2 223 résultats
18371123806Wien, Wallishausser, (etwa 1837). Kl.-8vo. Titel, 292 S., 2 Bl., 6 Kupfertaf. v. F. John nach Correggio, van Dyk u.a. Neuer Ppbd (etwas braunfl., es fehlt der Vortitel = S.1/2).
1890List01108Mostly Patagonia 1890. Printing-out paper prints the images measuring 3 1/4x4 1/2 to 4 1/4x6 inches and the reverse each with a caption written on a label affixed to the mount below the prints. 4to blue pictorial cloth. 1890s. In this bound photo album forty-six photographs document a group traveling from pastoral locations in northern Argentina to breathtaking views at the southern tip of the continent. The photographs were taken by an accomplished photographer and handwritten captions in English provide brief descriptions of the locations and people documented. Apparently a member of an exploration commission the photographer and his team travel first from Bahia Brazil to Buenos Aires and La Pláta then on to the southern tip of the continent and back up the continent through remote lakes and mountains on both sides of the Chilean/Argentinian border.<br /> <br /> While the photographer’s name and nationality are not clear from the album there are two photographs with a Sr. Moreno who is likely the Argentinian explorer Francisco ‘Perito’ Moreno. The photographs of “Sr. Moreno†bear a clear resemblance to photographs of Francisco Moreno and they are taken in La Plata which is where Moreno was the first director of the natural history museum Museo de La Plata. On the album page following the one with photographs of Sr. Moreno there are photographs of the Museo de La Plata building and grounds. Museo de La Plata was established in 1884 and Moreno’s personal collection of 15000 pieces formed the core of the original collections Farro. In order to fill the exhibit rooms he sought more materials and carried out collecting campaigns in Patagonia. At times he hired naturalists to travel into remote parts of Patagonia to gather samples of flora fauna geology and artifacts of indigenous people’s culture Farro. Museo de la Plata was exhibiting anthropological remains and indigenous material culture at the same time that Argentina was expanding into indigenous territory Farro. In this way Museo de la Plata was not just a natural history museum it was also a force of colonialism. <br /> <br /> Not only was Argentina in the process of colonizing Patagonia but also it sought to claim and maintain territory in relation to Chile. A sixty year boundary controversy between Argentina and Chile resulted in the Treaty of 1881 in which the two countries agreed for the first time on the boundaries in Patagonia Perry. Even after 1881 vague language in the treaty that the boundary be “the most lofty peaks that divide the waters†extended the dispute until 1902 Perry. Because Patagonia had not been colonized extensively scientific exploration of the region was tied with nation-building and establishing these borders. In 1896 the Argentinean government appointed Moreno as the Expert Representative in the border dispute with Chile. He led commissions of naturalists and surveying engineers through the disputed border regions along the Andes Mountains Museo de La Plata n.d. Moreno’s work had parallels in Chile’s attempts to establish borders too: “Through the work of these explorers the state was able to.draw up laws and decrees regarding environmental destruction and more effectively defend its position in the limits conflict with Argentina†Etchegaray 2018. <br /> <br /> We do not know whether the exploration commission in this photo album was affiliated with Moreno the collections of Museo de la Plata or the boundary controversy. However given the route to the tip of the continent and the back up along the newly established border it seems possible that this commission could have played some role – whether directly or indirectly – in the process of exploration and nation building occurring at that time. <br /> <br /> References<br /> <br /> Etchegaray J. L. 2018. Cataloging the nation: Explorations and the incorporation of North Patagonia into the Chilean National Ordering 1856-1902 Thesis San Francisco State University. In AS36 2018 HIST .E83. http://dspace.calstate.edu/handle/10211.3/213510<br /> <br /> Farro Máximo E. n.d. The Business of Museums: Towards a History of Collections in La Plata’s Museum 1888-1906 – World Archaeological Congress. Retrieved June 15 2021 from https://worldarch.org/world-archaeological-bulletin/the-business-of-museums-towards-a-history-of-collections-in-la-platas-museum-1888-1906/<br /> <br /> Ryan C. 2011. Indigenous possessions: Anthropology museums and nation-making in Argentina 1862–1943 Ph.D. The University of Wisconsin - Madison. Retrieved June 15 2021 from http://www.proquest.com/pqdtglobal/docview/885379045/abstract/E55A419FE8D54C0DPQ/1<br /> <br /> Museo de La Plata. n.d. Retrieved July 2 2021 from https://www.museo.fcnym.unlp.edu.ar/museo. unknown
18531319294Leipzig, C. F. Amelang, 1853. Gr.-8vo. Illustr. Titel, 8, 152 S. mit zahlr. Textholzschnitten. Neuer Hldrbd unter Verwendung des goldgeprägten Orig.-Rückenbezuges u. m. allseit. Goldschnitt (Vorderdeckel außen teils verblichen, innen m. Stempel, Papier gebräunt (Ränder stärker), einige Lagen stärker braunfleckig).
