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Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929, Istanbul. It starts as 'Muhterem Vasfi Riza bey'... Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5, 1902 in Constantinople, Ottoman Empire. He was an actor, known for Karim beni aldatirsa (1933), Ankara postasi (1928) and Milyon avcilari (1934). He died on November 23, 1992 in Istanbul, Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit (actor, husband of paintress Bedia Muvahhit), writer Refik Halit (Karay) and Refi 'Cevat (Ulunay). After the proclamation of the Second Constitutional Monarchy, he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri (Sekizinci). Bican Efendi series, in which he played the title role after the WW 1, was accepted from the first comedy of Turkish cinema history.
A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. Includes laid in typewritten letter written and signed by Kenward Elmslie to a potential reviewer.
Clean and unmarked; tight binding. Staple-bound program. 9 1/4"w x 12 1/8"h. Approx. 50 pages. Cover illustration by Salvador Dali. Wear and blemish from price tag removal on cover. Includes synopses of ballets and portraits of performers and photo of sets by Salvador Dali for Labyrinth. Photo of Salvador Dali.
Very Good Turkish Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm (Folded size). Folded. 8 p., fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
Fine English Paperback. Oblong large 8vo. (23 x 24 cm). In English and Turkish. [36] p., color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
Very Good Turkish, Ottoman (1500-1928) Paperback. 4to. (29 x 21 cm). In Ottoman script. 79 p., Portrait of Cemil on cover, b/w ills. and musical scores. Hegira: 1341 = Gregorian: 1925. Rehber-i mûsikî [Rahperi moussiki]. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Second Edition. Extremely rare. Özege 16642 / 2. Akdogu I, 82.
Libretto, L'Ultimo Abencerragio Dramma lirico in tre atti di Giovanni Peruzzini per musica espressamente composta dal Maestro Francesco Tessarin da rappresentarsi nel Gran Teatro La Fenice nella stagione di carnevale e quadragesima 1857-58 Dalla Tipografia del Commercio, Venezia 1857, cm 18x12, pp. 32, bellissma legatura d'epoca, in stile romantico, con numerosi bei fregi e decorazioni in rilievo ai piatti, dettagli in oro e a colori. Condizioni di conservazione Esemplare ben conservato con tracce d'uso, coperta con alcuni minimi aloni e leggerissime tracce di sporco. Interni buoni con piccole lievi bruniture. Raro libretto della prima rappresentazione avvenuta al Teatro La Fenice di Venezia. Bellissima legatura (vedi foto). OPEB.3995 N
Libretto Opera - Carlo Magno dramma serio - ed. 1817 Teatro Parma pp. 49 Rara edizione , per il carnevale 1817  , Lingua italiana Copertina rigida. Condizioni molto buone  ,
In 4 (33x24) Legatura in tela, in pelle con fregi in oro al dorso e al piatto. pp.138, Stampe e illustrazioni in B/N.Ottimo
Libretto, Le Zingare dell'Asturia Melodramma semiserio del Sig. Felice Romani da rappresentarsi nel R. I. Teatro alla Scala l'autunno del 1817 - Musica del Sig. Maestro Carlo Soliva Dalla Stamperia di Giacomo Pirola, Milano 1817, cm 16,5x10,5, pp. 64, legatura moderna in cartoncino muto. Condizioni di conservazione Esemplare ben conservato con tracce d'uso, interni buoni con alcune piccole leggere bruniture, margini lievemente rifilati, angolo sup. di qualche pagina con minuscole macchiette. Libretto molto raro. OPEB.3994 N
8°, pp.XXVII-311 (1). Br. edit. con una mancanza al dorso e picc. difetti ai margg. Fogli chiusi. <BR>Contiene: Parte I: Decadenza romantica (Carducci; Pascoli; D'Annunzio; I provincialeschi; Claudel; Rimbaud; Baudelaire; Influenze russe, tedesche, inglesi; Moralismo sensuale; Antifemminismo artistico; Poesia praticistca e sensuale; Parole in libertà; Poesia critica e polemica; Etica estetica; Esaurire il Romanticismo;…); Il Futurismo (Atmosfera futurista; Futurismo positivo; Azione astratta; Stroncatura sommaria; Filosofia fuurista; Antifilosofia e anticoltura; Il letterato fidenziano; Negazione del passato; I giovani e i vecchi; Futurismo come polemica; Idea centrale del futurismo; La contemporaneità della storia; I manifesti come stimolo e azione); La teoria estetica (Panestetismo; Estetismo bergsoniano-schellinghiano; Pittura e musica pura; Unità dell'arte e infinità dei mezzi espressivi; Ritorno a Raffaello; Illustrazionismo e imitazione della natura; Progresso meccanico; Progresso sopratemporale; La materia dell'arte e i manifesti tecnici; Carattere polemico delle teorie; Letteratura; Arti figurative; Musica; Teatro sintetico); Primo punto d'arrivo ? Parte II: Marinetti; Papini; Folgore, Govoni, Soffici; Panzini; Scrittori d'oggi ? Parte III: La critica; B.Croce. [Gambetti Vezzosi p.203 (opera prima). Salaris p.110].
