9 824 résultats
51-5096Paris: Alphonse Lemerre 1870-1890. 3 vols. .A collection of 220 etched plates of proof impressions. 13.5 x 193m. Uniformly bound in half blue morocco. Collector's stamp stylized AG on some pages. .Plates to illustrate various publications on Hollande mounted with hinges onglets to the binding. Includes illustrations works by Alfred de Musset; Shakespeare; and editions of les Diables boiteux; Madame Bovary; Les pastorales de Longus ou Daphnis et Chloé; L'Heptaméron; La Confession d'un Enfant du Siècle' Les contes de Fees de Perrault. Reference: Carteret Le trésor du Bibliophile Livres illustrés modernes 1875 a 1945 III p. 23-26.Alphonse Lemerre 1838-1912 libraire du passage Choiseul à Paris a été l’éditeur des poètes parnassiens. Il a aussi publié Barbey d’Aurevilly Alphonse Daudet et Paul Bourget. Il est réputé pour le soin qu’il apportait à la composition des livres. Paris: Alphonse Lemerre, 1870-1890 unknown
51-4443Paris: Modes de Paris 1888-1904. An unbound set of 160 handcolored steel engravings. 33.3 x 24 cm. 13 x 9.5 inches.Each with a centerfold. OCLC . One split in 2 pieces .OCLC number:1036445681 one print.Ensemble de 160 planches en couleurs en feuilles entre 1888 et 1904 Bel état.Expertise by M. Christian GASCHBoite Postale 40558004 NEVERS Cedex Paris: Modes de Paris, 1888-1904 unknown
51-7185Paris: circa 1760. Portfolio wrapped with sheets en reliure d' attente advertising "Paris dans sa Splendeur." 25.5 x 39.5cm. 16pp. followed by 16 engraved plates. Wormhole in the right margin. . Waterstain on 4 plates.Publié dans l' Encyclopédie ou dictionnaire raisonné. de Diderot et d'Alembert tome II des planches 1763. Voir Enccre archive. Cat. Jammes n° 77 Becker 1997 p. XII et n° 152 Cat. Hutton n° 67 Morison 1962 n° 60 avec 1 pl. repr.OCLC Number / Unique Identifier:28217745.Charles Paillasson's ‘L'Art d'Ecrire’ or ‘The Art of Writing’ created in collaboration with the famed French engraver Augustin de Saint-Aubin in the C18th. All individually framed. Charles Paillasson's celebrated handwriting manual ‘L'Art d'Ecrire’ was originally published in 1763 as part of Diderot and D'Alembert's ‘Encyclopédie’. Paillasson was born in 1718 son of the master writer Jean-Jacques Paillasson who died in 1754. Anxious to enhance the prestige of calligraphy in France he was part of several Parisian academics supporting this cause and was among those who offered in 1763 and 1767 gifts in calligraphy to Louis XV. By 1776 he was a writer in the king's cabinet and in 1780 he was appointed First Secretary. Paillasson died in 1789.From the collection of Frederick Ruffner 1926-2014 the founder of Gale Research Detroit. Paris: circa 1760 unknown
1897016062Chez Floury Paris 1897. Book. Near Fine. Leather Bound. 12 individually published copies of the landmark magazine of late 19th century French art and literature handsomely bound into one volume with green leather with 5 raised bands on the spine gold stamping and marblized endpapers. Some rubbing to the corners and a few of the bands on the spine. Three pages in the first issue have two-inch tears at the edges. Else all issues appear to be intact and in fine condition with only the expected light browning to the pages associated with age. The cover of the October issue number 11 is designed by Henri de Toulouse Lautrec. Texts in French with numerous illustrations beautifully printed. Chez Floury, Paris Hardcover
Four signed and justified original aquatints by Joan Hern·ndez Pijuan. 38 x 28 cm (sheet). Edition limited to 50 impressions printed on fine, thick wove paper. Maluquer 287-290. FINE AND BRIGHT, like new. Price is for the set. Each print available separately for $375.
Two signed and justified original aquatints by Joan Hern·ndez Pijuan. 56 x 78 cm (sheet). Edition limited to 50 impressions printed on fine, thick wove paper. FINE AND BRIGHT, like new. Maluquer 207 and 208. Price is for the set.
