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179265431792. 59 leaves enumerating the names of grapes cereal crops and oils and their prices for nearly two centuries. Small folio 273 x 178 mm. 18th-cent. vellum over boards tail of spine defective two of four ties lacking. Burgundy: 1622-1792.<br/> <br/> A fascinating and rare survival which details the precipitous rise in the prices of Burgundian wine and the emergence of a hierarchy among regions and vintages over a 170-year period. This document consisting of three gatherings 28; 28; 3 leaves bound together and written in several legible hands provides a wealth of information on grain harvests in the region which varied greatly from year to year and indicates years with disastrous harvests. The present manuscript constitutes a unique history of agriculture in Burgundy especially pertaining to the evolving market for Côte de Nuits wine.<br/> <br/> “Burgundy had no experience like the boomtime of 18th-century Bordeaux. No new wines were invented no new districts planted. The Bordeaux picture is all expansion and creation; the Burgundy one of evolving tastes and techniques of new market forces and overall of slowly progressing definition: a more precise notion of the character style and value of the wine from each corner of the Côte…In the Côte de Nuits the notion of the ‘cru’ was further advanced…The vineyards were generally less overcrowded and by now planted with cuttings rather than layers; hence more deep-rooting. Increasingly in the 18th century owners of the most prestigious crus selected their best grapes to make separate cuvées the best vat being called the ‘tête de cuvée’.â€â€“Hugh Johnson Vintage 1989 pp. 267 & 272.<br/> <br/> The motivation for compiling this record-book may have come from the introduction of a law in 1622 that outlawed the sale of Lyonnais and Beaujolais wines as Burgundian. The records of the first three decades consist mostly of grains and oil from the region but in the early 1670s wines begin to predominate and the lists for each year become increasingly long. It is very likely that at this point landowners would have shifted to using any arable land for vastly more lucrative grapes. By the 1690s dozens of grape varietals are noted from communes such as Auvilliers Les Cailles Chambolle Chorey Comblanchien Corgoloin Côte de Beaune Gilly Magny Saint Georges Saint Julien Les Cailles Vaucrains Pouilly Prissey etc. Prices for wine rose enormously from the 1690s and experienced peaks in 1701 1733 and 1770. Wines are increasingly categorized by the mid-18th century according to vineyard and in some cases cru.<br/> <br/> The name “de Bays†appears several times in the manuscript and the signature of “de Bays†is found at the end of the year 1771.<br/> <br/> Very few comparable documents survive and the present manuscript provides a vast amount of data on the prices for wine grapes and grains in the 17th and 18th centuries. A couple leaves browned. unknown
654359 leaves enumerating the names of grapes cereal crops and oils and their prices for nearly two centuries. Small folio 273 x 178 mm. 18th-cent. vellum over boards tail of spine defective two of four ties lacking. Burgundy: 1622-1792. A fascinating and rare survival which details the precipitous rise in the prices of Burgundian wine and the emergence of a hierarchy among regions and vintages over a 170-year period. This document consisting of three gatherings 28; 28; 3 leaves bound together and written in several legible hands provides a wealth of information on grain harvests in the region which varied greatly from year to year and indicates years with disastrous harvests. The present manuscript constitutes a unique history of agriculture in Burgundy especially pertaining to the evolving market for Côte de Nuits wine. "Burgundy had no experience like the boomtime of 18th-century Bordeaux. No new wines were invented no new districts planted. The Bordeaux picture is all expansion and creation; the Burgundy one of evolving tastes and techniques of new market forces and overall of slowly progressing definition: a more precise notion of the character style and value of the wine from each corner of the Côte.In the Côte de Nuits the notion of the 'cru' was further advanced.The vineyards were generally less overcrowded and by now planted with cuttings rather than layers; hence more deep-rooting. Increasingly in the 18th century owners of the most prestigious crus selected their best grapes to make separate cuvées the best vat being called the 'tête de cuvée'."-Hugh Johnson Vintage 1989 pp. 267 & 272. The motivation for compiling this record-book may have come from the introduction of a law in 1622 that outlawed the sale of Lyonnais and Beaujolais wines as Burgundian. The records of the first three decades consist mostly of grains and oil from the region but in the early 1670s wines begin to predominate and the lists for each year become increasingly long. It is very likely that at this point landowners would have shifted to using any arable land for vastly more lucrative grapes. By the 1690s dozens of grape varietals are noted from communes such as Auvilliers Les Cailles Chambolle Chorey Comblanchien Corgoloin Côte de Beaune Gilly Magny Saint Georges Saint Julien Les Cailles Vaucrains Pouilly Prissey etc. Prices for wine rose enormously from the 1690s and experienced peaks in 1701 1733 and 1770. Wines are increasingly categorized by the mid-18th century according to vineyard and in some cases cru. The name "de Bays" appears several times in the manuscript and the signature of "de Bays" is found at the end of the year 1771. Very few comparable documents survive and the present manuscript provides a vast amount of data on the prices for wine grapes and grains in the 17th and 18th centuries. A couple leaves browned. hardcover books
