22 569 résultats
Very Good Turkish, Ottoman (1500-1928) In contemporary Ottoman quarter burgundy leather bdg. with red boards. Gilt lettering of the title with some decorative elements and four raised bands to the spine. Large roy. 8vo. (25 x 16 cm). In Ottoman script. 2 volumes set: (310 p.; 264 p). Hadikatû'-l cevâmî. 2 volumes set. [= Hadiqatul-gewami = The garden of the mosques]. Occasionally foxing on boards, slight stains on paper. Otherwise a very good copy. First edition of this rare monumental two-volume set in which an inventory is kept of almost all architectural buildings such as mosques, masjids, fountains, schools, and lodges in Ottoman Istanbul and its surroundings, built since Sultan Mehmet II up to 1768, in a traveler style, by Ayvansarayî, who was hafiz and janissary sekban who lived in the 18th century. "This excellent book has an extremely important place in the literature not only in terms of architectural works and topography but also as a historical source of Constantinople". (Hammer). Long recognized by Turkish scholars as a unique source of Istanbul's architecture and urban form, the text, which was started in 1182 (1768-69) and completed in 1195/1780 and revised and enlarged between 1248/1832-33 and 1253/1838 by Ali Sati, son of Mahmud Efendi, one of the judges of Medina, contains separate descriptions of each of Istanbul's more than 800 mosques, plus accounts of its madrasahs, tombs, tekkes and other monuments. The annotations place each of these buildings within the city's urban plan and provide biographical information about the patrons, architects, and other personalities mentioned in the text. Ayvansarayi's original text, which survives in a number of manuscript copies, was enlarged in the 1830s by Ali Sati Efendi, whose reworking was published in print in 1865 and has thus become the best-known version of the Hadika. (Crane). The author, who first visited the mosques and masjids inside the city walls in a topographic order, then examined the ones outside the city walls, then discussed Eyüp, Galata, both sides of the Bosphorus, Üsküdar (Scutari), Kadiköy (Khalkedon) mosques and masjids. After giving the name of the building in each article, if a mosque was transformed from the church, he noted this issue and recorded the name of the person who had it built. If known, he also indicates where this person's grave is located. Detailed info about the restoration of the architectural building has been restored. And he gives detailed information on additional facilities such as a public fountain, sebil, school, madrasah, and in some cases the people who lie in its burial ground, with brief information about the foundation of this charitable building. Hegira 1281 = Gregorian 1865. Özege 6565.; Thirteen copies in the US libraries according to the OCLC.
First and only edition, large landscape folio (565 x 430 mm), engraved title page (a little dust soiled), engraved portrait of Conte Ferdinando del Maestro, 52 engraved plates of ceilings each with corresponding leaf of letterpress text with historiated initial, the plates by P. A. Pazzi, J. Papini and F. Zucchi, in general the plates and text a clean and bright, cont. quarter calf, marbled boards, rubbed, joints cracked, spine worn. The engravings represent frescoes from some of the rooms in the Galleria degli Uffizi. After the disastrous fire of 1762 in which large parts of the roof collapsed, the illustration from this book were used as a reference guide to the ceiling frescoes when restored by Giuseppe del Moro, Giuliano Traballesi and Giuseppe Terreni. Berlin Catalogue, 4103; Brunet I, 595.
No place, No date, (Paris around 1654). 4to. (275 x 210 mm). Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage (ouside engraving). With engraved ornamental title-page and 113 engravings on 107 (of 122 ??) sheets. Most of the plates signed (I. or J. or Ian, or Jean) Marot sculp. Wide-margined and internally clean.
Kbhvn. 1941. Folio. Orig.papbd.m.shirtryg. i Kassette. Kassetten lettere slidt. Fremstillet i 25 eksemplarer - hvoraf dette er No 19. Litograf.titelblad, raderet indholdsfortegnelse. 11 raderinger samt 8 litograferede blade.Orig. clothbacked cased boards in slipcase. Limited to 25 copies, of which this is no. 19. Lithographed titlepage, etched contents page. 11 etchings and 8 lithographs.