192930430Un des 15 premiers exemplaires sur japon - le n° 1 Paris, Les Éditions de la Belle Page, (18 janvier) 1929. 1 vol. (155 x 200 mm) de 100 p., [4] et 1 f. Broché, à toutes grandes marges, non coupé. Édition originale. Portrait de l'auteur en frontispice par Picasso, ici en 3 états supplémentaires sur chine dont celui du cuivre barré. Un des 15 premiers exemplaires sur japon (n° 1).
50659Rimini Italy: Vydavnytstvo "Zhyttia v tabori" Life in the camp; Ukrains'kyi tabor polonenykh 1946. Octavo 20.7 × 15.3 cm. Original pictorial wrappers; VII 1 97 3 pp. With five decorative lithographed section dividers. Old stamps of a private diaspora library; else about very good. Rare second volume of poems by Bogdan Bora 1920-1997 printed in a prison camp in Rimini Italy shortly after the end of World War II. This book followed his 1946 volume "V dorozi" On the road which was also mimeographed in a small print run 280 copies. The present work features pictorial wrappers title page author's portrait and five pictorial section dividers on slightly better paper stock with the text reproduced mimeographically from typescript. The artists were Volodymyr Kaplun and S. Iatsushko. All of the poems were written at Cesenatico on the Adriatic coast or Rimini. Like most inmates of the camp Bora was evidently a former member of the 14th Waffen Grenadier Division of the SS later known as the First Division of the Ukrainian National Army which fought against the Soviet Army alongside the Germans. It consisted largely of volunteers from Galicia. Approximately 9000 members of the division were later held in Rimini.<br /> <br /> Shortly after this book appeared Bora moved to the UK where he settled permanently. Apart from the two books by him this Rimini camp publisher only issued the eponymous camp newspaper and another volume of poems by Stepan Rykhtyts'kyi.<br /> <br /> One of 200 copies printed.<br /> <br /> As of April 2023 KVK and OCLC show two copies worldwide both in North America. unknown
AMA-993Paris, [Pierre Lecuire], 1981. In 4° oblong, en feuilles, emboitage. [18 ff.], 4 gravures originales de Vera Pagava (pointe-sèche), Brigitte Simon (pointe sèche), Vieira da Silva (burin), Geneviève Asse (pointe-sèche).
55548Belgrade and Ljubljana: Galerija Doma Omladine Å tudentski kulturni center and Salon Muzeja savremene umetnosti 1969-1979. Octavos between 20 × 19.7 and 22 × 21.7 cm. Original printed wrappers two of them staple-stitched and one with blind embossing "OHO". Glue binding of catalog b slightly loosened; else very good. Rare group of three exhibition catalogs by the Yugoslav neo-avant-garde group "OHO". The name is derived from a combination of the Slovenian words for "eye" oko and "ear" uho. The neologism was first used as the title of a self-published book by Marko PogaÄnik and Iztok Geister in 1966. In its first two years the group focused on publishing various printed materials such as artist books cards ephemera experimental poetry theoretical texts etc. under the OHO imprint. The self-published OHO editions were less at risk of censorship. Nevertheless the cultural and social climate in Yugoslavia at that time was characterized by liberalism leading to the formation of various avant-garde groups in the 1960s and 1970s. Unlike the other socialist states in Europe the republic on the Mediterranean did not belong to the Eastern Bloc but remained neutral during the Cold War. Despite the economic system there was freedom of travel and a liberal cultural life.<br /> <br /> Unlike with solo exhibitions the group was also able to reach a larger audience with its own ideas in a shorter period of time through various publications. In the process they also coined their own terms which are often associated with the philosophical reflections of Edmund Husserl and Martin Heidegger. One of these terms is "Reismus" derived from the Latin "res" thing. In 1968 other forms of artistic work became more important for the group. Performances were organized in urban spaces. The iconic performance "Triglav" a play on words with the name of Slovenia's highest mountain which means "three-headed" is well documented photographically. Against the backdrop of the snow-covered Zvezda Park in Ljubljana Milenko Matanović David Nez and Drago Dellabernardina stuck their heads through a black cloth and became a three-headed mountain.