Agnellus, of Ravenna, Abbot, 9th CenturyBiblio.com
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2006053335Turnhout: Brepols Publishers 2006. Cura et studio Deborah Mauskopf Deliyannis. 391 2p. original red cloth Corpus christianorum. Continuatio mediaevalis 199. Brepols Publishers unknown
a87117Paris 1649 first edition Jacques Guillery. Octavo 16p. later wraps. Original printing. Good top margin cropped just to top of letters no loss of text. . paperback
3911610th June 1884 . 1884 - Ballingdon - Agreement by Uriah Cross Great Cornard Suffolk Innkeeper as agent for Charles Hicks Ballingdon Essex Whitesmith to Edward Ephraim Ready Sudbury Suffolk Harness Maker. �.to purchase eight cottages and shop situated in Ballingdon Street.Essex. �Folded folio watermarked paper written on 2 sides - signed by Cross & Ready over penny lilac stamps. According to the 1891 census Uriah Cross ran the Kings Head Inn Great Cornard Suffolk . . 10th June, 1884 . unknown
39131Sudbury: 24th July 1823 . 1823 - Sudbury - Agreement for purchase of messuage & garden by Thomas Smith of Sudbury Suffolk Cordwainer from William Moulton No.5 Portland St. London carpenter and joiner. The property; Cornard End Cornard Street Parish of Saint Peter was formerly occupied by James Webb then Thomas Moulton then Charlotte his widow. Folded sheet of paper watermarked 1816 - folded in 2 written on 2 sides. Signed by William Moulton & Thomas Smith witnessed by Wm Dowman. Sudbury: 24th July, 1823 . unknown
18-2385Pont-à -Mousson: Haguenthal 1870-1900. Large format color broadside Bilderbogen 16†x 11â€. Good. Some loss in left margin not affecting image. Bottom row of images detached from top two rows. Mounted on paper. Text in French.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Pont-à-Mousson: Haguenthal, [1870-1900]. unknown
71-6856Paris: Chez Marotte circa 1830. Hand-colored lithograph. 34.5 x 27 cm sheet. Good foxing throughout sheet toned small tears along sheet edges.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Chez Marotte, circa 1830. unknown
19782080202105600773Not Available 1978. Soft Cover. Fine. The book is in fine condition. Not Available paperback
63-1285Ca. 1990. 14" x 11" Print of Color Photograph mounted on Fome-Cor. Very Good. Ca. 1990. unknown
70-5464Brussels: RTBF 1994. Black and white glossy photograph. 5 x 7 inches. Very Good. Wear from handling. Printed in Belgium. Black-and-white still from the film Alberto Express featuring Italian actor Nino Manfredi in a close-up scene writing at a table with a bottle in the background. Brussels: RTBF, 1994 unknown
1890List01108Mostly Patagonia 1890. Printing-out paper prints the images measuring 3 1/4x4 1/2 to 4 1/4x6 inches and the reverse each with a caption written on a label affixed to the mount below the prints. 4to blue pictorial cloth. 1890s. In this bound photo album forty-six photographs document a group traveling from pastoral locations in northern Argentina to breathtaking views at the southern tip of the continent. The photographs were taken by an accomplished photographer and handwritten captions in English provide brief descriptions of the locations and people documented. Apparently a member of an exploration commission the photographer and his team travel first from Bahia Brazil to Buenos Aires and La Pláta then on to the southern tip of the continent and back up the continent through remote lakes and mountains on both sides of the Chilean/Argentinian border.<br /> <br /> While the photographer’s name and nationality are not clear from the album there are two photographs with a Sr. Moreno who is likely the Argentinian explorer Francisco ‘Perito’ Moreno. The photographs of “Sr. Moreno†bear a clear resemblance to photographs of Francisco Moreno and they are taken in La Plata which is where Moreno was the first director of the natural history museum Museo de La Plata. On the album page following the one with photographs of Sr. Moreno there are photographs of the Museo de La Plata building and grounds. Museo de La Plata was established in 1884 and Moreno’s personal collection of 15000 pieces formed the core of the original collections Farro. In order to fill the exhibit rooms he sought more materials and carried out collecting campaigns in Patagonia. At times he hired naturalists