19 126 résultats
0151-Co.J. Radierung und Kaltnadel, 1881, auf cremefarbenem Japan, signiert und mit Atelierstempel. 21,2:13,2 cm. Literatur: Beraldi 35, Zustand von der links und rechts verkürzten Platte und mit Signatur in der Platte links oben. Vorzüglicher, vollrandiger Abdruck.
1912193451912 29 planches, encre de Chine et mine de plomb, 22 x 11 cm, 1912, sous chemise cartonnée.
Cm. 24,5, frontespizio inciso, pp. (2) d'indice + 23 (di 24!) tavole incise all'acquaforte. Leg. in cart. muto. Leggere arrossature marginali, ma bell'esemplare, genuino ed a pieni margini. Rara e ricercata raccolta di soggetti veneziani. Esemplare che, come molto spesso accade, si presenta censurato, ovvero privo (dall'origine?) della tavola n. 10 la quale è intitolata "passeggiata sentimentale" e la cui visione non deve essere stata gradita per la morale del tempo.
1930D4922likely America c. 1930s. Fine. Group of 10 original costume studies on heavy cardstock mounts ranging in size from about 9.5-by-10.5 inches to 13-by-18 inches in pen-and-ink or grey wash heightened in white. Circa 1930s America. Presumably created by S. C. Cavanagh Ltd. with the firm's name in pencil along the bottom edge of many of the studies. Expertly carried out illustrations of elegant women in long coats or evening jackets pinky fingers held delicately aloft. All cards a little rubbed and smudged along the edges but overall nice and bright suitable for display. A wonderful collection for the classic or vintage stylist. <br/><br/> unknown
192278454Paris: Dorbon-Ainé 1922. Hardcover. The second volume only. Collection of beautifully colored pochoir plates depicting elite fashion published originally in La Gazette du Bon Ton between 1920 and 1922. Includes work by Barbier Benito Bonfils Brissaud and many others. Royal octavo: 2 pp. with 100 color plates one two-panel. The red marbled paper-covered boards have been expertly rebacked with the original spine strip laid down. Small indentation to the fore-edge of about a quarter of the plates not affecting the images. Some general edgewear to the boards. Dorbon-Ainé hardcover
1930D4922likely America c. 1930s. Fine. Group of 10 original costume studies on heavy cardstock mounts ranging in size from about 9.5-by-10.5 inches to 13-by-18 inches in pen-and-ink or grey wash heightened in white. Circa 1930s America. Presumably created by S. C. Cavanagh Ltd. with the firm's name in pencil along the bottom edge of many of the studies. Expertly carried out illustrations of elegant women in long coats or evening jackets pinky fingers held delicately aloft. All cards a little rubbed and smudged along the edges but overall nice and bright suitable for display. A wonderful collection for the classic or vintage stylist. <br/><br/> unknown books
180629596-zn4Metz: Collignon 1804-1806. 4 Blatt, 299 Seiten, 18 Tafeln; 2 Blatt, 318 Seiten, 30 Tafeln; 390 Seiten, 42 Tafeln; 216 Seiten und 31 Tafeln, sowie 166 Seiten und 35 Tafeln. Dunkelgrünes Leder der Zeit mit Rücken- und Deckelvergoldung sowie allseitigem Goldschnitt (jeweils ein Signaturschildchen auf dem Rücken, berieben und bestoßen, teils beschabt, bei drei Bänden fehlt das Titel-Rückenschild, bei drei Bänden sind die Innengelenke gelockert, bei Band vier ist das hintere Innengelenk durchgebrochen, der Buchblock von Band 3 lose und das vordere Gelenk dieses Bandes auf einer Länge von ca. 5 cm gerissen, teils etwas fleckig, sonst gute und saubere, restaurierungswürdige Exemplare). 8°. fest gebunden
Cm. 35. Raccolta di 133 belle tavole incise in rame ed in fine coloritura coeva. Legatura del tempo in mezza pelle con titoli in oro al dorso. Qualche segno d'uso esterno e rade fioriture marginali, esemplare peraltro genuino ed in buono stato di conservazione. Poderosa raccolta iconografica che raccoglie le tavole a colori pubblicate tra il 1885 ed il 1888.
Cm. 35. Raccolta di 135 belle tavole incise in rame ed in fine coloritura coeva. Legatura del tempo in mezza pelle con titoli in oro al dorso. Qualche segno d'uso esterno e rade fioriture marginali, esemplare peraltro genuino ed in buono stato di conservazione. Poderosa raccolta iconografica che raccoglie le tavole a colori pubblicate tra il 1883 ed il 1885.
1847865311847. FASHION - WOMEN'S - PERIODICAL LE PETIT MESSAGER DES MODES ET LE CONFIDENT REUNIS: TOME VII NOS. 1-17 22-24; TOME IX NOS. 1-13 15-17. Paris: Imprim. Schneider et Langrand 1847 and 1849. Thirty-six issues illustrated with 72 lovely hand-colored engraved plates of which 33 are by Heloise Leloir and 12 by Laure Colin Noel. Quarto. Text: 27-136169-192; 104113-128121-128 pp. 10 1/4 by 7 in. Nineteenth-century binding: quarter black morocco marbled boards gilt title on spine marbled endpapers. The binding is shelfworn with top joint is starting and lower joint tender. The first issue is missing four text pages; otherwise despite some misleading errors in pagination all text is present. Most issues have a timbre royal mark a French duty stamp on one text page but not on the plates. The plates are generally clean and fresh; however there are a few exceptions: 1. - Both plates in Vol. VII no. 1 have old paper repairs on the inner margin and the top fore-corner of one has been clipped; 2. - The two plates in Vol. VII no. 2 have been trimmed 1/4" shy of the fore-edge of the bookblock; 3. - One plate in Vol. IX no. 15 which is the only horizontal image in the entire volume has been trimmed to the top-edge of the image at the fore-edge. LE PETIT MESSAGER DES MODES was a bi-weekly publication appearing on the 1st and 16th of each month comprised of eight pages of text that was to include 22 engraved plates and 3 large patterns in each six-month period. This volume is bound without any of the large patterns and instead an additional plate has been inserted wherever a pattern is called for. These `extra' plates have been supplied from issues that are not included in this volume. Although most issues are complete with text and appropriate plates together there are twelve instances in this volume including the plates-for-patterns substitutions of plates being misbound or of a plate from another issue replacing the expected plate. And so while the plates are lovely and in very good condition it is for these reasons that the volume is offered as is. unknown books
184553501Goupil et Vibert, éditeurs 1845 2 tomes. Grands in-4, reliures de l’époque demi-chagrin noir , dos à nerfs ornés de filets à froid, caissons ornés de fleurons dorés, têtes dorées. T. I : 207 pp., 100 pl. en couleurs sous serpentes manque les pl. 21 ; 46 ; 53 ; 59 - T : II : 213 pp., 100 pl. en couleurs sous serpentes manque les pl. 22 ; 27 ; 35 ; 36 ; 38 ; 45 ; 48. Coins émoussés et frottés, petites déchirures en tête de dos du T. I, premier mors du T. I fendillé sur 5 cm., marge du premier plat du T. II décolorée, rousseurs éparses, planches fraîches. En l’état.
83884aafLpf., Baumgärtner, 1842, in-4to, IV + 620 S., ill. mit 51 kolor. Modetafeln, Pappband der Zeit (Rücken stärker beschabt, etwas fleckig und bestossen.
193754988Chicago: Ferris Woolen Co. Successor to Detmer Brewer & Mason Wawak Co. Inc. 1937. Sample case. 27.75 x 11 x 7.5 in. Containing 172 thick cards w/ black & red advertising lettering stock & style Nos. with 172 woolens worsted wool imported wool samples some preshrunk all mounted on the cards. Original sample display case w/ green textured cloth over boards divided into 3 compartments nickel plate slider hinges printed advertising on inner lid and drop front reinforced corners some minor wear insect predation around fore-edges of a few samples still a remarkable display case from the John the Tailor Shop Suits and Overcoats made to order Wausau WI w/ stamp on top Wawak sample card. First edition of this spectacular tailoring sample counter display for men’s suits and overcoats in the Fall & Winter of 1937-1938. Ferris Woolen Company a subsidiary of Wawak Woolens was originally founded in 1922 in Chicago along with Detmer Woolen Co. Bruner Woolen Co. Mason & Hanson Inc. and Salter & Wolf to supply woolens & trimmings to tailors and department stores across the United States. The companies were known for their high-quality wools at a reasonable price and often incorporated imported wool wool silk blends gabardines and tweeds especially from Scotland Wales France and Great Britain. In 1933 the Wawak Co./Ferris Woolen Co. purchased the exclusive right to all the Detmer Bruner Co. customers West of the Mississippi. They quickly began commissioning and producing display cases reflecting the change and proved very successful with the Ferris Woolen Co. catering to the trade into the 1960s. These sample cases were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these display on the sales floor for two seasons or more often adding or subtracting fabrics as they became available. The samples included with this case offer invaluable textile reference for the colours and fabrics during the era of fashion influenced by the elegance and glamor of Hollywood films and film noir at the time. The styles depicted on the inside of the lid and the drop-down front are reminiscent of the very popular Thin Man fashions worn by William Powell and Myrna Loy at the time. No copies located in Worldcat. Ferris Woolen Co., Successor to Detmer, Brewer & Mason, Wawak Co., Inc., hardcover
