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1984RO20083679SYLVIE MESSINGER. 1984. In-4. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. Non paginé, envrion 70 pages. Frontispice en noir et blanc. Nombreuses illustrations en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 927-Artistes, sportifs
19781227164Berlin, Staatliche Kunsthalle, 1978. 4to. 400 S. m. zahlr. teils farb. Abb. Farbig illustrierter OKart. (hinterer Deckel m. Feuchtigkeitsspuren, wenige Blatt im Fußsteg durch Feuchtigkeit leicht gewellt).
2003BRG-1_11_268VARESE SARABANDE 2003-04-01. audioCD. Very Good. 5x5x0. Very Good Condition CD/DVD. Case or cover show minimal wear. Not Satisfied Contact us to get a refund. VARESE SARABANDE unknown
1984132886Erlangen 1984. 118 n. n. Seiten. Mit zahlreichen s/w Abbildungen. Illustrierte Originalbroschur. 30x24 cm
1994159521San Francisco: Artists' Television Access 1994. Vintage flyer for a screening of nine industrial and experimental films at the Artists' Television Access ATA Gallery Saturday December 10 1994-grouped under the conceptual title "Theatre of Cruelty."<br /> <br /> The nine films screened at the event were:<br /> "Glimpses of Soviet Science" 1942 produced by Moscow Techfilm Studios <br /> "This is Cybernetics" 1975 produced by Films Budapest<br /> "Seat Belts and You" 1980 produced by the Ford Motor Company<br /> "Without Make-up You Don't Have a Chance" 1986<br /> "The Rehearsal" 1987<br /> "These Boots are Made for Walking" 1988 directed by Azian Nurudin<br /> "The Tunnel" 1985 directed by Tuesday Woo<br /> "Le Poème" 1986 directed by Bogdan Borkowski<br /> "Mechanics of the Brain" 1926 directed by Vsevolod Pudovkin<br /> <br /> Formed in 1986 the ATA is a San Francisco-based artist-run nonprofit which promotes underground and experimental art as well as providing a screening venue for independent films exhibitions performances workshops and events.<br /> <br /> 11 x 8.5 inches on blue paper. With a few small pin holes else Near Fine. Artists' Television Access unknown
7527ff Flynn & Funazaki 2013. No. 2 of a limited edition of 5. 94 x 100 x 22mm. Bound in full calf leather with vellum blocked in black. Rounded spine made from a dowel and the vellum extends to form the pockets where both ends of the concertina pages are inserted and attached to the cover. The doublures have been laser-printed from a drawing by the binder. The text by Danny Flynn and illustrations by Eri Funazaki were handset and printed in letterpress from zinc plates using an Adana Eight-Five onto Zerkall paper which have been additionally hand-tooled in gold and blind. Housed in a full light green calf clamshell box lined with printed paper.The text is an excerpt from a play involving two dogs having a heated conversation about their daily life ie waiting to be told where to sit written by Danny Flynn. “It has been both a new and experimental project that edits and shortens the longer play to fit the nature of typesetting for an artists’ book without losing the speed and the flow of the playâ€. ff [Flynn & Funazaki] hardcover
2013145778Thames & Hudson. London. 2013. 413 pages. With a lot of illustrations in colour. Original cloth binding and an Illustrated original dustjacket. New Condition. 30x25 cm
189724061416London: Elkin Mathews & John Lane Vol's I and II John Lane The Bodley Head Vol's III - XIII 1897. Hardcover. Near fine. Thirteen volumes complete octavo size approx. 4150 pp. Called "the gay nineties" in America and "the naughty nineties" in Britain the decade of the 1890s was in many respects one in which the Victorian morals and societal codes were loosening with many who on both sides of the pond "embraced more freedom fun and social permissiveness" n.b. quote from Wiki. <br /> <br /> Within the worlds of literature and art Oscar Wilde 1854-1900 and Aubrey Beardsley 1872-1898 were extremely influential both with a talent for bringing eroticism into their art and making it - almost - socially acceptable. In addition to their joint collaboration on "Salome" first published in 1892 they launched this periodical "The Yellow Book" with its first issue being April 1894. Beardsley was the first art editor and while Wilde was not a contributor his influence can be felt. <br /> <br /> Ultimately it lasted for only thirteen issues its demise coming about for almost the same reasons as its success. The public initially saw "The Yellow Book" as "something queer and rather alarming.and thus it almost immediately regarded it as symbolic of new movements." However after the trial and conviction of Oscar Wilde the publishers who were from the outset less inclined towards these new ideals than the artists combined with a reaction now negative from the public "the publisher's premises were set upon by a mob who vandalised the building" its final issue was April 1897 n.b. quotes from Wiki. <br /> <br /> ___DESCRIPTION: All volumes bound in full bright yellow cloth black illustrations and lettering on the fronts black lettering and decorations on the spines the table of contents reproduced on the back covers except the final issue which duplicated the design of the front replete with reproductions of artwork all in black and white with a single exception; bindings octavo size 8 1/8" by 6 1/2" pagination varies between 256 and 406; note that this set does not have the advertisements bound in at the rear. <br /> <br /> ___CONDITION: Overall near fine the boards mostly clean a few volumes