1810WRCLIT67042Japan 1810. Folio 33 x 27.5 cm. Late 19th or early 20th century marbled calf raised bands spine gilt extra gilt label a.e.g. with watercolor river scenes on paper onlaid as doublures. Binding extremities rubbed images offset a bit to interleaves occasional patches of darkening to backgrounds of a few images one corner of an interleaf creased and a bit torn but otherwise very good to near fine. A lovely collection of watercolor images on silk of birds moths and butterflies the artist unknown but the paintings executed with great skill. The twenty-two individual panels vary somewhat in size but approximate 24 x 20 cm to 20 x 16cm and each includes several specimens: in the case of the birds 2-4 in the case of the Lepidoptera 5-10. The individual panels are mounted to heavy stock via blue silk bordering. The birds are identified via manuscript captions next to each bird; the Lepidoptera are not captioned. A pencil note on the free endsheet in an early hand dates the paintings somewhat earlier 1700-1750 Shijo School than do those later in its most recent provenance: tipped in unidentified mid-20th century auction description dating the paintings to early 19th century - private collection. hardcover books
18950008390Chicago: Calumet Book & Engraving Co. 1895. Third edition enlarged. Hardcover. Very Good. 4to 658 pages some foxing original embossed leather covers rebacked with new leather spine a.e.g. Ex libris the Robert Daggett Family see p. 639 for the biographies of pioneers Joseph Daggitt including an inked correction; and Roberg Daggitt. <br/><br/>Buck 763. Steel-engraved portraits and photogravures. A surprising number of the biographees were not then living within Cook County so its reach is larger than just Cook. Calumet Book & Engraving Co. hardcover
18451315931Wien, A. Strauß's sel. Wittwe u. Sommer, 1845. 6 S., 1 Bl., 442 S. Schlichter Hlwdbd d. Zeit m. goldgeprägtem Rückentitel u. Monogramm (etwas berieben, Signatur u. Stempel (überklebt) auf dem Titel, Titel am Heftfalz m. Klebespur, vereinzelt braunfleckig).
18611235438Leipzig, F. A. Brockhaus, 1861. 2 Bl., 185 S., 3 S. weiß. Neuer Ppbd (stellenw. braunfleckig).
182678357Aarau, H. R. Sauerländer, 1826. 336 S. Gestoch. Titel mit Vign., 3 Kpfr.-Taf. nach B. Zix, gestochen von B. Zix u. F. Simon. Kl.-8vo (16 x 10,5 cm). Pp. d. Zt.
1890107620(Ohne Ort u. ohne Verlag). (Um 1890). 4 kartonierte Blätter. Mit 7 ganzseitigen u. farbigen Illustrationen. Farbig lithographierter Original-Einband. (Einband an den Kanten bestossen u. berieben sowie mit geringem Textverlust. Papier teils etwas frandfleckig). 24x16 cm
182279571Braunschweig. G. C. E. Meyer. 1822. X, 495 Seiten u. zwei Kupfertafeln mit zwei Porträtbildern. Dekorativ illustrierter, zeitgenössischer Kart.-Einband. (Einband teils etwas berieben. Papier teils gering gebräunt). 15x10 cm
18268455Landshut in Bayern. Bey Friedrich Wilhelma Michaelis 1826. XXIV, 168 Seiten. Breitrandiges, unaufgeschnittenes Exemplar. Originalbroschur mit lithographierter Titelumrandung. (Einband u. Papier teils fleckig u. gewellt. Titelblatt etwas eingerissen). 17x11 cm
18551310589Paris, Pagnerre, (1855). 192 S. m. zahlr. Illustr. Zweifarbig illustr. OBroschur (gebräunt u. etwas angestaubt, anfangs stärker, sonst innen nur minimal braunfleckig).
