MareMagnum
19 126 résultats
Cartella di cm. 26, con frontespizio e due suites di complessive 15 tavole incise in rame e finemente colorate. Cartella in cartoncino marmorizzato con dorso e laccetti recenti. Ottima conservazione. Bella ed elegante raccolta di disegni inediti di F. Compte-Calix incisi da Bracquet, Carrache, Ch. Geoffroy e Lacourrière. La prima suite raffigura prevalentemente personaggi in costumi storici, mentre nella seconda gli abbigliamenti possiedono piuttosto carattere simbolico e caratteristico (la vivandiera, Eva, la zingara, la campana, il maggio, fantasia spagnola, minerva, la fiorista, ecc...).
Cm. 31, raccolta di 20 tavole incise in rame e finemente colorate (ciascuna protetta da velina). Elegante legatura coeva in piena percallina decorata a secco e con titoli in oro al piatto. Ottima conservazione. Celebre ed affascinante suite raffigurante tipi svedesi nei loro principali costumi. Cfr. Lipperheide 1052.
48676Paris: Publication de Luxe de l'Union des Journaux de Modes. 1928. Folio.37.5 x 28 cm. Title pp.162. Original grey thick paper wrappers with colour pictorial insert onto upper cover. The 16 pp. comprise full page colour illustrations of men's fashion 15 single figures back to back and the last with various waistcoats. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1928 unknown
48678Paris: Publication de Luxe de l'Union des Journaux de Modes. 1923. Folio.37.5 x 28 cm. Title pp.162. Original pink thick paper wrappers with colour pictorial panel onto upper cover. The 16 pp. comprise full page colour illustrations of men's fashion 15 single figures back to back and the last with various waistcoats. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1923 unknown
48679Paris: Publication de Luxe de l'Union des Journaux de Modes. 1936. Folio.37.5 x 28 cm. Title pp.162. Original grey thick paper pictorial wrappers. The 16 pp. comprise full page colour illustrations of men's fashion single or double figures. The last text leaf describes the images. Quite rare. We can locate no other copies in commerce or past auction and just one record on Worldcat at the Bibliotheque Nationale. Paris: Publication de Luxe de l'Union des Journaux de Modes. 1936 unknown
1 vol. in8 reliure de l'époque demi-chagrin rouge, dos à 4 nerfs orné, tranches peignées, Librairie de Alphonse Leclère, Paris, 1861, 219 pp. avec 49 planches en couleurs sous serpente. Rappel du titre complet : Les Souvenirs et les Regrets du Vieil Auteur Dramatique ou Lettres d'un Oncle à son Neveu sur l'Ancien Théâtre Français Depuis Bellecour [ etc. ] Ouvrage orné de gravures coloriées, représentant en pied, d'après les miniatures originales, faite d'après nature, de Foëch de Basle, de Whirsker, ces différents acteurs dans les rôles où ils ont excellé. Exemplaire bien complet des 49 gravures hors texte finement coloriées (la tableannonce seulement 36 planches, la Bibliographie de la France 41, et Brivois indiquait bien 49 planches). Etat satisfaisant (rel. un peu frottée avec petits accrocs et mq. en coiffes et à un nerf, une mouill. en tête court le long de l'ouvrage, mais généralement discrète, voir les photos, petit défaut angulaire d'origine au feuillet de titre). Un document important pour l'histoire du costume de théâtre. Vicaire, I, 94-95 Français
195025923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
1877List323Chicago: J.B. Westendorf 1877. Folio 10 ½ x 14 inches 6 pp. Very Good. J.B. Westendorf unknown
195025923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br/><br/>In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br/><br/>In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
2413Paris Editions Nilsson c.1920. Four little volumes containing 80 pochoir color cards 20 in each volume of women's fashions from 1900-1920. Small 16mo. 9.4 x 7.25cm. Each volume In original hand colored printed wrappers with women in costume on the front of each volume. Housed in the original patterned paper covered card slipcase with rose design on inside covers with printed paper spine label. Box is shaken. Interior volumes are fine. Ties are perfect. unknown books
1877List323Chicago: J.B. Westendorf 1877. Folio 10 ½ x 14 inches 6 pp. Very Good. J.B. Westendorf unknown books
1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
gr. vol. in folio, leg. t. tela edit. con sovracop. Imp. studio in cui attraverso 913 figg. l'A. esamina le varie tipologie di acconciature maschili, femminili, antiche, medievali, moderne, di gala, di casa, da passeggio, da serata, per il teatro, per il giardino, etc... Il più imp. e completo studio sull'argomento. [107/7]
104897affiche Affiche 1440x1020mm, impression offset à grosse trame encouleurs sur papier glacé.Pliée dans l’enveloppe d’expédition originale au signe de lamarque, cachet postal du 15-04-91.(104897=
192323399Paris VOGEL 1923 1 in-4 Paris, Librairie Centrale des Beaux-Arts, Lucien Vogel Directeur, 1923, petit in-4, en feuilles, sous chemise éditeur illustrée d'une fleur.
