Muller AlbinMareMagnum
22 569 résultats
<p>40 cm, cartella editoriale in tela con leggere tracce d'uso, dorso in tela recente, titolo e illustrazione al piatto, legato da nastrino. All'interno 106 carte sciolte: il frontespizio illustrato, l'occhietto, 2 carte con testo in tedesco, indice delle tavole e 100 tavole numerate con fotografie in bianco e nero di opere architettoniche e d'arredamento di Muller, con didascalia alla base di ogni tavola. Una tavola con piccola abrasione al taglio inferiore, ex libris privato al risguardo</p>
In-folio, 1c,1c di tavola calcografica, legatura in cartonato . Riccardi, I, col. 390 Francesco Moschini, Le colonne tortili in S. Pietro: storia, teoria, progetto, in Antonio Labalestra 'Singularis in Singulis' (2014), pp. 54-61
Folio in color illus jacket (black spine with white titling); 284 pages : chiefly color illustrations, plans ; 32 cm. Includes bibliographical references (pages 282-284) Supremely scarce for a book published not so long ago. "The work of Hugh Newell Jacobsen, one of America's most acclaimed architects, is infused with a rare sense of clarity and elegance. He his best known for his modern pavilion-based residences - compositions of simple, gabled forms that are rectangular in plan. Unlike other second-generation modernist architects who revised the iconic European houses of the 1920s or the American Shingle Style of the nineteenth century, Jacobsen draws on inspiration from the vernacular architecture of the American homestead. His grand yet intimately scaled pavilions recall the barns, detached kitchens, and smokehouses - the outbuildings of rural America." "This volume presents the architect's most recent work, including houses, university projects, and a winery, and offers a definitive look at the architect's mature skill and refined taste." "An introduction by architecture critic Paul Goldberger explores Jacobsen's significance in the world of architecture today."--Jacket. || Contents: Rich house 1993 -- Segal house 1994 -- McKinney house 1994 -- Clarke house 1995 -- Doerfer house 1996 -- Welles house Windsor I 1997 -- Nef house 1997 -- LIFE dream house 1998-2003 -- Welles house Casa de Campo 2000 -- Wilks house 2001 -- Southern Vermont Arts Center 2001 -- Scheer house 2002 -- Voorhees house 2002 -- Mayerson house 2002 -- Segal house in Snowmass 2003 -- A house in Nantucket 2003 -- Fletcher house 2003 -- The Mary and Howard Lester wing University of Oklahoma 2004 -- Samuel Riggs IV alumni center University of Maryland 2004 -- Tahir house 2005 -- Rivers house 2004 -- Welles house Windsor II 2006 -- Boxwood Winery 2006. || Architecture -- United States -- History -- 20th century. Architecture, Domestic -- United States -- 20th century. Architecture. Architecture, Domestic.
F.to: 24x28; COL e BN; rileg. viti in metallo. Editore: Kunstlerhaus, Graz, 1969.
Petit in-4, plein vélin rigide de l'époque à petits rabats, (1) f. bl., (1) f. de frontispice, (1) f. de titre, (4) p. de dédicace, 75, (1) p. de privilège, 31 planches gravées hors-texte dont une dépliante. Edition originale de premier tirage. L'iconographie se compose d'un frontispice allégorique, d'un feuillet héraldique gravé de dédicace au grand collectionneur Everhard Jabach, d'un titre gravé portant: “Explication par figures et par discours… par A. Bosse” et de 31 planches hors texte, dont une dépliante, disposées sur 17 feuillets, certaines recto/verso, ensemble gravé par A. Bosse. C’est dans cet ouvrage qu’Abraham Bosse livre le résultat des recherches approfondies entreprises avec Robert Nanteuil, sur la question de la représentation de la perspective sur des surfaces non planes ("Tableaux ou surfaces de diverses situations & différemment courbés en voûte, en angle"). "C'est à Abraham Bosse que revient l'approfondissement de la question de la perspective atmosphérique, peut-être en vertu de sa pratique d'aquafortiste, où le travail des morsures nécessite une grande maîtrise de la différenciation des valeurs et des plans dans l'espace. La volonté de s'adresser aux peintres conduit Bosse à vouloir faire de ce principe rationnel une procédure qui s'inscrit dans la même logique opératoire, comme elle le pousse à penser la question non plus en termes seulement graphique, mais en termes de couleurs" (cf. BnF, ‘Exposition virtuelle’, Abraham Bosse). (Brunet, I, 1127. Cicognara Library, 820). Quelques petites piqûres et rousseurs éparses; auréole claire dans la marge supérieure des derniers feuillets. Petit ex-libris raturé au titre. Très bon exemplaire, dans sa première reliure de vélin, bien complet du feuillet de dédicace qui manque souvent.
