997 résultats
179265431792. 59 leaves enumerating the names of grapes cereal crops and oils and their prices for nearly two centuries. Small folio 273 x 178 mm. 18th-cent. vellum over boards tail of spine defective two of four ties lacking. Burgundy: 1622-1792.<br/> <br/> A fascinating and rare survival which details the precipitous rise in the prices of Burgundian wine and the emergence of a hierarchy among regions and vintages over a 170-year period. This document consisting of three gatherings 28; 28; 3 leaves bound together and written in several legible hands provides a wealth of information on grain harvests in the region which varied greatly from year to year and indicates years with disastrous harvests. The present manuscript constitutes a unique history of agriculture in Burgundy especially pertaining to the evolving market for Côte de Nuits wine.<br/> <br/> “Burgundy had no experience like the boomtime of 18th-century Bordeaux. No new wines were invented no new districts planted. The Bordeaux picture is all expansion and creation; the Burgundy one of evolving tastes and techniques of new market forces and overall of slowly progressing definition: a more precise notion of the character style and value of the wine from each corner of the Côte…In the Côte de Nuits the notion of the ‘cru’ was further advanced…The vineyards were generally less overcrowded and by now planted with cuttings rather than layers; hence more deep-rooting. Increasingly in the 18th century owners of the most prestigious crus selected their best grapes to make separate cuvées the best vat being called the ‘tête de cuvée’.â€â€“Hugh Johnson Vintage 1989 pp. 267 & 272.<br/> <br/> The motivation for compiling this record-book may have come from the introduction of a law in 1622 that outlawed the sale of Lyonnais and Beaujolais wines as Burgundian. The records of the first three decades consist mostly of grains and oil from the region but in the early 1670s wines begin to predominate and the lists for each year become increasingly long. It is very likely that at this point landowners would have shifted to using any arable land for vastly more lucrative grapes. By the 1690s dozens of grape varietals are noted from communes such as Auvilliers Les Cailles Chambolle Chorey Comblanchien Corgoloin Côte de Beaune Gilly Magny Saint Georges Saint Julien Les Cailles Vaucrains Pouilly Prissey etc. Prices for wine rose enormously from the 1690s and experienced peaks in 1701 1733 and 1770. Wines are increasingly categorized by the mid-18th century according to vineyard and in some cases cru.<br/> <br/> The name “de Bays†appears several times in the manuscript and the signature of “de Bays†is found at the end of the year 1771.<br/> <br/> Very few comparable documents survive and the present manuscript provides a vast amount of data on the prices for wine grapes and grains in the 17th and 18th centuries. A couple leaves browned. unknown
1833171428<p>1833. VEVEY. Fête des Vignerons 1833. Continuous panorama scroll containing 30 consecutive lithographs numbered 1-30 from the 1833 Festival of the Vignerons at Vevey hand-coloured at the time of publication backed with linen and conjoined to form a continuous scroll of 14.4 meters long. Plate size: oblong folio 170 x 470 mm. in a new cloth folding box. Lausanne: Lithographie de Spengler & Cie 1833. An extremely rare complete copy in contemporary hand-colouring of this remarkable series of plates in scroll format depicting the 1833 Festival of the Vingerons at Vevey Switzerland -- since 1791 this ancient festival has been celebrated five times per century. The scroll shows the entire procession in panorama format; the procession moved in three groups: Herds and Flocks plates 1-8 the Harvest plates 9-18 and Winemakers plates 19-30. The festival celebrates the vineyards and wine production in the Vevey area. The artist of the work was Christian Gottlieb Steinlen 1779-1847 a resident of Vevey who acted as the official artist for the 1833 Festival see Thieme-Becker. Sources for the Festival of the Winegrowers are unusually diverse: besides Greco-Roman gods such as Bacchus Plates 20 & 22 there were representations of Judeo-Christian myths such as the story of Noah first winegrower in the Bible -- see Plate 27. OCLC records only the copy at Getty Center in the U.S. Vicaire 270. Brunet I 616. Lipperheide 2870. Ruggieri 1142. Vinet 787. Brun Schweizerisches Künstler-Lexikon IV p. 415. Thieme-Becker XXXI pp. 574-5.</p> hardcover
17500001563Good. 1750. On offer is an absolutely sensational ancient original 1750s manuscript sailor's vade mecum or reference manual handwritten by and or for a mariner over 260 years ago. The name William Wine appears on the rear inside cover dated March 4th 1788. The handwriting is similar throughout to the signature but it is inconclusive if Mr. Wine is the author original owner or a later owner. The first page detached but present is dated November 1750. There are many many tables of information illustrations charts drawings etc. that are indexed and with over 420 pages written in a small meticulous hand there are within these pages everything that a mid-18th Century senior officer or mate would require being filled with geographical mathematical financial navigational and geometric information and there are also sections detailing carpenter's work joiners painters glaziers lavers masons plus foreign exchange and monetary info and conversions in foreign countries. There are sections for algebra calculus trigonometry all manners of measurement whether liquid or dry and even how to calculate the contents of a globe with many of the mathematical sections deal with measuring heights and distance from afar measuring and surveying dealing with casks all information that a Lieutenant 1st mate or Ship's Master or even a Captain would need. We conclude that the information and the quality of the manuscript book vellum which double folds and creates an envelope that would protect the pages from the elements plus a metal clasp broken give further credence that this book was owned by a senior officer and most certainly of English origin as evidenced by the section regarding Oxford and Cambridge terms plus a chart that helps one establish the dates of the Easter season leap years tides . The volume begins with a few pages of indices and in the first section one finds pages of geographical place names and distances from one to another: "the coast of Carolina Virginia etc. to Newfoundland" and the "Bohema Islands" and another "The Coast of y.e main Continent in y.e West Indies" and the degrees of longitude and latitude are listed alongside each listed place. The standard depth and sheer volume of information also leads us to conclude that the seaman was likely an officer of a merchantman as opposed to a casual traveler. This is an absolutely unique manuscript relic of ancient seafaring and the age of sail. The 7 x 4.5 x 1.5 inch book is generally soiled on the covers but the interiors are good save for the loose page and the odd stains to the inner pages. The cover is stiff somewhat fragile and has some cracks/tears but overall the book is G. ; 12mo - over 6¾" - 7¾" tall; KEYWORDS: HISTORY OF GREAT BRITAIN ENGLAND BRITANNIA RULES THE WAVES NELSON HORNBLOWER AUBREY RAMAGE REFERENCE MANUAL HANDBOOK NAVIGATION MARINE NAUTICAL NAVAL TIDES VADE MECUM SAILOR SAILING AGE OF SAIL SEVEN YEARS WAR TRAVEL ASEA SURVEYING LONGITUDE LATITUDE MATHEMATICS GEOMETRY GEOGRAPHY PORT OF CALL HARBORS SEAFARING SEAFARERS HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORYantiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito papel. . hardcover
