19th Century ArtistBiblio.com
8 059 résultats
71-3223Williamsburg VA.: Williamsburg Print Replica circa 1990. Color offset lithograph of an original watercolor. 340 x 265 mm. sheet. Very Good.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. Williamsburg, VA.: Williamsburg Print Replica, circa 1990. unknown
16-5747Circa 18th Century. Watercolor. 27 x 22. 5cm. Signed and titled. Expertise by Cabinet POULAINExperts en livres anciens et modernesElvire Poulain : Circa 18th Century unknown
71-8883London: British Publisher circa 1880. Color lithograph. 21 x 28 cm sheet. Very Good minor soiling and foxing in the margin areas. [London: British Publisher, circa 1880]. unknown
71-8884London: British Publisher circa 1880. Color lithograph. 21 x 28 cm sheet. Very Good minor soiling and foxing in the margin areas. [London: British Publisher, circa 1880]. unknown
73-4219London: 19th Century British Publisher circa 1800s. 26x18 cm. Hand colored engraving. Very Good. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s] unknown
71-6079London: The Illustrated London News 1856. Hand-colored wood engraving. 17 x 27.5 cm sheet. Text in English on verso. Very Good light toning along right sheet edge. London: The Illustrated London News, 1856. unknown
18-2392Epinal France: Olivier-Pinot 1870-1900. Color broadside Bilderbogen 16†x 11â€. Good. Some losses and tears along edges not affecting image. Repaired with tape on verso. Text in French.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Olivier-Pinot, [1870-1900]. unknown
71-9225London: The Illustrated London News Jan. 24 1852. Wood engraving on newsprint. Text on verso. 40 x 27.5 cm sheet. Very Good age toning along the sheet edges. London: The Illustrated London News, Jan. 24, 1852. unknown
71-2994European Publisher circa 1875. Etching. 21.7 x 14 cm. sheet. Good some worm holes sheet toned. [European Publisher, circa 1875]. unknown
16-5746Circa 18th Century. Watercolor. 27 x 22. 5cm. Signed and titled. Expertise by Cabinet POULAINExperts en livres anciens et modernesElvire Poulain : Circa 18th Century unknown
71-4369London: British Publisher circa 1880. Chromolithograph. 13.5 x 10 cm. sheet. Very Good. [London: British Publisher, circa 1880]. unknown
71-3491Paris: Victor Delarue & Cie. 1848. Lithograph. 37.5 x 27 cm. sheet. Very Good light specks of foxing. Paris: Victor Delarue & Cie., 1848. unknown
71-8886New York: American Publisher circa 1875. Color lithograph with gum arabic. 29 x 22 cm sheet. Very Good minor soiling and foxing in the margin areas. [New York: American Publisher, circa 1875]. unknown
71-9028New York: Harper’s Weekly Supplement September 4 1875. Double-page wood engraving on newsprint. Text on verso. 40 x 54 cm sheet. Very Good age toning along the sheet edges a few tears along sheet edges. New York: Harper’s Weekly, Supplement, September 4, 1875. unknown
17-1496Epinal France: Pellerin 1870-1871. Large format color broadside 16†x 13â€. Very Good. Minor wear along edges. Minor toning and very light spots of foxing. Ragged left edge. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: [Pellerin?], [1870-1871]. unknown
71-9223London: The Illustrated London News April 23 1853. Wood engraving on newsprint. Text on verso. 40 x 27.5 cm sheet. Very Good age toning along the sheet edges. London: The Illustrated London News, April 23, 1853. unknown
17-6756Gemany: German publisher circa 1856. Hand-colored wood engraving on newsprint. Text in German. 14 x 22 cm image. 15 x 25 cm sheet. Very Good. Gemany: German publisher, circa 1856. unknown
71-3029London: British Publisher circa 1880s. Photomechanical print. 275 x 215 mm. sheet. Good some foxing tear at lower sheet edge.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London: British Publisher, circa 1880s]. unknown
76-1375New York: Endicott 1843. Color lithograph. 29 x 22.5 cm sheet. Good matte staining in margin areas. New York: Endicott, 1843. unknown
71-3133London: R. Ackermann 1824. Hand colored etching. 130 x 80 mm. sheet. Very Good.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. London: R. Ackermann, 1824. unknown
73-4430London: 19th Century British Publisher circa 1800s. 22x25 cm. Hand colored engraving. Very Good. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s?] unknown
71-4177New York; Ballou’s Pictorial Drawing Room Companion 1856. Hand-colored wood engraving. approx. 19 x 28 cm. sheet. Very Good. Text on verso. [New York]; Ballou’s Pictorial Drawing Room Companion, 1856. unknown
73-4383London: 19th Century British Publisher circa 1800s. 14x8 cm. Black and white engraving. Very Good. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s] unknown
18-2250Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16†x 11â€. Very Good. Minor foxing. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871]. unknown
18-2350Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15†x 12â€. Very Good. Minor loss on bottom left corner not affecting image. Repaired with tape on verso. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
