KRUK (Antoine).Livre Rare Book
19 126 résultats
2013235222013 Encre et lavis sur papier, signé en bas à gauche, titré et daté au verso, 2013, 39 x 20 cm.
2003235822003 Aquarelle signée en bas à gauche, 2003-2004, 50 x 40 cm.
1967AMO-3557Très belle peinture originale gouache et aquarelle signée par Mark Miller Grand format 35,7 x 24 cm environ sur carton de même dimensions Signé au crayon dans le dessin en bas Sujet : homme et deux femmes scène d'intérieur Dessin original exécuté pour un roman-photos intitulé "Voyage pour un meurtre" publié dans le programme TV Télé Poche n°84 (numéro du 16 août 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations en marge supérieure du dessin et au verso (voir photos). Très beau dessin par un maître du genre. Mark Miller, born Marshall Dawson Miller, was an internationally renowned illustrator whose work was published in most of the world. His life and career took him from Oklahoma to Hollywood to New York and Europe. Born in Eldorado, Oklahoma on Jan. 2, 1919, Miller grew up on a cotton farm, studied art at the University of Oklahoma (where he took the name Mark) and then moved to Los Angeles where he attended the Chouinard Art Institute and later got his start as a costume designer for 20th Century Fox in Hollywood. After WW II, he moved to New York where he had a had a long career as an artist that culminated in the 1950s and 60s when he was an illustrator for the Saturday Evening Post and other leading magazines like Colliers, Good Housekeeping, McCall’s, Redbook, Cosmopolitan and many magazines throughout Europe, South America and Australia. In describing the humble beginnings of his career, Miller has said, “My choice of an art career did not have the enthusiastic support of my conservative family back in OK. From their point of view, it was clearly my duty as the eldest son to help run the family farms, and they tolerated my errant pursuit of art only in the certainty that it would become as clear to me as it was to them that I couldn’t make a living at it. (extrait du site http://millerillustrations.com/markmiller/) Les dessins originaux de Mark Miller sont rares sur le marché.
193942553Graz, Leuschner & Lubensky, 1932-1935 (recte 1932-1939). 4°. Mit 577 (dav. 128 farb.) tlw. ganzs. Abbildungen. VII, 502 S., 1 Bl.; 619 S., Grüne OHLdr.-Bde. m. goldgepr. Rückentiteln u. Kopfrotschnitt.
1946228861946 Paris, Maison de la Midinette, Union, Mourlot Frères, 1946, in-4, broché, couverture rempliée illustrée d'un visage de Matisse, 24 pages, sous étui cartonné.
21250P., Editions Bell, 1931, en feuilles, sous chemise, 28 X 18 cm.
103430Stromboli, octobre 2013, 270x225mm, , 76p., en feuilles sous couverture imprimée et étui muet de l’éditeurEdition originale tirée à 1000 exemplaires édité à l'occasion de la rétrospective du photographe à Fotografiska, Stockholm en 2013. Envoi autographe signé daté du 15 novembre 2013. Etat neuf.(103430)
1445A Amsterdam, Sumptibus Andrea Frisii, 1672., Ex-libris armorié "Jacques Vieillard, (2bl), 1 gravure en frontispice, 5p ( titre et divers), 379p illustrées de gravures sur cuivre in-texte et hors texte et 4 gravures dépliantes, 20p ( Index), (1bl),... in-12, en plein vélin, dos plat, titre écrit à la plume. -
17817Le Costume "ancein" et moderne, Moeurs, Usages, et Habillements civils, militaires et religieux de tous les peuples du Monde depuis le Moyen Age jusqu'à nos jours. Bruxelles 1862, Walhen-Fierlants, libraire de la Cour. In-8 en cartonnage éditeur richement orné. Frontispice enluminé. Texte et gravures en couleurs pleine page, réhaussées (100). Rare. Qques mouillures et rousseurs sans gravité. Tranches dorées. Non paginé.
