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188060949Montreal Canada: Imprime par J.B. Laplante 245 rue St. Jacques 1880. Two vols. 68 16; 15 1 pp. Blue-tinted printed softcovers for both vols. black lettering on front covers minor age toning slight chipping very minor creasing still both VG copies w/ presentation slip of Major. L.A. Huguet-Latour of the Prince of Wales Regiment of Rifles Montreal Canada noted bibliophile and manuscript collector ink inscription on 2nd piece at upper fore-edge. First editions of these uncommon original catalogue and the official list of contributing schools colleges and educational institutions to the 1880 Canada Dominion Exhibition held in Montreal for 10 days and also featured displays of industrial machinery farm products flowers along with horse racing lacrosse tournament and Highland games. The Dominion Exhibition was held annually in Canada from 1879-1913 and every year the location changed to assorted Provinces typically to coincide with local Fairs. It ceased at the outset of World War I. These catalogues detail all of the Catholic and Protestant schools convents monasteries colleges and universities appeared in Montreal often with samples of their student’s achievements in arithmetic geography literature history & art. Worldcat locates 7 copies of 1st Canada Archives U of Montreal Bibliotheque Nat. Strasbourg NYPL Cambridge Queens Univ. U of ONT IT; 4 copies of 2nd York U Lib. Leiden U of Torino Archives Nationales Quebec. Imprime par J.B. Laplante, 245 rue St. Jacques, paperback
This is a fine softcover copy with a fine dust wrapper. Completely clean. Binding firm. This is a catalogue raisonne of H.C. Westermann's prints. Essays by Dennis Adrian and Richard A. Born. Illustrated in color throughout. Chicklist of the exhibition with 109 prints catalogued. 12" high X 9" wide, 232 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with a fine dust wrapper with no wear at all. SIGNED by the artist, Roni Horn, in pencil, on the front endpaper and inscribed. This catalog was prepared to accompany Roni Horn's second exhibition in Munich at the Kunstraum Munchen in 1983. Essays by Luise Horn, Helmut Friedel and Barbara Hammann. Illustrated in black & white and color. Limited edition of 1000 copies. 11" high X 9" wide, 103 pages. Scarce signed. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover set of all six volumes documenting the career of England's most famous watercolorist: J.M.W. Turner. The Tate Gallery mounted a number of small exhibitions devoted to Turners watercolors. Volume 1: Young Turner: Early work to 1800. Volume 2: The Second Decade. Volume 3: The Third Decade. Watercolours 1810 - 1820. Volume 4: The Fourth Decade: Watercolours 1820 - 1830: Volume 5: The Fifth Decade: Watercolors 1830- 1840. Volume 6: Turner the Final Years Watercolours 1840- 1851. Authors are Anne Lyles, Robert Upstone, Diane Perkins, and Ian Warrell. All volumes completely clean. Illustrated in color and black & white. 11" high X 8" wide, 45, 39, 48, 72, 86, and 67 pages. Volume 1 issued in 1989, volume six in 1993. All volumes were prepared to accompany exhibitions in the Clore Gallery at the Tate. Sold as a set only. Heavy set, foreign shipping will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalogue was prepared to accompany the exhibition at Gagosian in New York from November 8 to December 20, 2008. Essay by James Frey. Illustrated in color throughout. 11" high X 13" wide, unpaginated. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1862100967AParis & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page.<br /><br /><b>Published for the London World Fair 1862 </b>with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread!
18621009671862. Paris & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread! hardcover
2882Affiche originale. Imp. S. A. Courbet - Paris. 1956. Impression en lithographie. Dim: 604 x 398 mm.
2882Affiche originale. Imp. S. A. Courbet - Paris. 1956. Impression en lithographie. Dim: 604 x 398 mm.
189511780Washington Government Printing Office 1895 In-8 411 pp, (.) With special papers. Nombreuses figures in-texte et planches hors-texte dont une en quadrichromie. Intérieur très correct, quelques rousseurs sur les gardes. Reliure à la Bradel, titre estampé à chaud au dos ; ensemble frotté, avec une mouillure en tête du 2d plat.
P. E. Dentu, éditeur, 1890. 4 vol. in-4. Cartonnage d'éditeur pleine percaline grise, plats et dos richement ornés, XXXI - 666 pages + 618 pages + VI- 670 pages + album contenant environ 70 planches en noir et blanc - nombreuses illustrations en noir et blanc dans et hors texte. Dos insolés, rousseurs sur les barbes et rousseurs éparses dans l'ouvrage ; l'album garde des traces de mouillures au dernier plat de couverture, et à l'inétrieur de celui-ci une mouillure centrale et sur le pourtour des pages, rousseurs également. L'ensemble est correct avec les défauts signalés.
