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189460987Chicago: Wabash Publishing House W.B. Conkey Co. 1894. Tall thick 8vo. 1196 pp. Photo frontisp. nearly 100 photos & text illusts. illust. initials. Pictorial green cloth gilt illustration & lettering front cover & spine minor scuffing edgewear couple minor bumped corners front inner hinge starting still VG- copy from library of Prof. Marvin Nathan. First edition of this massive compilation of addresses and reports presented at the Colombian Exposition. Of particular interest is the amount devoted to eastern religions including Hinduism Buddhism Bramo-Somaj Shintoism Confucianism Zoroastrianism as well as Islam. The editor has included papers on the role of Buddhism in Siam and Japan the development of Confucianism extracts from the Koran and more. Of particular interest are the papers presented by African-Americans on the “American Negroe’s†role in Christianity including addresses by Bishop Arnett of the African Methodist Ethiopian Church as well as Fannie Barrier Williams on the “Religious Duty to the Negro†and “The Catholic Church and the Negro Race†by J.R. Slattery of Baltimore. Fannie Williams was a vociferous proponent of education for African-American women writing that in terms “of employment colored women bear a distressing burden of mean and unreasonable discrimination . . . colored women can find no employment in this free America.†As African-Americans were almost entirely excluded from the 1893 Columbian Exposition these papers and addresses offer just a few of the efforts by the Black community to engage with attendees. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 2256. Wabash Publishing House, [W.B. Conkey Co.], hardcover
189360965Chicago IL: C.D. Arnold 1893. Oblong 4to. Two albumen photographs sized 4.5 x 3.75 in. featuring upper scalloped corners mounted on 10 x 8 in. embossed studio board w/o photographer’s imprint beveled edges textured boards simulating framed in board slight overexposure still two VG images from the library of Prof. Marvin Nathan. These two scarce souvenir albumen photograph capture World’s Columbian Exposition in 1893 with throngs of visitors strolling through the manicured grounds. Vernacular photography and personal cameras were strictly controlled at the 1893 White City with nearly all who had not paid the $ 2.00 camera fee forced to store them in lockers before entering the grounds. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had shot the 1901 Pan-American Exposition and had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be such an excellent architectural photographer he became the Chief of the Fair’s Dept. of Photography. C.D. Arnold, hardcover
189350588N.P.: Printed in German 1893. 8vo. 12 pp unpaginated. 12 gray colour-tinted lithograph plates bound in accordion-style format nice sharp images and all captioned. Red cloth portfolio black lettering & decoration on front cover minor soiling shelfwear still VG- copy. First edition of this nicely printed lithographic souvenir album of the Columbian Exposition celebrating the 400th anniversary of Columbus’ arrival in the New World. The images include The Machinery Hall and the lagoon the Art Building Mining Building Agricultural Building Manufacture and Decorative Arts Building Gun Boat at the World’s Fair and many others. Printed in German, hardcover
189360194Chicago: W.B. Conkey Co. Publishers to the Exposition 1893. Two vols. 8vo. 506; 506 pp. Frontisp. both vols. With maps photo plates. 1st vol. -- Full dark brown morocco over beveled boards gilt ornamented borders gilt lettering & ownership stamp on front cover gilt lettering on spine gilt inner dentelles marbled endpapers t.e.g. minor rubbing edgewear front hinge tender rear hinge just starting very slight uniform interior toning as usual still VG- copy w/ presentation ALS on Conkey private letterhead presenting to Charles M. Kurtz dated Oct. 28th 1893; 2nd vol. -- Full flexible Bible calf dark purple silk moire endpapers gilt lettering stamped front cover & spine a.e.g. w/ dark maroon cloth d.j. backed in dark purple silk moire a F/F presentation copy from Conkey to Kurtz w/ inscription on half-title preserved in open-backed slipcase. First editions thus presentation copies and the second copy with publisher’s note indicating this was No. 91 of 275 Editor’s Deluxe copies signed & presented to Charles McMeen Kurtz 1855-1909 at the time one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. Conkey writes in the letter for the first volume to Charles Kurtz “I send you herewith a copy of the Catalogue which you may deem to file away as a reminder of many hours spent in order that others might see intelligently the grand work which you with others have done in the Art Department.