1833171428<p>1833. VEVEY. Fête des Vignerons 1833. Continuous panorama scroll containing 30 consecutive lithographs numbered 1-30 from the 1833 Festival of the Vignerons at Vevey hand-coloured at the time of publication backed with linen and conjoined to form a continuous scroll of 14.4 meters long. Plate size: oblong folio 170 x 470 mm. in a new cloth folding box. Lausanne: Lithographie de Spengler & Cie 1833. An extremely rare complete copy in contemporary hand-colouring of this remarkable series of plates in scroll format depicting the 1833 Festival of the Vingerons at Vevey Switzerland -- since 1791 this ancient festival has been celebrated five times per century. The scroll shows the entire procession in panorama format; the procession moved in three groups: Herds and Flocks plates 1-8 the Harvest plates 9-18 and Winemakers plates 19-30. The festival celebrates the vineyards and wine production in the Vevey area. The artist of the work was Christian Gottlieb Steinlen 1779-1847 a resident of Vevey who acted as the official artist for the 1833 Festival see Thieme-Becker. Sources for the Festival of the Winegrowers are unusually diverse: besides Greco-Roman gods such as Bacchus Plates 20 & 22 there were representations of Judeo-Christian myths such as the story of Noah first winegrower in the Bible -- see Plate 27. OCLC records only the copy at Getty Center in the U.S. Vicaire 270. Brunet I 616. Lipperheide 2870. Ruggieri 1142. Vinet 787. Brun Schweizerisches Künstler-Lexikon IV p. 415. Thieme-Becker XXXI pp. 574-5.</p> hardcover
17500001563Good. 1750. On offer is an absolutely sensational ancient original 1750s manuscript sailor's vade mecum or reference manual handwritten by and or for a mariner over 260 years ago. The name William Wine appears on the rear inside cover dated March 4th 1788. The handwriting is similar throughout to the signature but it is inconclusive if Mr. Wine is the author original owner or a later owner. The first page detached but present is dated November 1750. There are many many tables of information illustrations charts drawings etc. that are indexed and with over 420 pages written in a small meticulous hand there are within these pages everything that a mid-18th Century senior officer or mate would require being filled with geographical mathematical financial navigational and geometric information and there are also sections detailing carpenter's work joiners painters glaziers lavers masons plus foreign exchange and monetary info and conversions in foreign countries. There are sections for algebra calculus trigonometry all manners of measurement whether liquid or dry and even how to calculate the contents of a globe with many of the mathematical sections deal with measuring heights and distance from afar measuring and surveying dealing with casks all information that a Lieutenant 1st mate or Ship's Master or even a Captain would need. We conclude that the information and the quality of the manuscript book vellum which double folds and creates an envelope that would protect the pages from the elements plus a metal clasp broken give further credence that this book was owned by a senior officer and most certainly of English origin as evidenced by the section regarding Oxford and Cambridge terms plus a chart that helps one establish the dates of the Easter season leap years tides . The volume begins with a few pages of indices and in the first section one finds pages of geographical place names and distances from one to another: "the coast of Carolina Virginia etc. to Newfoundland" and the "Bohema Islands" and another "The Coast of y.e main Continent in y.e West Indies" and the degrees of longitude and latitude are listed alongside each listed place. The standard depth and sheer volume of information also leads us to conclude that the seaman was likely an officer of a merchantman as opposed to a casual traveler. This is an absolutely unique manuscript relic of ancient seafaring and the age of sail. The 7 x 4.5 x 1.5 inch book is generally soiled on the covers but the interiors are good save for the loose page and the odd stains to the inner pages. The cover is stiff somewhat fragile and has some cracks/tears but overall the book is G. ; 12mo - over 6¾" - 7¾" tall; KEYWORDS: HISTORY OF GREAT BRITAIN ENGLAND BRITANNIA RULES THE WAVES NELSON HORNBLOWER AUBREY RAMAGE REFERENCE MANUAL HANDBOOK NAVIGATION MARINE NAUTICAL NAVAL TIDES VADE MECUM SAILOR SAILING AGE OF SAIL SEVEN YEARS WAR TRAVEL ASEA SURVEYING LONGITUDE LATITUDE MATHEMATICS GEOMETRY GEOGRAPHY PORT OF CALL HARBORS SEAFARING SEAFARERS HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORYantiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito papel. . hardcover