<br /> <br /> When the group became concentrated around the four artists PogaÄnik Nez Matanović and Andraž Å alamun in 1969 the focus shifted even more toward public space and landscape. Matanović for example tied a series of sticks together and hung them under a window in order to make the otherwise invisible air currents visible. The group's interest increasingly turned to the different relationships that things "res" have with each other and the forces that act between them. PogaÄnik for example produced a series of works intended to show the relationships between the four elements earth air fire water in static and dynamic modes. David Nez who hails from the USA placed mirrors in the landscape on which fragments of what lay outside the section he photographed could be seen. Another project that made the invisible visible was a map that not only documented the locations of the ephemeral actions and installations that OHO produced in the Zarica Valley in May 1970 but also related them to a Neolithic settlement and a medieval church for example. After only a few years the artist group disbanded in 1971 to reunite as a rural commune. "OHO's work as an artist collective had an important impact on Yugoslav culture at the time and resonates in Slovene culture up to the present day." Ksenya Gurshtein From the MoMA Archives: Works and Materials by OHO Group >ht ps://post.moma.o rg/from-the-moma-archives-works-and-materials-by-oho-group/ unknown
196529038L'exemplaire de René Char en tirage de tête Veilhes, Gaston Puel, (6 décembre) 1965. 1 vol. (135 x 170 mm) non paginé. En feuilles, sous couverture imprimée de l'éditeur. Édition originale tirée à 300 exemplaires. Illustré de 4 linogravures originales de Jean Arp, signées. Un des [62] premiers exemplaires sur vélin de Rives, celui-ci un des 12 hors commerce (n° 2). Envoi signé : «Pour René Char, en signe d'affectueuse pensée, Gaston Puel».
8474Mercator Fonds, Magritte Foundation, 1993/2012.Six volumes reliures cartonnage d'éditeur sous jaquette illustrée, un seul volume sous étui. Beaux exemplaires.
8474Mercator Fonds, Magritte Foundation, 1993/2012.Six volumes reliures cartonnage d'éditeur sous jaquette illustrée, un seul volume sous étui. Beaux exemplaires.
51-6432Paris: Nicolas Poilly rue Saint-Jacques A la Belle Image circa 1670. Engravings. Album of 22 engraved landscapes and a marine view. from the 17th century including 14 in rondo and 8 rectangular including 1 by Pérelle 15 x 9.5 cm and 1 by Balthasar Moncornet 12.5 x 9 cm. Three are published and sold by Nicolas Poilly rue Saint-Jacques A la Belle Image.Oblong quarto green morocco smooth spine gilt roulette frame and fillet on the covers 19th century binding.Handwritten ex-dono from Ramon Medina to Mr. Arnoult Salamanca April 25 1865.Nicolas de Poilly 1627 - 1696:Engraver print-publisher print-seller. Brother of François de Poilly; father of engraver and print-seller Jean-Baptiste de Poilly 1669-1728 François de Poilly the younger 1671-1723 painter Nicolas de Poilly b. 1675.Expertise by Cabinet Poulain5 rue de Saintonge75003 Paris Paris: Nicolas Poilly, rue Saint-Jacques, A la Belle Image, circa 1670. unknown
017088Manchester UK: Linder and Sterling Publishers 1978. Wraps. Good. Side folding wraps 16 ½ by 23 ¼ inches when unfolded. 12 pp. Black and white clip art/collages throughout. A one off zine style piece taking the punk art aesthetic of clip art and collage to a new level. Created by Jon Savage and Linder Sterling in 1978 the zine provided social commentary on gender and gender roles portraying fractured women in domestic settings as well as skewering masculinity and its impact on the punk scene and society in general Poynor p. 23. Developed as a visual zine Savage collaborated with Linder Sterling noting that "Linder was already making very pointed images about feminism about the role of women and how they were treated and I was developing a gay consciousness and ideas about masculinity" Piller and Rowland Punkzines p. 166. Savage also mentions that some of the images were considered obscene leading to difficulties in finding a printer. GOOD condition. Moderate toning to the exterior with moderate wrinkling and creasing. Faint dampstain along the spine of the rear page. Last leaf with a small split along the fold crease. Minor soiling. Linder and Sterling, Publishers unknown
