Debucourt, Philibert-LouisBiblio.com
129 résultats
1958463Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1792. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18249Very Good with no dust jacket. First Edition. Non-Book. This very rare engraving by Philibert-Louis Debucourt entitled "Le Compliment ou La Matinée du jour de l'an" The Compliment or New Year's Morning ca1787. This Etching was printed in blue red yellow carmine and black inks and 11 13/16 × 9 7/8 in 30 × 25.1 cm. It is printed on woven paper which has been framed and shows light sunning. We believe this to be an original etching as we have been unable to confirm the existence of restrikes and as such is very scarce. Most engravings by Debucourt of this subject are in museums and national galleries. The engraving is offered unframed. ; 12" x 10" . unknown
192015002Catalogue des tableaux, dessins, gravures exposés au Musée des Arts Décoratifs du 11 juin au 11 juillet 1920. Pakais du Louvre. Important catalogue avec de nombreuses photos. Broché Très bon Paris 1920 1 plaquette In-4°
7221Société pour l'étude de la gravure française, Paris, 1920. In-8, broché, 127 pp. Avertissement - Philibert-Louis Debucourt, par Emile Dacier - Bibliographie - Catalogue des Peintures. - Catalogue des Dessins, par Albert Vuaflart et Jacques Hérold - Les procédés de gravure - Catalogue des gravures par Debucourt - Catalogue des gravures d'après Debucourt ...
0366628119.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366628127.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1782551Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1782552Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1782553Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1782554Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1820902872AGParis, [um 1820]. Aquatinta mit Punktierstich 29,5 x 23 cm (hoch), Blattgröße 32,5 x 24,5 cm.
4503Editions de la R.M.N., Paris, 1985. In-8, broché sous couverture illustrée en noir, 126 pp. Préface - Introduction - Cochin le Fils - Les Saint-Aubin - Les Moreau - Janinet - Descourtis - Debucourt - Index des graveurs - Index des architectes, sculpteurs, peintres et dessinateurs - Dessins et peinture sur porcelaine du cabinet des ...
1787015962Paris: Louis-Philibert Deboucourt 1787. Early Printing . Single Sheet. Very Good . 18 1/2" x 12 3/4. Color Engraving. An Important Eighteenth Century Engraving One Of The First To Be Printed In Color By The Use Of Several Different Impressions Each Precisely Aligned. Laid Paper. Complete With Full Margins As Issued With Plate Mark 11" X 15" Overall Size 18 3/8" X 12 3/4". This State Of The Plates Has The Stone Beneath The Lamb Colored Blue With The Three Stones To The Right Colored Successively Brown Blue And Brown. Text Is "Peint Et Grave Par De Bucourt Peitre Du Roy 1727 Sic" To Left With Text At Center "Heur Et Malheur / Ou / La Cruce Cassee / A Paris Chez L'auteur Cour Du Louvre La 5Eme Porte Agauche En Entrant Par La Colonade Au 1Er." Plate Mark On All Four Sides With Adjustment Reference Marks. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> Louis-Philibert Deboucourt unknown
17870159631787. Original Art Work . Single Sheet. Very Good . 18 1/2" x 12 3/4. Color Engraving. An Important Eighteenth Century Color Engraving One Of The First To Be Produced In Color By Plates. Laid Paper. Complete With Full Margins As Issued With Plate Mark 11" X 15". This State Of The Plates Has The Stone Beneath The Lamb Colored Brown With The Three Stones To The Right Colored Successively Blue Brown And Part Blue/Part Brown. Text Is "Peint Et Grave Par De Bucourt Peitre Du Roy 1727 Sic" To Left With Text At Center "Heur Et Malheur / Ou / La Cruce Cassee / A Paris Chez L'auteur Cour Du Louvre La 5Eme Porte Agauche En Entrant Par La Colonade Au 1Er." Plate Mark On All Four Sides With Adjustment Reference Marks. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> unknown
51-4815Paris: Charles Bance 1818. Handcolored aquatint on laid paper 37 x 27.1 cm. sheet size. Subdued colors; foxing verso. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:A street with a woman wearing green blouse and brown striped skirt seated on a bench and stirring embers in an earthen pot placed between her legs; nearby wine bottles and bread on a trestle table; on the left a man in blue jacket lighting a pipe. 1818.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 382IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 72Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.6 Paris: Charles Bance, [1818] unknown
2111295Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2111293Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2111296Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2111294Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18165555Catalogue Fenaille n° 368. Cadre moderne. Collection de costumes dessinés d’après nature par Carle Vernet. N° 4 de la livraison(7 octobre 1816) très bon 1816
181256411812 Eau-forte et aquatinte 51 x 67 avec le cadre. Déposé à la Bibliothèque le 31 janvier 1812 par Bance. Aquatinte et eau-forte imprimée en deux tons noir et bleu dans les fonds et la neige. Cette pièce encadrée dans une large marge noire à l’aquatinte ne porte pas de titre. Fenaille n° 307 - 2è état (sur 2) Cadre de l’époque en pin marqueté de filets plus clairs. 51 x 67 avec le cadre. 1812
2091471Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2091469Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2091468Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2091470Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