[24], 416, [16] pp.; 8 cc. di tav.; 24 cm; piena pergamena
<p>2 volumi, 45x32 cm, cartella coeva in mezza tela con risvolti e chiusa da nastri, titolo al dorso manoscritto a china in caratteri "gotici" e 2 stemmi colorati a tempera; p. (4), iv, (40), iii, (1), 70 tavole incise fuori testo; (4), 18, iii, (1), 71 tavole incise fuori testo. Sia le tavole che le pagine di testo sono stampate su carta forte e sono sciolte. Esemplare molto bello e assai raro da trovarsi in edizione originale.</p>
2 tomes et 6 parties reliés en 6 volumes in-4, plein veau brun de l’époque, dos à nerfs ornés de compartiments fleuronnés et cloisonnés, plats encadrés d’un filet à froid, roulette sur les coupes, pièces de titre et de tomaison de veau havane, tranches rouges, (12) f., 240 p., 13 planches dépliantes; [241-], 535 p., (1) p., 14 planches dépliantes; [536-], 864 p., (1)p., 19 planches dépliantes; (7) f., 368 p., 32 planches dont 31 dépliantes; [369-], 831 p., 19 planches dépliantes et [832-], 1073 p., (19) f., 29 planches dépliantes, soit 126 planches au total, texte sur 2 colonnes, pages de titre rouges et noires. Première édition collective latine - sous page de titre de remise en vente (la première est à la date de 1713) - des travaux mathématiques de Christian Wolff couvrant l'ensemble des champs de la discipline: arithmétique, géométrie, trigonométrie, mécanique, hydrostatique, aérométrie, hydraulique, optique, perspective, astronomie, géographie, pyrotechnique et balistique, architecture. (DSB, XIV, 483. Houzeau & Lancaster, 9344. Poggendorff, II, 1355. Riccardi, II, 53). Sans le portrait. Brunissures et auréoles éparses, soutenues à certains cahiers. Petit défaut à une coiffe. Exemplaire bien relié à l'époque.
In -4°, tre voll., pp. XXI, (1), 400 + 21 tavv; VI, 394 + 21 tavv; (4), 362 + 12 tavv.; legatura in mezza pelle con nervi, fregi e titoli al dorso; molte delle tavole litografiche sono colorate a mano. Copia firmata della seconda edizione del noto e fortunato capolavoro di Ruskin (la prima era del 1853, qualificata come “a revolutionary success”, Pmm). A signed copy of the second edition of the notorius work by Ruskin (the first, of 1853, is qualified by Pmm as a “revolutionary success”).
Madrid, Petrus a Villafranca, 1663, 30 x 21,5 cm., pergamino, 3 h. incluso portada grabada + 449 págs. incluso 23 láminas grabadas en madera + 1 h. (Portada restaurada en el margen superior blanco, las dos hojas de preliminares restauradas por el margen superior afectando levemente a la aprobación y prólogo. Páginas 427-428 reproducidas en facsímil en papel antiguo. Última hoja de índice restaurada por la esquina superior afectando al texto en unos 5 renglones a varias letras. 1ª edición de la segunda parte de esta obra que se considera como independiente. Libro importante y cotizado tanto por los diversos temas y obras que contiene como por los bellos grabados que lo ilustra).