1772117<p>Extraordinary rare first edition of the famous treatise on Cyprus wine by Giovanni Mariti</p><p>A complete analysis on wines grapes vines and production technique</p><p>Mariti Giovanni. <em>Del vino di Cipro ragionamento di Giovanni Mariti socio corrispondente dell'Accademia dei georgofili di Firenze: Rei agrariae avgendae</em>. Firenze : G. Cambiagi MDCCLXXII 1772.</p><p>8vo 220 x 155 mm original printer cardboard pp. 2 XVI 127 1 illustrations along the text engraved title page before the dedicatory letter at leaf a1r a chalcographic vignette with coat of arms of the dedicatee Lord Nassau Clavering signature a⸠πa1 A-Hâ¸.</p><p>xylographic illustrations along the text one full page plate depicting tool for wine production</p><p>In his treatise <em>Del vino di Cipro</em> About the Cyprus Wine published in Florence in 1772 by Cambiagi Mariti dedicates an ample analysis to the wine of Cyprus discussing a lot about the types and varieties of the vines and wines produced in the different regions of the island and reporting its own "observations" made in the countryside around Larnaca where it draws indications and procedures to follow in Italy too to reach the maximus possible efficiency of the crops as Mariti himself well describe in the Preface to the volume:</p><p>"In questo mio Ragionamento ho avuto il riflesso di appagare non solo la curiosità di qualche dilettante de i grati e generosi Vini di Cipro e di dar la norma per qui allignarli ma ancora di poter giovare alla Coltivazione alla Manifattura e alla Conservazione de i nostri Vini Toscani e particolarmente per migliorare alcuna sorta di quegli che oggigiorno sogliono qui farli in scelta maniera il che mi lusingo possa ottenersi dal genio de i nostri Agricoltori Mariti 1772 p. 3. In this reasoning I had the will to satisfy not only the curiosity of some amateur of the grateful and generous Wines of Cyprus giving the rules to list them but also to be able to improve the Cultivation the Manufacture and the Conservation of our Tuscan Wines and particularly to improve the quality of the wines produced there using the support from the genius of our Farmers"</p><p>More in details he starts addressing the issue of the poor resistance of Tuscan wines to navigation deepening the observations already published in the first volume of his "Travels in Cyprus". Mariti studying grapes and winemaking processes in use in Cyprus gives an account of the island's wines distinguishing them by types based on the quality of the grapes the length of the aging process and their conservation and also giving data and figures relating to the sale of the product both in the East and in the West.</p><p>Mariti dedicated this essay on the wines of Cyprus to Lord Clavering whose arms are engraved at the top of the first leaf of the dedication. The preliminary leaves also include an account of the <em>Accademia dei Georgofili</em> devoted to the study of agriculture which was founded in Florence in 1753 and is still active today.</p><p>Giovanni Filippo Mariti 1736 –1806 he was an Italian antiquarian scientist and historian. Intellectual with multiple interests he became famous in Europe mainly for his travels in the East.</p><p>Mariti became interested since his youth in natural sciences cultivating botany and especially agronomy studies and in 1772 he became a corresponding member of the <em>Accademia dei Georgofili</em> founded in Florence on July 4 1753 by Ubaldo Montelatici under the impulse of that renewal of agriculture that the Habsburgs-Lorraine hoped for and promoted to remedy the problems that arose in their lands starting from the first decade of the second half of the century regarding crops and food supplies.</p><p>Mariti lived for seven years at Larnaca in Cyprus becoming honorary British vice-consul and became increasingly familiar with the wine-making process of the island. A shortened version of this treatise was included in the French translation of his "Travels in the Levant".</p><p>Beside <em>Del Vino di Cipro</em> he is remembered for the treatise titled <em>Della Robbia sua coltivazione suoi usi</em> Florence 1776 dedicated by Mariti to the Grand Duke of Tuscany Pietro Leopoldo concerning a plant the <em>Robbia</em> Madder cultivated in the East and used for the colouring of clothes which Mariti hoped to introduce in Europe and for <em>Odeporico o sia itinerario per le colline pisane</em> which was published in Florence in two volumes between 1797 and 1799.</p><p>The first volume of this work which remained partly unpublished deals with the agricultural history of the Tuscan hills the second is dedicated to the history of the water bath today Casciana Terme. The two volumes are divided into chapters that take the form of letters written to an imaginary friend.</p><p>George Clavering-Cowper 3rd Earl Cowper 1739 - 1789 was an English nobleman and politician. In 1780 he purchased Villa Palmieri in Fiesole with a splendid view of Florence. Skilled diplomat and politician he decided to obtain prestige by turning a blind eye on the relationship that his wife had established with the Grand Duke Pietro Leopoldo from which he managed to obtain the title of Prince of Nassau d'Auverquerque.</p><p>The art collection that Count Cowper built during his years in Florence was a great investment of time and money for him. Among the most important works that were part of his collection we mention two paintings by Raphael the first known with the name of <em>Piccola Madonna Cowper</em> and the other as <em>Madonna Niccolini-Cowper</em>.</p><p>Conditions: fine copy untrimmed in its original printer paper board small restoration at spine.</p><p>Provenance: I. Ownership signature dated 1868 at rear inside board. II. Handwritten title at front board and spine.</p><p>References: Lastri p.82; Sormanni p.79; <em>Bibl. </em><em>Vinaria</em> p. 139; Andre Simon Bibliotheca Gastronomica page 97 No 1002</p> G. Cambiagi hardcover
19014624CBParis, 1901?1910. 4°. Mehr als 3100 Seiten mit 570 (davon 500 farbigen) ganzseitigen Lithographien und 820 Illustrationen im Text. Leinenbände mit roten Rückenschildchen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4624CB|4624CB_2 7 Bände. [2 Warenabbildungen]
19014624CB7 Bände. Paris 1901–1910. 4°. Mehr als 3100 Seiten mit 570 (davon 500 farbigen) ganzseitigen Lithographien und 820 Illustrationen im Text. Leinenbände mit roten Rückenschildchen.