†Walter Blakesley Conkey had founded the printing house in 1877 occupied many different job printers and in 1890 absorbed the Illinois Printing & Binding Co. and in Jan. 1893 signed the contracts awarding him exclusive rights for printing the myriad of catalogues and handbooks for the Columbian Exposition receiving a deposit of $ 10000. W.B. Conkey Co., Publishers to the Exposition, hardcover
189361864Chicago IL & St. Louis MO: Union News Company Agents; Engraved and printed by Woodward & Tiernan Printing Co. 1893. 12mo. 6.4 x 5 in. 80 leaves unnumbered. including printed title 79 photo plates. Gray-blue cloth-backed cyanotype-illust. w/ illustrations minor edgewear slight dustsoiling minor wear to couple corners age-toning to back cover still VG copy w/ former ownership markings dated 1893 on ffep. First edition of this well-illustrated photographic souvenir of a visit to the Columbian Exposition by Todd 1858-1926 who at the time was a photographer for the British Columbia Dept. of Agriculture based in Victoria BC. He includes images of many of the buildings & halls the fountain attractions lighting at night the Midway Plaisance with view of the Ferris Wheel and other attractions as well as photos of most of the State buildings. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1676 revised & interchanged with other photos in bigger and smaller formats sometimes in cloth. Union News Company, Agents; Engraved and printed by Woodward & Tiernan Printing Co., hardcover
2002PM305803MValencia: IVAM Institut valencià d'art modern 2002. Hardcover. Good/Good. 31 cm. Hardcover • Illustrations en noir et en couleurs • <b><i>Spanish English text original</i></b>. IVAM, Institut valencià d'art modern hardcover
189661002Atlanta GA; Littleton NH & New York: B.W. Kilburn James M. Davis; Cotton States and International Exposition Co. 1896. Two original albumen stereoview photographs sized 6 x 3 in. mounted on pink-tinted studio board sized 7 x 3.5 in. photographer’s imprint & captions in blank alongside image and on verso former ownership markings in Spanish on one minor soiling to fore-edges of 2nd image some shelfwear still VG- exemplars from the library of Prof. Marvin Nathan. Two scarce original albumen stereoview photographs of livestock and horse tricks at the 1895 Cotton States & International Exposition which featured the resurgence of the “New South†including the first pavilion sponsored for and by African-Americans the Atlanta Negro Building which covered 25000 square feet and was filled with exhibits of Black workers artists authors and introduced by a Jubilee Singers performances. Unfortunately their accomplishments were largely overshadowed by Booker T. Washington’s notorious “Atlanta Compromise†speech which opened the Fair counseling African-Americans to seek economic security before political or social equality. Benjamin Kilburn 1827-1909. and his brother Edward b. 1830 initially operated their business together until Edward retired in the 1870’s and by 1872 they had a large photographic stereoview card factory one block from the Littleton trains station. Young salesmen carried the stereoviews on the trains and by the early 20th-Century the company was the most extensive producer of stereoview photographs purchasing images from such photographers as William H. Rau the Kiser Bros. and others. B.W. Kilburn, James M. Davis; Cotton States and International Exposition Co., unknown