1772117<p>Extraordinary rare first edition of the famous treatise on Cyprus wine by Giovanni Mariti</p><p>A complete analysis on wines grapes vines and production technique</p><p>Mariti Giovanni. <em>Del vino di Cipro ragionamento di Giovanni Mariti socio corrispondente dell'Accademia dei georgofili di Firenze: Rei agrariae avgendae</em>. Firenze : G. Cambiagi MDCCLXXII 1772.</p><p>8vo 220 x 155 mm original printer cardboard pp. 2 XVI 127 1 illustrations along the text engraved title page before the dedicatory letter at leaf a1r a chalcographic vignette with coat of arms of the dedicatee Lord Nassau Clavering signature a⸠πa1 A-Hâ¸.</p><p>xylographic illustrations along the text one full page plate depicting tool for wine production</p><p>In his treatise <em>Del vino di Cipro</em> About the Cyprus Wine published in Florence in 1772 by Cambiagi Mariti dedicates an ample analysis to the wine of Cyprus discussing a lot about the types and varieties of the vines and wines produced in the different regions of the island and reporting its own "observations" made in the countryside around Larnaca where it draws indications and procedures to follow in Italy too to reach the maximus possible efficiency of the crops as Mariti himself well describe in the Preface to the volume:</p><p>"In questo mio Ragionamento ho avuto il riflesso di appagare non solo la curiosità di qualche dilettante de i grati e generosi Vini di Cipro e di dar la norma per qui allignarli ma ancora di poter giovare alla Coltivazione alla Manifattura e alla Conservazione de i nostri Vini Toscani e particolarmente per migliorare alcuna sorta di quegli che oggigiorno sogliono qui farli in scelta maniera il che mi lusingo possa ottenersi dal genio de i nostri Agricoltori Mariti 1772 p. 3. In this reasoning I had the will to satisfy not only the curiosity of some amateur of the grateful and generous Wines of Cyprus giving the rules to list them but also to be able to improve the Cultivation the Manufacture and the Conservation of our Tuscan Wines and particularly to improve the quality of the wines produced there using the support from the genius of our Farmers"</p><p>More in details he starts addressing the issue of the poor resistance of Tuscan wines to navigation deepening the observations already published in the first volume of his "Travels in Cyprus". Mariti studying grapes and winemaking processes in use in Cyprus gives an account of the island's wines distinguishing them by types based on the quality of the grapes the length of the aging process and their conservation and also giving data and figures relating to the sale of the product both in the East and in the West.</p><p>Mariti dedicated this essay on the wines of Cyprus to Lord Clavering whose arms are engraved at the top of the first leaf of the dedication. The preliminary leaves also include an account of the <em>Accademia dei Georgofili</em> devoted to the study of agriculture which was founded in Florence in 1753 and is still active today.</p><p>Giovanni Filippo Mariti 1736 –1806 he was an Italian antiquarian scientist and historian. Intellectual with multiple interests he became famous in Europe mainly for his travels in the East.</p><p>Mariti became interested since his youth in natural sciences cultivating botany and especially agronomy studies and in 1772 he became a corresponding member of the <em>Accademia dei Georgofili</em> founded in Florence on July 4 1753 by Ubaldo Montelatici under the impulse of that renewal of agriculture that the Habsburgs-Lorraine hoped for and promoted to remedy the problems that arose in their lands starting from the first decade of the second half of the century regarding crops and food supplies.</p><p>Mariti lived for seven years at Larnaca in Cyprus becoming honorary British vice-consul and became increasingly familiar with the wine-making process of the island. A shortened version of this treatise was included in the French translation of his "Travels in the Levant".</p><p>Beside <em>Del Vino di Cipro</em> he is remembered for the treatise titled <em>Della Robbia sua coltivazione suoi usi</em> Florence 1776 dedicated by Mariti to the Grand Duke of Tuscany Pietro Leopoldo concerning a plant the <em>Robbia</em> Madder cultivated in the East and used for the colouring of clothes which Mariti hoped to introduce in Europe and for <em>Odeporico o sia itinerario per le colline pisane</em> which was published in Florence in two volumes between 1797 and 1799.</p><p>The first volume of this work which remained partly unpublished deals with the agricultural history of the Tuscan hills the second is dedicated to the history of the water bath today Casciana Terme. The two volumes are divided into chapters that take the form of letters written to an imaginary friend.</p><p>George Clavering-Cowper 3rd Earl Cowper 1739 - 1789 was an English nobleman and politician. In 1780 he purchased Villa Palmieri in Fiesole with a splendid view of Florence. Skilled diplomat and politician he decided to obtain prestige by turning a blind eye on the relationship that his wife had established with the Grand Duke Pietro Leopoldo from which he managed to obtain the title of Prince of Nassau d'Auverquerque.</p><p>The art collection that Count Cowper built during his years in Florence was a great investment of time and money for him. Among the most important works that were part of his collection we mention two paintings by Raphael the first known with the name of <em>Piccola Madonna Cowper</em> and the other as <em>Madonna Niccolini-Cowper</em>.</p><p>Conditions: fine copy untrimmed in its original printer paper board small restoration at spine.</p><p>Provenance: I. Ownership signature dated 1868 at rear inside board. II. Handwritten title at front board and spine.</p><p>References: Lastri p.82; Sormanni p.79; <em>Bibl. </em><em>Vinaria</em> p. 139; Andre Simon Bibliotheca Gastronomica page 97 No 1002</p> G. Cambiagi hardcover