Paris, Jean Baptiste Coignard, 1684. Folio. (44 x 30 cm.). Contemp. full calf. 6 raised bands. Compartments with blindtooling. remains of titlelabel with lettering. Spine-ends worn. Some cracking of leather on hinges at upper and lower compartments. Still holding. Corners bumped. Some wear to edges. A stamp on topmargin of frontispiece and on top of title-page. Engraved frontispiece. (16),354,(16) pp., profusely textillustrated with textfigs., textillustrations, engraved vignettes, 68 plates in the text (numb. I-LXV + 3 extra), mostly full-page, sometimes double-page. Wide-margined, clean and printed on good paper.
6 cahiers (1 à 6) reliés dans 3 volumes: viii,189,[ii] + viii,xvi,[ii], xxviii,744, [iii] + iv,iv,456 pp., illustré de quelques figures dans le texte et complet avec ses planches hors-texte (dont la plupart des grandes planches dépliantes), 26cm., reliures cart. uniformes d'époque, dos en parchemin, peu de taches vagues et quelques rousseurs occasionelles, bon état, rare, [Contient des contributions sur l'architecture, les mathématiques, la chémie, la physique, la technique, etc., par J.L. Lagrange, Laplace, Prony, Barruel, Berthollet, e.a.], W90390
2 volumes in-8 de I. (6), 510 pages et 26 planches ; et de II. (4), 428 pages et 6 planches demi-toile à coins postérieure, dos lisse muet (premières de couverture conservées sur les premiers plats) 1864, 1864, , 2 volumes in-8 de I. (6), 510 pages et 26 planches ; et de II. (4), 428 pages et 6 planches, demi-toile à coins postérieure, dos lisse muet (premières de couverture conservées sur les premiers plats), Trés rare édition des Oeuvres complètes de desargues procurée par l'histoire et spécialiste de l'historie des mathématiques, Noel Poudra. Précieux exemplaire de Paul Tannery avec ex-libris autographe sur la page de titre. Celui-ci participa à plusieurs éditions modernes de textes anciens de science et avait un attrait certain pour l'histoire des mathématiques. Quelques notes manuscrites au crayon de papier ou de couleurs dans le texte, probablement de la main de Paul Tannery. Exemplaire uniformément roussi sur les deux volumes
In -folio; due parti parti in un vol., 38 pp., 60 tavole incise in rame incluso frontespizio, antiporta e ritratto dell’autore. Legatura in pelle coeva impressa a secco, dorso a nervi danneggiato, fioriture, qualche strappo. Fowler 181
In-8°, (1), IV, 47, 4 tavole f.t. numerate, rilegatura in mezza pergamena con tassello e titolo al dorso. buono stato di conservazione, presente in calce a pag.10 l’autografo di Felice Cicconetti architetto, collaboratore di grandi archeologi del calibro di John Henry Parker. In-8°,(1), IV, 47, 4 numbered plates,binding in half parchment with title at the back. good state of conservation, at the bottom of page 10 autograph by Felice Cicconetti architect, collaborator of great archaeologists such as John Henry Parker
Tre voll. I (mezza pelle, 31,5 x 24,5 cm.): pp. XVI, 341, ritratto dell’autore davanti al frontespizio; II: pp. (4), 356; III: atlante (fogli sciolti in cartella, mezza pergamena, con legacci, 54,5 x 42 cm.), 4 grandi cc. di frontespizio e indice analitico, XXXVIII tavv. (l’ultima reintegrata a un angolo: le illustrazioni non sono toccate dal restauro, manca solo un piccolo tratto del filetto di cornice). Prima edizione a stampa del trattato di Martini, architetto del XV secolo: una copia manoscritta di questo lavoro fu posseduta anche da Leonardo Da Vinci, che lo commentò minuziosamente. The first printed edition of Martini’s work, famous XV Century architect: a copy of Martini’s manuscript was owned by the very Leonardo, who thoroughly remarked it.
In -4°, piena pergamena con titolo in oro; pp, (2) m XXXIX, (1), 382, 6 tavv.
