FRANQUIN ET JIDEHEMMareMagnum
MareMagnum
Gauguin woodcuts
Testi: Sykorova Libuse. F.to: 23x35,5; pagg. 68; BN; rileg. rigida con sovracoperta. Editore: Westbook House, London, 1963.
Libreria a+mbookstore · Milano, IT70,00 €
1 992 résultats
P., Rombaldi, 1984. In-4 reliure éditeur skivertex bleu, plat illustré, 224 pages Bon état.
Testi: Sykorova Libuse. F.to: 23x35,5; pagg. 68; BN; rileg. rigida con sovracoperta. Editore: Westbook House, London, 1963.
45 gravures et portraits, 1 vol. in-12 reliure plein chagrin rouge, dos à 2 nerfs, titre incrusté au premier plat, couv. conservée, coll. Les Ecrits et la Vie anecdotique des Grands Artistes, Société des Editions Louis-Michaud, Paris, sd.d. [ circa 1912 ], 192 pp. Exemplaire dédicacé par Jeanne Landre "au généreux donateur de l'orphelinat des arts, ce livre d'images". Etat très satisfaisant (reliure un peu frottée et passée, bon état par ailleurs) Français
P., Floury, 1924-1928. 2 volumes in-4 brochés, couvertures rempliées, IX-216 et 292 pages avec de nombreuses reproductions dans le texte et hors texte. Imprimé sur papier couché. Poids des 2 tomes : 3.5 kg. Dans la série "La vie et l'art romantiques"
(FT) Publishers cloth. 8vo. 125, XXXV pages. 22 cm. First edition. In Yiddish; with preface and introduction in English. English title page: Selected songs and Poems. Edited and with a preface and introduction by Alfred T. Reingold, and a critical and biographical essay by A. Margolin. Bound in elaborate decorative cloth and boards, with frontispiece portrait of the poet and eleven pages of music notation. Dual Yiddish-English book of Isaac Reingolds works compiled by his son, Alfred T. Reingold, to commemorate the fiftieth anniversary of his fathers death. When Isaac Reingold died one hundred years ago in Chicago, he was mourned as the greatest Yiddish poet in the west. As a pioneer folk poet and lyricist for the theater, Reingold wrote during the same era as the proletarian poets David Edelstadt, Morris Winchevsky, Joseph Bovshover, and Morris Rosenfeld. Although Reingolds name is almost completely forgotten today, his songs were among the most popular of his time. Reingold was born near Luck [known as Lutsk in Yiddish], Wolyn, Poland, in 1873. His real name was Toomim. In 1890 or 91, he came to America with his father and worked hard in the sweatshops of Baltimore, Milwaukee, Chicago, and New York. In Chicago, he was known not only as a poet, but also as a singer of labor and folk songs. He would perform at gatherings and in concert halls, and the songs were heartily embraced, especially by working folk. Over time he also became well-known in the theatrical circles. He wrote an opera, By the Rivers of Babylon, that was successfully staged in Chicago. At about 30 years of age, his life was cut short. He was a victim of the proletarian diseasetuberculosis. Reingolds songs focus on social motifs. As N. B. Minkoff writes, His songs are, for the most part, imbued with humility, melancholy, and tears. His mood is that of an innocent, downtrodden person. His tone is quiet and gloomy. He called himself a poet of tears and wrote about the difficult and bitter condition of the worker in the sweatshop. The worker only creates goods for others; for himself, he is left with poverty and grief One of the best-known of Reingolds songs is Two Friends, which tells of Shmulik and Azrielik [this name later changed by singers to Gavrilik], who played together when they were growing up, with horses, with swords, in the sand and in the dirtShmulik is the lasher, Azrielik, the horse. They arrive in the Golden Land and are no longer friends. Shmulik becomes a little boss, a landlord, and Azrielik becomes his hand and lives in the basement, in the