10172Charenton-le-pont Paris: Établissements Nicolas Maison Fondée en 1822 1997. Second-hand softcover. <p>ÉTABLISSEMENTS NICOLAS MAISON. Liste des Grands Vins Fins. a collection of 37 commercial catalogues. FIRST EDITIONS Établissements Nicolas Maison: Charenton-le-pont Paris 1929-1973 and 1993-1997. Various formats with associated ephemera.</p> <p><br /> ÉTABLISSEMENTS NICOLAS MAISON <br /> <br /> Liste des Grands Vins Fins. a collection of 37 commercial catalogues<br /> <br /> <br /> Charenton-le-pont Paris : Établissements Nicolas Maison Fondée en 1822 1929-1973 and 1993-1997. First and only editions. Printed by Imprimerie Draeger Frères Montrouge.<br /> <br /> A set of thirty-seven extravagantly produced annual fine wine commercial catalogues issued by the Parisian wine merchant Établissements Nicolas Maison between 1929 to 1973 together with associated tariff cards advertising cards and ephemera and Carte Fines Bouteilles commercial catalogues issued for the years 1993-1997. This set lacks only the extremely rare 1927 and 1928 catalogues. No catalogues were published in 1937 1940-1948 1952 and 1968. In French.<br /> <br /> Continuing the trend established by Nicolas earlier in the 1920s with the publication of Monseigneur Le Vin and the extremely successful 'Nectar' advertising campaign Nicolas' groundbreaking catalogues were illustrated and designed by famous artists and typographers of the twentieth century including Cassandre Darcy Iribe Legrand Fantin-Latour Galanis Diginimont Buffet Chapelain-Midy Lorjou van Dongen and others. The illustrations are reproduced in a range of different techniques including screen printing lithography photo-montage and four color printing. Each catalogue or Liste is a design statement and a work of art in itself; not to mention a record of the extraordinary wines on offer and their price and availability over time. <br /> <br /> Liste 1929: 240x165mm black and gold illustrated stiff card wrappers stab sewn 2231pp; illustration by Jules Isnard Dransy 1883-1945; two advertising cards for the fine wines of Bordeaux laid in. Near Fine.<br /> <br /> Liste 1930: 240x180mm spiral wire bound gold illustrated stiff card wrappers 24pp; illustration not attributed Paule Iribe is sometimes suggested possibly Alfred Latour but using the designs of Dransy advertising card for the fine wine of Burgundy laid in. Small offset blemish to two plates boards faintly worn. Very Good.<br /> <br /> Liste 1931: 240x180mm spiral wire bound blue and silver illustrated stiff card wrappers 2242pp; illustration by Cassandre Adolphe Jean Marie Mouton 1901-1968 bi-fold letter from Nicolas to its customers arguing for the introduction of appellation control rules in Burgundy laid in. One or two faint blemishes Near Fine.<br /> <br /> Liste 1932: 240x180mm spiral wire bound black inlaid colour illustration stiff card wrappers 311pp; illustration by d'Edy Legrand Edward Louis Warschawsky Leon 1892-1970; small loss to wire binding in two spots faint foxing to several pages illustration not affected. Very good.<br /> <br /> Liste 1933: 240x180mm spiral wire bound silver inlaid colour illustration stiff card wrappers 311pp; illustration by Jean Hugo; bi-fold typed letter dated 18/2/1933 offering wholesale Bordeaux wine; small blemishes to wrappers light foxing to endpapers and title-page. Very good.<br /> <br /> Liste 1934: 240x180mm clear plastic comb binding colour illustrated stiff card wrappers 230 folded leaves2pp; colour illustration and vignettes by Alfred Latour 1888-1964. Gutters of wrappers lightly wormed not affecting text or structure; wrappers lightly soiled.<br /> <br /> Liste 1935: 240x180mm clear plastic comb binding bronze illustrated stiff card wrappers 351pp; illustration by Darcy Georges-Edouard 1883-; broadside on blue paper from Nicolas to its customers noting the anemic qualities of the 1934 vintage and trade card for Doyen Champagne laid in; faint offset toning to wrapper turn-ins else fine.<br /> <br /> Liste 1936: 240x180mm black plastic comb binding colour illustrated stiff card wrappers 48 folded leaves4pp; colour illustration and vignettes by Cassandre; general tariff card and tariff card for Jules Muller Kanzlerberg Grands Crus d'Alsace laid in; upper wrapper lightly scuffed faint foxing to endpapers comb not original ; internally fine.<br /> <br /> Liste 1938: 240x180mm clear plastic comb binding colour illustrated stiff card wrappers 504pp; colour illustration and vignettes by Galanis Demetrios 1879-1966; edges faintly age-toned rear wrapper lightly soiled internally fine.<br /> <br /> Liste 1939: 240x180mm clear plastic comb binding cream decorated initial stiff card wrappers 444pp; colour illustration by C Erickson Carl Oscar August 1891-1958; layout and typography by Cassandre; wrapper edges lightly soiled; faint age-toning not affecting the text or illustration; <br /> <br /> Liste 1949: "Sous le Signe de Paris" 240x180mm clear plastic comb binding cream illustrated stiff card wrappers 231 folded leaves7pp; illustration by Dignimont André 1891-1965; artistic direction by Cassandre; poster card and general tariff card laid in; wrapper edges lightly soiled; small chip to bottom edge of rear wrapper else near fine.<br /> <br /> Liste 1950: "Sous le Signe de Soleil Levant" 240x180mm clear plastic comb binding cream illustrated stiff card wrappers 432 folded leaves4pp; illustration by R Harada Rihaka 1890-1954; typography by Alfred Latour; 'Kino Rok' advertising card an bi-fold price list laid in; wrapper edges and fore-edge lightly soiled else near fine. <br /> <br /> Liste 1951: "Sous le Signe d'une Vierge Folle de Strasbourg" 240x180mm clear plastic comb binding cream printed stiff card wrappers 433 folded leaves5pp; illustration by Berthommé Saint-André Louis 1905-1977; typography by Alfred Latour; wrapper edges faintly soiled else near fine.<br /> <br /> Liste 1953: "Sous le Signe de Don Quichotte" 240x180mm clear plastic comb binding black gilt and colour decorated stiff card wrappers 239 folded leaves5pp; illustration by Léon Gischia; ornaments and typographie by Alfred Latour; single leaf tariff card extract laid in; faint offset toning to several pages else near fine.<br /> <br /> Liste 1954: "Sous le Signe de quelques Jolies Filles des Provinces de France" 240x180mm clear plastic comb binding original glassine outer wrapper pink printed stiff card wrappers 433 folded leaves5pp; watercolour illustration by Van Dongen Cornelis Theodorus Maria1877-1968; typographie by Alfred Latour; bi-fold tariff card extract laid in; Near Fine.