In -folio, pp. (18), 325 (ma 329), (17), privilegio, antiporta incisa. Pelle con nervi al dorso, abrasioni. Edizione originale della traduzione di Claude Perrault. The original edition of the french translation made by Claude Perrault.
NRS. 1 à 7 complet, 33x25cm . SPAZIO NRS. 1 à 7 complet. 1950-1953 Rome. Réd. : Luigi Moretti. Textes importants de Moretti (Eclecticism and unity of language, Structures and sequences of spaces, Transfigurations of wall structures, etc.). Série des 7 num. publiés between 1950-1953 qui rendirent célèbre la revue, qui paru ensuite de manière plus sporadique. // Spazio, Rassegna delle Arti e dell'Architettura è una rivista d'arte edita dal 1950 al 1953 a Roma con l'intento di proporre collegamenti fra le diverse forme d'arte (dall'architettura alla scultura, dalla pittura al cinema e al teatro). Fu fondata dall'architetto romano Luigi Walter Moretti, che non a caso apriva il primo numero con l'articolo Eclettismo e unità di linguaggio. Attraverso di essa pubblicò i suoi saggi più importanti: oltre al già citato Eclettismo e unità di linguaggio del 1950, Genesi di forme della figura umana (1950), Forme astratte nella scultura barocca (1950), Colore di Venezia (1950), Trasfigurazioni di strutture murarie (1951), Discontinuità dello Spazio in Caravaggio (1951), Valori della modanatura, (1951), Strutture e sequenze di spazi (1953). La rivista, stampata a Milano prima dalla tipografia E. Barigazzi e quindi dalla tipografia Lucini, aveva la sede amministrativa a Roma e uffici a Milano e Parigi. Luigi Moretti ne fu direttore e principale redattore, direttore responsabile era Felicia Abruzzese, collaboratrice dello studio Moretti. La rivista ebbe una certa continuità dal 1950 al 1953, periodo in cui uscirono i sette numeri che resero celebre la testata tra gli addetti ai lavori. Nei decenni successivi Moretti fece uscire la rivista in maniera sporadica, in un numero del 1957 pubblicò il suo saggio Forma come struttura; nel gennaio febbraio 1959 uscì un numero contenente articoli di Fernand Léger, Alberto Gatti, Giampiero Giani e un'Antologia di Spazio dedicata allo scultore Pietro De Laurentiis, articolo che venne poi estratto e pubblicato - sempre a cura delle edizioni Spazio - come catalogo di una mostra tenutasi quello stesso anno; nell'aprile del 1963 pubblicò il saggio Strutture di insiemi e, nel 1964, il saggio Significato attuale della dizione architettura. È del luglio del 1968 un numero in cui compare il saggio Capogrossi dedicato al celebre pittore romano.
5 vol. in-4 reliure de l'époque plein veau blond, dos à 5 nerfs dorés orné, triple file doré d'encadrement en plats, double filet doré en coupes, chasses ornées, toutes tranches dorées, Chez Desaint & Saillant, [ Chez Duchesne ; Chez N. M. Tilliard ], Paris, 1752-1762, I : Chez Desaint & Saillant, 1752 : 4 ff., XXI-348 pp. et 1 f. n. ch. avec frontispice et 107 planches hors texte ; II : Chez Duchesne, 1756 : 1 f., VIII-429 pp. et 2 ff. n. ch avec frontispice et 128 planches (planches 58 bis et ter) ; III : Chez Desaint & Saillant, 1759 : XXXVI pp. (y compris le frontispice), 448 pp. avec frontispice et 121 planches hors texte ; IV : Chez N. M. Tilliard : 1761 : XX pp. (y compris le frontispice), 418 pp. et 1 f. n. ch. avec frontispice et 125 planches hors texte ; V : Chez N. M. Tilliard, 1762 : XXVI pp. (y compris le frontispice), 1 f. n. ch., 348 pp. avec frontispice et 120 planches hors texte Très jolie série réunissant en belle reliure uniforme plein veau d'époque les 5 premiers volumes (sur 7), parus chez 3 éditeurs (comme c'est le plus souvent le cas). Ce superbe ouvrage est orné de très nombreuses planches hors texte délicatement gravées, et de magnifiques vignettes et culs-de-lampe. Bon état (mouill. en garde du tome 4 avec petite faiblesse aux 4 premiers feuillets et visible au premier plat, qq. petites usures en coiffes, très bon état par ailleurs, d'une très belle fraîcheur intérieure). A partir du tome III, le titre complet devient : "Recueil d'Antiquités Egyptiennes, Etrusques, Grecques, Romaines et Gauloises". Cohen, I, 212 Français