Very Good Turkish, Ottoman (1500-1928) An extremely rare litho propaganda map published as an extra supplement to the Tercümân-i Hakîkat [i.e. The Translator of Truth] newspaper just before the proclamation of Republic in Turkey in 1923 by Mustafa Kemal Atatürk (1881-1938), showing the front in West Anatolia during the War of Independence (or National Struggle) between 1919-1922 against Greek forces. The upside of the map between the note as title 'Gift to the readers of 'Tercümân-i Hakîkat', Mustafa Kemal Atatürk's portrait among decorated heroic lithographed drawings. In the lower right corner, can be seen legends of the map, scale, and mapmaker's signature. Tercümân-i Hakîkat was a daily newspaper published in Istanbul between 1878-1921 during the Ottoman Empire. Tercüman-i Hakîkat, the most important newspaper published during the reign of Sultan Abdülhamid II, was founded by novelist Ahmed Midhat Efendi, (1844-1912). In the beginning, most of the articles were written by Ahmed Midhat Efendi. It was an encyclopedic newspaper with the aim of inculcating and educating reading habits among the Turks and it played an important role in the training of many famous Ottoman journalists. Its first issue was published on June 26, 1878. After Ahmed Midhat's death in 1913, the newspaper changed owners, and the last issue was published on February 11, 1921. Ibrahim Alaettin Gövsa, (1889-1949), was an Ottoman / Turkish journalist, educator, and intellectual who supported the War of Independence the most. This propaganda map published in Tercümân-i Hakîkat, during the war in 1920 or 1921, is a propaganda tool that calls on the literate people belonging to a certain class, especially those living in Istanbul, to support the war, and aims to spread the word that Turkey is winning the war. Original lithograph map. 50x35,5 cm. In Ottoman script (Turkish with Arabic letters). Scale: 1: 250.000. Occasionally foxing and slight stains on paper, folded traces. Otherwise a very good copy.
4to, vii, [1] + 8pp., of publishers' catalogue at end, engraved title and 64 engraved plates by Thomas Langley after Batty Langley ( (numbered I-LXII, A, B), title lightly browned with a early plan of a house sketched in pencil to verso, occasional spotting or soiling, minor pinhole worming to blank lower inner corner of last 8 plates, recent full calf, cover slightly stained, black spine morocco label lettered in gilt. First published as 'Ancient Architecture, Restored and Improved' (London: 1742) and re-issued under this title. A pioneering work, simultaneously of the Gothic revival and the Rococo style. Batty Langley (1696-1751) was in no sense a student of genuine medieval style, and instead pursued a wonderfully inventive scheme to fuse the gothic with the classical, creating the five new gothic orders of architecture illustrated in this work. Langley's work has proved immensely influential. Bound in at the rear: An 8 page catalogue of "A Catalogue of Modern Books on Architecture... on sale at Taylor's Architectural Library", c. 1800. Archer 172.3; Harris 411; RIBA 1727.
Leiden, Pieter van der Aa, 1702. Folio (388 x 240 mm). In contemporary full calf with six raised bands with gilt lettering and ornamentation to spine. Wear to extremities. Upper and lower part of spine defect. Upper outer corner of front board partly detached. Hindges a bit weak. Text-leaves lightly browned, but overall internally fine and clean. (16), 88 pp + 44 full page engraved plates.
Augsburg, Jeremins Wolff, 1719. Folio (335 x 203 mm). Two parts bound in one contemporary full vellum. Title in contemporary hand to top of spine. Top of front hinge split. Binding with a bit of wear and with a few dots and marks. Ex-libris pasted on to pasted down front end-paper. Inner front hinge split. Two first frontispieces with small tear and nicks in margin, soiling and dampstain to upper outer margin. First frontispiece with repair in the center. 7 leaves with closed tears. A few damp stains and light occassional soiling throughout. And overall nice copy. Parallel text in German-Latin. 228 full page engraved plates and 6 frontpieces (Three to each part).