<br /> <br /> Liste 1955: "Sous le Signe des 'Still Life' vies silencieuses" 240x180mm clear plastic comb binding original glassine outer wrapper illustrated stiff card wrappers 231 folded leaves5pp; paintings by André Marchand 1907-1997; ornaments and typography by Alfred Latour; edges lightly soiled internally near fine.<br /> <br /> Liste 1956: "Sous le Signe de L'lle de France" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; paintings by Roland Oudot 1897-1981; typography by Alfred Latour; edges faintly age-toned else near fine.<br /> <br /> Liste 1957: "Sous le Signe d'une Petite Fille" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; watercolour illustration by Constantin Terechkovitch Kostia 1902-1978; typography by Alfred Latour; page edges faintly age-toned faint shelfwear else near fine.<br /> <br /> Liste 1958: "Sous le Signe du Soleil Provence" 240x180mm clear plastic comb binding illustrated stiff card wrappers 2344pp; paintings by Roger Limouse; typography by Alfred Latour; edges faintly age-toned else near fine.<br /> <br /> Liste 1959: "Sous le Signe du Mexique" 240x180mm clear plastic comb binding illustrated stiff card wrappers 243 folded leaves5pp; paintings by Christian Caillard 1899-1985; typography by Alfred Latour; wrapper edges faintly worn; page edges faintly age-toned else near fine.<br /> <br /> Liste 1960: "Sous le Signe des Antilles Françaises" 240x180mm clear plastic comb binding illustrated stiff card wrappers 235 folded leaves5pp; paintings by Robert Humblot 1907-1962; ornamentation and typography by Alfred Latour; wrapper edges faintly worn; page edges faintly age-toned else near fine.<br /> <br /> Liste 1961: "Sous le Signe des Fruits de la Terre de France" 240x180mm clear plastic comb binding illustrated stiff card wrappers 235 folded leaves5pp; paintings by Georges Rohner 1913-2000; ornaments and typography by Alfred Latour; bi-fold cream tariff card laid in; faint shelf wear else near fine.<br /> <br /> Liste 1962: "Sous le Signe de l'étè de la Saint-Martin" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; paintings by Mineaux André 1923-1986; typography by Alfred Latour; faint shelf wear else near fine.<br /> <br /> Liste 1963: "Toreros" 280x220mm illustrated stiff card wrappers 232 folded leaves4pp; watercolour illustrations by Bernard Buffet 1928-1999; typography by Alfred Latour; light shelf wear wrapper edges lightly rubbed; internally near fine.<br /> <br /> Liste 1964: "Les Sept Péchés Capitaux" 280x220mm illustrated stiff card wrappers 236 folded leaves6pp; paintings by Claude Schurr 1921-2014; ornaments and typography by Alfred Latour; wrapper edges faint shelf wear top edges trifle dusty else near fine.<br /> <br /> Liste 1965: "Profondeurs Marines" 280x220mm illustrated stiff card wrappers 234 folded leaves6pp; watercolour illustrations by Chapelain Midy Roger 1904-1992; typography by Alfred Latour; two tariff cards laid in; wrapper edges light shelf wear lightly worn top edges trifle dusty one or two spots to endpapers otherwise internally near fine. <br /> <br /> Liste 1966: "Gens du Voyage" 280x220mm original glassine outer wrapper illustrated stiff card wrappers 2366pp: paintings by Guiramand Paul 1926-2007; typography by Jean Latour; wrapper edges lightly worn light shelf wear top edges trifle dusty and lightly soiled internally near fine.<br /> <br /> Liste 1967: " La Chaleur du Terroir" 280x220mm original glassine outer wrapper illustrated stiff card wrappers 237 folded leaves5pp; paintings by Maurice Savin Louis 1894-1973; ornaments and typography by Jean Latour; wrapper edges faint shelf wear; faint foxing to end-papers and top edges else very good.<br /> <br /> Liste 1969: "Le Paradis Terrestre" 280x220mm illustrated stiff card wrappers 2 32 folded leaves6pp two folding plates; paintings by Lorjou Bernard 1908-1986; typography by Jean Latour; wrapper edges rubbed light shelf wear; gift inscription in ink to Michel Bonnefond the owner of Ruchotte Chambertin on the front free endpaper else internally near fine.<br /> <br /> Liste 1970: "Les Saisons" 280x220mm illustrated stiff card wrappers 231 folded leaves7pp; paintings by Ghiglion-Green Maurice 1913-1989; typography by Jean Latour; front wrapper small scuff wrapper edges rubbed light shelf wear; cnrs gently bruised else very good internally near fine.<br /> <br /> Liste 1971 "Des Alpilles à la Mer" 280x220mm illustrated stiff card wrappers 233 folded leaves5pp; paintings by M E Sarthou Maurice Elie 1911-1999; typography by Jean Latour; bi-fold order form for the 1980 vintage laid in; wrapper edges lightly worn corners faintly bruised internally near fine.<br /> <br /> 1972 "Le Génie du Vin" 320x265mm illustrated stiff card wrappers sewn 28pp; thirteen gouache illustrations by André Derain 1880-1954 reproduced lithographically; printed by Draeger Frères Montrouge.; wrappers lightly soiled internally near fine. A 'Liste' was not published for 1972. Le Génie du Vin was instead published to commemorate the one hundred and fiftieth anniversary of Établissments Nicolas founded in 1822. <br /> <br /> Liste 1973: 280x220mm illustrated stiff card wrappers 231 folded leaves7pp; paintings by Guerrier Raymond 1920-2002; typography by Jean Latour; wrapper edges faint shelf wear lightly worn; page edges faintly age-toned; small blemish to p.36 else internally near fine. This was the last of the Liste des Grands Vins Fins published. The tradition was resumed in a slightly different format in 1993 with the publication of the 1992 Carte.<br /> <br /> Carte 1992: Nicolas Carte Fines Bouteilles 1992. 285x220mm illustrated stiff card wrappers 2-504pp. Illustrated by Philippe Favier 1957- ; spine faintly sunned else near fine.<br /> <br /> Carte 1993: Nicolas Carte Fines Bouteilles 1993. 250x310mm illustrated stiff card wrappers 631pp. Illustrated by Gérard Puvis 1950- ; wrappers faintly soiled corners faintly bruised; internally fine.<br /> <br /> Carte 1994: "Plantes" Nicolas Carte Fines Bouteilles 1994. 350x280mm illustrated stiff card wrappers stapled 24pp. Illustrated by François Boisrond. Wrappers faintly soiled one corner gently bruised; internally fine.<br /> <br /> Carte 1996: "Variations Naturelles" Nicolas Carte Fines Bouteilles 1996. 280x280mm illustrated stiff card wrappers stapled 28pp. Illustrated by Emmanuelle Cremer. Wrappers faintly soiled internally fine.<br /> <br /> Carte 1997: Nicolas Carte Fines Bouteilles 1997. 280x220mm illustrated stiff card wrappers stapled 32pp. Illustrated by Philippe Dupuy and Charles Berberian. Wrappers faintly sunned to one edge internally fine.