Stoudt, John Joseph.MareMagnum
Storace Erasmo SilvioMareMagnum
Maremagnum.com S.r.l. · Milano, IT4,66 €
7 167 résultats
403p. With over 400 illustrations. With the rarely seen Dust Jacket. Scarce. "Second Edition" of "Consider the Lillies" which was published for the Pennsylvania German Folklore Society.
pp. xx, 386 + Illustrations, many in color. Tall 8vo. Original coarse linen cloth binding. An important reference guide to the wonderful world of Pennsylvania 'Dutch' folk art. Pennsylvania German Folklore Society, Volume XXVIII. This was the last publication of the Pennsylvania German Folklore Society. PA **PRICE JUST REDUCED! GER SOC. BOX 6
380 p. Illustrated. 8vo. Original coarse linen cloth binding. Issued as Pennsylvania German Folklore Society, Volume XX. **PRICE JUST REDUCED!
333p. + Illustrations. 8vo. Original full cloth binding. Limited edition. Significant and articulate work on fraktur and other German-American folk arts. Also issued as: Pennsylvania German Folklore Society. Volume II. Scarce and desirable. **PRICE JUST REDUCED! BEFORE ORDERING PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
155p. 8vo. Original printed wraps. Limited Edition. Also issued as a Supplement to: Pennsylvania German Society. Volume XXIII. Scarce and important. **PRICE JUST REDUCED!
Materiale e prime valutazioni. In 4° br edit pp 240 circa. Movimento operaio, cultura di sinistra e folklore. Difesa della letteratura dialettale. Il caso Scotellaro… bibliografia.
150X215mm. 349 pages. Soft cover. Soft cover. Cover and spine edges slightly worn. Small sticker on rear cover. Cover corners slightly wrinkled. Pages slightly yellowing. Otherwise the book is in good condition.
pp. 83, cm 21x21, brossura, illustrazioni d'epoca in seppia.
192p. SOFTCOVER. Paperback Very good condition
195p. 8vo. Original full cloth binding. Limited edition. Pennsylvania German Folklore Society. Volume XIV. **PRICE JUST REDUCED! BEFORE ORDERING PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
In-16° (cm. 14,8x8,7), pp. 150, (3) + 14 TAVOLE seppia di riprod. o foto di opere d'arte fuori testo. I "masiere di Vedana" tra Mis e Mas presso Balluno; Maria Maddalena e Marta, le Sante del mare; san Marco Evangelista e le sue reliquie; S. Agnese; San Giorgio; le rose di S. Dorotea; ilbastone di San Cristoforo; San'Alessio sotto la scala; il ciabattino Sorore di Siena; S. Eufrosina; S. Giovanni Gualberto di Firenze; S. Caterina da Siena; Musa, una ballerina in Paradiso.
In-8° (cm. 21x15,5), pp. 740, (11). Bross. edit. Solido, minime scoloriture ai bordi dei piatti.
Ottimo, bross. ill., in-8, 740 pp, timbro
Stith Thompson La fiaba nella tradizione popolare. , Il Saggiatore 1994, Volume in buone condizioni con pagine ingiallite ai margini e lievemente imbarcate. La copertina è appena usurata ai margini, presenta una scoloritura in costa e piccole macchie in quarta Molto buono (Very Good) . <br> <br> Copertina flessibile <br> 752<br> 8842801577
23.5x15.5 cm. X+309 pages. Hardcover. Cover edges rubbed. Sticker on spine. Spine edges slightly bumped. Stamp on first white page. Else in good condition.
Royal8vo. Orig. pictorial cloth, gilt. A little dampstaining to margins of first ab. 50 pp. and some spots to frontcover. XLV,634 pp., 139 plates, some in chromolithography, 34 textfigs. (23rd Annual Report of the Bureau of American Ethnology).
Unpaginated. Traditional tales of Robin Hood, Maid Marian, and the merry outlaws, as depicted by the Muppet Characters. Abundant illustrations throughout. Book
[140]pp., 29cm., linnen band met goudopdruk, op luxe-papier, goede staat, zeldzaam, [Kijk- en prentenboek over heem- en volkskundige curiosa in Vlaanderen, rijkelijk geïllustreerd door tekenaar Steven Wilsens], B80124
First edition, 8vo, xvi, 200pp., + errata slip, orig. embossed cloth, joints and head and foot of spine a little frayed otherwise a very good copy.