1851108971851 London : The Illustrated London news,1851,folio broché non rogné,12 numeros trés rare,sans le 3,pagination continue 208p.,bon etat texte,marges un peu effrangées,timbre rouge du Illustrated London news,bon état.
1908374529Place of publication not identified : publisher not identified 1908. First Edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly bumped and rubbed as with age. Internally bright and clean. Hinges starting. Remains quite well-preserved overall. Physical description: 348 pages : illustrations ; 32 cm. Subjects: Art British ; Exhibitions. Art French ; Exhibitions. Genre: Art. Language: English. [Place of publication not identified] : [publisher not identified] hardcover
1851194442London : J. Cassell 1851 1851. First Edition. Hardback. Finely and period sympathetically bound in modern aniline calf over marble boards. An exceptional copy; of presentation quality - scans and additional bibliographic detail on request.; 8vo 8"" - 9"" tall; Physical description 30 v in 1. xliv 556 p. 10 leaves of plates : ill. ; 25 cm. 8vo. Frontis lacking the first section; full Crystal Palace and caption remains. Notes; Originally issued weekly in 30 parts between June 7 and December 27 1851. No more published. Subjects; Industrial arts. London : J. Cassell, [1851] hardcover
This is a very good softcover copy with just light wear. Completely clean. The spine has a crease, but binding still firm. Text in English and Italian. This catalog was prepared to accompany the exhibition at the Galleria d'Arte Moderna e Contemporanea in Bergamo, Italy from April 6 to July 18, 2004. The exhibition then traveled to Fundacion Proa in Buenos Aires from September through December 2004. Essays by Corrado Levi, Giacinto Di Pietrantonio, and Laura Cherubini. Texts by Alighiero Boetti curated by Emanuela De Cecco. Bio-Bibliography. Illustrated throughout in color. 11" high X 9" wide, 269 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Guggenheim Museum in New York from October 25, 2013 to January 22, 2014. Curator Katherine Brinson. Contributions by Suzanne Hudson, James Rondeau, and Richard Prince. Illustrated in color. Bibliography. Exhibition history. 11" high X 8" wide, 270 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover two volume set in a very good hardshell slipcase. Completely clean. Text in Italian. Stated first edition. Illustrated throughout in color. Essays and interviews by Germano Celant, Mario Perniola, Robert Storr, John Miller, Hudson, Glenn D. Lowery, Dennis Cooper and John Waters. Biographical sketch. Bibliography. 12" high X 9" wide, 316 & about 160 pages. Large heavy set foreign postage will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good hardcover copy without dust jacket as issued, with just some wear to the covers. Completely clean. Illustrated mainly in sepia. Text in English. Illustrated with full page and full color reproductions of the brothers' alterations of the Goya's Disasters of War suite. Stated first edition. 11" high X 15" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light wear. Completely clean inside and out. The spine is not creased, binding firm. Slight bump to lower right corner of text block. This monograph was prepared to accompany the exhibition at the San Francisco Museum of Art from February 19 to May 30, 2000. The exhibition then traveled to Chicago and New York. Essays by Gary Garrels, Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber and Adam D. Weinberg. Illustrated profusely in color and black & white. Bibliography. 11" high X 10" wide, 416 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Gagosian Gallery in Soho from September 24, 1994 to January 7, 1995. Essay by Robert Pincus-Witten. Illuistrated in color, includes one fold-out. 12" high X 14" wide, 25 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is an about very good hardcover copy, without dust jacket, as issued, with light wear. Very clean outside and inside. Previously owned by a collector of African American art from the Harlem Renaissance period, with his name on the front endpaper dated 1988. Also occasional faint pencil marks or underlinings, now barely visible. A few paperclip indentations to pages as well. Illustrated in black & white. An increasingly difficult book to find in decent condition. This is the Arno Press hardcover reprint of the 1943 original edition, now rare. 9" high X 6" wide, 272 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
19362110502150903590Not Available 1936. Soft Cover. Fine. Volume: 1 Not Available paperback
ABE-1635811308675DU NUMERO 21 DU 4 FEVRIER 1899 AU NUMERO 90 DU 3 JUIN 1900 AVEC 12 NUMEROS ABSENTS A LA CREATION DE LA RELIURE (N°23-25-27-32-49-74-75-78-79-81-84-85)-DOS ET COINS CUIR BLEU MARINE-DOS A 4 NERFS-PLATS MARBRES-
1990015839Paris Galerie Jousse-Seguin - Galerie Laage-Salomon - Galerie JGM 1990 In-8 carré Broché, couv. illustrée Dédicacé par l'illustrateur
187319017ABStockholm, Haeggstrom, 1873. 26,5 : 18 cm. 37; 11 pages. Original cloth with the Swedish coat of arms in gold on the front board.