<br /> <br /> Nicolas remains today France's preeminent wine merchant. During it's two centuries of trade it has significantly changed the way consumers drink and consider wine. First it was the first merchant to sell table wine in bottles rather than casks making it easier for the average person to drink a glass of wine at home rather than in a tavern. Second and more relevant here Nicolas' association of fine wine with fine contemporary and avant-garde art changed the way wine was marketed and perceived by the public. Nicolas' use of art to promote and communicate the qualities of wine has been much imitated since the 1920s and continues today to be used by premium wines and wineries throughout the world. <br /> <br /> Notwithstanding the contributions of the various celebrated contributing artists much of the unique character of the Nicolas Listes can be attributed to Alfred Latour 1888-1964 a French painter and engraver who worked extensively as a graphic designer for Nicolas and was a friend of Cassandre and many of the other contributing artists. After his death in 1966 his son Jean took over his position at the Établissements Nicolas Maison.<br /> <br /> A scarce collection of some of the most innovative and elegant wine marketing materials and ephemera ever produced.<br /> <br /> § OCLC suggests there are no holdings of a complete or partial run in institutions and that holdings of individual titles are scarce; a complete run of digital copies appears to be held by the Bibliothèques Patrimoniale/Forney Paris.<br /> § Oberlé Fritsch 597; Bibliothèque Forney <br /> <br /> </p> Établissements Nicolas Maison Fondée en 1822 unknown
AQ27989vs.: vs. 1820-40s An archive comprised of sixty-eight loose articles of late Georgian and early Victorian manuscript and printed ephemera relating to the purchase of alcohol including a number of bill-heads for merchants in inter alia Glasgow and London. The majority of the manuscript material - predominantly receipts and purchase orders - are addressed to Nottingham-based wine merchant Thomas Bailey 1785-1856 father of poet Philip James Bailey 1816-1902 noted author of Festus 1839. The elder Bailet who established his business in 1817 relinquished control in the 1830s in order to devote himself more fully to his roles as newspaper editor and author. The later material in this archive dating to the 1840s is addressed to Bailey's son-in-law and successor John Brown. A remarkable opportunity to acquire an archive of mid-nineteenth century commercial material directly connected to the provincial wine and spirit trade. . [vs.], [1820-40s] unknown
259507New York ca. late 19th century. 8vo. Bound in full pebbled black cloth paper spine label with manuscript label. 8vo. Includes a run of very rare wine auction catalogues from the firm of Draper & Co 112 Pearl St. New York auctioning the stock of wine merchant W.H. Starin.<br /> <br /> WINE AUCTION John H. Draper & Co. Will Sell on Wednesday March 15th 1882 . by Order of Mr. W.H. Starin and Without any Reserve Whatever His Extraordinary Collection of Sherries Comprising Finos Amontillados Olorosos and East-Indias also Alto-Douros. 17 pp. 103 lots<br /> <br /> WINE AUCTION Price Current of a Collection of Old and Rare Sherry Wines Consisting of Soleras . Olorosos. Amontillados. Twenty-five to Sixty Years in Wood and Glass. W.H. Starin 40 Beaver St. New York. May 15th 1878. 12 pp. Light dampstaining to margins.<br /> <br /> WINE AUCTION John H. Draper Auctioneer. The Starin Collection of Sherry Wines . the Whole to Be Sold by Auction by Messrs. J.H. Draper & Co. Friday Dec. 19 1879 . at Their Store 112 Pearl Street New York. iv 12 pp. 29 lots. Light dampstaining to margins. Prices realized in pencil<br /> <br /> WINE AUCTION Townsend & Montant Auctioneers. 87 & 89 Leonard St. N.Y. City. 3-10 pp. 33 lots. Prices realized in pen. The Ketletas Sale 1902<br /> <br /> HAYNE Arthur P. Olives. Pickling Processes . Proximate Analyses of Olives. By George E. COLBY. Sacremento: A.J. Johnston Superintendent State Printing 1895. 37 pp<br /> <br /> WINE AUCTION John H. Draper Auctioneer. The Starin Collection of Sherry Wines Consisting of Olorosos Amontillados east Indias Etc. The Whole to Be Sold by Auction by Messrs. J.H. Draper & Co. Friday Dec. 15 1880 . at Their Salesroom 85 Front Street New York. ii 14 pp. 40 lots. Some prices realized in pencil<br /> <br /> WINE AUCTION A Cabinet of Curiosities. The Starin Collection of Sherry Wines . The Whole to Be Sold by Auction at the Clinton Hall Sale Rooms . April 25 . Geo. A. Leavitt & Co. Auctioneers. ii 7 1 12 pp. Some contemporary manuscript notes in pen<br /> <br /> CADET C.A. Mémoire Sur la Fermentation acéteuse et sur l'art du vinaigrier. 35 pp. Foxed OCLC 457222451: 1 copy BNF<br /> <br /> The Tintometer. New York: E.B. Meyrowitz ca. 1895 2 editions. 20 pp & 26 pp. unknown
1572LL 290<p>Provisioni et ordini della Gabella del sale & del modo di vender VINO a fiaschi. Et che non si possa portar vino da luogo a luogo senza licentia. TOGETHER WITH: Bando che non si possa comperare VINO per Rivendere. Et a chi e permesso & quanto sono obbligati li VINATTIERI Florence: Giunti 1572 and 1575. Two scarce Bandi on wine dated 1572 and 1575. First Edition. Together 2 pamphlets small 4to. Ad 1: 10 pp. integral blank leaf foliated in MS in upper right corners: "303"-"308." Ad 2: 4 pp. foliated in MS in upper right corners: "322"-323." Later marbled wrappers. Both Bandi with large Giunta printer's device on title-page. Very good. Ad 1: Provisions on the salt tax gabelle; selling wine in flasks; and transporting wine from place to place without a license. This Bando references regulations from 13 October 1481 1541 1542 and 1550. Scarce: FirstSearch and KVK searches produce only the much later 1616 edition and this in a single copy only BYU plus five Italian library according to EDIT16 CNCE 67599. Raffaello Uccelli Contributo alla bibliografia della Toscana no. 5339. Ad 2: Prohibiting the purchasing of wine to be RESOLD and with orders concerning the legal methods of sale of wine. Of this edition according to FirstSearch and KVK there are copies at BYU and Columbia plus 4 Italian libraries acccording to EDIT16 CNCE 67224. The Bibl. Nazionale centrale de Roma BnF Yale Law and UPenn have a Bando with this title printed in the same year by Giorgio Marescotti priority indeterminate.</p> Giunti
16-5258Mainly 20th Century. A Collection of 2800 mint wine labels in seven large format 3 hole binders. Fine. Arranged 5 labels on each side of facing sleeves.Includes France and other Western and Eastern European Countries and the USA.Ideal for wine tasting rooms wine collectors and wine museums. Mainly 20th Century unknown
