unknown
71-4340London: British Publisher circa 1880. Wood engraving. 18 x 25.5 cm. sheet. Very Good. Masking tape remains showing through at top and bottom sheet edges. Text on the reverse. A small tear at bottom sheet edge. [London: British Publisher, circa 1880]. unknown
71-3226Williamsburg VA.: Williamsburg Print Replica circa 1990. Color offset lithograph of an original watercolor. 340 x 265 mm. sheet. Very Good.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. Williamsburg, VA.: Williamsburg Print Replica, circa 1990. unknown
71-3800London: Cassell Petter & Galpin circa 1890. Wood engraving. 17.5 x 24 cm. sheet. Very Good. A few tears at bottom sheet edge. Text in English on verso. London: Cassell, Petter & Galpin, circa 1890. unknown
71-4171London: British Publisher circa 1790. Handcolored illustration. 15 x 24.5 cm. sheet. Very Good. Text on verso. [London: British Publisher, circa 1790]. unknown
71-4398London: British Publisher circa 1790. Etching and engraving. 23.5 x 27.5 cm. sheet. Very Good. Toning along sheet edges. [London: British Publisher, circa 1790]. unknown
71-9006New York: Harper’s Weekly October 10 1874. Double-page wood engraving on newsprint. Text on verso. 40 x 54 cm sheet. Good age toning along the sheet edges tears to sheet edges. New York: Harper’s Weekly, October 10, 1874. unknown
73-4489London: 19th Century British Publisher circa 1800s. 23x14 cm. Black and white engraving. Very Good. [London?: 19th Century British Publisher, circa 1800s] unknown
71-9219London: The Illustrated London News Feb. 28 1857. Wood engraving on newsprint. Text on verso. 40 x 27.5 cm sheet. Very Good age toning along the sheet edges a tiny hole in top image. London: The Illustrated London News, Feb. 28, 1857. unknown
50289Little Bromley Essex: 1812. Handwritten folio paper document dated 1812. 5 folded folio sheets with neat handwriting on one side only. 16.5" x 13.0". Water mark to paper dated 1810. Just a few small creases and light soiling to the title-page: "1812 - Abstract of the title to a Freehold Cottages and Premises at Little Bromley Essex". The Abstract lists details of 6 earlier indentures: i 18th & 19th Nov 1713 Isaac Read Beaumont Cum Moze Essex Yeoman to Nathaniel Bantuck of Chatisham Suffolk Carpenter for cottage and land ".adjoining to Bromley Heath and abutting upon the road leading to Little Bromley." ; ii 6th & 7th June 1729 Nathaniel Bantuck . and Susana his wife and Benjamin Chippington Little Bromley carpenter ; 5th June 1729 Benjamin Chippington and Nathaniel Sherman of Lawford Essex ; 1st April 1745 Benjamin Chippington and Samuel Jackson of Lawford Essex Yeoman; 28th August 1795 Benjamin Chippington of the Parish of Little Bromley Carpenter and Hannah his wife and Benjamin Carrington of the Parish of Little Bromley ".cottage and Tenement and a Carpenters Shop thus divided into two Tenements and three roods of Land. adjoining to Bromley Heath and abutting upon the road that leadeth to Little Bromley on the part of the south and upon a road leading to Great Bromley." ; Trinity term 1799 Benj. Carrington commenced Ejectment to recover Possession. "Agreement dated 19th May 1800 Benjamin Chippington and his wife Hannah Elizabeth Wheeler the persons in Possession attained Tenants to the said Benjamin Carrington" . Little Bromley, Essex: 1812. unknown
71-8145Paris: Pellerin a Epinal circa 1875. Hand-colored lithograph. 31.5 x 42 cm sheet. Very Good tears along sheet edges sheet age toned. Paris: Pellerin a Epinal, circa 1875. unknown
18-2332Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5†x 12â€. Very Good. Reinforced with tape on verso. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2333Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5†x 12â€. Very Good. Reinforced with tape on verso. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
71-3300Paris: Chez Aubert circa 1848. Lithograph. 37 x 25.7 cm. sheet. Good light foxing throughout. Paris: Chez Aubert, circa 1848. unknown
71-3299Paris: Chez Aubert 1848. Lithograph. 25.5 x 36.5 cm. sheet. Good light foxing throughout. Paris: Chez Aubert, 1848. unknown
18-2263Paris France: Grognet 1870-1871. Hand-colored broadside on paper 10†x 13.5â€. Very Good. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Paris, France: Grognet, [1870-1871?]. unknown
18-2340Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 11.5†x 11.5â€. Good. Losses on left and right edges. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2336Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 11.5†x 11.5â€. Good. Losses on left and right edges. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2343Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5†x 12â€. Very Good. Some tears on edges repaired with tape on verso. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2346Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15†x 12â€. Significant losses on edges. Some text and image missing. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2335Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16.5†x 12â€. Very Good. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2339Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15†x 12â€. Very Good. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