to travel into remote parts of Patagonia to gather samples of flora fauna geology and artifacts of indigenous people’s culture Farro. Museo de la Plata was exhibiting anthropological remains and indigenous material culture at the same time that Argentina was expanding into indigenous territory Farro. In this way Museo de la Plata was not just a natural history museum it was also a force of colonialism. <br /> <br /> Not only was Argentina in the process of colonizing Patagonia but also it sought to claim and maintain territory in relation to Chile. A sixty year boundary controversy between Argentina and Chile resulted in the Treaty of 1881 in which the two countries agreed for the first time on the boundaries in Patagonia Perry. Even after 1881 vague language in the treaty that the boundary be “the most lofty peaks that divide the waters†extended the dispute until 1902 Perry. Because Patagonia had not been colonized extensively scientific exploration of the region was tied with nation-building and establishing these borders. In 1896 the Argentinean government appointed Moreno as the Expert Representative in the border dispute with Chile. He led commissions of naturalists and surveying engineers through the disputed border regions along the Andes Mountains Museo de La Plata n.d. Moreno’s work had parallels in Chile’s attempts to establish borders too: “Through the work of these explorers the state was able to.draw up laws and decrees regarding environmental destruction and more effectively defend its position in the limits conflict with Argentina†Etchegaray 2018. <br /> <br /> We do not know whether the exploration commission in this photo album was affiliated with Moreno the collections of Museo de la Plata or the boundary controversy. However given the route to the tip of the continent and the back up along the newly established border it seems possible that this commission could have played some role – whether directly or indirectly – in the process of exploration and nation building occurring at that time. <br /> <br /> References<br /> <br /> Etchegaray J. L. 2018. Cataloging the nation: Explorations and the incorporation of North Patagonia into the Chilean National Ordering 1856-1902 Thesis San Francisco State University. In AS36 2018 HIST .E83. http://dspace.calstate.edu/handle/10211.3/213510<br /> <br /> Farro Máximo E. n.d. The Business of Museums: Towards a History of Collections in La Plata’s Museum 1888-1906 – World Archaeological Congress. Retrieved June 15 2021 from https://worldarch.org/world-archaeological-bulletin/the-business-of-museums-towards-a-history-of-collections-in-la-platas-museum-1888-1906/<br /> <br /> Ryan C. 2011. Indigenous possessions: Anthropology museums and nation-making in Argentina 1862–1943 Ph.D. The University of Wisconsin - Madison. Retrieved June 15 2021 from http://www.proquest.com/pqdtglobal/docview/885379045/abstract/E55A419FE8D54C0DPQ/1<br /> <br /> Museo de La Plata. n.d. Retrieved July 2 2021 from https://www.museo.fcnym.unlp.edu.ar/museo. unknown
18950008390Chicago: Calumet Book & Engraving Co. 1895. Third edition enlarged. Hardcover. Very Good. 4to 658 pages some foxing original embossed leather covers rebacked with new leather spine a.e.g. Ex libris the Robert Daggett Family see p. 639 for the biographies of pioneers Joseph Daggitt including an inked correction; and Roberg Daggitt. <br/><br/>Buck 763. Steel-engraved portraits and photogravures. A surprising number of the biographees were not then living within Cook County so its reach is larger than just Cook. Calumet Book & Engraving Co. hardcover
18258Albumen photo of women doing factory work. C. 1890s. Measures 9 x 7 inches. Photo shows 4 women working over a large industrial machine two on either side so they face one another. 2 wear dark smocks over their dresses sleeves rolled to the elbows as their hands work the machine. Their hair is tied back and eyes turned downward focused on the work. A man in vest and shirtsleeves stands behind them presumably supervising their progress. The 1800s saw new job opportunities for women on factory floors providing independence previously unavailable. The working conditions were often harsh with women receiving one half to two-third of male wages and working up to sixteen hours a day six days a week. The women in this image appear to be in a basement room a small gas light hanging from the ceiling and stone walls visible behind them lined with a jumble of boxes. The Female Protective Union was established in 1850s in order to improve workplace conditions for women. Sunning to image but details and expressions still clear. Small 1-inch surface tear to side of image does not affect subjects or important details. Overall very good condition. unknown