118798Paris (direction), Villefranche-sur-Saône (administration), 1901 à 1909, 7 volumes in-folio de 255x350 mm environ, complet des 570 planches. Tome I : viii, 729 pages, 70 planches en noir et blanc - Tome II : 408 pages, 100 chromolithographies - Tome III : 392 pages, 100 chromolithographies - Tome IV : 374 pages, 100 chromolithographies - Tome V : 358 pages, 100 chromolithographies - Tome VI : 476 pages, 100 chromolithographies - Tome VII : . Le volume 1 traite de l'ampélographie générale et les volumes 2 à 6 de l'ampélographie spécialisée, le volume 7 est un dictionnaire ampélographique. Reliures demi-chagrin brun à coins avec jaquettes imprimées, dos à nerfs portant titres et tomaisons dorés, tranche de tête dorée, gardes de papier marbré. Jaquettes tachées, jaquette manquante au volume VII, reliures avec des défauts (dos parfois légèrement insolés, frottements et petites taches), quelques chromolithographies présentent des adhérences de papier (minimes au Tome III mais très importantes sur 6 planches du tome V), des rousseurs éparses, sinon bon état général. Rare ensemble.
10172Charenton-le-pont Paris: Établissements Nicolas Maison Fondée en 1822 1997. Second-hand softcover. <p>ÉTABLISSEMENTS NICOLAS MAISON. Liste des Grands Vins Fins. a collection of 37 commercial catalogues. FIRST EDITIONS Établissements Nicolas Maison: Charenton-le-pont Paris 1929-1973 and 1993-1997. Various formats with associated ephemera.</p> <p><br /> ÉTABLISSEMENTS NICOLAS MAISON <br /> <br /> Liste des Grands Vins Fins. a collection of 37 commercial catalogues<br /> <br /> <br /> Charenton-le-pont Paris : Établissements Nicolas Maison Fondée en 1822 1929-1973 and 1993-1997. First and only editions. Printed by Imprimerie Draeger Frères Montrouge.<br /> <br /> A set of thirty-seven extravagantly produced annual fine wine commercial catalogues issued by the Parisian wine merchant Établissements Nicolas Maison between 1929 to 1973 together with associated tariff cards advertising cards and ephemera and Carte Fines Bouteilles commercial catalogues issued for the years 1993-1997. This set lacks only the extremely rare 1927 and 1928 catalogues. No catalogues were published in 1937 1940-1948 1952 and 1968. In French.<br /> <br /> Continuing the trend established by Nicolas earlier in the 1920s with the publication of Monseigneur Le Vin and the extremely successful 'Nectar' advertising campaign Nicolas' groundbreaking catalogues were illustrated and designed by famous artists and typographers of the twentieth century including Cassandre Darcy Iribe Legrand Fantin-Latour Galanis Diginimont Buffet Chapelain-Midy Lorjou van Dongen and others. The illustrations are reproduced in a range of different techniques including screen printing lithography photo-montage and four color printing. Each catalogue or Liste is a design statement and a work of art in itself; not to mention a record of the extraordinary wines on offer and their price and availability over time. <br /> <br /> Liste 1929: 240x165mm black and gold illustrated stiff card wrappers stab sewn 2231pp; illustration by Jules Isnard Dransy 1883-1945; two advertising cards for the fine wines of Bordeaux laid in. Near Fine.<br /> <br /> Liste 1930: 240x180mm spiral wire bound gold illustrated stiff card wrappers 24pp; illustration not attributed Paule Iribe is sometimes suggested possibly Alfred Latour but using the designs of Dransy advertising card for the fine wine of Burgundy laid in. Small offset blemish to two plates boards faintly worn. Very Good.<br /> <br /> Liste 1931: 240x180mm spiral wire bound blue and silver illustrated stiff card wrappers 2242pp; illustration by Cassandre Adolphe Jean Marie Mouton 1901-1968 bi-fold letter from Nicolas to its customers arguing for the introduction of appellation control rules in Burgundy laid in. One or two faint blemishes Near Fine.<br /> <br /> Liste 1932: 240x180mm spiral wire bound black inlaid colour illustration stiff card wrappers 311pp; illustration by d'Edy Legrand Edward Louis Warschawsky Leon 1892-1970; small loss to wire binding in two spots faint foxing to several pages illustration not affected. Very good.<br /> <br /> Liste 1933: 240x180mm spiral wire bound silver inlaid colour illustration stiff card wrappers 311pp; illustration by Jean Hugo; bi-fold typed letter dated 18/2/1933 offering wholesale Bordeaux wine; small blemishes to wrappers light foxing to endpapers and title-page. Very good.