In 8° grande; 42, (2) pp. e una c. di tav. fuori testo. La pagina non numerata 5-6 è un foglio più corto di margini che contiene una citazione di De Mosel. L'opera è dedicata a Liszt. Brossura editoriale con titolo, autore e stampatori impressi in nero, entro cornice al piatto anteriore. Rinforzo al dorso. La tavola fuori testo contiene una partitura musicale di Mozart. Alla seconda pagina bianca, note antiche biografiche di Mozart chiosate a matita da mano coeva. Un leggerissimo alone al margine alto e nel complesso, esemplare in buone condizioni di conservazione. Prima rara edizione di questa “memoria” dedicata all'opera musicale e alla vita del grande compositore e musicista austriaco, Wolfgang Amadeus Mozart (Salisburgo, 27 gennaio 1756 – Vienna, 5 dicembre 1791). Il volume contiene anche la traduzione di alcune lettere originali di Mozart ed è scritto da Pietro Lichtenthal, nato a Preßbourg (l'attuale Bratislava) il 10 maggio 1780. Lo scritto vide la luce nel 1842 in occasione dell'inaugurazione della monumento a Mozart inaugurato a Salisburgo nel settembre del 1842. Lichtenthal si laureò in medicina nel 1810 presso l'ateno viennese e si trasferì, poi, a Milano dopo poco tempo. Qui arrivò a ricoprire la carica di cesore del regno Lombardo-Veneto e vi risiedette fino alla sua morte avvenuta nella notte del 18 agosto del 1853. Personaggio di estrema ed eclettica erudizione, fu autore musicale apprezzato (ad esempio 7 suoi balletti vennero rappresentati alla Scala) e di diverse opera di critica musicale e di tecnica musicale. Non dimenticò nemmeno la sua natura di medico, pubblicando un interessante studio di musicoterapia. Scrisse anche di geografia, astronomia e botanica. Grande estimatore della musica di Mozart, scrisse alcuni studi su di lui e partecipò a farne conoscere il lavoro, negli ambienti milanesi. Quest'opera e' discretamente rara. Rif. Bibl.: IT\ICCU\LO1\0135616.
Milano-Palermo, Remo Sandron editore, [1904-1905], volumi 3, in-8, brossura editoriale, pp. VIII, 165, [3] - XIII, [3], 353, [3] - 384, [4]. Con tavole di musica notata nel primo volume. Prima edizione di questo fondamentale studio sul teatro musicale seicentesco. Grande firma di possesso a matita sui frontespizi (Francesco Pagliai). Qualche segno a matita marginale. Primo volume parzialmente sciolto e con mancanze al dorso. Un cartellino, lasciato bianco, applicato sulle estremità inferiori dei dorsi.
Pré,cis d'acoustique physique, musicale, physiologique par J. Anglas - 1^ ed. 1910 Pag. 382 con illustrazioni Copertina rigida - Testo in francese. Condizioni molto buone.  ,
Early Keyboard instruments from their beginnings to the year 1820 by Philip James - 1^ ed. 1930 Pag. XVIII, 153 65 tavole f.t. Copertina rigida - Testo in inglese Condizioni molto buone.
