Studio of Francois BoucherBiblio.com
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42133Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
42131Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
42132Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century c. 1750. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
35696339like new. unknown
35696339-nnew. unknown
2019__3775745335Hatje Cantz Pub 2019. Hardcover. New. 176 pages. French language. 13.00x9.75x13.00 inches. Hatje Cantz Pub hardcover
17-1094New York NY: Studio Museum Harlem 2017. . 4to. 96 pp. Soft cover magazine. Very Good. Color plates throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York, NY: Studio Museum Harlem, 2017. paperback
1980225244Parma: Universitàdi Parma 1980. Brossura wrappers. Ottimo Fine. Saggio introduttivo di Arturo Carlo Quintavalle. Introduzione alle schede e schede critiche di Paolo Barbaro. Fotografie in bianco e nero scattate presso: Caproni Ilva Sidercomit Eridania Zuccherificio Delta del Po Società"; italian Industria Zuccheri Distillerie Sarti Off Salesiani Buton Thermomatic Comune di Bologna Igiene e Sanità" Gilera Innocenti e altri luoghi . 8vo. pp. 182. Ottimo Fine. . Università di Parma, unknown
Mm 245x290 Volume cartonato con sovraccoperta, 280 pagine profusamente illustrate in nero e a colori. Dedica al frontespizio, peraltro ottima copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In-16 (cm. 19.20), brossura, pp. 377, (3) prime carte leggermente allentate, timbro di biblioteca estinta al frontespizio. In buono stato di conservazione (good copy).
In-8 (cm. 26), brossura, titolo al dorso, pp. 197. In buono stato di conservazione (good copy).
cm. 17 x 24, xii-190 pp. Istituto nazionale di studi sul Rinascimento - Quaderni di ?Rinascimento? Un postumo omaggio al pi? grande conoscitore delle fonti della storia dell?arte toscana che ha individuato in questi registri anche un tramite per penetrare nelle fibre pi? intime della societ? e dello stato fiorentino sottraendoli al monopolio degli storici dell?arte per affidarli anche a chi si dedica alla storia fiorentina nel suo complesso soprattutto per il Quattrocento e l?inizio del Cinquecento. A belated homage to the greatest expert on the source of the history of Tuscan art who has located in these registers a means to penetrate even the most intimate fibres of the Florentine society and state subtracting it from the monopoly of art historians to bestow it upon those devoted to Florentine history on the whole and above all to 1400 and the beginning of 1500. 390 gr. xii-190 p.
cm. 17 x 24, iv-214 pp. Biblioteca di ?Lettere italiane? - Studi e testi 610 gr. iv-214 p.
47781Albumen print photograph cabinet card format 165 x 109 mm mount; recto with printed caption 'Miss Lily Dampier' and imprint of 'Falk / 496 George Street Sydney' along with a pencilled annotation 'Imogene' sic; verso with a fuller inscription in ink 'Lily as ""Imogene"" in Cymbeline September 4th 1887'; the print with some light foxing more pronounced on the mount. Provenance: from a group of theatre-related photographs originally collected by the Sydney actor stage manager and playwright Alfred Dampier. Australian stage and silent screen actress Lily Dampier Katherine Annabel Lily Dampier 1867-1915 was the daughter of Alfred Dampier and Katherine Russell. Although her best known stage roles were Shakespearean she was also a success as Sylvia in her father's adaptation of Marcus Clarke's novel For the Term of His Natural Life and as Kate in Robbery Under Arms. She later starred in several early Australian silent films including three released in 1911: The Life of Rufus Dawes which was based on her father's stage adaptation of For the Term of His Natural Life; Captain Midnight the Bush King; and Captain Starlight or Gentleman of the Road. unknown
47782Albumen print photograph cabinet card format 165 x 109 mm mount; recto with printed caption 'Miss Lily Dampier' and imprint of 'Falk / 496 George Street Sydney' along with a pencilled annotation 'Portia'; the print with some light foxing more pronounced on the mount. Provenance: from a group of theatre-related photographs originally collected by the Sydney actor stage manager and playwright Alfred Dampier. Australian stage and silent screen actress Lily Dampier Katherine Annabel Lily Dampier 1867-1915 was the daughter of Alfred Dampier and Katherine Russell. Although her best known stage roles were Shakespearean she was also a success as Sylvia in her father's adaptation of Marcus Clarke's novel For the Term of His Natural Life and as Kate in Robbery Under Arms. She later starred in several early Australian silent films including three released in 1911: The Life of Rufus Dawes which was based on her father's stage adaptation of For the Term of His Natural Life; Captain Midnight the Bush King; and Captain Starlight or Gentleman of the Road. unknown