1937024441New York: Harper & Brothers 1937. First Edition First Printing . Peach Cloth Gilt. Very Good/Very Good DJ. 253 Pp. First Book On Food By M F K Fisher. Book Is Bright And Clean All Gilt Brilliant Rubbing At Top And Bottom Of Spine No Fraying No Names Or Marks Signed On The Half-Title By Fisher In Her Very Early Small Hand. Rear Hinge Was Cracked Now Professionally Repaired. Dj Complete Not Price-Clipped $2.50 No Chipping But Minute Losses At Corners 1/2" Closed Tear At Top Of Front Spine Edge 1/4" Closed Tear Top Rear Panel 1/8" Closed Tear At Center Of Rear Flap Fold Spine Sunned With Slight Tanning Of White Areas And Pink Background At Top And Bottom Of Spine Is Somewhat Faded Some Slight Oval Pressure Indentations At Center Of Spine No Damp Spotting Slight Dustiness/Soiling To White Areas. It Is Said Of Fisher That If She Had Written About Anything Other Than Food She Would Have Been One Of The Greatest Writers Of Her Time. <br/> <br/> Harper & Brothers hardcover
200135976Lakewood New Jersey U.S.A.: Watson-Guptill Pubns. New. 2001. Paperback. 0823003191 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- -- 256 pages -- Softbound corresponds to ISBN: 0823003191 hardcover -- with a bonus offer-- . Watson-Guptill Pubns paperback
20014399Lakewood New Jersey U.S.A.: Watson-Guptill Pubns. New. 2001. Hardcover. 0823003191 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 256 pp with 285 illustrations-- FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- -- -- IMPORTANT: Interior text is clean tight and Unmarked Pages are intact and tight to the spine. -- The Artful Teapot was published to accompany the major travelling show of the same name including the Mint Museum of Craft and Design in Charlotte North Carolina in 2004. The exhibition focused on the extensive collection of Sonny and Gloria Kamm with around 6000 pieces probably the largest collection of one-of-a-kind art teapots in the world. -- with a bonus offer--; 4to - over 9¾" - 12" tall . Watson-Guptill Pubns hardcover
199267833Museum. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Danish and English. 240 pp. With 132 ills. 27 col. . 26 x 22 cm. Description: ".In addition to biographies of the artists color reproductions of the exhibited paintings illustrations of numerous related works and detailed commentaries the catalogue includes four introductory essays discussing the character of art in France during the 1600s and the importance of sojourns in Rome to the careers of Poussin Claude and other French artists of the period." -- with a bonus offer-- . Museum paperback
199333191London: The National Gallery London. As New. 1993. Paperback. 1857090179 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AVOID WEEKS OF DELAY ELSEWHERE. -- 192 pages; clean and crisp tight and bright pages with no writing or markings to the text. Description: This book accompanied the exhibition at The National Gallery in London in 1993 -- with a bonus offer--; 4to - over 9¾" - 12" tall . The National Gallery, London paperback
19782110502151110689Minerva Shobo 1978. Soft Cover. Fine. Number of books: 1 Minerva Shobo paperback
1733026428London: Charles Rivington 1733. Fourth Edition Revised . Full Paneled Calf. Very Good. 8" Tall. Engraved Frontispiece By J Pine. Fourth Edition "Much Improved". Unpaginated But Complete A1-Q6 With One Page Ad Printed On Verso Of Last Leaf. Contains: Two Page Leaf "Domestic Brewing - Cheap Beer" A Two Page Recipe Printed By Maurice & Co.; Frontispiece; Title; Four Page Dedication 'To All Good Housewives";"Some Divertissements In Cookery" 2 Pp; Text Unpaginated 560 Pp. With Unfortunate Section "To Fry Maids" Corrected In Pencil To "Meats" I Think It's A Typo But Alphabetically It Is Under The Correct Place For "Maids" Rather Than For "Meats" And "Maids" Is Repeated In The Recipe So Perhaps A Joke Recipes; Miscellaneous Sections At Rear Including Index 31 Pp. There Are A Few Pencil Words On The First Page Of The "Menus" Section Immediately Following The Main Text. Original Paneled Calf With "T. Pitt" Stamped At Center Probably The Grandson Of Thomas "Diamond" Pitt And With Ownership Information "Thomas Pitt 1817 The Gift Of Miss Foljambe" On Front Pastedown And Another Similar Note "Thomas Pitt The Gift Of Miss Foljambe 1810" At Top Of Title Page. Recently Re-Backed To Style Five Bands Original Morocco Label Laid Down On Spine Gilt Rules And Decorations In Each Compartment. Pages Clean And Square Somewhat Crisp Apparently Unread Or Lightly Read. Most Recently The Copy Of Robert Balzer Los Angeles Food And Wine Expert From His Library With A Half-Page Of Stationary From His Tirol Restaurant In Idyllwild Which Had Been Used As A Bookmark. <br/> <br/> Charles Rivington unknown
1812AQ30893St. Albans: Shaw Printer 1812. 8pp. Two bilfolia disbound. Priced in manuscript. Together with: Inventory of the Effects of Mr. Charles Williams of St. Albans not included in the printed catalogue of sale. 10th December 1812. Manuscript on paper. Single bifolium An apparently unrecorded auction catalogue annotated by the auctioneer with the prices achieved of the property of a deceased wine merchant including his 'stock in trade' lotted by bin of sherry port rum gin and 'coniac brandy'. The sale realised a total of £268. 4s. 5d. and included 51 lots of his wine stock along with a sequence of empoty casks. The manuscript addendum written on the day after the public auction adds several household as well as '21 Bottles of Currant Wine in 2 Tea Canisters'. Interestingly St. Albans possessed a novel wine licensing system established under the terms of the 1570 wine charter a model not repeated elsewhere. The borough corporation had the power to grant two licences to local vintners in return for an annual endowment of £20 remarkably to be provided to the master of St. Albans grammar school for the maintenance of the institution. We have been unable to trace Charles Williams nor locate any record of his business. However it does not seem unreasonable to assume that he held one of these much sought after licenses; certainly the auction catalogue reveals an extensive stock surely necessitated by the possession of a trade monopoly. . 8vo. Shaw, Printer unknown