189548150Portland: Leighton and Frey Souvenir View 1895. Hardcover. Very good. Hardcover. 9 by 5.75 inches 9 by 48 inches unfolded. Publisher's cloth back boards lettered in gilt. Lettering dulled with some minor spots of loss to the spine else a very good example with images in fine condition. Containing nine 9 by 5 black and cards most with multiple images each labeled: "General View; Fine Arts Building; Agricultural Building Manufactures and Liberal Arts Building Machinery Hall; Transportation Building AuditoriumGovernment Building; Fire Building Women's Building Georgia State Building and Negro Building; Administration Building and Main Entrance Minerals and Forestry Building; Peachtree Street Henry W. Grady Monument Post Office & Custom House; Aragon Hotel Grand Opera House Marietta Street Kimball House; Ballard House W.H. Inman's Residence Equitable Building Residence of Major Mimms Grady Hospital. <br/><br/> Leighton and Frey Souvenir View hardcover
189536172Chicago: Adler Art Publishing Company 1895. Hardcover. Fair. Oblong folio. 193 pages. Brown cloth hardcover with gilt illustration on the front cover. Fair condition only. Spine missing and boards are held together by an old linen tape repair on the spine. Covers are scuffed partly affecting the gilt illustration on the front cover. The right front flyleaf front blank end sheet and title page are detached. Original end sheets are chipped around the edges. Some light soiling and stains to the front and back end sheets. Faint toning to the early pages in the text. Interior contents are mostly clean. Interior contents clean. Previous owner inscription on the front blank end sheet "Lou C. Wylie 570 Spring Street Atlanta Ga." Beneath that inscription is another "My Aunt by Marriage David Y Wylie." "Augusta Wylie King" written on the rear end sheet. The Wylie and King families were prominent citizens in Atlanta history. <br /> <br /> Scarce. Not in the Georgia Derenne catalog. 15 copies located in OCLC. From wikipedia: The Cotton States and International Exposition was a world's fair held in Atlanta Georgia United States in 1895.1 The exposition was designed "to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and Europe."1 The Cotton States and International Exposition featured exhibits from six states including various innovations in agriculture and technology and exhibits about women and African Americans.1 President Grover Cleveland presided over the opening of the exposition remotely by flipping an electric switch from his house in Massachusetts on September 18 1895.1 The event is best remembered for the "Atlanta Compromise" speech given by Booker T. Washington on September 18 promoting racial cooperation.1. Adler Art Publishing Company hardcover
185253659London: William Clowes & Sons 1852. First Edition. First printing. Stout octavo 26cm. Publisher's red cloth-covered boards decoratively stamped in gilt and blind; a.e.g.; cxx1-86716pp; 3 inserted leaves of chromolithographic color plates. Mild foxing to preliminary leaves with occasional spots of scattered foxing to text margins. Else a remarkably bright and well-preserved copy of this massive volume easily Near Fine. <br /> <br /> Full transcript of expert jurors' verdicts on the thousands of entries of items in the Great Exhibition of 1851. Prefaced with an index to the divisions list of jurors and a complete list of the prizes awarded in subject areas ranging from raw materials first prize for "a process for washing and purifying coals" awarded to Bérard & Cie of France to decorative furnishings to the Gobelins-Beauvais Manufactory for "originality and beauty of design of the different specimens of tapestry exhibited". William Clowes & Sons unknown
192559293Reading PA: Metropolitan Edison Co. 1925. Oblong 4to. 11.5 x 8.25 in. 57 linen-backed silver gelatin photographs nearly all w/ typed captions on versos linen hinges & stubs at gutter margin bound w/ two brass screw-posts at gutter margin recent flexible mylar cover as protection secured w/ screw-posts slight curling at fore-edges still all photos w/ bright strong contrast. This remarkable series of undocumented photographs visually produces the efforts of Metropolitan Edison to further expand their footprint in the Pennsylvania market after electrifying over 35000 customers by 1925. As they accelerated their push to introduce additional electrical appliances following World War I they sponsored trade shows and expositions to advertise the latest available products and even commissioned their employees to regularly make house calls after hours with electrical toasters and lamps with prizes awarded for the most sales. Met-Ed customers could pay for the latest appliances with installments on their monthly electric