<p>in folio, (33x23) cm, rilegatura fine '800 in cartone ricoperto, titolo ben manoscritto al dorso; cc. (4), 60, Ritratto silografico dell'Autore con modellino di cannone e il plastico di una fortezza, un cannone sullo sfondo. 96 grandi e belle incisioni silografiche che rappresentano cannoni, fortificazioni, strumenti e criteri di misurazione, armamenti, giochi d'artificio, ecc... Ex libris privato calcografico al risguardo. 4° edizione ottimamente stampata con l'aggiunta rispetto alle precedenti di un capitoletto "Sull'esercizio militare"</p>
This is a long run of 132 issues, uniformly bound in polished black buckram with title, months and year on the spine. This set was long ago released from the reference library of a major New York art museum. This is a very clean set, with just mailing labels to the museum on each individual cover and usually a small one line handstamp from the museum on the page-edges. No bookplates, cards or pockets, or other institutional marks. All covers bound in. This run starts with the year 1983 January through August. 1984: January through April. 1985: January through December. 1986: May though December. 1987: January through December. 1988: January through December. 1989: January through December. 1990: January through December. 1991: January through December. 1992: January through December. 1993: January through Decenber. 1994 January through June. 1995: January through June. A total of 32 hardcover volumes containing 132 individual issues of one the most important and interesting architecture and design magazines of the period. Designed by the team of Massimo and Lella Vignelli. Illustrated in color and black & white. 16" high X 11" wide, thousands of pages. It will take up about 30" on a shelf. NO INTERNATIONAL ORDERS UNLESS YOU HAVE A SHIPPER IN THE UNITED STATES. This set will weigh about 75 lbs packed. Extra shipping charges for this heavy set. Local pick-up possible.
Paris chez Joubert graveur et marchand d'estampes, rue des Mathurins, aux 2 piliers d'or; 1675. Un album de format in 4° à l'italienne comprenant 25 planches gravées sur cuivre, marges non rognées; 3 planches remontées sur papier d'époque. Reliure moderne à la bradel en pleine toile bleu clair, muette; parfaitement exécutée. Edition originale en premier tirage de cette frise du magnifique "Palazzo TE" de Mantoue. Photos sur demande. Rare.
In-folio; cc. (6), tavole 15, di cui una ripiegata; le 11 tavole finali che raffigurano piante e alzati dei principali teatri di Bologna, Venezia, Torino, Napoli, teatro Greco, Imola, Vicenza, Milano, Roma, Genova, Fano, sono montate a formare un’unica lunga tavola ripiegata più volte; al frontespizio grande stemma calcografico; nel testo anche tre grandi rami che raffigurano il Foro di Nerva, l’ingresso del teatro di Pompeo, Rovine del teatro Marcello e una tavola a piena pagina sul “Modo di ridurre il teatro di Bologna alla forma d’Imola; un capolettera inciso su rame. Legatura coeva in mezza pelle. Edizione originale. Bell’esemplare. Morelli (1732-1812) fu architetto di passaggio tra lo stile barocco e il neoclassico; ricoprì per molti anni l’incarico di architetto pontificio. Realizzò, oltre al Palazzo Braschi di Roma, altri teatri a Fermo, Jesi, Macerata. Quest’opera è interessante anche per l’apparato iconografico che offre testimonianza completa del teatro di Imola (la pianta dello scenario, il prospetto della scena, lo spaccato laterale) e offre la possibilità di confronto con altre architetture per teatri italiani.