18609560London: Houlston and Wright 1860. Second-hand hardcover. <p>Redding Cyrus. French Wines & Vineyards</p> <p><br /> REDDING Cyrus 1785-1870<br /> <br /> French Wines and Vineyards; and the way to find them.<br /> <br /> London : Houlston and Wright MDCCCLX 1860. First Edition. Printed by H Tuck Aldersgate-Street London.<br /> <br /> Octavo 195x130mm publisher's original claret brown ribbon cloth boards blind ruled border title and spine in gilt pale yellow endpapers xv1240pp : A⸠B-Qâ¸. Board edges and spine lightly sunned corners gently bruised; owner initials to title-page in ink; a few marginal pencil and ink markings not affecting the text; pps 209-232 unopened; bottom edge pps 129-136 mistrimmed not affecting the text; a few folded corners.<br /> <br /> <br /> Redding was a British journalist and writer. Whilst working in Paris he broke the news of Napoleon's defeat at Waterloo. He worked tirelessly for a number of newspapers and magazines including the Monthly and the Metropolitan. His most influential work was his History and Description of Modern Wines 1833 with later editions in 1836 1851 and 1860; the text was based on careful personal observation and gleanings from many sources including Jullien and Chaptal.<br /> <br /> Here Redding provides a more detailed examination solely of the wine trade in France due to the importance and size of the trade with Great Britain which had been recently encouraged by a liberalisation of trade laws and the taxation applied to French wines.  In addition to the expected description of the major producing areas and celebrated vineyards there is a detailed discussion of wine making practices viticulture soils the technical analysis of wine and distillation; comparative measurements taxation and consumer trends.  The major part of the work is devoted to the wines of the Gironde and the greater Bordeaux area. There are also sizeable chapters on Burgundy Champagne and the Loire. There is also a significant amount of statistical information about French wine production alcohol levels pricing and taxation together with a very useful Alphabetical Table of the important French vineyards and their departments as of 1860.<br /> <br /> <br /> Scarce. An excellent copy and a cornerstone of any serious collection on the wines of France. Significant as a detailed record of French wine production and trade before the devastation of phylloxera.<br /> <br /> <br /> § Gabler G35830; Simon BV p.109; Simon BG p.121; Noling p.342; Bitting 391.</p> Houlston and Wright unknown
188074379Marseille: N.p. ca. 1880. A large gathering of plant specimens from the wine growing regions of southwest France. Each specimen is mounted via paper holders to bifoliums measuring 12 1/2 x 20 inches and each specimen within a genus folder containing differing amounts of specimens. Each specimen is named in French on the front of the bifolium and and in much more detail in a small square on the bottom right of the page bearing the specimen .E.g.: Scrofularinees for Scrophulariaceae; In this folder are 3 specimens of species of this genus—— Linaria Cymbalaria; Linaria arvensis; scrofularinee aqua. All data is in French and in manuscript and gives the French translated from the Latin name of the plant the flowering season and the type of habitat and flower color if applicable. There are 15 genus folder bearing 76 actual species specimens. The specimens are on the main very large. All housed in a custom wooden slipcase with extensive brass fittings. Box measures 24 1/2 x 15 1/2 x 6 inches. No specimens broken or missing. Stock paper and chemise by Moullot Fils Ainé Marseilles. A wonderful assemblage.South West France or in French Sud-Ouest is a wine region in France covering several wine-producing areas situated respectively inland from and south of the wine region of Bordeaux. These areas which have a total of 16000 hectares 40000 acres of vineyards consist of several discontinuous wine "islands" throughout the Aquitaine region where Bordeaux region itself is situated and more or less to the west of the Midi-Pyrénées region. Thus South West France covers both the upstream areas around the rivers Dordogne and Garonne which also flow through Bordeaux where they combine to form the Gironde estuary and their tributaries as well as the wine-producing areas of Gascony including Bearn and the Northern Basque Country. However only areas closer to the Atlantic than to the Mediterranean are included in the region with the city of Toulouse being situated roughly halfway between the South West wine region and the Languedoc-Roussillon wine region on the Mediterranean. The brandy-producing region Armagnac is situated within Gascony and the wine region of South West France and some of its grapes are used to make Vin de Pays under the designation Vin de Pays de Côtes de Gascogne or mixed with Armagnac to produce the Mistelle Floc de Gascogne.South West France is a rather heterogeneous region in terms of its wines and how they are marketed. It is rare to see wines being sold as Vins du Sud-Ouest. Rather the smaller areas and individual appellations market their wines under their own smaller umbrella in contrast with common practice in e.g. the Bordeaux region. N.p. unknown
193667419Rheydt:: Hermann Schott Actiengesellschaft September 1936. publisher's boards printed in color. Boards lightly rubbed at edges; title leaf lightly creased; the labels beautiful. Oblong folio. This trade catalogue consists of a title leaf price list and 162 leaves of sample beverage labels printed in gold and colors some embossed four to a page separated into "Deutsche Weine Franz. Weine Likore Spirituosen Rum - Arrak Frucht Etiketten Weinbrand and Sekt. Hermann Schott Actiengesellschaft, hardcover
184827<p>Rare collection of treatises on wine making and vine cultivation</p><p>Puvis Marc-Antoine. <em>De la culture de la vigne et de la fabrication du vin / par M.A. Puvis</em>. Paris : Librairie agricole Dusacq Mme Bouchard-Huzard 1848.</p><p>bound with: Puvis Marc-Antoine. <em>Des différens moyens d'amender le sol</em>. Paris : Madame Huzard 1837</p><p>bound with: Thackeray Thomas James<strong>. </strong> <em>Observations sur le fumier de basse-cour les engrais artificiels la construction des granges et le labourage profond<strong>. </strong></em>Paris : A LA LIBRAIRIE AGRICOLE DE Ve BOUCHARD-HUZARD 7 RUE DE L'ÉPRON-ST-ANDRÉ. 1847.</p><p>Extremely rare collection of treatises on wine making and vine cultivation agricultural technique on different ways of fertilizing the soil and on different kinds of natural and artificial fertilizers.</p><p><em>De la culture de la vigne et de la fabrication du vin</em> is the most important opera written by the renowned agronomist and member of parliament Marc-Antoine Puvis 1776-1851 member of the Ain Agricultural Society discussing the importance of wine making and vine cultivation in France the influence of climate and soil different vineyards Côte-d'Or Hermitage influence of the grapes quality on the quality of the wines search for new varieties of vines by the seedlings plantation of the vine size and disbudding proving and uprooting fertilizers and amendments synonymy and variety of grapes.