New English Paperback. Pbo. 4to. (31 x 22 cm). In Turkish. B/w and color ills. and original b/w Ottoman documents. 1000 copies were printed. Vol. 1: Hatt-i Hümâyûn, 1577-1804. 372 p.; Vol. 2: Ilmühaber 1, 1667-1871. [xxx], 494 p.; Vol. 3: Mâi Lezîz defterleri 1, 1791-1794. 402 p.; Vol. 4: Mâi Lezîz defterleri 2, 1791-1794.; Vol. 5: Ilmühaber 2, 1710-1841. 398 p.; Vol. 6: Ilmühaber 3, 16016-1898. 404 p.; Vol. 7: Ilmühaber 4, 1856-1928. [xvii], 342 p.; Vol. 8: Mâi Lezîz defterleri 3, 1794-1797. [xix], 407 p.; Vol. 9: Mâi Lezîz defterleri 4, 1798-1802. [xvii], 398 p.; Vol. 10: Mâi Lezîz defterleri 5, 1801-1806. [xviii], 394 p.; Vol. 11: Kirkçesme sulari 1. [xxxvi], 436 p.; Vol. 12: Kirkçesme sulari 2, 1811-1921. [xxxviii], 402 p.; Vol. 13: 19. ve 20. yüzyillarda Istanbul sulari. 301 p.; Vol. 14: Su hukuku ve teskilâti, Gülfettin Çelik. 223 p.; Vol. 15: Mâi Lezîz defterleri 6, 1806-1813. [xxvii], 399 p.; Vol. 16: Mâi Lezîz defterleri 7, 1813-1817. [xxv], 379 p.; Vol. 17: Mâi Lezîz defterleri 8, 1817-1823. [xxiv], 385 p.; Vol. 18: Mâi Lezîz defterleri 9, 123-1826. [xxiv], 342 p.; Vol. 19: Mâi Lezîz defterleri 10, 1817-1829. [xxiv], 319 p.; Vol. 20: Mâi Lezîz defterleri 11, 1829-1838. [xxv], 364 p.; Vol. 21: Halkali sulari 1, 1837-1905. [xxvii], [1], ]301 p.; Vol. 22: Halkali sulari 2, 1843-1913. [xxx], 297 p.; Vol. 23: Avrupa Yakasi sulari 1, 1603-1826. [xxxviii], 326 p.; Vol. 24: Avrupa Yakasi sulari 2, 1577-1842. [xxxvi], 323 p.; Vol. 25: Avrupa Yakasi sulari 3, 1574-1831. [xLv], 3998 p.; Vol. 26: Suyolcu 1, 1717-1925. [xxiv], 309 p.; Vol. 27: Su kesif defteri 1, 1842-1862. [xxvi], 333 p.; Vol. 28: Su kesif defteri 2, 1847-1872. [xxvi], 334 p.; Vol. 29: Su kesif defteri 3, 1862-1876. [xxxii], 374 p.; Vol. 30: Bogaziçi ve Taksim sulari 1, 1836-1908. [xxviii], 339 p.; Vol. 31: Bogaziçi ve Taksim sulari 2, 1813-1928. [xLi], 338 p.; Vol. 32: Su tahrirleri, 1655-1807. [xLix], 278 p.; Vol. 33: Suyolcu 2, 1871-1921. [xxxv], 309 p.; Vol. 34: Suyolcu 3, 1684-1876. 335 p. Everything on water systems, water management, water supplying in Istanbul City based on original Ottoman archival documents and their transcriptions order in modern Turkish as in chronological order after the Conquest of Istanbul (Constantinople), in 1453. Also including The Roman, The Byzantine Era on it. [Istanbul Constantinople Constantinopolis Constantinopla Constantinopolin Konstantinopel Water supplying system Fountain Fountains History of art Turkish and Islamic art Ottoman arts Fine arts Khumayoun Humayoun Ottoman Empire The Ottoman State Constantinus Hadrianus Canalisation Canalization Engineering Arc Wtaer supply Canal Channel Drainage Dam Barrage Dike Aqueduct Pool Pond Receiver Sewer Cesspool Scales Grate Ways Water way Waterway Waterways Masjid Fountain for ablutions Charitable fountain Bath Hammam Hamam Assignment Allocating Distrubition Well Pit Sink Letting flow Conducting line Municipality Mayoralty Townhall Parish Ward Quarter District Harbour Narbor Port Haven Seaport Estuary Arm of the Sea The Golden Horn Lodging Settling Cistern Tank Registering Recording Enrolment Development Prosperity].