gutter. Even in Heaven, its the same: Shmulik is the lasher, Azrielik, the horse. For Reingold, the end to all the troubles will come when Jews return to the Land of Israel: Live on, Jew. Your country, your old Palestine, the old Mother Zion, can once again blossom and become fertile, as once upon a time Reingold wrote on historical motifs, among them a eulogy for the cruel, hateful Tsar Alexander III, upon whom he pours curses. He wrote on national motifs, such as the song I Am a Jew, concerning Jerusalem; Judah Maccabee, regarding Jewish holidays; and even in praise of Jewish food, as in his ode to a favorite dish, concluding, Oy, long live the Jewish kugel! One of his famous songs, sung in the play, Khokhmes Noshim (The Wisdom of Women) , is A Year After the Wedding, in which a wife bewails her lot; how, in the course of a year, she has become a wife and a damale, a servant and a mamale. She swears that its better to remain a moydan old maid. Reingold also wrote Yiddish lyrics to American popular songs of the 1890s. [Often cheated, he received little or no payment. ] His songs were unique and beloved by the public. Played on simpatico accordions, they matched the moods of his readers and listeners. His nationalist songs awakened a Jewish consciousness, and his rhyming couplets brought rare moments of relief and pleasure to the toiling immigrants of that era. Isaacs widow, Anna, lived until 1950. She and their three children made their homes in the Chicago area. Only the late Alfred, a scientist, took the name Reingold. The late Bess Toomim Weinstein, a music lover, lived in the Ravinia area of Highland Park. Her daughter, Jean, is a professional musician now living in London, England. The late Phillip Toomin was a LaSalle Street lawyer who resided in Glencoe. (He changed the last letter of the family name. ) His son is Appellate Judge Michael P. Toomin, First District, 5th Division. (Isaac Reingold, The Greatest Yiddish Poet of the West by Bev Chubat, in Chicago Jewish History, Vol. 33, no. 4, Fall 2009) . Subjects: Yiddish poetry. Light wear to edges of cloth, otherwise fine. Very good condition. (ART-18-1)
(FT) Publishers cloth. 4to. 32 pages. 27 cm. First edition. A finely made artist book, comprised of hand-drawn calligraphic type and illustrations. Designed by Zuni Maud (1891-1956) , poems written by Abraham Moses Dillon (18831934) ; Dillon was born in Russia. In 1909 he immigrated to the United States where he experienced years of hunger and hard physical labor. As a poet, he was affiliated with the New York impressionistic movement Di Yunge. His melancholy lyrics were published in anthologies and in the book Gele Bleter (Yellow Leaves, 1919) . A more complete edition of his work, Lider fun A. M. Dillon, appeared in 1935. (EJ 2007) Yellow Leaves concerns a wondrous poet who carried a beggars bag of yellow leaves which frightens everyone around him. Subjects: Yiddish Poetry. OCLC lists 23 copies worldwide. Covers soiled, water stain on lower portion of pages throughout, not affecting text. First double leaf previously torn at edge and separated. Otherwise fresh. Good condition. (ART-18-14)
F.to: 23x30; pagg. 280; COL e BN; rileg. brossura. Editore: A&Mbookstore Edizioni, Milano, 2011.
F.to: 29,5x21; COL; rileg. brossura. Editore: Galerie Heiner Friedrich, München, 1975.
[iv] + 94pp. with numerous illustrations in and out of text by G. Cruikshank, reprint of the 2nd revised edition, editor's hardcover in cloth, 29cm., good condition, S91874
groot in-8 (19x25,5), 130pp + 48 buitentekstplaten z/w., gebrocheerd, originele geïllustreerde uitgeversomslag in kleur. VG+++ [NV-19] Catalogus van tekeningen en prenten in het prentenkabinet, voorafgegaan door een bibliografie.
