Studio Stampij Durantin ChristelLivre Rare Book
3 913 résultats
2018500014602Lantaarn Publishers 2018 96 pages 16x16x2cm. 2018. Poche. 96 pages.
2018500081418Lantaarn Publishers 2018 96 pages 16x16x2cm. 2018. Poche. 96 pages.
2018500097336Lantaarn Publishers 2018 96 pages 16x16x2cm. 2018. Poche. 96 pages.
2003Q-0439434343Scholastic Inc 2003-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Scholastic Inc paperback
2000Q-0689834268Simon Spotlight 2000-10-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Simon Spotlight paperback
20222-3753909726Altraverse GmbH 2022. Cards. New. 276 pages. German language. 8.78x6.38x2.24 inches. Altraverse GmbH unknown
Saggio sulla libertà di non studiare.
1913467708.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1999Q-0262161869Addison Gallery of Amer Art 1999-03-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Addison Gallery of Amer Art hardcover
344271st edition. Wraps. Near Fine. Undated. A Near Fine copy. 4to 93 photographs bound in stiff yellow wraps with folded poster acting as dust jacket. With full color and black and white full page images. A SCARCE item. From the text: "The first To Be Confirmed was held in February 2001. At the time fashion trade shows were dull affairs either still fascinated with the waning brand boom or po-faced and all business. TBC was and is no nonsense. If simplified fashion returned the focus to the product without overlooking the simple fact that fashion is fun. unknown
63-6473Seattle WA: Wah Lui 1981. Typed letter signed with envelope 11" x 8.5" on Yuen Lui Studio & Gallery letterhead Very Good. RE: Imogen Cunningham Photography Awards. Seattle, WA: Wah Lui, 1981. unknown
63-5015London: Christine Bernard Studio Vista Publishers 1971. Typed Letter signed 8.5" x 12.5" Single Page on Studio Vista Publishers letterhead Very Good.Provenance: Peter Howard Serendipity Books Berkeley Thomas Parkinson archive. London: Christine Bernard, Studio Vista Publishers, 1971. unknown
Bologna, Forni Editore, 1970, in-4, tela editoriale, pp. 172. Ristampa anastatica dell'edizione di Lucca, 1901. Dalla collana "Athenaeum - Biblioteca di storia della scuola e delle università a cura di Domenico Maffei ed Ennio Cortese". Un difetto alla cuffia superiore del dorso; l'interno in perfette condizioni.
44843Albumen print photograph with hand colouring carte de visite format 100 x 63 mm mount; verso imprinted 'Ross & Co.'s Royal Studio of Arts Cressy Street Deniliquin' surmounted by the British coat if arms; the print has a couple of tiny marks but is otherwise in very good condition; the mount is clean. The following notice was published in The Pastoral Times South Deniliquin 10 November 1877: 'PRELIMINARY NOTICE. MESSRS ROSS and Co. Photographers will open their Royal Studio of Arts at an early date next Mr. Hatch's Deniliquin Restaurant. Artistic Photographs Guaranteed.' We believe this subtly tinted carte de visite portrait of an unidentified young woman possibly an expectant mother was taken around the time the studio opened as the pencilled number of the negative appears to be '2'. This date fits perfectly with the sitter's dress and hairstyle - not to mention the fact that she has brought her with her a summer hat decorated with flowers which sits on the table by her right hand. She is wearing a ring on the fourth finger of each hand. unknown
6406700749Amar Chitra Katha Pvt. Ltd. pp. 440 . Hardback. New. Amar Chitra Katha Pvt. Ltd. hardcover
5893Olivier Perrin 1963
Book shows very light wear to covers only. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind. 226 pages with a great many b&w photos.
Light wear and creases to cover. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind. 226 pages with a great many b&w photos. Previous owner's name inside.
1m3209The Studio London 1899 44 82 89 S. mit zahlr. Abb. und ca. 100 teils farbigen Tafelneinem Notenbatt Halbleinen mit goldgeprägtem Rückentitel /Stempel auf Titel/etwas stockfleckig. unknown
47779Three albumen print photographs in identical cabinet card format 165 x 109 mm mounts; rectos with printed caption 'Miss Lily Dampier' and imprint of 'Falk / 496 George Street Sydney'; one with pencilled annotation recto 'Sept. 1887 / Lady Macbeth' and a fuller inscription in ink on the verso 'Lily as Lady Macbeth Sept 4th 1887' another with identical inscription to verso; some very light foxing and toning otherwise good condition. Provenance: from a group of theatre-related photographs originally collected by the Sydney actor stage manager and playwright Alfred Dampier. Australian stage and silent screen actress Lily Dampier Katherine Annabel Lily Dampier 1867-1915 was the daughter of Alfred Dampier and Katherine Russell. Although her best known stage roles were Shakespearean she was also a success as Sylvia in her father's adaptation of Marcus Clarke's novel For the Term of His Natural Life and as Kate in Robbery Under Arms. She later starred in several early Australian silent films including three released in 1911: The Life of Rufus Dawes which was based on her father's stage adaptation of For the Term of His Natural Life; Captain Midnight the Bush King; and Captain Starlight or Gentleman of the Road. unknown