<br /> <br /> Liste 1934: 240x180mm clear plastic comb binding colour illustrated stiff card wrappers 230 folded leaves2pp; colour illustration and vignettes by Alfred Latour 1888-1964. Gutters of wrappers lightly wormed not affecting text or structure; wrappers lightly soiled.<br /> <br /> Liste 1935: 240x180mm clear plastic comb binding bronze illustrated stiff card wrappers 351pp; illustration by Darcy Georges-Edouard 1883-; broadside on blue paper from Nicolas to its customers noting the anemic qualities of the 1934 vintage and trade card for Doyen Champagne laid in; faint offset toning to wrapper turn-ins else fine.<br /> <br /> Liste 1936: 240x180mm black plastic comb binding colour illustrated stiff card wrappers 48 folded leaves4pp; colour illustration and vignettes by Cassandre; general tariff card and tariff card for Jules Muller Kanzlerberg Grands Crus d'Alsace laid in; upper wrapper lightly scuffed faint foxing to endpapers comb not original ; internally fine.<br /> <br /> Liste 1938: 240x180mm clear plastic comb binding colour illustrated stiff card wrappers 504pp; colour illustration and vignettes by Galanis Demetrios 1879-1966; edges faintly age-toned rear wrapper lightly soiled internally fine.<br /> <br /> Liste 1939: 240x180mm clear plastic comb binding cream decorated initial stiff card wrappers 444pp; colour illustration by C Erickson Carl Oscar August 1891-1958; layout and typography by Cassandre; wrapper edges lightly soiled; faint age-toning not affecting the text or illustration; <br /> <br /> Liste 1949: "Sous le Signe de Paris" 240x180mm clear plastic comb binding cream illustrated stiff card wrappers 231 folded leaves7pp; illustration by Dignimont André 1891-1965; artistic direction by Cassandre; poster card and general tariff card laid in; wrapper edges lightly soiled; small chip to bottom edge of rear wrapper else near fine.<br /> <br /> Liste 1950: "Sous le Signe de Soleil Levant" 240x180mm clear plastic comb binding cream illustrated stiff card wrappers 432 folded leaves4pp; illustration by R Harada Rihaka 1890-1954; typography by Alfred Latour; 'Kino Rok' advertising card an bi-fold price list laid in; wrapper edges and fore-edge lightly soiled else near fine. <br /> <br /> Liste 1951: "Sous le Signe d'une Vierge Folle de Strasbourg" 240x180mm clear plastic comb binding cream printed stiff card wrappers 433 folded leaves5pp; illustration by Berthommé Saint-André Louis 1905-1977; typography by Alfred Latour; wrapper edges faintly soiled else near fine.<br /> <br /> Liste 1953: "Sous le Signe de Don Quichotte" 240x180mm clear plastic comb binding black gilt and colour decorated stiff card wrappers 239 folded leaves5pp; illustration by Léon Gischia; ornaments and typographie by Alfred Latour; single leaf tariff card extract laid in; faint offset toning to several pages else near fine.<br /> <br /> Liste 1954: "Sous le Signe de quelques Jolies Filles des Provinces de France" 240x180mm clear plastic comb binding original glassine outer wrapper pink printed stiff card wrappers 433 folded leaves5pp; watercolour illustration by Van Dongen Cornelis Theodorus Maria1877-1968; typographie by Alfred Latour; bi-fold tariff card extract laid in; Near Fine.<br /> <br /> Liste 1955: "Sous le Signe des 'Still Life' vies silencieuses" 240x180mm clear plastic comb binding original glassine outer wrapper illustrated stiff card wrappers 231 folded leaves5pp; paintings by André Marchand 1907-1997; ornaments and typography by Alfred Latour; edges lightly soiled internally near fine.<br /> <br /> Liste 1956: "Sous le Signe de L'lle de France" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; paintings by Roland Oudot 1897-1981; typography by Alfred Latour; edges faintly age-toned else near fine.<br /> <br /> Liste 1957: "Sous le Signe d'une Petite Fille" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; watercolour illustration by Constantin Terechkovitch Kostia 1902-1978; typography by Alfred Latour; page edges faintly age-toned faint shelfwear else near fine.<br /> <br /> Liste 1958: "Sous le Signe du Soleil Provence" 240x180mm clear plastic comb binding illustrated stiff card wrappers 2344pp; paintings by Roger Limouse; typography by Alfred Latour; edges faintly age-toned else near fine.<br /> <br /> Liste 1959: "Sous le Signe du Mexique" 240x180mm clear plastic comb binding illustrated stiff card wrappers 243 folded leaves5pp; paintings by Christian Caillard 1899-1985; typography by Alfred Latour; wrapper edges faintly worn; page edges faintly age-toned else near fine.