Book shows light wear to covers only, a little edge wear, price marked out on back cover, Binding is solid and square, text/interior is clean and free of marking of any kind. 290 pages, with photographic illustrations & line drawings throughout. Introduction to body awareness for women, includes frank discussion of topics like sexuality, lesbianism, orgasm, therapy, masturbation, pelvic self-examination, belly dancing for yourself, Alyssum, reclaiming your sexuality, choosing partners, sex roles, abortion, deep fantasy, meditation, healing, tantra, etc. still relavent today! Large format paperback, age toned paper.
Mm 170x230 Brossura editoriale con sovraccoperta, introduzione N. C. Corazza, 22 tavole in nero. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
P., Payot, 1939. In-8, 271 pages avec des illustrations dans le texte et des hors-textes.
P., Nouvelles Editions de La Toison d'Or, 1950. Grand in-4 relié demi chagrin marron clair à coins, dos à nerfs, tête dorée, couvertures et dos conservés, 172 pp. dont 48 planches d'étude au crayon de B Riab. Edition originale numérotée n°1099/3500 sur offset chamois (3ème papier). Coins et bas du dos frottés, sinon bon exemplaire.
P., Nouvelles Editions de la Toison d'Or, 1950. In folio broché, couverture à rabats, 172 pp. avec 48 planches d'études au crayon de B. RIAB. Couverture légèrement defraichie, rousseurs en angle de 2 pages et dans la marge de 2 autres pages, mais bonexemplaire.
1 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1898 complète : 52 numéros du n° 1 du 7 janvier 1898 au n° 52 du 30 décembre 1898), 8 pp. par numéro Bon état (petits frott. en dos et coupes, ancien cachet d'ex-libris en première page, bon exemplaire par ailleurs). Français
1 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1899 complète - 9e Année - : 52 numéros du n° 1 du 6 janvier 1899 au n° 52 du 29 décembre 1899), 8 pp. par numéro Bon état (petits frott. en dos et coupes, ancien cachet d'ex-libris en première page, bon exemplaire par ailleurs). Français
1 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1900 complète - 10e Année - : 52 numéros du n° 1 du 5 janvier 1900 au n° 52 du 28 décembre 1900), 8 pp. par numéro Bon exemplaire (petit accroc marginal à une livraison, très bon état par ailleurs) Français
1 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1901 complète - 10e Année - : 52 numéros du n° 1 du 4 janvier 1900 au n° 52 du 27 décembre 1900), 8 pp. par numéro Bon exemplaire (dos passé, très bon état par ailleurs) Français
1 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1902 complète - 12e Année - : 52 numéros du n° 1 du 3 janvier 1901 au n° 52 du 26 décembre 1901), 8 pp. par numéro Bon exemplaire (dos passé, très bon état par ailleurs) pour ce rare exemplaire bien complet de l'année 1902, et surtout du rare numéro 30 du 25 juillet 1902 contenant un dessin signé Ruiz, signature de Picasso pour ses dessins dans la presse humoristique parisienne dans les années 1901-1902 Français
(FT) Cloth, small 8vo, 125 pages, in Yiddish. First edition. Inscribed by author. Zishe Weinper (pseudonym of Zise Weinperlech; 18931957) , was a Yiddish poet, short story writer, editor, and essayist. Weinper was born into a Hasidic family in Turisk (Ukraine) . His father was a cantor and a member of the Trisker rebbe's inner circle. As a youth, Weinper wandered throughout the Ukraine and Poland and in 1910 moved to Warsaw, where he began his literary career. In 1913 he emigrated to the U. S. , where he became associated with the Yiddish literary group Di Yunge. He continued his literary activities while also working as a house painter and elementary school teacher. In 1917, he edited the literary journal Der Onh eyb, which included his own works as well as those of his contemporaries such as B. J. Bialostotsky, Aaron Nissenson, and Naphtali Gross. In 1918, Weinper joined the British Jewish Legion and