bills. These images reveal the nighttime lighting illuminating the Electrical Exposition Auditorium on South Fifth in Reading featuring over 30 display booths of local suppliers and contractors wired-in music as well as demonstrators of all the different gadgets showing off their features and uses. “Kill O’Watt†figures as symbols of electrical service were installed at the doorways and with all the different booths and the exhibition space featured a “Court of Illumination†dominated by a life-size nude of the Egyptian Goddess of Light surrounded by 12-foot columns and golden incense burners. Every night and afternoon electric waffle irons and coffee percolators were raffled off and one lucky visitor won the grand prize of a brand-new Frigidaire refrigerator when the Exposition ended. As shown by the photographs visitors to the Electrical Exposition could view huge lighted display maps for the Pennsylvania-New Jersey Super Power System; Frigidaire Refrigerators; miniature home architectural models with cutaways showing the electrification of homes; lighted advertising signs and generators for Exide batteries 1920’s Art Deco Lamps electric train sets and even the most “beautiful booth†from the Philadelphia Electric Co. Supply Dept. with a lavish display of electric vacuums lights lamps toasters percolators fans irons and sound equipment. The Met-Ed Co. filled the entire balcony with the latest insulators meters control devices power transformers and equipment for their system and also featured are salesman sample photo albums displays electric ranges washing machines and more. Of special interest is the photo from Pennsylvania Edison Co. showing “The Story Behind Your Lighting Switch†a motorized mechanical book featuring articulated brass arms turning pages as they slid along the leaves and powered by a small motor. These were produced by the Metropolitan Mechanical Display Co. of New York who were one of the earliest and most successful firms for animatronic and popular powered displays. Metropolitan Edison was originally formed in 1917 after merging Met-Ed with Edison Electric Illuminating Lebanon Valley Electric Light Co. with subsidiaries of Reading Electric Light & Power Neversink and Penn-Ed under W.S. Barstow & E.L. West. We could find no other contemporary surviving visual records of the Electrical Exposition trade literature programs or catalogues in institutional holdings or sales records. See: A History of Met-Ed’s Western Division Met-Ed Centennial 1983; Moody’s Manual of Investments: American and Foreign 1922 pp. 414-418; Reading Times Nov. 7-21 1925 multiple entries & advertisements -- no images. Metropolitan Edison Co., unknown
1915A36930San Francisco CA. Very Good. 1915. Photograph. B&W Illustrations; Oblong panorama photograph approximately 32" x 8" This is an oversized oblong photograph of the American Press Humorists Day events including a Tree planting at the Panama Pacific International Exposition of 1915. The photograph was taken by The Cardinell-Vincent Co. official photographers to the Pan Pacific Exposition. The photograph features a group of officials planting a tree with a large seated crowd of onlookers. . unknown
198326344Pittsburgh:: Museum of Art Carnegie Institute 1983. First Paperback Printing. A Fine copy of this paperback edition. This catalog focuses on the work of forty-three important artists tand analyzes the impact of a key generation of American modernists and offers an incisive look at a variety of artistic styles methods and artists Museum of Art, Carnegie Institute, paperback
1978170976Brooklyn: Assembling Press 1978. First Edition. Softcover. First Edition. Published in conjunction with a show held from October 7-28 1978 at Pratt Graphics Center in New York. <br /> <br /> "Assembling" magazine launched in 1970 and ran for 12 issues with 1000 copies of each issue printed. The publication billed itself as "a collection of otherwise unpublishable manuscripts" with no submission rejected for publication. <br /> <br /> Very Good plus in perfect-bound wrappers. Assembling Press unknown
193626882<p>New York:: Museum of Modern Art 1936. First Printing of the First US Edition. A Very Good copy in a Very Good dust jacket missing a 2x2 inch chip to the spine and rear panel. This is one of 2500 copies issued for this exhibition and contains 47 plates five of the watercolors in color. There are four brief essays on Marin including one by fellow artist Marsden Hartley.</p> Museum of Modern Art, hardcover