<br /> <br /> Liste 1960: "Sous le Signe des Antilles Françaises" 240x180mm clear plastic comb binding illustrated stiff card wrappers 235 folded leaves5pp; paintings by Robert Humblot 1907-1962; ornamentation and typography by Alfred Latour; wrapper edges faintly worn; page edges faintly age-toned else near fine.<br /> <br /> Liste 1961: "Sous le Signe des Fruits de la Terre de France" 240x180mm clear plastic comb binding illustrated stiff card wrappers 235 folded leaves5pp; paintings by Georges Rohner 1913-2000; ornaments and typography by Alfred Latour; bi-fold cream tariff card laid in; faint shelf wear else near fine.<br /> <br /> Liste 1962: "Sous le Signe de l'étè de la Saint-Martin" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; paintings by Mineaux André 1923-1986; typography by Alfred Latour; faint shelf wear else near fine.<br /> <br /> Liste 1963: "Toreros" 280x220mm illustrated stiff card wrappers 232 folded leaves4pp; watercolour illustrations by Bernard Buffet 1928-1999; typography by Alfred Latour; light shelf wear wrapper edges lightly rubbed; internally near fine.<br /> <br /> Liste 1964: "Les Sept Péchés Capitaux" 280x220mm illustrated stiff card wrappers 236 folded leaves6pp; paintings by Claude Schurr 1921-2014; ornaments and typography by Alfred Latour; wrapper edges faint shelf wear top edges trifle dusty else near fine.<br /> <br /> Liste 1965: "Profondeurs Marines" 280x220mm illustrated stiff card wrappers 234 folded leaves6pp; watercolour illustrations by Chapelain Midy Roger 1904-1992; typography by Alfred Latour; two tariff cards laid in; wrapper edges light shelf wear lightly worn top edges trifle dusty one or two spots to endpapers otherwise internally near fine. <br /> <br /> Liste 1966: "Gens du Voyage" 280x220mm original glassine outer wrapper illustrated stiff card wrappers 2366pp: paintings by Guiramand Paul 1926-2007; typography by Jean Latour; wrapper edges lightly worn light shelf wear top edges trifle dusty and lightly soiled internally near fine.<br /> <br /> Liste 1967: " La Chaleur du Terroir" 280x220mm original glassine outer wrapper illustrated stiff card wrappers 237 folded leaves5pp; paintings by Maurice Savin Louis 1894-1973; ornaments and typography by Jean Latour; wrapper edges faint shelf wear; faint foxing to end-papers and top edges else very good.<br /> <br /> Liste 1969: "Le Paradis Terrestre" 280x220mm illustrated stiff card wrappers 2 32 folded leaves6pp two folding plates; paintings by Lorjou Bernard 1908-1986; typography by Jean Latour; wrapper edges rubbed light shelf wear; gift inscription in ink to Michel Bonnefond the owner of Ruchotte Chambertin on the front free endpaper else internally near fine.<br /> <br /> Liste 1970: "Les Saisons" 280x220mm illustrated stiff card wrappers 231 folded leaves7pp; paintings by Ghiglion-Green Maurice 1913-1989; typography by Jean Latour; front wrapper small scuff wrapper edges rubbed light shelf wear; cnrs gently bruised else very good internally near fine.<br /> <br /> Liste 1971 "Des Alpilles à la Mer" 280x220mm illustrated stiff card wrappers 233 folded leaves5pp; paintings by M E Sarthou Maurice Elie 1911-1999; typography by Jean Latour; bi-fold order form for the 1980 vintage laid in; wrapper edges lightly worn corners faintly bruised internally near fine.<br /> <br /> 1972 "Le Génie du Vin" 320x265mm illustrated stiff card wrappers sewn 28pp; thirteen gouache illustrations by André Derain 1880-1954 reproduced lithographically; printed by Draeger Frères Montrouge.; wrappers lightly soiled internally near fine. A 'Liste' was not published for 1972. Le Génie du Vin was instead published to commemorate the one hundred and fiftieth anniversary of Établissments Nicolas founded in 1822. <br /> <br /> Liste 1973: 280x220mm illustrated stiff card wrappers 231 folded leaves7pp; paintings by Guerrier Raymond 1920-2002; typography by Jean Latour; wrapper edges faint shelf wear lightly worn; page edges faintly age-toned; small blemish to p.36 else internally near fine. This was the last of the Liste des Grands Vins Fins published. The tradition was resumed in a slightly different format in 1993 with the publication of the 1992 Carte.<br /> <br /> Carte 1992: Nicolas Carte Fines Bouteilles 1992. 285x220mm illustrated stiff card wrappers 2-504pp. Illustrated by Philippe Favier 1957- ; spine faintly sunned else near fine.<br /> <br /> Carte 1993: Nicolas Carte Fines Bouteilles 1993. 250x310mm illustrated stiff card wrappers 631pp. Illustrated by Gérard Puvis 1950- ; wrappers faintly soiled corners faintly bruised; internally fine.<br /> <br /> Carte 1994: "Plantes" Nicolas Carte Fines Bouteilles 1994. 