In folio; solo il primo volume di tre. Con 57 tavole di 59 (manca la n. 19 e 59). Legatura in caartonato.Primo volume della prima edizione del capolavoro di architettura civile del barocco in Germania. Alcuni restauri alle tavole. architettura architecture barocco baroque germany engravings
New Turkish Original red decorative cloth bdg. Oblong elephant folio. (33 x 48 cm). In Turkish. 4 volumes set: (866 p.; 871 p.), fully photos. Konstantiniyye'den Istanbul'a. Vols. 1-2: XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. Vols. 3-4 : XIX. yüzyil ortalarindan XX. yuzyila Bogaziçi'nin Anadolu Yakasi fotograflari. 4 volumes set. From Konstantiniyye to Istanbul - Photographs of the Rumeli Shore of the Bosphorus from the mid- 19th to the 20th century is comprised of works by photography masters who practiced their art in Istanbul from the end of the 19th to the early years of the 20th century. The unique selection from The Suna and Inan Kiraç Foundation Photography Collection reveal the magnificent structures, the daily life and the intriguing personalities of a past Istanbul. Istanbul has evolved into an industrial city and an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as James Robertson, Félice Beato, Pascal Sébah, Polycarpe Joaillier, Abdullah Brothers, Guillaume Berggren, Bogos Tarkulyan, Mihran Iranian and Gülmez Brothers, not only document the nostalgic images of the city during their time, but also took us along a pleasant journey extending from Karaköy to Rumelifeneri through photographs taken with the difficult and onerous techniques of the time.
Paris, Claude Jombert, 1728-29. Large 4to. (28,5 x 20,5 cm.). Contemp. hcalf. Richly gilt spine. Title- and tomelabel with gilt lettering. A paperlabel pasted on upper part of spine. Stamps on first title-page. Engraved folded frontispiece. Title to vol. 2 engraved and folded. (10),96 (2),59,(1) 44 60 74,(2) pp. and 3 + 144 large folded engraved plates. Internally clean, printed on good paper.
Stuttgart, Hoffmann'sche Verlags=Buchhandlung, 1840. Orig. printed boards. Top and bottom of spine a little worn, some scratchings and discolouring to binding, but intact. (1),145,(5) pp. and 21 fine lithogrpahed plates of which 18 have a fine handcolouring (the 3 first plates with 2 illustrations each, complete). Textlvs. brownspotted.
Fine English Soft box. Elephant folio (55x75 cm), 2 portfolios, 266 plates (reproductions of architectural drawings). A portfolio of reproductions of architectural drawings by Ali Saim Ülgen that depict mosques and other buildings designed by Ottoman architect Mimar Sinan. In 2 original boxes.
Beardslee was a designer and manufacturer of gas fixtures, electroliers, and combination fixtures with manufactory and salesrooms at 216, 218 and 220 South Jefferson Street, Chicago. This massive catalogue of electric light fixtures is printed upon glossy stock and includes 284 fifteen by twelve inch black and white photographic plates, numbered 222 through 506, each proudly displaying an average of three models for a total of over eight-hundred different offerings, complete with pricing, dimensions and other details. Plates 499-506 present photos and detailed drawings of a diverse assortment of shades, brass parts, lamps (bulbs), sockets, reflectors, glassware, etc. A two-page index indicates the plate upon which each model number can be found. Last page is a colour plate illustrating the nine colours of art glass used in the fixtures and shades illustrated. Binding intact. Minor warp to navy cloth front board which features brilliant silver decoration and lettering. Minor bits of writing upon dark brown front free endpaper. Copyright date underlined. No other markings. Fore-edges of boards degraded by decades-past moisture exposure which also affected almost the entire fore-edge of all pages with the result that approximately one-eighth to one-quarter inch of the coated paper has disintegrated. Fortunately, no text or images affected by this loss. On some pages, dampstaining inpacts up to one-quarter inch in from fore-edge, again with no impact to text or images. Presents a magnificent spectrum of American electric lighting from the early 1900s. Book