served in the Middle East. After returning to New York, he resumed publishing his poems, short stories, and essays in Yiddish publications such as Morgn-Zhurnal, Fraye Arbeter Shtime, and Tsukunft. The Depression of the early 1930s and the rise of Hitler in 1933 led him to join the radical left, and he became the poet and moving spirit of the Yidisher Kultur Farband, the leftist Yiddish cultural federation. His lyric volumes Poemen Vegn di Neviim (Poems about the Prophets, 1951) and Leyd un Freyd (Sorrow and Happiness, 1954) gave expression to his later, less optimistic moods (Jewish Virtual Library, 2012) . SUBJECT(S) : Childrens poertry --- Yiddish. OCLC lists 21 copies worldwide. Covers bumped, pages 111/112 torn, missing piece at the bottom, pages 117/118 torn, missing most of it (both are present in facsimile) , the rest is in good + condition (YIDCHI-5-7)
(FT) Cloth, small 8vo, 125 pages, in Yiddish. First edition. Zishe Weinper (pseudonym of Zise Weinperlech; 18931957) , was a Yiddish poet, short story writer, editor, and essayist. Weinper was born into a Hasidic family in Turisk (Ukraine) . His father was a cantor and a member of the Trisker rebbe's inner circle. As a youth, Weinper wandered throughout the Ukraine and Poland and in 1910 moved to Warsaw, where he began his literary career. In 1913 he emigrated to the U. S. , where he became associated with the Yiddish literary group Di Yunge. He continued his literary activities while also working as a house painter and elementary school teacher. In 1917, he edited the literary journal Der Onh eyb, which included his own works as well as those of his contemporaries such as B. J. Bialostotsky, Aaron Nissenson, and Naphtali Gross. In 1918, Weinper joined the British Jewish Legion and served in the Middle East. After returning to New York, he resumed publishing his poems, short stories, and essays in Yiddish publications such as Morgn-Zhurnal, Fraye Arbeter Shtime, and Tsukunft. The Depression of the early 1930s and the rise of Hitler in 1933 led him to join the radical left, and he became the poet and moving spirit of the Yidisher Kultur Farband, the leftist Yiddish cultural federation. His lyric volumes Poemen Vegn di Neviim (Poems about the Prophets, 1951) and Leyd un Freyd (Sorrow and Happiness, 1954) gave expression to his later, less optimistic moods (Jewish Virtual Library, 2012) . SUBJECT(S) : Childrens poertry --- Yiddish. OCLC lists 21 copies worldwide. Clear dustjacket, cover bumped, inner pages clean, overall very good condition (YIDCHI-5-8)
Mm 250x350 Collana Monumenta Bergomensia. Due volumi. Disegni inediti prima raccolta, pp. 11 con 475 ritproduzioni in bianco e nero e a colori fuori testo, 1973; Seconda raccolta, pp. 24 con 422 riproduzione in bianco e nero e a colori fuori testo e documenti inediti, 1974. Eichetta alla testa del dorso. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
Mm 225x270 Brossura editoriale di pp. 360, catalogo della mostra a cura di G.Bora al Castello Sforzesco di Milano, Sale Viscontee, 9 nov.1994-8 gen.1995, con numerose illustrazioni in bianco e nero e a colori. A cura di Giulio Bora. In stato di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Enfance was born to remember us the faculty of “bringing visions into focus with our eyes shut”, as we did in a remote time, still fruitful and alive, when thinking in terms of images was more spontaneous. It was a “possible pedagogy of the imagination that would accustom us to control our own inner vision without suffocating it or letting it fall (…) into confused, ephemeral daydreams, but would enable the images to crystallize into a well-defined, memorable, and self-sufficient form, the icastic form.” (Excerpts from Italo Calvino, Six Memos for the Next Millennium: Visibility, 1985–1986). — pagg. 16+16 [2 voll]; rileg. punto metallico in custodia di cartone. Editore: Sputnik Edizioni, Bratislava, 2015.