90 + [i] pp., 27cm., brochure muette originale d'époque, première édition, du colophon: "imprimée sur presse à la main privée au cours des années de guerre 1916 et 1917 à Weimar. Tiré à trois cent exemplaires numérorés" bien que cet exemplaire ne port pas de no., imprimé sur papier de luxe, peu de rousseurs, pages 11 à 90 sont toujours non coupées, très bon état, rare, cette édition ne contient pas d'ills., [First edition of this work by Henry Van de Velde, edited on a private press in Weimar, of 300 numbered copies only ; this copy is not numbered, pages 11 to 90 are still uncut, very occasional foxing, printed on luxury paper, original blind wrappers, very good, scarce,this first edition does not contain illustrations], S85179
A Paris, (1812). Folio. Fine Later hcalf in old style with raised bands. - Consisting of 42 engr.plates, of which 30 are in fine handcolouring (Numb. 1-42). Some plates dampstained in upper part, mostly effecting upper margins.
Very Good Turkish, Ottoman (1500-1928) Fine brown quarter leather bdg., brown boards with decorative embossing. Roy. 8vo. (24 x 17 cm). In Ottoman script (Old Turkish with Arabic script). 176 p., 33 unnumbered b/w plates of views of the Middle Eastern cities, Kaiser and queen's portraits, ills. of their maritime voyages, a general view of Beirut, a panorama of Jerusalem (in two pages), The Government House and Lake Tiberia in Beirut, a general view of Jaffa, churches and castles and Masjid-i Aksa of Jerusalem, Idlib, the interior of the Umayyad Mosque in Jerusalem, The Government House of Jaffa, Beirut - Damascus railways, street views and architectural buildings from Damascus, the market place of Jaffa, Bethlehem and the church, views of Trablus-Sam [i.e. Tripolis], ruins of Baalbek, and other numerous b/w photos, published for only this book. Slight stains on pages, a modern repair on a leaf with tape, otherwise a very good copy. Bound together with "Eski Sevda" which is a compilation of Turkish tales. First and only edition of this richly illustrated scarce and uncommon book was printed for the German Emperor Wilhelm II and his wife Augusta Victoria, the commemoration of the construction of Alman Çesmesi [i.e. German Fountain] in Constantinople, and the first anniversary of the Wilhelm II's travel to the Ottoman Empire in 1898. The fountain's design was drawn by the architect Spitta and constructed by the architect Schoele with the German architect Carlitzik and Italian architect Joseph Anthony, working on the project. The fountain was built in Germany and then transported piece by piece to Istanbul, reassembled in its current site, and officially opened on January 27, 1901, on the birthday of German Emperor Wilhelm II. Wilhelm II's voyage to the Levant in 1898 was a state visit that the German Emperor undertook in the Ottoman Empire between 25 October and 12 November 1898. The Kaiser started his journey to the Ottoman Eyalets with Istanbul on 16 October 1898; then he went by yacht to Haifa on 25 October. After visiting Jerusalem and Bethlehem, the Kaiser went back to Jaffa to embark on Beirut, where he took the train passing Aley and Zahlé to reach Damascus on 7 November. This book is richly illustrated including many views of the cities of this voyage's destinations like Jerusalem, Damascus, Beirut (Beirut), Jafa, Baalbek, etc. On 10 November, Wilhelm went to visit Baalbek before heading to Beirut to board his ship back home on 12 November. His visit spurred interest in the German Templer colonies in Palestine. One of the Kaiser's traveling companions, Colonel Joseph von Ellrichshausen, initiated the formation of a society for the advancement of the German settlements in Palestine, named the Gesellschaft Zur Förderung der Deutschen Ansiedlungen in Palästina, in Stuttgart. It enabled the settlers to acquire land for new settlements by offering them low-interest loans. A subsequent second wave of German settlers founded Wilhelma (named after