9 magazines complet in good condition. 26cm x 22cm, With illustrations in b/w.Texte en Francais. Number; 1/ Claude Parent et Paul Virilio- Number 2/ le troisième ordre urbain - Number 3/ le potentialisme - Number 4/ Nevers chantier - Number 5/ circulation habitable - Number 6/ la cité médiate - Number 7/ bunker archéologie - Number 8/ pouvoir et imagination - Number 9/ Charleville étude. = all published. Claude Parent (1923-2016) and Paul Virilio (1932-2018) founded the Architecture Principe group in 1963, with painter Michel Carrade and sculptor Morice Lipsi. The oblique function would be the thread running throughout the nine issues of their magazine Architecture Principe, which were published between February and December 1966
Ensemble de trois volumes en feuilles de format grand in folio (52cm x 37cm). Vol. I: 16 pp. (texte); 80 planches photographiques en feuilles. Vol. II: 3ff. (couverture, faux titre, titre), 12 pp. (Texte), 1 f. blanc, 80 planches photographiques en feuilles. Vol III: 2 ff. (faux titre et titre), 10 pp. (texte), 1 f. Blanc, 80 planches photographiques en feuilles. Chaque volume dans un portefeuille cartonné; dos toilés rouge, titrés en doré; premiers plats décorés; lacets assortis au dos. Quelques pâles rousseurs par endroits. Traces des restauration anciennes de qualité; Bel exemplaire bien complet. Voir photos. Gustave Jéquier, égyptologue suisse, collaborateur de Maspéro était réputé pour ses connaissances des textes religieux de l'Egypte antique. Il effectua des campagnes de fouilles en Iran et fut à l'origine de la découverte du célèbre code d'Hammurabi à Suse. Saisissants clichés des monuments égyptiens tels qu'ils furent découverts avant leur dégagement (photographies de V. de Mestral-Combremont.
In -4°, pp. (32), 78, (14). Pergamena, tassello al dorso. Seconda edizione: interessante opera sui precetti di ordine pratico, orientati a costruzione, manutenzione, restauro e rifacimento delle chiese. Marcello Cavaglieri (1649-1705), bergamasco, nel 1690 viene nominato vescovo della diocesi di Gravina: considerato Eminente teologo, fu prolifico scrittore non solo nelle materie religiose, in una prosa italiana generalmente apprezzata anche nel secolo successivo. Il volume si può inquadrare nell’importante traccia stabilita da Carlo Borromeo col suo “Instructionum fabricae”, del 1577, opera tradotta in italiano solo in tempi recenti, e di cui questo volume segue lo schema e i precetti. Il lavoro è fondamentale (e ancora attuale) per il progetto, l’architettura, la decorazione e la struttura dei luoghi di culto cattolici. Second edition: interesting work on practical rules, oriented to the construction, maintenance, restore of churches. Cavaglieri (1649-1705) was a bishop since 1690, and he was an esteemed theologist, generous writer not only in religious matters. The volume can be considered adjacent to the important work of Carlo Borromeo, whose “Instructionum fabricae”, from 1577, was fundamental for projects, architecture and decoration of churches and catholic places of worship.
Paris, Arthus Bertrand, 1872 - 1873. Fort volume grand In-8 relié demi-chagrin havane, dos à nerfs soulignés de pointillés dorés, guirlande dorée en tête et en queue. VII (errata et avant propos) + 620 pages. Quelques rousseurs sans gravité. Exemplaire bien relié. Sans l'atlas annoncé. LINANT de BELLEFONDS, né à Lorient en 1799, Explorateur et surtout Ingénieur en Chef des Travaux de la Haute Egypte (1831-1835) puis des canaux, ponts et chaussées de tout le pays et enfin Ministre des Travaux Publics et Membre du Conseil privé du Vice Roi. Cet ouvrage relate tous les travaux, notamment de canalisation, qu'il a dirigé et notamment le CANAL de SUEZ dont il est le véritable initiateur, qui en définit le tracé et mis en place le chantier. On a fréquemment dit de lui qu'il était le véritable père" du Canal de SUEZ. Bel exemplaire