350x280mm illustrated stiff card wrappers stapled 24pp. Illustrated by François Boisrond. Wrappers faintly soiled one corner gently bruised; internally fine.<br /> <br /> Carte 1996: "Variations Naturelles" Nicolas Carte Fines Bouteilles 1996. 280x280mm illustrated stiff card wrappers stapled 28pp. Illustrated by Emmanuelle Cremer. Wrappers faintly soiled internally fine.<br /> <br /> Carte 1997: Nicolas Carte Fines Bouteilles 1997. 280x220mm illustrated stiff card wrappers stapled 32pp. Illustrated by Philippe Dupuy and Charles Berberian. Wrappers faintly sunned to one edge internally fine.<br /> <br /> Nicolas remains today France's preeminent wine merchant. During it's two centuries of trade it has significantly changed the way consumers drink and consider wine. First it was the first merchant to sell table wine in bottles rather than casks making it easier for the average person to drink a glass of wine at home rather than in a tavern. Second and more relevant here Nicolas' association of fine wine with fine contemporary and avant-garde art changed the way wine was marketed and perceived by the public. Nicolas' use of art to promote and communicate the qualities of wine has been much imitated since the 1920s and continues today to be used by premium wines and wineries throughout the world. <br /> <br /> Notwithstanding the contributions of the various celebrated contributing artists much of the unique character of the Nicolas Listes can be attributed to Alfred Latour 1888-1964 a French painter and engraver who worked extensively as a graphic designer for Nicolas and was a friend of Cassandre and many of the other contributing artists. After his death in 1966 his son Jean took over his position at the Établissements Nicolas Maison.<br /> <br /> A scarce collection of some of the most innovative and elegant wine marketing materials and ephemera ever produced.<br /> <br /> § OCLC suggests there are no holdings of a complete or partial run in institutions and that holdings of individual titles are scarce; a complete run of digital copies appears to be held by the Bibliothèques Patrimoniale/Forney Paris.<br /> § Oberlé Fritsch 597; Bibliothèque Forney <br /> <br /> </p> Établissements Nicolas Maison Fondée en 1822 unknown
17984673Lausanne, Imprimé aux dépends de l'auteur, 1798. In-12 de XXIV, 406 pages, [1]ff. blanc, demi-basane à coins, dos lisse, étiquette de titre, petit accroc à la coiffe inférieure, coins un poil frottés.
151819116ABStraßburg, Joh. Schott für Joh. Knoblauch und P. Götz, 1518. 31 : 21 cm. 6 not numbered, 169 numbered leaves, 153 (1 full-page) text-woodcuts (53 repeated) Modern Vellum. title on front board and spine.
AQ27989vs.: vs. 1820-40s An archive comprised of sixty-eight loose articles of late Georgian and early Victorian manuscript and printed ephemera relating to the purchase of alcohol including a number of bill-heads for merchants in inter alia Glasgow and London. The majority of the manuscript material - predominantly receipts and purchase orders - are addressed to Nottingham-based wine merchant Thomas Bailey 1785-1856 father of poet Philip James Bailey 1816-1902 noted author of Festus 1839. The elder Bailet who established his business in 1817 relinquished control in the 1830s in order to devote himself more fully to his roles as newspaper editor and author. The later material in this archive dating to the 1840s is addressed to Bailey's son-in-law and successor John Brown. A remarkable opportunity to acquire an archive of mid-nineteenth century commercial material directly connected to the provincial wine and spirit trade. . [vs.], [1820-40s] unknown
18673517In-4 (37 X 28 cm), VIII et 107 pp., table des monographies et photographies, 2 pp., broché, deux plats de couverture présents mais sans le dos. Occasion, mais Etat satisfaisant
1908R300013850CHEZ L'AUTEUR. 1908. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 169 planches en noir et blanc avec pour la plupart une notice du château au dos. Quelques petits accrocs sur les mors.. . . . Classification Dewey : 634.8-Viticulture, vin