71-3134London: R. Ackermann 1824. Hand colored etching. 130 x 80 mm. sheet. Very Good.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. London: R. Ackermann, 1824. unknown
73-4203London: 19th Century British Publisher circa 1800s. 22x15 cm. Black and white engraving. Very Good.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s] unknown
63-1161Germany: 1837. . Steel Engraving. 10 x 8 cm. Good with some staining. Text in German. [Germany: 1837]. unknown
71-8984New York: Harper’s Weekly October 14 1865. Wood engraving. 39 x 28 cm sheet. Text in English on verso. Very Good a few brown spots along sheet edge. New York: Harper’s Weekly, October 14, 1865. unknown
70-5046Paris: Antenne 2 1989. Black and white glossy photograph. 5 x 7 inches. Very Good. Printed in France. Still from the film Alice dans les villes directed by Rüdiger Vogeler. Paris: Antenne 2, 1989 unknown
17-1455Los Angeles CA: Twentieth Century Fox 1940. . 7 x 9 inch black & white glossy publicity photograph. Very Good. Los Angeles, CA: Twentieth Century Fox, 1940. unknown
70-0050London: 20th Century Fox Ca. 1930s. Original color photograph issued as a postcard. 5.5 x 3.5 inches. Very Good. Printed on verso: Art Photo Post Card. Made in Great Britain. Signed in the plate. Scarce.Alice Jeanne Faye née Leppert; May 5 1915 – May 9 1998 was an American actress and singer. She sang "You'll Never Know" which won its composers the Academy Award for Best Original Song at the 1944 Oscars ceremony. Faye introduced the song in the musical film Hello Frisco Hello 1943. Faye was married twice and had two daughters. She married actor and singer Tony Martin in 1937 and they divorced in 1940. She married actor Phil Harris in 1941 a union which lasted until his death in 1995. London: 20th Century Fox, [Ca. 1930s]. unknown
63-7197Padua: ca. 1800. Engraving on Laid Paper Oblong 6.2 x 7.5 cm. Very Good with minor stain. Printed text on verso in Latin.From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [Padua: ca. 1800]. unknown
19-2147Hollywood CA: Twentieth Century-Fox Film Corporation 1983. 14 x 36 inches. Rolled Full-Color Movie Poster. Very Good. Twentieth Century Fox; Tom Cruise; Craig T. Nelson; Michael Chapman dir. [Hollywood, CA]: Twentieth Century-Fox Film Corporation, 1983. unknown
19-2085Hollywood CA: Twentieth Century Fox 1983. 27 x 41 inches. Rolled Full Color Movie Poster Very Good w/ Slight Creasing. Tom Cruise; Craig T. Nelson. [Hollywood, CA]: Twentieth Century Fox, 1983. unknown
1976371625Los Angeles : Twentieth Century Fox 1976. First Edition. Softcover. Single sheet movie poster for All This and World War II. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: Beatles' ""significance"" pushed to the breaking point in this bizarre documentary that juxtaposes their songs sung by a number of rock stars with World War II newsreel footage. Helen Reddy sings ""Fool On The Hill"" while Hitler relaxes at Bertchtesgaden and Rod Stewart husks ""Get Back"" while Nazi troops goose step. Los Angeles : Twentieth Century Fox paperback
69-8089England: 19th century printer. 6.5 x 10.75 cm. Very Good. Newspaper Clipping with wood engraved portrait of Allan Cunningham 1784-1842. Signature Facsimile. [England: 19th century printer] unknown
70-0065London: Metro-Goldwyn-Mayer Ca. 1930s. Original B&W photograph issued as a postcard. 5.5 x 3.5 inches. Very Good. Printed on verso: "Picturegoer" Series 85 Long Acre London; No. 1091b. Made in Great Britain.Allan Jones October 14 1907 – June 27 1992 was an American actor and tenor. He is best remembered as the romantic lead actor in the film musicals Show Boat and The Firefly as well as the male romantic lead in the Marx Brothers first two films for Metro-Goldwyn-Mayer A Night at the Opera and A Day at the Races. London: Metro-Goldwyn-Mayer, [Ca. 1930s]. unknown