191148842Cincinnati OH: Goldman Beckman & Co. 1911. Elephant folio. 21 x 18 x 1.75 in. 50 pp unpaginated printed on thick card stock each mounted on linen hinge. 17 colour plates 1 page w/ colour-illustrated borders 8 black & white plates with 150 mounted textile samples in wool wool worsted blends some felt backed moleskin cashmere and more -- all samples clearly marked with prices and availability many with damage from insecty predation occasional soot soiling soiling to fore-edges many of the images with illustrations of models in period dress in backgrounds and around borders. Half-black cloth over green gilt lettering and embossing of Company logo on front cover illustrated endpapers with the different suit models on pastedowns occasional soot soiling foxing minor dustsoiling from fabric dust cloth covers renewed w/ original company logo & title mounted front cover still a G copy entirely complete with all samples present. First edition of this scarce salesman sample fashion catalogue for men’s suits in the Edwardian era prior to World War I. Goldman Beckman & Co. was owned by Louis Goldman 1850-1921 who had founded the firm in 1894 after decades in the wholesale suit tailoring business marketing to men & young men. The catalogues were very expensive to produce and so were most often found in department stores mercantiles men’s clubs and men’s stores which would have these catalogues on the sales floor in the Cincinnati area. This catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the Progressive Era. Many of the plates show elegantly dressed men and women in the park the flower show at the museum playing sports and even preparing to go on a canal boat. In addition there are a number of plates showing properly cut trousers and the available cuts special sections devoted to fancy cuffs and pockets fitted backs men’s hats formal wear and much more. No copies located in Worldcat. Goldman, Beckman & Co., hardcover
193057289Nottingham UK: Vida Mills Jones Stroud & Co. Ltd. ca. 1930. Thick 8vo. 26 pp unpaginated. on thick card stock w/ burgundy linen hinges at gutter margin w/ 113 rayon elastic nylon elastic rubber and silk rayon blend trims 1 silver gelatin frontisp. photo mounted on front pastedown sized 3.5 x 5.5 in. w/ 10 colour-printed & illustrated labels and elastic holders tipped-in numerous printed photographic plates. Quarter-burgundy coloured cloth over simulated alligator boards screw posts at gutter margin minor rubbing slight bumping to corners 1 sample removed still a VG copy. First edition thus of this extraordinary and inventive salesman sample catalogue for elastic trims between the Wars. Horace Jones had invented a specialized braiding machine in 1927 for creating elastics by braiding rubber filaments together with rayon nylon cotton or silk-rayon blends to create a number of different “Elastic†Boil Proof Vida trims. Prior to the widespread introduction of many stretchable and elastic fabrics following World War II Vida Mills products were used shoulder straps for lingerie suspenders both for men and women’s fashions swim trunk and briefs trunk top elastic bands. In addition these were used for car covers bags accessories creating pleats sleeve hems and much more. In addition there are a number of samples included here for durable boot and shoe laces. The coloured and metallic Ric Rac trims were used in costumes uniforms decorative elements on clothing and many other applications. By 1930 the company had deployed 3000 braiding machines generating over 52 million yards of elastic braid annually and in 1940 expanded into manufacturing glass tapes and woven fabrics for electrical installations and industrial Wartime applications. The company still operates today as the Jones Stroud Insulations Ltd. subsidiary of the Krempel Group since 2000. No copies in Worldcat; See: History of Jones Stroud Insulations -- Timeline Krempel 2015; Trade Marks Ordinance Official Gazette Kenya Dec. 4 1956 p. 1315. Vida Mills, Jones Stroud & Co., Ltd., hardcover
Q1242<p>A generous twentieth-century sample book representing several decades of the Nottingham lace trade. Assembled in a purpose-made binder 17 x 9.5 x 4.5 inches ideal for adding removing and generally rearranging pages. 157 total samples mostly half-page size ~8 x 6 inches. The tallest sample unfolds to 28" and several others extend between leaves up to 14 inches wide. Each specimen has a small label with manuscript number. Several numerical series are represented in the binder likely referring to different mills. 12 of the samples have an "Alan Litman Ltd." sticker a wholesaling firm founded in 1946 and one of the few businesses to weather the Nottingham lace industry's terminal decline throughout the twentieth century.