192017641<p>n.p. France: n.d. ca. 1920s architecture styles of historical periods in various geographical regions to the fashion styles of those periods. Styles illustrated include those of Greece Rome Egypt and Persia; late medieval Europe; the reign of Louis XIV; traditional Japanese attire; and fashionable 1920s dress. The background illustrations include a Roman archway seventeenth-century furniture and even a classical Greek vase that frames an illustration of three women. The fashion illustrations reflect certain design elements in the background illustrations for example the patterned fabric in the ancient Egyptian fashions match the decorative style of the columns in the background of the illustrations. . Original blue stiff paper folder with ribbon binding at spine. . 9 x 12 in. With twenty-eight pages of beautifully painted fashion designs dresses hats Greek chitons etc. from throughout history some with background elements furniture and architecture and two with real fabric accents pasted down and two pages of manuscript text explaining architectural and sculptural styles. Some of the fashion designs are captioned in manuscript. Also with eight tracing paper leaves illustrated in ink overlaying matching designs below one with pencil annotations noting types of fabric and other design elements. Some soiling to folder. Some offsetting and some foxing. Very good. We could not locate any information on Josette Eynac the student who illustrated this album though she was clearly a capable artist.</p>
196056965Pasadena CA: n.p. ca. 1960. Folio. 14.5 x 20 in. Twelve original gouache paintings on thick artist’s board 10 of them either w/ typed or manuscript labels 1 entitled “Garden Party†written in manuscript at upper fore-edge 8 preserving their cloth fabric swatch samples some w/ designer’s notes trimmings etc. All are preserved in a gray linen clamshell case minor edgewear rubbing wear to corners still a well-preserved fine set of paintings. This nicely executed set of fashion designs were apparently created for a Civil War theatre production in Southern California around 1960 with characters named Florence Bagshot Mrs. Ludley Bagshot Agatha Mrs. W.D.P.S. and Mrs. Forbes. The designs primarily focused on the women characters including one of a nurse standing in costume in gray striped dress apron and cap with Confederate cavalry trooper in kepi astride his horse and hatless officer with sash standing in the background. Many of the designs reflect the colour palate of the early 1960’s with avocado green vivid blues solid brown earth tones and bright nearly neon orange gauze fabrics in the renderings and samples which would not have been common in those combinations during the Civil War era. Still most of the dress designs incorporate the hoop skirts of the period often with crinoline and/or crinoline cage hoop skirts and high collars with ties and ribbons at the neck and trim patterns typical of the period. The design for Florence Bagshot’s bedroom wear incorporates elements of Mid 20th-Century design and sensibilities rather than the more common chemise and sturdy cotton for the 1860’s. The Confederate Nurse design was painted on “Brownie Board Cold Pressed Duncan Vail Co. Los Angeles†which appears in California art supply advertising from about 1960-1963. We were unable to identify the production after an extensive search through contemporary theatre production trade magazines newspapers and other industry publications. n.p., hardcover
BN44063Japanese Photo Book <br/><br/> unknown
19323231(Zürich, Rentsch, 1922 - 1932). 5 Bde. Zahlr. (teils farb.) ganzs. Abb. auf Tafeln. 4 separate mehrf. gefalt. Karten. 4°. OLwd. (kl. Gebrssprn., etw. fleckig).
13240Paris, Manzi, Joyant & Cie, 1901 - 1902. 2 vol. in-folio. 24 à 30pp par numéro. Demi-chagrin rouge, dos à nerfs, titre et date dorés.
MOD21MCollection : Hiver 1929. Publié par Kossuth, à Paris, Estampes rehaussées appartenant à la revue l’Homme Chic, de la collection d’hiver de l’année 1929. Chaque estampe est identifiée avec le code de publication et un timbre sec de « L’Homme Chic à Paris », chaque costume est numéroté de l’un jusqu’au 20. 13 gravures indépendantes, de 32x24cm, avec une marge en papier doré. Catalogue de la collection, 18 costumes de mode de l’époque, les costumes N° 10 et 17° sont absents.
gr. vol. in folio, pp. 510, (8), leg. t. tela edit. con sovracop. Imp. studio in cui attraverso 913 figg. l'A. esamina le varie tipologie di acconciature maschili, femminili, antiche, medievali, moderne, di gala, di casa, da passeggio, da serata, per il teatro, per il giardino, etc... Il più imp. e completo studio sull'argomento.
14437English late nineteenth century. Tentatively dated in pencil to 1892. Circa 220pp. 8vo with the main text on rectos and additions and subheadings often in red ink together with some simple pencil patterns on versos. In ruled exercise book. In good condition on aged paper in worn original glazed black cloth binding. The volume has been compiled for his own use by a Victorian factory manager and contains material relating to clothing for men women and children. The seventeen entries on the first 41pp. are indexed on the front pastedown with the red-ink subheadings facing the text given here in brackets: Winding winders wages; waste; bad yarns American machine; giving out of yarn; Testing Yarns; Making marking the rolls; Giving out Giving out of ribs; Yarns <> dressing; wages & quantities of yarns Wages of frame hands; checking of books; measurement of Ribs; Widths machines different widths are made on; gauge; Mending Washouse sic; Course rolls dressing; fine rolls; Scouring Course rolls; Scouring Fine Rolls; <>; Trap; Milling Quantity of Soap; Overmilling; Milling without soap; Milling with soap; Round Mill; Clearing; Bleaching; Drying Damping Brushing; Stoving; Hydraulic; Cost of Making. There is a page listing 'Washouse sic Wages' with long note at end. Pages 45 to 56 carry an article titled 'Making up Department'. Facing the first page of the article is a 'sample of giving out ticket'. On facing pages to the article are a number of crude patterns. There follows a five-page article on 'Smocked Combinations'. The rest of the volume from p.62 onwards carries numerous tables of sizings with some facing patterns beginning with 'Mens Goods' trousers overshirts night shirts chest protectors boys sleeping suits pyjamas and followed by 'Ladies English Goods' drawers 'Womens English Vests Old Shape' skirts knickers bodices night dresses chemises. There are also tables on: Costing of Fabrics; Shrinkage; Making Up Prices. The penultimate section consists of thirteen pages of 'German Goods' and the volume ends with eight pages relating to patent frames. There are few personal touches but these include a note facing a page carrying a table with three columns Quality; Scotch Mills; and Round Mills: 'In these quality you have to go more by feel than anything as they vary so.'; and another note a few pages on: 'They will Bleach equally well in cold water only take longer doing'. English, late nineteenth century. (Tentatively dated in pencil to 1892.) hardcover
171424374Jean Baptiste Coignard 1714 2 volumes in-4 plein veau raciné, dos à nerfs, caissons ornés, roulettes sur les coupes, XCVIII- 5-399- 23- 5- 436- 29 pp. Table à chaque volume. 102 & 119 planches gravées par Giffart, Thomassin, Duflos, etc. Reliure ternie et frottée, coiffes usées, coins émoussés. Intérieur frais. Bel état des planches.
