977 résultats
188021961Paris, A. Quantin, 1880. In-folio, demi maroquin caramel à coins, dos orné de pièces mosaïquées, et filets et fleurons dorés, à la cathédrale, tête dorée. Reliure signée H. Gapelle.
195421470Paris, Chez Grasset, 1954 ; in-quarto tellière broché, chemise-étui moderne ; 140 pp., [2]ff., couverture granitée jaune rempliée, imprimée en noir et chocolat ; page de titre imprimée en noir et vert printemps.
195320248aux dépends de la société normande du livre illustré, 1953. Grand in-4 en feuilles, sous couverture rempliée, chemise, étui.
143955x46,5 cm, Motiv-Format: ca. 63, Blattformat: ca. 76x57cm. 1991. Unterhalb der Abbildung von Libuda signiert, nummeriert (71/90) und betitelt `Hiob`. Auflage für die Büchergilde Gutenberg. Druck auf Bütten. Gutes Exemplar. Good copy. Named, numbered and signed by the artist. Wikipedia: "Walter Libuda (* 24. Juni 1950 in Zechau-Leesen; ? 6. Juli 2021 in Berlin) war ein deutscher Maler, Zeichner, Plastiker und Objektkünstler. Walter Libuda war 1968?71 Theatermaler am Landestheater Altenburg. 1973?78 studierte er an der Hochschule für Grafik und Buchkunst in Leipzig. Von 1978 bis 1979 war er Meisterschüler bei Bernhard Heisig. Auf das Studium folgte von 1979 bis 1985 eine Tätigkeit als Assistent an der Hochschule für Grafik und Buchkunst Leipzig. Ab 1985 lebte Libuda in Berlin. Walter Libuda war seit 1991 Mitglied des Künstlerverbandes Neue Gruppe München. Dem Deutschen Künstlerbund[1] gehört er seit 1992 an und seit 1998 ist er Mitglied der Sächsischen Akademie der Künste. 1999 erhielt Walter Libuda den Fred Thieler Preis für Malerei der Berlinischen Galerie und 2000 wurde ihm der Gerhard-Altenbourg-Preis des Lindenau-Museums Altenburg verliehen. Seit 2004 lebte Libuda in Schildow bei Berlin."
143945x25,5 cm, Motiv-Format: ca. 36, Blattformat: ca. 58x44cm. 1976. Unterhalb der Abbildung von Eggenschwiler gewidmet, signiert, mit `a.p.` bezeichnet und datiert ([19]72). Druck auf Japanpapier. Gutes Exemplar. Good copy. Dedicated and signed by the artist. Wikipedia: "Ab 1971 beteiligte er sich an der von Holger Runge gegründeten «Radiergemeinschaft Osterath» in Meerbusch-Osterath. Im Jahr 1972 war er Teilnehmer der Documenta 5 in Kassel in der Abteilung Individuelle Mythologien. 1973 zog er nach Eriswil im Oberaargau um, wo er bis zu seinem Tod lebte und arbeitete. Für den 85. Katholikentag 1978 in Freiburg im Breisgau schuf Eggenschwieler ein meterhohes Holzkreuz in einer Metallgitterstruktur, das seit 1979 am Hirzberg an der Waldstraße vom Schlossberg nach St. Ottilien steht. Von 1981 bis 1995 war er Professor an der Kunstakademie Düsseldorf."
44468Simrishamn, Galleri Tobisborg, 1990 Paperbound, 52pp., 28.5x21cm., ills. in b/w., fine copy. ISBN 918780607x.
1793140941779London: John Stockdale 1793. First Thus. First Stockdale edition first issue with the long "s" throughout and list of subscribers. xi 1 225; 2 vii 187 1 pp. Two engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. Later full calf polished with gilt borders gilt decorated spines; marbled endpapers and edges. Very Good with joints expertly repaired and strengthened some general light wear and scuffing to calf offsetting to endpaper edges illustrated bookplates of author and bibliophile Louise Ward Watkins and Frances and Jourdan Hoyt scattered light foxing to interiors. The first edition of Gay's classic Fables to have etchings by William Blake who is listed as one of the subscribers at the rear. John Stockdale unknown
19502483Paris, Arc-en-ciel, 1950-52 ; 5 volumes in-8, en feuillets sous chemises-étuis bleues de l'éditeur, titre gris au dos des chemises, étuis muets ; vol. I : 246 pp., (1) f. (achevé d'imprimer), 12 planches d'illustrations en couleurs dont une en frontispice ; vol. II : 264 pp. (1) f. (achevé d'imprimer), 12 planches d'illustrations en couleurs dont une en frontispice ; vol. III : 235 pp., (1) f. (achevé d'imprimer), 12 planches d'illustrations en couleurs dont une en frontispice ; vol. IV : 222 pp., (1) f. (achevé d'imprimer), 12 planches d'illustrations en couleurs dont une en frontispice ; vol. V : 242 pp., (1) f. (achevé d'imprimer), 12 planches d'illustrations en couleurs dont une en frontispice ; couvertures blanches à rabats imprimées en couleurs.
Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 290 pages with b&w photos, prints and illustrations throughout.
R160121326Non Renseigné. NON DATE. In-4. En feuillets. Très bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 2 eaux fortes en noir et blanc dans le texte et hors texte. Lettrines. Une eau forte de DOMREMY.. . . . Classification Dewey : 767-Eaux-fortes
2393Aix Les Bains, Chambéry, Turin, Novare, Milan, Brescia, Vérone, Padoue,Venise, Murano, Torcello Le Lac Majeur, le Lac de Côme.In 8 demi-chagrin marron à nerfs,titre,fers dorés,filets à froid.Faux-titre,titre,VIII,317 pages,15 eaux-fortes sous serpentes par Léon GAUCHEREL Veuve Morel & Cie 1873 un des cinq cents exemplaires sur hollande seul grand papier Très bon état
134159London: Day & Son. Hardcover. good only ex-library with expected marks plus perforation stamp on title page pg 33 and all plates. chip to the edge of color title and final plate. Browninsh library buckram. 33 pp 18 color plates including color title. Oversize. Day & Son hardcover books
134159London: Day & Son. Hardcover. good only ex-library with expected marks plus perforation stamp on title page pg 33 and all plates. chip to the edge of color title and final plate. Browninsh library buckram. 33 pp 18 color plates including color title. Oversize. Day & Son hardcover
196 p. Over 183 p. Most printed in colors. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
196 p. Over 188 p. 152 of the illustrations are printed in full color. Of special interest to us is the one illustration by Kevin Grey that shows a White English Bull Terrier. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
Lienart, 2021. Fort et grand in-4 relié plein cartonnage éditeur illustré de 627 pages. Très nombreuses reproductions dans et hors-texte. Bon état
Subervie, 1985. In-8 broché de 365 pages illustrées. 15 illustrations de Eugène Viala, une photo, un fac-similé. Introduction de Jean Adhemar, Conservateur en Chef honoraire du Cabinet des Estampes de la Bibliothèque Nationale. Bon état
1985172314Subervie 3 Subervie, 1985. In-8 broché de 365 pages illustrées. 15 illustrations de Eugène Viala, une photo et un fac similé. Introduction de Jean Adhémar, conservateur du cabinet des Estamps de la B.N.Très Bon état
1881229231881 Paris QUANTIN 1881 in-4 un volume, in-quarto (20,5 x 29,3 cm), reliure plein basane blonde posterieure,1ère de couverture imprimés en noir, conservée , TITRE IMPRIME EN ROUGE ET EN NOIR, ILLUSTRE DE 45 DESSINS DONT 15 A PLEINE PAGE ET DE 16 PLANCHES HORS TEXTE EN NOIR (UN PORTRAIT DE FROMENTIN EN FRONTISPICE, GRAVE A L'EAU-FORTE PAR GILBERT + 11 EAUX-FORTES DE LE RAT, MAXIME LALANNE, JULES JACQUEMART, LAGUILLERMIE, E. SALMON, MILIUS, E. MONTEFIORE (jaunies) + 4 HELIOGRAVURES),multiples légères rousseurs, 365 pages, EDITION ORIGINALE.Vicaire III, col 841. Ouvrage augmenté d'un Voyage en Egypte et d'autres notes et morceaux inédits de Fromentin (divers fragments dont ses notes sur l'Ile de Ré)......Bel Exemplaire....rare.......en bon état malgré le défaut signalé
Roy. 8vo., with facsimile title in colour, 14 facsimile plates and an illustrations in the text; decorative cloth gilt, gilt back, a fine copy. EDITION LIMITED TO 500 COPIES. Dallaway's scarce work was first published in 1821. Based on an original in the Surrey County Library, this sympathetic reprint was printed and bound at the Scolar Press.
4to (283 x 230 mm), 12 etched plates goats, cattle and landscapes, a little browned and spotted, stitched as issued, orig. yellow paper wrappers, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
4to (295 x 238 mm), 12 etched plates goats, cattle and landscapes, first plate lightly browned, orig. cloth-backed limp patterned cloth, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
24852London, The Fine Art Society, 2001 Illustrated cardboard cover, 210 x 245mm., 10pp. et 15 planches n/b.
198328520The Strange Company: USA 1983. First edition. Oversize pictorial wrappers. No 2. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. ''of special interest in no 2 is an interview with the leading Weird Tales cover artist of the 1930s Margaret Brundage'' plus ''The Room Of Fear'' a previously unpublished short story by William Hope Hodgson'' see Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. Fine unread copy. The Strange Company: USA unknown
198728527The Strange Company: USA 1987. First edition & 1st printing. Oversize pictorial wrappers. Tenth and final issue. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has a mscellany of fiction poetry and essays by Thomas Ligotti ''The Spectacles In The Drawer'' Brian Lumley and others. The emphasis of this issue is on the work of WEIRD TALES author Amelia Reynolds Long and includes two of her short stories and an essay about her work by Chet Williamson. 1000 copies printed. Fine unread copy but for a touch of edge wear. The Strange Company: USA unknown