</p><p>The samples are compiled in a Priestley & Swann "Patent Self Binder" that allows for contents to be regularly updated and changed out to reflect stock. Based on advertising and newspaper presence Priestley & Swann appears to have been the most active ca. 1910-1920s then fades from mention around the start of World War II. Another example of their "Patent Self Binder" is a lace sample book held at the Yale Center for British Art believed to be from another Nottingham lace maker in the 1920s Ernest Fewkes.</p><p>As the Nottingham lace businesses shuttered stock could be acquired by the remaining firms. The origin of this album is unknown but it was ultimately used as an in-house reference for Alan Litman confirmed by a current representative of the business. New samples were added through the 1960s with older samples and panels being removed to reflect changing inventory. The binder shows evidence of these changes where manuscript page numbers are crossed or cut out. Several pages were trimmed along the outer edge where some were paginated in the upper corner and at some point rearranged with new pagination assigned at the top center. Some later samples were mounted on pages that had already been repaired with tape also indicating its longtime use in the trade. The makeshift repairs extended the discontinued binder's lifespan a testament to Priestley & Swann's purpose-perfect format.</p><p>A beautiful object in salvaged condition subject to an eclectic series of repairs and repairs of repairs partially paginated in ballpoint pen with sporadic doodling and clipping to the foredges. About two-thirds of the pages were previously repaired with sellotape that had badly degraded and discolored; those mends have been remade with archival tape with additional reinforcements intended to allow the album to be gently handled without further deterioration. Discoloration has been corrected with acid-free pigment to lessen visual interference and strengthen the adhesive-damaged surfaces. New panels have been fitted to the binder posts which are reinforced with cloth binding tape. The result is a somewhat anachronistic object and rare active document of the firm's offerings with the final contents heavily representing the high fashion and novelty laces of the fifties and sixties. Remarkable for their large size and rejection of the delicate lace stereotype–more rock n roll than romance–these brilliant colors and dynamic designs are emblematic of Mod fashion and representative of how Litman adapted to stay in business.</p><p><em>Shipping will be calculated at cost. More photos available at https://alsobooksbooks.com/products/early-twentieth-century-nottingham-lace-specimen-book-with-samples-extending-into-the-1960s</em></p>
89406Stuttgart, Engelhorn. Bände 1853, 1854, 1855, 1856 ohne Musterbogen und Extra-Beilagen. Band 1847: nur 2. Jahreshälfte. Pappbände mit Jahrgangsnr. auf dem Rücken, pro Jahrgang jeweils 12 kolorierte Stiche (Januar - December) und 24 Hefte, VIII,384 Seiten, zweispaltig, 21,8 x 15,5 cm. In Frakturschrift. Einbandecken stark bestoßen, Einbände berieben sowie gelegentlich mit kleinen Fehlstellen, Seiten mit Gebrauchsspuren und Stockflecken, die kolorierten Stiche sind teilweise fingerfleckig oder stockfleckig. Bd. 1848: 1 Stich lose, 1 Stich teilweise lose. Die Musterbogen und Extrablätter sind bestoßen und an den Rändern oder am Falz eingerissen sowie mit Gebrauchsspuren. [8 Warenabbildungen]
Edizione: Première édition . Pagine: 344+61 FOGLI . Illustrazioni: 61 Magnifiche grandi litografie colorate (cm.36,50 per 25,50) con modelli di abiti femminili e qulcuno anche per bambini. Centinaia di immagini di moda nel testo in bianco e nero. Due grosse immagini a doppia pagina in bianco e nero con modFormato: 4° . Rilegatura: Cartonato marmorizzato rosso con dorso in tela rossa un poò consumata e con piccola sbrecciatura nella parte bassa del dorso. . Stato: Buono . Caratteristiche: Quindicinale di moda femminile. Sono presenti 43 numeri. Da notare che fino al 24° numero la rivista prendeva nome di La Mode Universelle, poi si fuse con La Saison, per trasformarsi in Mode Parisienne e ritornare La Saison.Foto disponibili . Note epoca: 1886
1982247441982 Estampe affiche impression offset en couleurs signée en bas dans la planche, 1982, 44 x 54 cm., encadrée.
194624980Paris IMPRIMERIE SEIDO 1946 1 Croquis de René Gruau. Paris, Été 1946, in-4, broché, Imprimerie Seido, couverture rempliée, titre bordeaux, 28 pages dont huit planches.
1930192271930 Gouache et encre de Chine, rehauts d'or, (1930), sur papier collé sur calque, 31.5 x 16.7 cm., encadrée.
1930192421930 Encre de Chine et gouache verte, mine de plomb, annotations marginales, (1930), sur papier cartonné, 28 x 12.4 cm., encadrée.
193022324LANVIN 1930 1 Gouache sur papier crème, titrée et datée dans la partie inférieure droite, Hiver 1930, 42 x 29 cm.
19232Deux maquettes préparatoires et un tirage ; maquette gouachée, en couleurs, 41 x 30.5 cm ; maquette gouachée, en noir et blanc, encadrement en roses et fleurs photographiées et découpées, 33 x 24.2 cm ; un tirage en couleurs 33.3 x 25.4 cm ; studio photographique Nadal.