201223121<p>UK: Studio Parris Wakefield 2012. Numbered limited edition. Very Good. 59.5 x 42cm x3. Scarce New Order memorabilia being three limited edition colour posters all with similar design theme of red blue and black criss-crossing colour bands with red black or white titling for the 2012 reunion tour; designed by Studio Parris Wakefield being 3-colour screenprints on heavy paper stock hand-numbered to lower edge of poster: New Order London Brixton Academy 2 & 3 May 2012 13/220; New Order Manchester Apollo 26 & 27 April 2012 59/220; New Order United Kingdom 2012 9/320 this last poster giving a list of all six venues and dates for the tour; some auction records list Peter Saville as part of the design team but according to Howard Wakefield who had taken over as creative director ""this was the first time Peter hadn't been involved with New Order"" - source: Studio Parris Wakefield website; with regards the design of the posters bassist Peter Hook had recently and acrimoniously split from the band and New Order had thus requested the design to show a clean new look as symbolic of a clean break with the past; quickly sold out on release these limited edition posters are now highly sought-after; the last auction record we can find is Worthpoint May 2012; Brixton Academy and Manchester Apollo show one or two very minor foxed spots to white areas o.w. Fine; the United Kingdom poster with mild edgewear to top and mild foxing to white areas o.w. Very Good; all with very minor foxing to rear sides.</p> Studio Parris Wakefield
21090Good. A museum-grade record of the private domestic world of the Busch family.<br /> <br /> This cohesive display records a wood-paneled living room with exposed beams tiled floor and oval braided rugs a slat-back settee multiple stick/Windsor chairs tables and lamps fireplace and large draped windows.<br /> <br /> Three large silver-gelatin architectural photographs of the same room from different angles each signed and dated in pencil on the mount "Behrens-Herberger '50." Image size 13⅜ × 10½ in. on original mounts 19½ × 14 in. <br /> <br /> Condition: clean prints with light edge silver mirroring age-typical for silver-gelatin; mounts evenly toned with darker right/lower margins and minor upper right corner bump/loss; on two mounts. Large architectural photographs of a lodge-style living room-exposed timber ceiling and beams paneled walls with fireplace tiled floor with oval braided rugs a slat-back settee and multiple stick/Windsor chairs tables and lamps-taken in a Busch family residence.<br /> <br /> View A fireplace & window wall: Beamed ceiling; paneled walls; fireplace with twin sconces; large draped window beyond; slat-back settee stick chairs oval braided rugs; side tables and lamps.<br /> View B stone hutch wall: Stone accent wall with lantern sconce; large painted hutch/display cabinet; multiple stick chairs; braided rug foreground; taxidermy mounts above draped windows.<br /> View C broad room view: Wide shot from opposite corner showing both seating groups fireplace wall art braided rugs and tiled floor; strongest sense of room layout and circulation.<br /> <br /> Scholarly Points of Interest:<br /> Material Culture & Design: The photographs provide an exhaustive inventory of period-specific American craftsmanship: exposed timber beams slat-back settees Windsor/stick chairs and hand-braided oval rugs. The presence of taxidermy and stone-hutch accents reflects the hunting-lodge aesthetic prevalent among the American industrial elite of the 1950s.<br /> Architectural Photography Technique: The Behrens-Herberger studio demonstrates mastery of interior depth-of-field and light-balancing. The use of three distinct perspectives View A B and C provides a 360-degree topographical understanding of the space moving from intimate hearth-side details to broad-room circulation and layout.<br /> Elite Provenance: These prints originate from the estate of Elene B. Roberson daughter of August A. Busch Jr. As primary documents of the family's private environment they offer rare insight into the lifestyle and aesthetic preferences of the president of one of America's most significant corporate dynasties.<br /> <br /> Technical Features:<br /> Process: Original silver-gelatin development exhibiting the characteristic tonal range and depth of pre-digital architectural commissions.<br /> Artist Attribution: Each mount is hand-signed and dated in pencil by the studio certifying them as original exhibition or archival mounts rather than later commercial reproductions.<br /> State: Image size 13⅜ × 10½ inches on original 19½ × 14 inch mounts.<br /> <br /> Bibliographic & Archival Note: While smaller promotional images or newspaper clippings of Busch family residences may exist these large-scale studio-mounted prints were likely produced as a private commission for the family's own historical record. Their survival as a cohesive triplet is rare. They serve as a fundamental resource for researchers of Mid-Century Interior Design American Industrial Social History and Twentieth-Century Architectural Photography. unknown
1900D11289Brooklyn c. 1900. Hardcover. Very Good. Contemporary green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 3 volumes 120 x 190 mm; containing a total of 37 silver prints 92 x 140 mm mounted to the recto only of grey heavy cardstock leaves with the name of the studio blindstamped in the lower right corner of the mount. Features one mustachioed gentleman "trying on" different postures identities and costumes in the studio including businessman's attire tuxedos ethnic costume sombrero! swimming costume behold the Speedo!. He flexes his biceps he smokes a cigar -- he WORKS IT for the camera. Spine somewhat sunned; some light scuffing along edges of boards. One leaf detached otherwise internally bright and clean. <br/><br/> hardcover books
1900D11289Brooklyn c. 1900. Hardcover. Very Good. Contemporary green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 3 volumes 120 x 190 mm; containing a total of 37 silver prints 92 x 140 mm mounted to the recto only of grey heavy cardstock leaves with the name of the studio blindstamped in the lower right corner of the mount. Features one mustachioed gentleman "trying on" different postures identities and costumes in the studio including businessman's attire tuxedos ethnic costume sombrero! swimming costume behold the Speedo!. He flexes his biceps he smokes a cigar -- he WORKS IT for the camera. Spine somewhat sunned; some light scuffing along edges of boards. One leaf detached otherwise internally bright and clean. <br/><br/> hardcover