37504Albumen print photograph cabinet card format 167 x 108 mm mount; recto of mount with imprint of 'FALK / 496 George Street Sydney'; verso with wet stamp of Melbourne print postcard and photograph seller W. H. Cooper Royal Arcade; the albumen print is in good condition; the mount is chipped at two corners but is clean and stable. A rare studio photograph of New Zealand-born Australian boxer Otto Cribb born Alfred Otto Simpson 1878-1901 pictured in a fighting stance. The portrait - which appears unrecorded in Australian collections - was taken in Sydney almost certainly within the short period between his return from the United States and his final bout against Mick Dunn in Sydney on 22 July 1901 after which he died tragically the next day from head injuries sustained in the fight at the age of just 23. 'Otto Cribb came to Australia from New Zealand. He was born at Dunedin in the south Island on St Valentines Day 1878. After cleaning up all the local welterweights he like many of his countrymen crossed the Tasman and made a mess of some of Australia's best. Cribb was a truly great puncher and after thrashing a dozen of the Aussie lads took the Australian welter title from Snowy Sturgeon with an eight round knockout on April 21st 1900. In October of that year he defended his title against Mick Dunn with a seventh round knockout before travelling to America where he impressed everyone with his toughness and two fisted punching. After a successful tour he returned to Sydney where on July 22nd 1901 he put his title on the line against Mick Dunn at the Gaiety Hall. It was a tough bruising affair with Cribb being counted out in the ninth round while resting on one knee. He seemed to recover quickly and after dressing went back to his hotel The Cliff House at Bondi and retired for the night. In the morning his manager found him dead in his bed. He was twenty three. Upon hearing the news Mick Dunn announced his retirement from boxing. Cribb's record is impressive. Of twenty six bouts he only lost two winning nineteen by knockout.' NLA unknown
1920BB.23.031<p><em><strong>Silver prints 24; Each 5 1/2 x 3 1/2 inches; Some with "Nu Way Photo Shoppe" stamp verso one with Hicks Photo Studio embossed credit stamp some with subject identification recto or verso.</strong></em></p><p>Collection of real photo postcard studio-portraits of the African American community of Miami Florida in the 1920s-40s.</p><p>Eighteen of the photographs are from the "Nu Way Photo Shoppe" a commercial studio located at 939 N.W. 2nd Avenue in the Overtown neighborhood of Miami.The firm was opened by David Jenkins in the early 1940s and catered to a Black clientele. A 1942 issue of "The Crisis" advertises Jenkins' work in Overtown and notes that many of the photographs illustrating the issue were shot by his firm. Included in the collection are portraits of two young women posed proudly in her graduation uniform an identified soldier alongside his sister dapper men in pinstripe suits two-tone shoes and panama hats and equally sharp-dressed women.</p><p>There are six other photographs from other Miami-area studios. One of a woman seated has an embossed stamp for "Hicks Studio." Run by proprietor James E. Hicks the Hicks Studio was also located in Overtown at 225 N.W. 8th Street and is mentioned in the same issue of "The Crisis." Also included are a fun pair of photos showing a coolly-posed man in an all white suit and a second image showing him with a woman elegantly-clad in all white as well. There are also two photographs in front of the same tropical-backdrop one of a man dressed in a suit with tails holding a cane and bowler and the other of a man and woman. One of the last two photos show a woman in lavish evening wear and the other shows a couple in more conservative attire.</p><p>The second-oldest continuously inhabited Miami-area neighborhood after Coconut Grove Overtown is located just northwest of downtown. The area was originally settled in the late 19th-century by African American laborers who worked on the construction of the Florida East Coast Railway. Originally known as "Colored Town" it was one of the few places in Miami where black residents were allowed to live. During the early 20th-century Overtown became a thriving cultural center for Miami's black community with numerous businesses restaurants and nightclubs built primarily along Northwest 2nd Avenue where the Nu-Way Photo Shoppe was located. Its thriving Jazz scene earned Overtown the nickname "Little Harlem."</p><p>In the 1960s Overtown was largely demolished to make way for the construction of Interstate 95 which cut through the heart of the neighborhood. Many homes and businesses were destroyed and the highway effectively cut Overtown off from downtown Miami and the rest of the city. Today revitalization efforts are in place including the restoration of the neighborhood's historic Lyric Theatre.</p>