75pp.met 34 zw/w illustraties (foto's), 24cm., linnen uitgeversband (enkele roestplekjes), goede staat, B89340
pp. vi, 36, (1)[Publisher's catalogue]. Uncut. Endpapers age stained. Small 8vo. Original full paper binding. Hardbound. First Edition. Very Good plus. James Stephens (1882-1950) was left fatherless in the Dublin slums at the age of two. His mother remarried or took up with another man when James was about six years of age. She abandoned her young son and he was forced to go to the Meath Protestant Industrial School for Boys. The Meath School was cruel and harsh and he ran away to live in the streets or live with families that took to the likely boy. In 1905 'The Greatest Miracle' was published by Arthur Griffith in The United Irishman. Griffith became good friends with Stephens and published his works in his magazine know as the Sinn Fein. From 1905-1910, Stephens attended Gaelic League classes and become involved with political meetings. During this time he published several pieces which focused on Irish national pride, the importance of learning one's Irish language and customs, and remembering the ancient saga heroes. Stephens met many of his great contemporaries during this period including George Russell (AE), George Moore, W.B. Yeats, Lady Gregory, etc. In the year 1912, Stephens published The Charwoman's Daughter and later in the same year his noted work The Crock of Gold. The Crock of Gold was a great success and Stephens moved to Paris so he could concentrate on writing full time. Cynthia Kavanagh who had been his lover since 1907 accompanied him. He later married her in 1919. The Demi-Gods was published in 1914 and in 1915 he moved back to Dublin to become the Registrar of the National Gallery of Ireland (and stayed in that position till 1924). Stephens witnessed the shooting of a man as a result of the Easter Uprising in Dublin in 1916. This became a turning point for him as the event intensified his patriotic feelings and renewed his interest in old Irish literature. Stephens moved to London in the year 1925. He began a series of lecture tours which extended to the United States. In 1935 Stephens began a literary and personal friendship with James Joyce. His colleagues considered Stephens to be a genius who easily embraced fantasy, philosophy, and comedy - those who read him today will still be struck by his genius. **PRICE JUST REDUCED! STEPHENS/W77
pp. xxii, 260. Uncut. Fore-edge age stained. Endpapers foxed. 8vo. Original full green cloth binding, gold lettered spine. Hardbound. First Trade Edition. James Stephens (1882-1950) was left fatherless in the Dublin slums at the age of two. His mother remarried or took up with another man when James was about six years of age. She abandoned her young son and he was forced to go to the Meath Protestant Industrial School for Boys. The Meath School was cruel and harsh and he ran away to live in the streets or live with families that took to the likely boy. In 1905 'The Greatest Miracle' was published by Arthur Griffith in The United Irishman. Griffith became good friends with Stephens and published his works in his magazine know as the Sinn Fein. From 1905-1910, Stephens attended Gaelic League classes and become involved with political meetings. During this time he published several pieces which focused on Irish national pride, the importance of learning one's Irish language and customs, and remembering the ancient saga heroes. Stephens met many of his great contemporaries during this period including George Russell (AE), George Moore, W.B. Yeats, Lady Gregory, etc. In the year 1912, Stephens published The Charwoman's Daughter and later in the same year his noted work The Crock of Gold. The Crock of Gold was a great success and Stephens moved to Paris so he could concentrate on writing full time. Cynthia Kavanagh who had been his lover since 1907 accompanied him. He later married her in 1919. The Demi-Gods was published in 1914 and in 1915 he moved back to Dublin to become the Registrar of the National Gallery of Ireland (and stayed in that position till 1924). Stephens witnessed the shooting of a man as a result of the Easter Uprising in Dublin in 1916. This became a turning point for him as the event intensified his patriotic feelings and renewed his interest in old Irish literature. Stephens moved to London in the year 1925. He began a series of lecture tours which extended to the United States. In 1935 Stephens began a literary and personal friendship with James Joyce. His colleagues considered Stephens to be a genius who easily embraced fantasy, philosophy, and comedy - those who read him today will still be struck by his genius. **PRICE JUST REDUCED! STEPHENS/W77