Pubblicazione in folio, pagine non numerate, di dimensioni 33 x 26 cm circa. La copertina, con una splendida litografia a colori di Christian Bérard, contiene, al suo interno, i diversi fascicoli sciolti che, per scelta editoriale, si presentano non rilegati insieme. Con 7 bellissime tavole litografiche di Valentine Hugo, Henri Matisse, Marie Laurencin, Touchagues, Pablo Picasso, Fougeron e Jean Effel. E' presente, altresì, una litografia dedicata al profumo "Cour-Joie" di Nina Ricci. Album a tiratura limitata, esemplare numerato "Il a été tiré de cet album deux mille exemplaires numérotés de I a 2.000 / Exemplaire N° 1418". "Cet album a été achevé d'imprimer sous la direction artistique de Boris Kochno le 3 décembre 1945 a l'occasion des trois soirées organisées par l'UNION NATIONALE DES INTELLECTUELS sous le patronage de M. Jaujard". Stato di conservazione: La copertina (con la stampa litografica a colori di Bérard) presenta alcune pieghe (sul piatto antreiore, vicino al dorso, sulle estremità e sugli angoli e sulla linguetta anteriore sulla quale è stampata la giustificazione della tiratura), e qualche piccola macchiolina marrone; una leggera (e appena accennata) incurvatura (verso l'alto) del margine inferiore dell'album ma, nel complesso, un buon esemplare. Completo. Privo di scritte o firme dìappartenenza. Bellissime le tavole (per lo più a piena pagina). Edizione originale. Opera di prestigio, da collezione.
192462500Tacoma WA: A.V. Love Dry Goods Co. 2102-2106 Pacific Ave. 1924. 4to. 4 286 i.e. 338 10 pp. Including 52 pp. of colour lithograph sample pages many w/raised colour-embossed plates of bolts of cloth or fabric samples ribbon samples colour swatches 100’s of text illustrations photo illustrations. Brown-cloth backed colour-illustrated flexible covers cover art of 1920’s bobbed-hair woman measuring bolts of cloth Love Co. advertisement on back cover minor chipping & creasing to corners edgewear minor scuffing couple minor closed tears still VG- copy. First edition of this very scarce and lavishly illustrated wholesaler’s dry-goods catalogue issued by A.V. Love Dry Goods Co. during the Roaring 20’s. As a wholesale catalogue goods and counter displays are depicted and priced such as those for cuff buttons combs hair pins perfumes pipes sewing goods textiles and yarns. Of particular interest are the beautifully colour-printed & embossed inserted sample pages for trimmings silks silk threads yarns underwear towels blankets and more. Sections specifically devoted to work clothes including overalls work gloves boots logger’s plaid work shirts wool flannels and even bathing suits are also featured. Love Sr. 1868-1942 a Virginia grocer first moved to Washington State before 1900 and by 1902 had established his own firm in Tacoma for the A.V. Love Dry Goods Co. eventually with sample showrooms in Seattle Portland Bellingham Bremerton Everett Yakima Walla Walla Aberdeen Eugene Lewiston Wenatchee and Juneau & Fairbanks Alaska Territory. The company erected the Love Dry Goods and Loft Building in 1925 built by Heath Gove and Bell located in the Denny Triangle neighborhood and was an excellent example of Seattle’s early Art Deco Architecture. The company moved their base of operations to Seattle from Tacoma on Pacific Ave. after completion. No copies in Worldcat; See: A.V. Love Dry Goods and Loft Building Photograph Collection Boyle Wagoner Architects Univ. of Washington Lib. Spec. Collects. PH0639. A.V. Love Dry Goods Co., 2102-2106 Pacific Ave., hardcover
Cartella di cm. 39 x 27, pp. (2) d'introduzione + 20 tavole in fine coloritura a pochoir, ciascuna protetta da velina protettiva. Cartella originale con illustrazione a colori applicata al piatto, titoli stampati in argento e laccetti di chiusura. Esemplare fresco e genuino, in ottimo stato di conservazione. Affascinante suite, non comune quando completa ed in perfetto stato come il presente esemplare.