with light spots the corners mostly straight a few slightly bumped most without rubbing and a few with minimal rubbing strong square text blocks with solid hinges we noted a few gutters just beginning to crack the interiors clean and bright and the set entirely free of prior owner markings; some light rubbing to the black ink on the bindings on most volumes light toning to some of the endpapers a few volumes with the boards very slightly bowed and some of the spines lightly sunned note that the spine of Vol. VI is significantly lighter in colour. <br /> <br /> ___POSTAGE: Please note that this set will require additional postage please inquire for details. International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Elkin Mathews & John Lane (Vol's I and II), John Lane The Bodley Head (Vol's III - XIII) hardcover
201273906Wyoming: Shutterfly. As New. 2012. Hardcover. Beautiful fresh and nice. Folio illustrated color. Featuring the work of 6 artists from Wyoming Ohio and Oregon. . Shutterfly hardcover books
62nd year. Hardback in dustjacket. VG/incomplete. 12648. eng
207 p. Illustrated. 235mm. Original full cloth binding. Original priced dust jacket. Hardbound. Very good+. "An inquiry into the influence of defective vision on art and character. A New and Revised Edition of the Classic Work". ART BX 2
188p. Hardcover Very good condition
This is a fine softcover copy with a fine dust wrapper with no wear at all. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Whitestone Gallery in Tokyo in 2013. Tsuyoshi Maekawa (1936- ), is a Second Generation Gutai artist. He was included in the 8th Gutai Exhibition at the Kyoto Municipal Museum of Art in 1959, and became a protégé of the group's founder, Jiro Yoshihara. 50 color plates + several photographs, portraits of Tsuyoshi Maekawa. Three page essay by curator Yoshio Kato. Interview with Maekawa by Kunio Motoc. Chronology. 9" square, unpaginated. Scarce.This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1979121929Birmingham, Oxmoor House, Inc. 1979. XVI, 141, (2) Seiten. Mit zahlreichen meist farbigen u. ganzseitigen Abbildungen. Geprägter Original-Halbleder-Einband. Querformat (Ohne Schutzumschlag. No dustjacket). 33x39 cm
1957291741New York.: George Wittenborn. 1957. White cloth blue and black titles. Near fine in a tattered dust jacket with areas of loss to the front and back panels. 25.5x19.5 cm. weight: 1.8 lb. Illustrated throughout. George Wittenborn. hardcover books
19567979NY: George Wittenborn 1956. Hardcover. VG / dustjacket with tears and rips. White cloth. viii 167 pp. 57 color 162 bw plates. This book combines history with analysis of the world-wide movements known collectively as abstract art including such facets as constructivism neo-plasticism dadaism abstract-impressionism post-cubism and non-objectivism in America France Germany Italy Japan Latin America and Russia. Includes 15 essays an index and a section of biographical notes. Scarce and a nice copy with remnants of dustjacket. George Wittenborn hardcover books
1957291741New York.: George Wittenborn. 1957. White cloth blue and black titles. Near fine in a tattered dust jacket with areas of loss to the front and back panels. 25.5x19.5 cm. weight: 1.8 lb. Illustrated throughout. George Wittenborn. hardcover
2013Q-1423184823Disney Press 2013-10-08. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2013Q-1423163974Disney Press 2013-03-05. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2003142625Woodstock NY: Woodstock Artists Association 2003. Softcover. VG. May have label and few marks from previous gallery owner. Spiral-bound. White & color illus. covers. Unpaginated around 100 pages. BW & color illus. An illustrated commemoration of this event. Guest of honor was Sara Mazo Kuniyoshi. Many illustrations for sponsored pages. #266 #277 or #322 of 500 numbered copies. Woodstock Artists Association paperback books
2004142626Woodstock NY: Woodstock Artists Association 2004. Softcover. VG Label and few marks from previous gallery owner. Spiral-bound. White & color illus. covers. Unpaginated BW & color illus. An illustrated commemoration of this event. Guest of honor was Kerrie Buitrago of the Pollack-Krasner Foundation Inc. Many illustrations for sponsored pages. #166 of 300 numbered copies. Woodstock Artists Association paperback books
1928011004United Artists 1928. Soft cover. Very Good. Paper covers. 56 pages. B&W photos. Short tear to front free endpaper. A clean book with only light wear. The envelope which was sent from Norma Talmadge in New York is well worn and the recipient's address has been removed. Scarce. <br/> <br/> United Artists paperback
1983WARARTIS001640Michael Joseph in association with the Imperial War Museum and the Tate Gallery London. 1983. First edition. Small quarto. pp x 308 2. Profusely illustrated. Endpaper maps. Fine in fine dustwrapper. Michael Joseph, in association with the Imperial War Museum and the Tate Gallery, London. unknown
20202-8865276630Lo Scarabeo 2020. Paperback. New. 80 pages. Italian language. 5.12x3.54x2.36 inches. Lo Scarabeo paperback
193736530New York: Hrcourt Brace and Company. 39 works by composers of all nationalities in the period from 1846-1850. Selected by Albert E. Weir. Unmarked copy with slight wave to cover. This is Volume 8 of the Violinist's Music Shelf. Includes 86 page insert Volume 5: The Days of Joachim and Hellmesberger Violin Part. LG . Good. Paperback. 1937. Hrcourt, Brace and Company paperback