20052396190118010Fieldstone Ent 2005-03-29. Audio CD. Good. CD plays perfectly & the case looks good.has name written on disc. Fieldstone Ent unknown
16-6070Paris: Dujardin & Cie Editeurs. s. d. circa 1890. Folio. 35.5 x 47cm. Contemporary half red shagreen. Scuff marks on cover and spine. Very heavy.2 preliminary leaves 77 pages 1 leaf illustrations 80 lithograph plates printed in colors. including plans .OCLC Number / Unique Identifier:1008472306.Notes:"L'ouvrage a été publié en 6 fascicules."--Lorenz. Catalogue général de la librairie française t. 12.In-folio demi-chagrin rouge dos à nerfs reliure de l’époque. Paris: Dujardin & Cie, Editeurs. s. d. [circa 1890] unknown
51-2999London: Bemrose & Sons 1879-1893. 31 Handcolored engravings and lithographs. Sheet size 28 x 23 to 30 x 23.5 cm. Mounted with hinges on support sheets.OCLC Number: 871223292 London: Bemrose & Sons, 1879-1893 unknown
196423908Chicago: Oaky Doaky Inc. 1964. Near fine in wrappers. Pair of unique hand-made artist books each measures 8 1/2 x 5 3/4 inches. Both books consist of card-stock sheets with various elements attached to the stiff pages including cut paper from newspapers and magazines as well as objects such as a pair of glasses a metal spoon the top of a tin a penny etc. Both books are titled and annotated in stamped purple ink. Most of the stamped annotations refer to a cryptic numbering system others provide prices or occasional commentary "Wow" "Sharp Oh" "New Item". A pair of attractive if mysterious artist books. Chicago: Oaky Doaky Inc. unknown books
91052Collection of 35 Ukiyo-e Woodblock Prints<br /> <br /> Utamaro 喜多å·æŒéº¿ Harunobu 鈴木春信 Kiyonaga 鳥居清長 Eishi é³¥æ–‡æ–Žæ „ä¹‹ Choki æ „æ¾é½‹é•·å–œ et al artists<br /> <br /> Edo Period<br /> <br /> A large tied navy blue cloth portfolio 52 x 38cm with 35 ukiyo-e prints ranging from approx 39 x 26cm to approx 29.5 x 21.5cm tipped into framed paper mats - Adachi mats are approx 50.5 x 36cm and Takamizawa mats are approx 48 x 33.5cm. <br /> <br /> Classic ukiyo-e hanga printed by Adachi and Takamizawa after the War: 18 have Adachi labels on the mats; 11 have red Takamizawa hanko Takamizawa-han 高見澤版 on the rear of the prints; the remaining 6 others are without marks but most likely fromTakamizawa. All of the prints have the artists’ names and hanko. The prints were likely not issued as a collection but are being sold as a group.<br /> <br /> The rear of 18 mats have a small printed label with the name and address of the Adachi Institute of Woodcut Prints アダãƒç‰ˆç”»ç ”究所 in English and Japanese. Above that is a typed label with the name of the artist in Roman script and the title in English with some in Roman script as well. The mats with the Adachi label open to the left Japanese style while the others open to the right Western style. Artists named are Utamaro Kitagawa 喜多å·æŒéº¿ 1753-1806 Harunobu Suzuki Harunobu 鈴木春信 1725-1770 Kiyonaga Torii Kiyonaga 鳥居清長 1752-1815 Eishi ChÅbunsai Eishi é³¥æ–‡æ–Žæ „ä¹‹ 1756-1829 and Choki EishÅsai ChÅki æ „æ¾é½‹é•·å–œ active 1760s-early 1800s who was known for his use of mica in the background of a few of his prints like the one here. The Takamizawa prints feature many of the same artists.<br /> <br /> A small label on the front of the portfolio has details of the contents handwritten in English. A few have areas of fading 1 has a crease on the right edge the mat of 1 is starting otherwise very good condition. Very good impressions some embossed karazuri 空摺 and some with metallic pigment. Lovely evocative prints in striking colors by two of the most respected traditional woodblock printing houses of the day. unknown