pp. v, 199. Top edge decorated green. 8vo. Original full cloth binding, decorated and lettered in brown. Spine faded. Hardbound. First Edition. James Stephens (1882-1950) was left fatherless in the Dublin slums at the age of two. His mother remarried or took up with another man when James was about six years of age. She abandoned her young son and he was forced to go to the Meath Protestant Industrial School for Boys. The Meath School was cruel and harsh and he ran away to live in the streets or live with families that took to the likely boy. In 1905 'The Greatest Miracle' was published by Arthur Griffith in The United Irishman. Griffith became good friends with Stephens and published his works in his magazine know as the Sinn Fein. From 1905-1910, Stephens attended Gaelic League classes and become involved with political meetings. During this time he published several pieces which focused on Irish national pride, the importance of learning one's Irish language and customs, and remembering the ancient saga heroes. Stephens met many of his great contemporaries during this period including George Russell (AE), George Moore, W.B. Yeats, Lady Gregory, etc. In the year 1912, Stephens published The Charwoman's Daughter and later in the same year his noted work The Crock of Gold. The Crock of Gold was a great success and Stephens moved to Paris so he could concentrate on writing full time. Cynthia Kavanagh who had been his lover since 1907 accompanied him. He later married her in 1919. The Demi-Gods was published in 1914 and in 1915 he moved back to Dublin to become the Registrar of the National Gallery of Ireland (and stayed in that position till 1924). Stephens witnessed the shooting of a man as a result of the Easter Uprising in Dublin in 1916. This became a turning point for him as the event intensified his patriotic feelings and renewed his interest in old Irish literature. Stephens moved to London in the year 1925. He began a series of lecture tours which extended to the United States. In 1935 Stephens began a literary and personal friendship with James Joyce. His colleagues considered Stephens to be a genius who easily embraced fantasy, philosophy, and comedy - those who read him today will still be struck by his genius. **PRICE JUST REDUCED! STEPHENS/W77
pp. 345, (4)[Publisher's catalogue]. Endpapers foxed. Bookseller's label. 8vo. Original full purple cloth binding, gold lettered and decorated. Spine very faded. Hardbound. First American Edition. James Stephens (1882-1950) was left fatherless in the Dublin slums at the age of two. His mother remarried or took up with another man when James was about six years of age. She abandoned her young son and he was forced to go to the Meath Protestant Industrial School for Boys. The Meath School was cruel and harsh and he ran away to live in the streets or live with families that took to the likely boy. In 1905 'The Greatest Miracle' was published by Arthur Griffith in The United Irishman. Griffith became good friends with Stephens and published his works in his magazine know as the Sinn Fein. From 1905-1910, Stephens attended Gaelic League classes and become involved with political meetings. During this time he published several pieces which focused on Irish national pride, the importance of learning one's Irish language and customs, and remembering the ancient saga heroes. Stephens met many of his great contemporaries during this period including George Russell (AE), George Moore, W.B. Yeats, Lady Gregory, etc. In the year 1912, Stephens published The Charwoman's Daughter and later in the same year his noted work The Crock of Gold. The Crock of Gold was a great success and Stephens moved to Paris so he could concentrate on writing full time. Cynthia Kavanagh who had been his lover since 1907 accompanied him. He later married her in 1919. The Demi-Gods was published in 1914 and in 1915 he moved back to Dublin to become the Registrar of the National Gallery of Ireland (and stayed in that position till 1924). Stephens witnessed the shooting of a man as a result of the Easter Uprising in Dublin in 1916. This became a turning point for him as the event intensified his patriotic feelings and renewed his interest in old Irish literature. Stephens moved to London in the year 1925. He began a series of lecture tours which extended to the United States. In 1935 Stephens began a literary and personal friendship with James Joyce. His colleagues considered Stephens to be a genius who easily embraced fantasy, philosophy, and comedy - those who read him today will still be struck by his genius. **PRICE JUST REDUCED! STEPHENS/W77