Large folio in white silk and cotton cloth backed boards; 733 p. : chiefly ill. (some col.) ; 48 cm. In English, French, German and Italian. || "This luxurious limited-edition publication renders homage to Valentino's illustrious career via a copious selection of images from his archives, including drawings, magazine shoots, advertisements, portraits of Valentino, and documentary photographs; presented chronologically, the visual material is accompanied by a vast array of newspaper and magazine articles about Valentino throughout the years. Text also includes Vanity Fair writer Matt Tyrnauer's interviews with twenty of Valentino's closest collaborators and friends as well as an appreciation of Valentino by International Herald Tribune's fashion writer Suzy Menkes."óPublisher. || The trade ediition was limited to 2,000 copies, each numbered and signed by Valentino Garavani. However this sample copy, which is unsigned, is decidedly more scarce, though we do not know to what extent, in that only a handful of such copies were presumably issued. || **Shipping is extra and charged at cost. An extremely large and heavy item. Weighs almost 20 lbs before packing. Please contact us in advance ** || Contents: Keeper of the couture flame / by Suzy Menkes -- The house of Valentino: an oral history / by Matt Tyrnauer and Matt Pressman -- La straordinaria storia di Valentino Garavani: the sixties -- Donne, basta pantaloni! the seventies -- Va-va vavoom! the eighties -- Rome: the dolce vita is back - the nineties -- Tutte le strade portano a Roma: the 21st century -- Valentino's world -- 45 years of style - drawings & dresses -- Translations. || Fashion designers -- Italy -- Biography. Costume design -- Italy -- History -- 20th century.
188553168London: Frederick Bruckmann 1885. Hardcover. vg to vg. Quarto. 31pp. interleaved with 15 mounted photographs. Original period lavish brown cloth boards with decorative tooling lettering and ruling in black and gilt on the front cover and spine. Back cover blind-stamped. Edges in gilt. Lustrous textured thick white endpapers. Issued by the London branch of the pioneering art publishing house of Friedrich Bruckmann Frederick Bruckmann 1814-1898. The work contains 15 examples of clothing styles from various traditional ethnic and national fashions and clothing styles from around the world. Each style is exemplified by an original albumen photograph mounted on heavy stock paper accompanied by 1-2 pages of text which is decorated with large initials and engraved head and tailpieces. The regions shown are Alsace Lorraine Suabia Austria Denmark Bohemia Poland Russia Bulgaria Italy Spain Egypt Turkey Syria and China.<br /> <br /> Binding with only the most minor rubbing to corners. A few minor scratches on the back cover. Book block tight. Interior with minor to light sporadic foxing. Blind stamp on the front free endpaper. Period inscription in ink dated to 1885 preceding the title page. Light age toning to the edges of a few pages. Interior overall quite clean especially the photographs. Binding in very good interior in very good good condition overall. Frederick Bruckmann hardcover
178842077London: Fores 1788. Framed and glazed. Fores unknown
178842077London: Fores 1788. Framed and glazed. Fores unknown books
192018450ABVienna ?, ca.(1920). 36 : 30 cm - 15 : 12 cm 21 acuarelas, en parte elevados en blanco, sobre cartón gris.
192014632ABVienna ?, n.d. ca.(1920). 36 : 30 cm - 15 : 12 cm 21 water-colours, partly heightened in white on grey cardboard.
1855625894Leipzig, Scheible/Hübner/Keil, 1836-1855. 4° (1855) M. zahlr. Ill. (Modekpfr., Lith., Stahlst. sowie Musikbeil. Unterschiedl. geb. Vereinzelt stockfleckig. Jg. 1835 berieben. Rücken beschäd.; 1836/2 Ecken bestoßen. Beil. teilw. lose; 1836/3 beschabt.; 1838/3 alle Beil. lose. Einbd. beschäd. Es fehlen: 1836/3 1 Modebild u. 6 Musikbeil; 1837/2 alle Beil.; 1838/1, 1838/3, 1843/4 je 1 Taf.; 1838/1 u. 1843/4 je 1 Notenbeisp.; 1838/4 7 Taf., 6 Modebild. u. 3 Musikbeil.; 1839/2 5 Taf., 6 Modebild. u. 7 Musikbeil.; 1842/4 2 Taf.