the Kaiser, now called Bnei Atarot) in 1902 near Lod, Walhalla (1903) near the original Jaffa colony, followed by Bethlehem of Galilee (1906). The German Settlement Society successfully encouraged some of the Templars to return to the official, national Protestant Church. The non-Templar colony of Waldheim (now Alonei Abba) was subsequently founded next to Bethlehem of Galilee in 1907 by proselytized Templers now affiliated with the Old-Prussian State Church. The visit resulted in the highest-profile political event in the life of Theodor Herzl, considered the founder of Zionism. Through the efforts of William Hechler, via Frederick I, Grand Duke of Baden, Herzl publicly met Wilhelm II three times during the voyage, once in Istanbul (on 15 October 1898) and twice in Palestine (29 October and 2 November). The meetings significantly advanced Herzl's and Zionism's legitimacy in Jewish and world opinion. (Wikipedia). Only one copy in OCLC (Library of Congress. Karl Süssheim Collection, no. 1300) 900684728. Özege 7023
Very Good Turkish, Ottoman (1500-1928) Extremely rare huge chromo-lithograph map in 24 sheets mounted on canvas, showing a large zone including Midyat (Mardin), Mosul, Mt. Cilo (Resko-Buzul) on the southeast; Kahta (Adiyaman), Munzur Mt., Divrigi (Sivas) on the west; the Black Sea on north and Turkish borders to Armenia, Azerbaijan on the east, and to Russia on the northeast. In addition shows in separate little portions, roads, mountains and hills, lakes, and telegraph and post ways and borders in that zone. Not in any libraries and any collection. An attractive map with its huge size and decorative surface. Several toponyms are underlined in red ink. Otherwise a very good example. Original folded map mounted on canvas. 118x112 cm. In Ottoman script (Turkish with Arabic letters). Scale: 1/630.000.
[Regola de cingue:] Rome, Gio. Battista de Rossi (1617). [Alcune:] Rome, Francesco Villamena, 1617. Folio (420 x 280 mm). In contemporary limp vellum. Stamp to front and back free end-papers. Small worm tract affecting inner margin of first 11 ff. Extremities with some miscolouring and a few dots and marks. Internally fine and clean with plates in good clear impression. [Regola de cingue:] With engraved title-page with portrait of Vignola and dedicatory leaf followed 36 numbered plates (from I-XXXVI, number I and II engraved dedication plates). [Alcune:] With engraved title and 15 engraved plates. Lacking the two folding plates of the plan and section of the Palazzo Farnese at Caprarola.
Bruxelles, Meline, Cons et Comp., 1841-42 (Text vol.] Paris, Anselin, Gaeury & V. Dalmont, 1841 (Plates). Text volume: Royal8vo. Two volumes bound in one contemporary half calf. Library stamp pasted on to lower part of spine and library stamp to title page. Hinges with some wear but firmly attached. Internally very fine and clean. [Vol. 1]: (2), 575 pp " (4), 670 pp.Plates: Folio-oblong both bound in contemporary half calf, with gilt lettering to spine. Spine with wear and hinges loose. First plates with a 5 cm long tear. Plates are fine and clean with occasional marginal brown spots. 157 engraved plates.
In-4°; pp. (10), 522, (18), 42 tavole nella segnatura incise su rame; frontespizio inciso, esemplare privo dell’antiporta, manca A1, D4, D5, Gg7, Kk4. Edizione originale, dedicata a Francesco Barberini del primo trattato di floricoltura, splendidamente illustrato dai principali artisti del tempo; opera dalla godibilità scientifica e estetica, è anche importante testimonianza del gusto del tempo. Tra le tavole anche le incisioni allegoriche di J.F.Greuter, e Claude Mellan, da Pietro da Cortona, Guido Reni, Andrea Sacchi; alcune mostrano disegni di giardini, strutture, vasi e attrezzi per il giardinaggio, molti sono dedicati alle varie specie di fiori e alle composizioni floreali. Ferrari si occupò dei giardini del Qurinale. Legatura in mezza pelle moderna, dorso lacunoso restaurato. Spotting su alcune carte.