Spartiti - V. Ferroni - Corsi di Contrappunto e Fuga - 1980 Carisch Formato grande. Pagine - 232 Copertina morbida. Condizioni buone come da foto.
pp. [9], 94-144. Features: Painters in Water Colour - A Silver Jubilee Exhibition; Academies by any other Name - Some Provoking Observations; Creative Craftsmanship in Jewellery; Georgian Bay Legacy; Aleksandre Bercovitch, 1893-1951; Jack Shadbolt Explores a World of Roots and Seeds; reflections on Canadian Ballet, 1950; architectural Competitions - Can They Help Us to Obtain Better Public Buildings?; The Water Colours of Fred Amess; and more. Writing on several pages. Pastedown illustration missing from front cover. Average wear. A sound reference copy of this informative issue. Book
160 pages. Features: Grass silage facts; a shot of nitrogen for your crops?; ten tips to protect your flock; Journeying into America; Top feeders in a fat-cattle state - The Schmidt brothers of Clinton County, Iowa; I saw East Asia's unrest - John Strohm travelled to India, Indo-China and Malaya; Four Corn Belt Neighbors pool labor and equipment - Rusty Peddicord, Mickey Parr, Clint Peddicord, Floyd Long and Ken Peddicord; The way to maintain prosperity; "Swine Courts" control the hogs; Nice color-photo Camel cigarette ad on back cover features Metropolitan Opera Star Nadine Conner; and more. Unmarked with average wear. A sound vintage copy. Magazine
60 pages. Features: Volvo ad touts the 18.7 year life-expectancy of their cars; Another Chance for Joe Clark?; Sexy ad for Miami Beach; Profile Article on Rupert Murdoch; Dogsled racing in the Yukon - Paul Sheridan and Dick Eastmure; Yuri Luryi - 35 years on the trail of Raoul Wallenberg; There Could be Economic Civil War if Alberta Stops Sending Oil East; Discovery of 4,000-year-old civilization at the northern tip of Labrador; Celebrity photos of Nelson Skalbania, Stephen Yan (of Wok with Yan), the Frantic Follies, and composer-singer Carol Connors; Pope John Paul II visits the Philippines - article with photos; Indictment of the mullahs' rule in Iran; Rev. Ian Paisley in Ireland; Death threats to Teddy Kennedy aide Richard E. Burke; Canada may have been impacted by US nuclear bomb testing prior to Hiroshima; Government Loan Guarantee to Chrysler Canada; Bert and Irving Gerstein's Peoples Jewelers Ltd. purchases Zale Corp. of the U.S. - article with photo; Tony Tanti of the Oshawa Generals breaks Wayne Gretzky's OMJHL goal scoring record - article with photo; Feature article on actor Donald Sutherland; Gold medal for speed skater Gaetan Boucher; Archeological dig in Calgary's Nose Hill - excavations of the entrepreneurial kind; The Problems of Enforcing Seat Belt Legislation; Dance article on Lawrence Gradus and the Theatre Ballet of Canada; and more. Average wear. A sound vintage copy. Magazine
Features: Zen Bastard; The Yellow Journal; Crazy Ed Meese's Giant Porno Blowout Blitz!; How I Solved the Mystery of the Kennedy Assassination; Peppy; Cartoons for the Blind; I Spent an Evening with Art; The Hear no Evil, See no Evil, Say no Evil Section Frontispiece; Aratours; Vacation; Fifty Things They Won't Let You Do; The Sunday Morning Quarterback; The Edible Complex; Roy Cohn in Hell; Senate Hearing on Opera and the Librettos Therein; The Cave of the Bare Clan. Average wear. Unmarked. A sound copy. Book
3 Voll. In-4 (32 x 23,5) pp. L-734 - 207 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 16. A cura di Francesco Paolo Russo. OTTIMO
cm. 17 x 24, 2 tomi di 668 pp. Accademia toscana di scienze e lettere ?La Colombaria? - Serie Studi 1298 gr. 668 p.
cm. 17 x 24, 2 tomi di xii-436 e xii-484 pp. Quaderni della ?Rivista Italiana di Musicologia? Quaranta drammi del teatro per musica italiano dal 1677 al 1730. 1880 gr. xxiv-920 p.
In-8, broché, couverture de papier moderne, tranches rouges, 33 p. Edition originale de cette version. "According to a handwritten note in a copy of the score, this opéra comique, variously attributed to Audinot or Gossec, is in fact a pasticcio by Gossec, Alexandre, Philidor, Schobert, J.-C. Trial, Kohaut and Ciapalanti. This work was preceded by another opéra comique of the same title (1761), for which Audinot wrote both text and music" (Grove Music Online). Bon exemplaire.