This is a very good hardcovder copy in a very good dust jacket with only light wear. Signed and inscribed, by the author, Joseph McMullan, on the half title-page, and dated 1970, at the Metropolitan Museum. The Joseph McMullan Collection of Islamic Carpets was considered one of the finest private collections ever assembled. This book is a suitable tribute to that spectacular collection. The color plates are stunning. Many gate-fold plates. Foreword by Ernst J. Grube, Curator, Department of Islamic Art, Metropolitan Museum. Brief bibliography. 152 textiles catalogued in this book. 12" high X 9" wide, 385 pages. All illustrated, many in color. A few small flaws: two short closed tears to edges of the jacket, the inside blank front jacket flap is creased vertically. A beautiful signed copy of this important book. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy in a very good or better dust jacket with only light wear. This is the GERMAN text edition. This copy has been signed in ink, by Issey Miyake, on the page facing the title-page, underneath the black silhouetted figure.Signed and briefly inscribed and dated 1988, in Issey Miyake's large distinctive hand. Originally prepared to accompany the exhibition in Paris at the Musee des Arts Decoratifs in the fall of 1988. Foreword by Isamu Noguchi. Edited by Nicholas Callaway. All photographs by Irving Penn. Illustrated in color with 46 full page plates + a portrait of Issey Miyake in black & white + 46 smaller black & white photographs (reproducing the color plates) with information on each piece: materials, dare, etc. Biographical sketch. Statement by Miyake. 12" high X 10" wide. A beautiful signed copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
7436Rennes, Imprimerie "Les Nouvelles de Bretagne", Laboratoire d'Anthropologie, 1953 - 1961. 240 x 156 mm, I : 67 pp., XXI cartes n/b, ill. n/b en pleine page, XV planches d'ill. n/b en pleine page, II : 120 pp., 125 fig. n/b in-texte et en pleine page, 1 carte n/b double page, 66 cartes n/b sur (25) ff., (2) f., III : 111-(1) pp., IX cartes n/b et en pleine page, 82 fig. n/b in-texte et en pleine page IV : 143-(1) pp. fascicule add. : 71-(1) pp., 33 fig. n/b in-texte. Reliure demi-basane, dos à faux-nerfs, dos légèrement insolé, 2 discrets ex-libris manuscrit au crayon gris, très bel état.
Cm. 35, pp. 158 complessive. Bell'antiporta figurata, molte illustrazioni fotografiche applicate alle carte e 78 tavole fuori testo. Leg. edit. in tela blu con titoli in oro. Taglio di testa dorato. Carte a tratti un po' fiorite e la tavola applicata n. 63 riprodotta, ma complessivamente saldamente legato ed in buono stato di conservazione. Stampato su carta forte. Opera celebre e ricercata, una delle più classiche ed autorevoli sull'argomento. La trattazione si divide in quattro capitoli principali dedicati a: Venezia, Genova, Milano, Abruzzi.
Cm. 32, pp. (4) 120. Antiporta ill. a colori e 34 belle tavole fuori testo in nero, a più toni di colore ed in cromolitografia (anche ripiegate), ciascuna protetta da velina parlante e raffiguranti vari tipi di stoffe. Due di queste tavole riportano veri campioni di stoffa applicati. Testo inquadrato da cornice in rosso. Legatura coeva in mezza pelle con punte, dorso liscio con titoli e filetti in oro. Perfetta conservazione. Il testo di Marius Morand traccia la storia della fabbricazione e dell'industria della seta a Lione dal 1789 al 1889. Raffinata e rarissima pubblicazione stampata in soli 100 esemplari.
1950211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery.<br /> Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida.<br /> The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown
