21 719 résultats
Very Good Turkish Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm (Folded size). Folded. 8 p., fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
Fine English Paperback. Oblong large 8vo. (23 x 24 cm). In English and Turkish. [36] p., color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
Very Good Turkish, Ottoman (1500-1928) Paperback. 4to. (29 x 21 cm). In Ottoman script. 79 p., Portrait of Cemil on cover, b/w ills. and musical scores. Hegira: 1341 = Gregorian: 1925. Rehber-i mûsikî [Rahperi moussiki]. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Second Edition. Extremely rare. Özege 16642 / 2. Akdogu I, 82.
Libretto, L'Ultimo Abencerragio Dramma lirico in tre atti di Giovanni Peruzzini per musica espressamente composta dal Maestro Francesco Tessarin da rappresentarsi nel Gran Teatro La Fenice nella stagione di carnevale e quadragesima 1857-58 Dalla Tipografia del Commercio, Venezia 1857, cm 18x12, pp. 32, bellissma legatura d'epoca, in stile romantico, con numerosi bei fregi e decorazioni in rilievo ai piatti, dettagli in oro e a colori. Condizioni di conservazione Esemplare ben conservato con tracce d'uso, coperta con alcuni minimi aloni e leggerissime tracce di sporco. Interni buoni con piccole lievi bruniture. Raro libretto della prima rappresentazione avvenuta al Teatro La Fenice di Venezia. Bellissima legatura (vedi foto). OPEB.3995 N
Libretto Opera - Carlo Magno dramma serio - ed. 1817 Teatro Parma pp. 49 Rara edizione , per il carnevale 1817  , Lingua italiana Copertina rigida. Condizioni molto buone  ,
1981yam0031imprimerie nationale Fort in-4 carré pleine toile rouge de 332 pages, adaptation française, commentaires dramatiques et indications scéniques de Franck Venaille, totalité des découpages reproduits dans leur grandeur originale, 4 livrets des 4 opéras (avec traduction française et scories) Jaquette émoussée sur les bords sinon très bon état
1936115353Paris, Choudens 1936 In-4 32 x 24 cm. Reliure demi-chagrin havane marbré, dos à quatre nerfs ornés et encadrés de roulettes dorée, pièces auteuret titre maroquin noir, [8]-69 pp., index. Exemplaire enrichi de trois envois envois autographes de Jean-Louis Vaudoyer, Marcel Rousseau et Serge Lifar. Reliure légèrement frottée.
In 4 (33x24) Legatura in tela, in pelle con fregi in oro al dorso e al piatto. pp.138, Stampe e illustrazioni in B/N.Ottimo
19582142674Turnhout: Brepols 1958. XX, (2), 1361 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
18312143943Turici (Zürich): Fuesslini et Sociorum 1826-1831. XX, 701, (3); 588, 640; 464, XXIV, 504; 576, 607, (5) Seiten. Gr. 8° (24 x 16 cm). Halblederbände der Zeit mit goldgeprägtem Rückentitel und Marmorpapierbezug und minzgrünen Schnitten. [Hardcover / fest gebunden].
18502087557Ienae prostat apud Frider. Mauke (Jena: Mauke) 1847-1850. LIV, 215, (5), 510, (1); L, 296, XXXVIII, 207, (1), 404 Seiten. 8° (21 x 14,5 cm). Halblederbände der Zeit mit goldgeprägtem Rückentitel und Marmorpapierbezügen. [Hardcover / fest gebunden].
11562Hood's letter: On letterhead of Osborne Isle of Wight. 8 January 1891. Mrs Gye's draft reply: without place or date. Both items good on lightly-aged paper. Rosa Hood's sister Adelaide Fanny was the wife of Herbert F. Gye and letter and reply are written informally. Hood's letter: 3pp. 12mo. She received Mrs Gye's letter that morning 'and the Queen has read it' and is 'quite pleased with your reply'. 'The Queen desired me to assure you that she had never for a moment supposed that you were responsible for the article in the newspaper - only the Queen thought it was better to have the matter mentioned to you - especially as it might be copied into other papers.' The Queen also thinks that Mrs Gye should 'have some contradiction put in the Paper'. Mrs Gye's draft reply: 2pp. 12mo. She writes that she cannot express her relief at the contents of Hood's letter. 'Since your first letter the thought that Her Majesty would be displeased about it has troubled me very much - therefore you can imagine how delighted I am to find the Queen did not imagine I was responsible.' She has 'written to Church Journal to deny the authorship of the article and ask them to publish it'. Hood's letter: On letterhead of Osborne [Isle of Wight]. 8 January 1891. Mrs Gye's draft reply: without place or date. unknown
222466 October 1913; on letterhead of 55 York Terrace Regent's Park N.W. 2pp 12mo; and 1p 8vo. On a bifolium with the 8vo page written lengthwise across the central pages. In good condition lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in “Joan of Arc.†Period Charles XII of France he reigned from 1403 to 1461. The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them' Were the dresses 'fanciful' it would be easy for Anderson to describe them but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'. 6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W. unknown
12987One from Overstrand Norfolk; 27 May 1950. The other four on letterheads of 'Ballet' 'Ballet and Opera' and 'Ballet Publications Ltd'. Between 1949 and 1950. The five items in good condition on lightly-aged paper. Item One: Autograph Letter Signed with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines. 1p. 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl and begins: 'Dear Erich I have just spoken to Harewood the Earl of Harewood co-founder with Buckle of 'Opera' magazine. He would like you to do it but thinks the Rankl's sic friend had better have the job as they seem to have chosen him. What a pity! I was looking forward to your mellow cadences.' He 'adored being blown about at Brighton' and has 'returned full of youthful vigour but absolutely penniless'. Item Two: Autograph Letter Signed 'D'. 2pp. 4to. 'Overstrand Saturday' dated by Alport 27 May 1950. 2pp. 4to. He begins: 'My dear Erich Thank you so much for your nice letter. I hope indeed we shall often stay in lovelier and greater palazzi together if not in wind-blown flowery ditches.' It appears 'that the June number may well be the last. There is just one little plan which occurred to me on the golf course this afternoon Fore! Mr. Dorré! but we shall see in the next few days what comes of it.' He has 'had luncheon with Ursula' who is 'just back from Teneriffe and seems quite serene and buoyant'; and saw 'five tarry dead seagulls on the beach today and one huge bird - a cormorant maybe' which brings forth a quotation from Milton. Item Three: Autograph Note Signed 'D.'. On Frith Street letterhead of 'Ballet' magazine. Undated. 1p. landscape 12mo. 'Dearest Erich Do you want to stay the night on Thursday Let me know. Love D.' Item Four: Typed Circular Signed by Buckle 'Richard Buckle'. On Fleet Street letterhead of 'Ballet and Opera'; February 1949. The first paragraph reads: 'People are always complaining to me - verbally and by post from all over the world - that they can never get BALLET and OPERA. I must say I was always too lazy to take out an annual subscription to anything until I had a secretary of my own. Now thank goodness there is a little more paper to be had and we can print a few more copies every month.' Item Five: Typed Letter Signed by 'K. P. Newman Secretary'. On Frith Street letterhead of 'Ballet' magazine; 31 May 1946. 1p. 4to. Regarding the renewal of his subscription. One from Overstrand [Norfolk]; 27 May 1950. The other four on letterheads of 'Ballet', 'Ballet and Opera' and 'Ballet Publicatio unknown
24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms†which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown
29955P. Amiot-Dumont, 1951. Grand in-4, 180 pages. Broché. couvertures en couleurs illustrées.
ria9781835950753_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; An exploration of the multidisciplinary creative culture encapsulated by the term industrial art which spans musical visual multimedia and performance arts. Industrial music appeared in the mid-1970s and far from being a simple sou hardcover
4307Opéra en 3 actes & 5 tableaux. Poème de Édouard Blau. Musique de Éd. Lalo. Partition pour chant & piano. Paris, G. Hartmann & Cie, (1888). In-4 (27,8 cm) (8) feuillets, 230 pages, titre illustré en chromolitho. Reliure demi-chagrin marron, plats et gardes marbrés, dos à nerfs orné de filets et fleurons dorés. Légèrement frotté aux coins, coupes et coiffes. Intérieur en très bel état. Édition originale. [ G. H. & Cie 1745 ].
39380Ottawa. Free Press Print. 1881. 25x 16cm one sheet folded 4 pages decorated titles in frame borders with 4 local advertisments on the margins & a full last page ad for J.L. Orme & Son on fine light weight tinted grey paper in fine condition rare. On Plays with actors listed include: "A Husband in Clover" and "Old Gooseberry". "During the evening the Band of the Governor General's Foot Guards will perform. Ottawa. Free Press Print. 1881 unknown
1988013417San Francisco: China Books & Periodicals Inc 1988. Hardcover. Fine/Fine. 4to. Orig. black cloth. 256 pp. Fully illustrated. Fine in fine custom slipcase. China Books & Periodicals, Inc hardcover
20320o.J. französ. Tänzerin an der Pariser Oper, Debut 1819. 1802 Paris - 1852 ebd. Halbfigur mit großem Federhut. Lithographie von Villain, nach Grevedon. Bildgröße 312 x 245 mm. Blattgröße 430 x 307 mm. Sehr dekorativ !
21454o.J. Opernsänger. 1914-1925 Metropolitan Opera New York, mehrfach bei den Festspielen von Zoppot, 1931 Budapest, 1925-37 Opernhaus Berlin, Konzertsänger, später Musikpädagoge in Stockholm, 1933 schwedischer Hofsänger, großer Wagner-Interpret. 1887 Floda - 1967 Stockholm. Ganze Figur im Profil nach rechts, vor einem Klavier sitzend. Bleistiftzeichnung von Benedikt Fred Dolbin um 1930, nicht signiert. Ca. 270 x 210 mm.
65315, Brepols, 2021 Hardback, xiv + 562 pages, Size:210 x 270 mm, Illustrations:25 b/w, Language(s):English, Spanish, French. ISBN 9782503595436.
5h1837Nuova Era Internazionale s.r.l. ohne Ort 2006. 40 CDs mit je einem Booklet sowie ein 170seitiges Begleitbuch in original Pappbox ca. 37 x 15 x 14 cm. - neuwertig / Begleitheft fünfsprachig: englisch deutsch französisch italienisch und spanisch / Inhalt: De' Cavalieri Monteverdi Vivaldi Händel Piccinni Calderara Paisiello Cimarosa Gazzaniga Boccherini Salieri Rossini Mecadante Donizetti Bellini Verdi Leoncavallo Puccini Marinuzzi Menotti - unknown
1832583BBO. O., o. Vlg. (gedruckt bei Heller und Rohm, 1832. 12°. 52 S. Pappbd. d. Zt. mit 3-s. Goldschnitt (Rücken mit Fehlstellen, Deckel mit Fleck).