199226350Munich:: Prestel-Verlag 1992. First Printing of the First US Edition. A Fine copy of this paperback original. Brilliantly colorful this well-designed paperback is full of whimsy fantasy and the engaging simplicity of its images the work of three extremely popular American artist/illustrators. The late Haring regarded Andy Warhol and Walt Disney as two of his art heroes. Kurtz curator of 20th-century art at the Phoenix Art Museum gathered the works for this show many previously unseen. Haring's exuberant lovable cartoon art serves as the glue uniting the work of the three artists. Brief but well-constructed essays on Disney Haring and Warhol serve to clarify the role of each in American popular culture. Prestel-Verlag, paperback
198955072Abrams New York 1989. Edition Unstated. Hardcover Original Cloth. Fine Condition/Near Fine. Exhibition catalog. Mary Cassatt: The Color Prints New York: Abrams 1989. Quarto accompanied a traveling exhibition pp. 207 errata slip laid in gray cloth boards with maroon stamped lettering to spine color and halftone illustration. Shows the prints in various states. Condition of this book: Minor indents in dust jacket else fine. Size: Quarto. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art & Design; 19th century; Reference. ISBN: 0810910497. ISBN/EAN: 9780810910492. Pictures of this item not already displayed here available upon request. Inventory No: 55072. . 9780810910492 Abrams hardcover
1948WB17380St. Louis: City Art Museum of St. Louis 1948. Paperback. Fair. Restrospective Exhibition by the City Art Museum of St. Louis. Unique copy - with typed transcript of lecture given by Beckmann at Stephens College "Letters to a Woman Painter" laid in. Front wrap detached. Sold as is. <br/><br/> City Art Museum of St. Louis paperback
1980mon0003832495San Francisco: Modernism 1980 1980T. paperback. Good. . San Francisco: Modernism, 1980 paperback
200155060Metropolitan Museum New York 2001. Edition Unstated. Hardcover Original Cloth. Near Fine Condition/Fine. Keith Christiansen and Judith W. Mann. Orazio and Artemisia Gentileschi New York: Metropolitan Museum 2001. Heavy quarto released to accompany an exhibition pp. xx 476 red cloth boards with gilt lettering to spine extensive illustration. With previously unpublished documents relating to the case against Agostino Tassi the rape of Artemisia. Condition of this book: Slight touch of white shelf paint to bottom edge of boards else fine. Shipments outside the U.S. may be subject to local taxes. Size: Quarto. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art & Design; Reference. ISBN: 0300090773. ISBN/EAN: 9780300090772. Pictures of this item not already displayed here available upon request. Inventory No: 55060. . 9780300090772 Metropolitan Museum hardcover
1958mon0003879227Staten Island Museum 1958 1958T. paperback. Good. . Staten Island Museum, 1958 paperback
192733117Philadelphia: The 30h Joint Exhibition Board and Philadelphia Chapter A.I.A. 1927. Hardcover. Good. Tall quarto. 300 pages 1. Illustrated with black and white etching frontispiece and numerous black and white photograph plates and pictures. Restored. Tam printed paper covered boards. New light brown mulberry paper spine. Front and rear hinges repaired. Light shelf and edge wear to the boards and edges. The 30h Joint Exhibition Board and Philadelphia Chapter A.I.A. hardcover
1976155844New York: Metropolitan Museum of Art 1976. Vintage poster for the 1976 traveling exhibition organized by the Metropolitan Museum of Art which ran from November 17 1976 through September 30 1979 in seven US cities.<br /> <br /> 18.25 x 49.25 inches. Near Fine rolled as issued. Metropolitan Museum of Art unknown
1976155839New York: Metropolitan Museum of Art 1976. Vintage poster for the 1976 travelling exhibition organized by the Metropolitan Museum of Art which ran from November 17 1976 through September 30 1979 in seven US cities.<br /> <br /> 25 x 38 inches. Some light edgewear else Near Fine. Metropolitan Museum of Art unknown
1997mon0003215565Museu d'art contemporani d'Eivis 1997T. hardcover. Good. . Museu d'art contemporani d'Eivis hardcover