18301113713Paris, Janet, (1830). 12mo. Gestochener Titel, 16 Bl., 240 S., 2 Bl., 4 Kupfertaf. Roter OLdrbd m. Blindprägung u. schlichter Außenkantenverg. sowie allseit. Goldschnitt in OPp.-Schuber (Einbd fleckig, schwach braunrandig u. stellenw. etwas braunfl., Schuber beschäd.- Es fehlt S. 97/98).
18291113711Paris, Janet, (1829). 12mo. Gestochener Titel m. Vign., 14 Bl., 252 S., 2 Bl., 4 Kupfertaf. Roter OLdrbd m. reicher Rverg., goldgepr. Deckelbordüren sowie allseit. Goldschnitt in OPp.-Schuber (Einbd leicht fleckig, Innengelenke etwas gelockert, schwach braunrandig, Schuber berieben).
18661268199Paris, Amyot, 1866. Kl.-8vo. 2 Bl., 922 S. m. einigen Wappendarstellungen. Roter OLwdbd m. goldgeprägten Titel u. goldgeprägter Deckelvignette (Vorsätze erneuert, fehlt das Frontispiz, die ersten Seiten m. kl. Randläsuren).
18071123662Tübingen, Cotta, (1807). Kl.-8vo. Gestochener Titel m. Vignette, 200 S., 7 Bl. "Souvenir" (Notizblätter m. gest. Umrahmung u. Tierkreiszeichen), 5 (st. 8) Kupfertaf. OPpbd m. Einbandillustr. in Kupferstich m. allseit. Goldschnitt (Buchblock gebrochen, Deckel lose, stellenw. etwas braunfl.).
18081123676Tübingen, Cotta, (1808). Kl.-8vo. Gestochener Titel m. Vignette, 8 Bl., 196 S., 8 Kupfertaf. OPpbd m. Einbandillustr. in Kupferstich u. allseit. Goldschnitt in Schuber (etwas beschabt, stellenw. etwas braunrandig).
18111123668Tübingen, J. G. Cotta u. Paris, Treuttel & Würtz, (1811). Kl.-8vo. Gestochener Titel m. Vignette, 11 (st. 13) S., 231 S. OPpbd m. floraler Einbandillustr. in Farbholzschn. u. allseit. Goldschnitt (Rücken ausgebessert, stellenw. etwas braunfl.- Es fehlt 1 Bl. Erklärung d. Kupfertaf. sowie die 8 Kupfertaf. selbst, dafür sind 5 Taf. m. kolor. Theaterfigurinen beigegeben).
18031123671Tübingen, Cotta, (1803). Kl.-8vo. Gestochener Titel m. Vignette, 8 Bl., 223 S., 3 gefalt. gest. Notenbll. OPpbd m. Einbandillustr. in Kupferstich u. allseit. Goldschnitt (Einbd m. Griffspur, vord. Gelenk gelockert, stellenw. etwas braunfl.- Es fehlen die 6 Kupfertaf.).
18121238203Wien u. Triest, J. Geistinger, 1812. Titel, 2 Bl., 430 S. Marmorierter Ppbd d. Zeit (leicht berieben, vereinzelt stärker, sonst schwach braunfleckig).
18181111250Wien, Wallishausser, 1818. Kl.-8vo. 2 Bl., 284 S. Br. d. Zeit (Rücken überkl., beschabt, durchg. braunfl.).
18101110764Riga, Hartmann, 1810. Kl.-8vo. Gestochener Titel, 256 S., 6 Rollenkupfer. Lwdbd d. Zeit (Einbd etwas fleckig, flieg. Vors. m. überkl. Stempel, einige Seiten u. Taf. m. Abklatsch).
18141110753Leipzig, Hartmann, 1814. Kl.-8vo. Gestochener Titel, 1 Bl., 366 S., 6 handkolor. Rollenkupfer nach Junge von H. Müller u.a. Etwas späterer Ppbd (m. Folie bezogen, Buchblock verzogen, durch stark braunfl., Titel u. teils auch die Taf. verso gestempelt).
18241110798Leipzig, Kummer, 1824. Kl.-8vo. Gestochener Titel, 1 Bl., 308 S., 6 handkolor. Rollenkupfer (Junge del., Böttger sc.). OPpbd m. farb. Einbdillustr. in Kupferstich (nur leicht berieben).
18261110803Leipzig, Kummer, 1826. Kl.-8vo. Gestochener Titel, 1 Bl., 301 S., 5 handkolor. Rollenkupfer (Junge del., Brückner sc.). OPpbd m. farb. Einbdillustr. in Kupferstich (leicht etwas berieben, Titel u. Taf. etwas gebräunt).