20105720Primary Information 2010. First Edition First Printing. BOX SET - Paperback. Fine. Primary Information 2010. BOX SET The boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually and the final five in a single newsprint paperback. First Edition First Edition. Limited Edition 1/1000 copies.Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968. At the time Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics and investigated new forms of art that were developing in the U.S. and Europe with probing interviews extensive use of photography and dynamic layouts. For many artists publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section the editorial content included only interviews artists' texts and documents of art and art making. All interviews were conducted by Sharp Béar or done jointly. Among the featured artists were Vito Acconci Joseph Beuys Hanne Darboven Walter De Maria Jan Dibbets Philip Glass Barry Le Va Sol LeWitt Richard Long Gordon Matta-Clark Bruce Nauman Dennis Oppenheim Yvonne Rainer Keith Sonnier Richard Serra Robert Smithson William Wegman Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually and the final five in a single newsprint paperback. CONDITION: Fine the set Housed in a Near Fine box showing oderate rubbing to panels from shelf wear. Primary Information paperback
51-4651London: William Miller 1804. Small folio. 26 x 36cm. Contemporary morocco with gilt embellishments on cover. Light stain in lower margins but very fresh otherwise.OCLC Number: 837662958. In-folio mar. brun à long grain large roulette dorée en encadrement dos lisse orné tr. dorées Rel. de l'époque.Colas 2112.Édition originale illustrée de 50 planches gravées par W. Ellis et W. Poole coloriées ; elles "sont copiées sur la première émission des cinquante planches de Kininger" Vienne vers 1803 : Colas 1610.Ex-libris : Thomas Whitemore Francis Whitemore.Reliure très usagée premier plat et premiers feuillets détachés larges mouillures au début in fine et dans la marge inférieurela marge inférieure. London: William Miller, 1804 unknown
16-4018Paris Chez Jules Didot L'AineÌ Libraire Paris Baudouin FreÌ€res Libraires 1823. 8vo: 4-235 pp.; 24 pl. Light foxing but plates fresh. Contemp. half dark blue calf marbled paper on boards gilt-tooled flat spine boards rubbed slides sl. dulled.OCLC Number: 257738010.First edition of Sauvan's free translation of Egan's "Life in London" 1st Engl. ed.: London 1821 ill. with 24 hand-coloured aquatints complete chosen among the 36 pl. of the 1st English ed. but unsigned unnumbered and uncaptioned. With some woodengr. in text. "Described as "a faithful Portraiture of High & Low Life" from the West End to the East End Pierce Egan’s comical monthly publication Life in London was one of the popular sensations of its day. The central characters - Tom Jerry and Logic - were well-heeled young men about town keen to see "a bit of life" in the poorer districts of London. Their escapades and misadventures were largely autobiographical being drawn from the lives of Egan himself and his illustrators George and Robert Cruikshank . As a result of the success of Life in London the names Tom and Jerry became proverbial for young men causing disorder though there is no solid evidence to suggest that they influenced the creation of the cartoon cat and mouse duo of same name." British Libr.Ref. Cohen 263. - Paris Chez Jules Didot L'AineÌ, Libraire Paris Baudouin FreÌ€res, Libraires, 1823 hardcover
51-2997London: The Queen. The Lady's Newspaper and Court Chronicle 1869-1887. 24 Handcolored engravings and lithographs. Sheet size 32 x 23.5 to 40 x 27.5 cm. Mounted with hinges on support sheets.Peintre. - Fille d'Adèle-Anaïs Toudouze. - Mariée à Léon Desgrange. - Mère de Jeanne Desgrange épouse de l'architecte Anthony Selmersheim 1871-1971 puis du peintre Signac 1863-1935. - Signe soit "Isabelle Toudouze" soit "Isabelle Desgrange"Born in 1850Deceased in 1907 age at death: 57 years oldPeintre de fleurs et de modes Parents Gabriel TOUDOUZE Architecte 1811-1854Famille originaire de Combrit-Sainte-Marine Finistère Adèle Anaïs Toudouze COLIN Artiste Peintre 1822-1899 Spouses and childrenMarried about 1875 to Y DESGRANGE ca 1845- withJeanne SELMERSHEIM- DESGRANGE Artiste Peintre ca 1880- SiblingsM Gustave TOUDOUZE Écrivain 1847-1904 Married about 1875 to Marie GALLETTE ca 1855-M Edouard TOUDOUZE Artiste Peintre 1848-1907 Married 9 July 1900 Monday PARIS 75 to Anne M LOIRE Artiste Peintre 1857-__________SANDOZ Adolf Karol born 1845 active: 1889 Adolf Karl Sandoz was born in Odessa. Settled in Paris he did Fine Arts and was a pupil of Puvis de Chavannes. First illustrator of books for Hachette and Delagrave bookstores he began his collaboration with L’Illustration in 1889 with fashion designs. London: The Queen. The Lady's Newspaper and Court Chronicle, 1869-1887 unknown