62 pages. Features: Dave Black - world-class sports classic; America 24-7 - a look at what it took to create the book; John Solano and Brian Marcus capture a wedding; SP&D's guide to PDAs; Bruce Boyajian escorts Miss America into digital realm; and more. Clean and unmarked with moderate wear. Magazine
58 pages. Features: Celebrity Portraits; Fashion Flaire; Digital Freedom; Jerry Avenaim; Carl Zapp; Dan Lim; and more. Moderate wear. Unmarked. A sound copy. Magazine
72 pages. Features: Mark Seliger's bigger-than-life celebrity images; Quad/Photo's unique approach to delivering photographic services; Q & A with Dr. Stoffel, Eastman Kodak's CTO; Ready for Color Management; The Art of Seduction; It's a Family Affair; Bright New Ideas; and more. Clean and unmarked with light wear. A nice copy. Magazine
58 pages. Features: Dan Doke reveals marketing secrets; Increase sales with DVD proffing; photo industry goes 'Green'; Tripod trends and buying tips; and more. Clean and unmarked with light wear. A nice copy. Magazine
58 pages. Features: Nigel Barker's fashion photography; Gregor Halenda's commercial photography; Bringing your work to potential clients; Add revenue through ancillary products; Charitable captures; and more. Clean and unmarked with very light wear. An excellent copy. Magazine
Penna, acquerello grigio e acquerello color bistro chiaro misure: mm 424 x 255 L’imponente studio architettonico è composto da un solido basamento a forma circolare su cui poggiano delle colonne con capitelli delineati in un riecheggiante stile corinzio. Al centro della composizione vi è la Sacra Famiglia, con la Vergine inginocchiata posta sulla sinistra mentre sorregge il Bambino in fasce. Sopra di esso tre cherubini lo vegliano. A destra San Giuseppe stante osserva il tenero gruppo tenendo le mani appena alzate in un delicato atteggiamento di amorevole contemplazione. Nella parte superiore la porzione centrale della trabeazione e il tetto sono spettacolarmente squarciati da un trionfo di angeli e angioletti; che emergono dall’apparizione celestiale emanata dalla figura del Padre, posto sull’apice della composizione. La luce propagata dal divino intervento si diffonde in tutte le direzioni, concentrandosi con grande effetto scenografico sulla Sacra Famiglia sottostante. Nonostante a tutt’oggi rimanga ancora anonimo, l’autore ci rivela qualcosa di sé grazie ad un linguaggio che riporta con una certa immediatezza alla cultura grafica francese del XVIII secolo, ed in particolare al vasto seguito di Francois Boucher, maestro incontrastato del gusto Rococò. Le fisionomie delle figure, le anatomie infantili affrontate con soffici volumi, le acquerellature dai toni leggeri stese con veloci campiture attentamente distribuite e ancora l’ariosità e teatralità della composizione fanno propendere per la cultura figurativa d’oltralpe. Nonostante ciò vi sono elementi che curiosamente riportano anche al linguaggio barocco, come ad esempio le vesti di San Giuseppe e della Vergine, che nel loro complesso svolgimento rimembrano i panneggi della Roma del ‘600. La stessa accentuata teatralità strizza l’occhio ai grandi progetti barocchi della lunga stagione berniniana. Segno forse di un viaggio di formazione in Italia che l’autore, come del resto molti del suo tempo, può aver affrontato per scoprire i tesori della Penisola e studiare da vicino i Maestri del passato. Ed è forse a quel periodo della vita dell’artista che il disegno risale, magari come esercizio di copia di un progetto o di un altare ad oggi noi ignoto o non ancora identificato; oppure come prova in cui il disegnatore mette in pratica le nozioni apprese a seguito del lungo pellegrinaggio in Italia. Opera in ottimo stato di conservazione, con le parti acquerellate ben apprezzabili in tutti i delicati passaggi tonali. Leggero foxing nella parte superiore a destra. Una piega centrale orizzontale appena visibile. Foglio applicato su supporto cartaceo del XVIII secolo. In basso a sinistra a china color seppia: “Boucher”. Filigrana: “Serpente”. Bibliografia: J. Bean, “15th-18th Century French Drawings in the Metropolitan Museum of Art”, the Metropolitan Museum of Art, 1986.
201194163Gestalten. New. 2011. Hardcover. 3899553810 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pages. Description: "Studio On Fire is at the forefront of the current letterpress movementthe rediscovery of old printing machines and techniques by young designers. The phenomenal detail and haptic sensuousness of their work have made this Minnesota-based company a seminal reference for how to effectively blend current and classical graphic design styles with production methods. " -- with a bonus offer-- . Gestalten hardcover
1608972321.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