</p><p>The second part pp. 167 to 308 is entirely dedicated to oenology harvesting de-stemming and crushing hydrometer oenometer production of red wines and white wines conservation and clarification of the wines conditioning and improvement bouquet and flavor; comparative analysis of Burgundy wines etc.</p><p>Marc-Antoine Puvis is also the author of the second treatise dealing with different kind of techniques of fertilizing the soil. Among the different techniques an material used to amend the soil he describes liming or treating the soil with lime to reduce acidity and improve fertility or oxygen levels. marling using a friable earthy deposit consisting of clay and calcium carbonate used especially as a fertilizer for soils deficient in lime faluner to amend poor limestone soil with falun a sedimentary rock made up of shells debris the use of ash peat ash kelp sea fertilizer land mix burnt clay or burning the soil</p><p>The third treatise written by Thomas James Thackeray renowned British playwright army officer and agriculturist can be considered a manual on benefits and way of use of different fertilizers as: cattle droppings horse urine cow dung guano peat bran marl salpetre and nitrate of potash sulphate of ammonia etc.</p><p>All the treatise included in the present collection are very rare. In detail:</p><p>Vol 1: Only one copy in Italian Libraries. WoldCat records only 6 other copies; 5 in France and 1 in UK. the copy in Cornell University belongs to a different editio with no date or printing place</p><p>Vol 2: 4 copies worldwide 2 each in France and Switzerland</p><p>Vol 3: 6 copies worldwide 4 in France 1 each in UK and Canada.</p><p>Bibliography: Bourquelot VI. 94. Unkwnown to Vicaire Bitting. Oberlé</p> Bouchard-Huzard
194610435Lyon Paris: B. Arnaud Éditeur 1946. Second-hand hardcover. <p>Pavil Julien. Les Dicts de la Vigne. FIRST EDITION B Arnaud: Lyon 1946. Folio 330x250mm 2 vols in qtr bnd cloth loose folios: vol 1 44964pp; vol 2 49 lithographs; all on Vélin D'Arches an original watercolour. Lacks slipcase Near Fine</p> <p><br /> PAVIL Julien. 1897-1952<br /> <br /> Les Dicts de la Vigne. <br /> <br /> Lyon & Paris : B. Arnaud Éditeur 1946. First and only edition limited to 1025 copies this #IV of the first XXV. Preface by Georges Rozet<br /> <br /> Folio 330x250mm two volumes of loose folios in fours in publisher's original quarter bound folders brown cloth gilt lettered spine sepia printed boards illustrated with vine leaves internal cream covers cream Vélin D'Arches paper edges untrimmed. Volume 1 14 gatherings 44964pp 49 original chromolithograpic illustrations 36 black drawings; volume 2 suite of the 49 chromolithographic plates. Laid in as called for an original water colour by Pavil of a Burgundian village. Bookseller ticket of "Librairie Laurencier Bordeaux France" to front pastedown of volume 1; lacks its slipcase; edges faintly worn; faint foxing in several spots some faint offset toning in volume 1.<br /> <br /> Pavil was an illustrator draftsman humorist and poster artist active in the mid-twentieth century in France based mostly in Lyon. Rozet 1871-1962 was a native of Burgundy the author of a number of books on Burgundian wine and the historiographer of the Confrérie des Chevaliers du Tastevin based at Clos de Vougeot. <br /> <br /> An anthology of 150 popular Burgundian sayings about vines and wines collated and grouped according to the twelve months of the year and humorously illustrated in Burgundian and monastic settings by Pavil.<br /> <br /> A very good copy.<br /> <br /> § OCLC records only 5 holdings all in France.<br /> § Oberlé Fritsch 568;<br /> <br /> </p> B. Arnaud Éditeur unknown
175045405London John and Paul Knapton 1750. Small 8vo. Contemp. full calf. Spine worn and frontcover detached. Corners of binding worn. 12420 pp. textdiagrams and textfigs. 12420 pp. Browning to titlepage and repairs to verso of. A bit of inner lower corner of titlepage gone loosing 3 letters in "Printed for" Some brownspots to outer margins. Some traces of use. Internally generally clean and printed on good paper. <br/><br/><em>The first edition was published 1707 and it was regularly printed throughout the eighteenth century. All issues are scarce. Dougharty 1677-1755 was an Irisman who ran a writing and arithmetic school in Worchester Macclesfield No 657 1707. </em> unknown
1819259502Paris: Deterville 1819. Deuxième édition" i.e. third edition. Folding plate by J.E. Thierry at rear showing distillation process. xvi 381 1 pp. 8vo. Unopened in original publisher's rose wrappers with yellow paper spine and paper spine label with manuscript title. Some wear and creasing to wrappers and spine soiling and light foxing to front and back matter. Deuxième édition" i.e. third edition. Folding plate by J.E. Thierry at rear showing distillation process. xvi 381 1 pp. 8vo. The third edition of this French manual on wine production first published in 1801 followed by a second edition in 1807. Here in its original rose paper wrappers uncut and unopened. Chaptal 1756-1832 was an important figure in the application of chemistry to modern industry. He invented the process of chaptalization by which sugar is added to unfermented grape must in order to increase the alcohol content after fermentation. Cagle 131a first ed.; Simon p. 18 1807 edition; Vicaire p. 164 noting this is in fact the third edition Deterville unknown
18609034New York: Lith. of W. Faust 105 Nassau St 1860. Broadside wine list 25.5 x 15.5 cm. 1 page. Porcelain card decorated in chromolithograph with text in blue and red. A very early wine list from an important New York hotel and dining establishment. The hotel was at the corner of Broadway and Eleventh Street across from Grace Church and Rectory. Both the hotel and the church were designed by the architect James Renwick Jr. Named for its original owner Denis Julien the St. Denis Hotel opened in 1853 just in time for the Crystal Palace Exhibition. The building was leased to William Taylor in 1875 who incorporated the Taylor Saloon into the facility. The list features Clarets from Finke Merman of Bordeaux mostly from 1847 and 1848. And French whites including 1847 Latour Blanche and 1847 d'Yquem. Champagne Sherries and Madeiras are also included. A solid piece of printing from a firm more known for fruit labels. Verso contains an unattributed primitive pencil drawing of a horse. Some darkening to the top edge of the recto. Lith. of W. Faust, 105 Nassau St unknown