259507New York ca. late 19th century. 8vo. Bound in full pebbled black cloth paper spine label with manuscript label. 8vo. Includes a run of very rare wine auction catalogues from the firm of Draper & Co 112 Pearl St. New York auctioning the stock of wine merchant W.H. Starin.<br /> <br /> WINE AUCTION John H. Draper & Co. Will Sell on Wednesday March 15th 1882 . by Order of Mr. W.H. Starin and Without any Reserve Whatever His Extraordinary Collection of Sherries Comprising Finos Amontillados Olorosos and East-Indias also Alto-Douros. 17 pp. 103 lots<br /> <br /> WINE AUCTION Price Current of a Collection of Old and Rare Sherry Wines Consisting of Soleras . Olorosos. Amontillados. Twenty-five to Sixty Years in Wood and Glass. W.H. Starin 40 Beaver St. New York. May 15th 1878. 12 pp. Light dampstaining to margins.<br /> <br /> WINE AUCTION John H. Draper Auctioneer. The Starin Collection of Sherry Wines . the Whole to Be Sold by Auction by Messrs. J.H. Draper & Co. Friday Dec. 19 1879 . at Their Store 112 Pearl Street New York. iv 12 pp. 29 lots. Light dampstaining to margins. Prices realized in pencil<br /> <br /> WINE AUCTION Townsend & Montant Auctioneers. 87 & 89 Leonard St. N.Y. City. 3-10 pp. 33 lots. Prices realized in pen. The Ketletas Sale 1902<br /> <br /> HAYNE Arthur P. Olives. Pickling Processes . Proximate Analyses of Olives. By George E. COLBY. Sacremento: A.J. Johnston Superintendent State Printing 1895. 37 pp<br /> <br /> WINE AUCTION John H. Draper Auctioneer. The Starin Collection of Sherry Wines Consisting of Olorosos Amontillados east Indias Etc. The Whole to Be Sold by Auction by Messrs. J.H. Draper & Co. Friday Dec. 15 1880 . at Their Salesroom 85 Front Street New York. ii 14 pp. 40 lots. Some prices realized in pencil<br /> <br /> WINE AUCTION A Cabinet of Curiosities. The Starin Collection of Sherry Wines . The Whole to Be Sold by Auction at the Clinton Hall Sale Rooms . April 25 . Geo. A. Leavitt & Co. Auctioneers. ii 7 1 12 pp. Some contemporary manuscript notes in pen<br /> <br /> CADET C.A. Mémoire Sur la Fermentation acéteuse et sur l'art du vinaigrier. 35 pp. Foxed OCLC 457222451: 1 copy BNF<br /> <br /> The Tintometer. New York: E.B. Meyrowitz ca. 1895 2 editions. 20 pp & 26 pp. unknown
259507New York ca. late 19th century. 8vo. Bound in full pebbled black cloth paper spine label with manuscript label. 8vo. Includes a run of very rare wine auction catalogues from the firm of Draper & Co 112 Pearl St. New York auctioning the stock of wine merchant W.H. Starin.<br/><br/>WINE AUCTION John H. Draper & Co. Will Sell on Wednesday March 15th 1882 . by Order of Mr. W.H. Starin and Without any Reserve Whatever His Extraordinary Collection of Sherries Comprising Finos Amontillados Olorosos and East-Indias also Alto-Douros. 17 pp. 103 lots<br/><br/>WINE AUCTION Price Current of a Collection of Old and Rare Sherry Wines Consisting of Soleras . Olorosos. Amontillados. Twenty-five to Sixty Years in Wood and Glass. W.H. Starin 40 Beaver St. New York. May 15th 1878. 12 pp. Light dampstaining to margins.<br/><br/>WINE AUCTION John H. Draper Auctioneer. The Starin Collection of Sherry Wines . the Whole to Be Sold by Auction by Messrs. J.H. Draper & Co. Friday Dec. 19 1879 . at Their Store 112 Pearl Street New York. iv 12 pp. 29 lots. Light dampstaining to margins. Prices realized in pencil<br/><br/>WINE AUCTION Townsend & Montant Auctioneers. 87 & 89 Leonard St. N.Y. City. 3-10 pp. 33 lots. Prices realized in pen. The Ketletas Sale 1902<br/><br/>HAYNE Arthur P. Olives. Pickling Processes . Proximate Analyses of Olives. By George E. COLBY. Sacremento: A.J. Johnston Superintendent State Printing 1895. 37 pp<br/><br/>WINE AUCTION John H. Draper Auctioneer. The Starin Collection of Sherry Wines Consisting of Olorosos Amontillados east Indias Etc. The Whole to Be Sold by Auction by Messrs. J.H. Draper & Co. Friday Dec. 15 1880 . at Their Salesroom 85 Front Street New York. ii 14 pp. 40 lots. Some prices realized in pencil<br/><br/>WINE AUCTION A Cabinet of Curiosities. The Starin Collection of Sherry Wines . The Whole to Be Sold by Auction at the Clinton Hall Sale Rooms . April 25 . Geo. A. Leavitt & Co. Auctioneers. ii 7 1 12 pp. Some contemporary manuscript notes in pen<br/><br/>CADET C.A. Mémoire Sur la Fermentation acéteuse et sur l'art du vinaigrier. 35 pp. Foxed OCLC 457222451: 1 copy BNF<br/><br/>The Tintometer. New York: E.B. Meyrowitz ca. 1895 2 editions. 20 pp & 26 pp. unknown books
Three volumes, complete. FIRST EDITION of this scholarly, encyclopedic, and highly entertaining history of French gastronomy. XIII, (3), 373, (1); (4), 383, (1); (4), 363, (1). Half-titles present (they are often missing). SIGNED (in pencil) ON THE HALF-TITLE OF VOLUME I BY JORDI, JOSEP, AND JOAN ROCA OF EL CELLER DE CAN ROCA IN GIRONA, SPAIN, CURRENTLY THE BEST RESTAURANT IN THE WORLD (according to the highly prestigious San Pellegrino survey). And SIGNED (in pencil) ON THE HALF-TITLE OF VOLUME II BY FERRAN ADRIA, OF EL BULLI, winner of the San Pellegrino survey a record five times. The author originally set out to write an extensive work covering all facets of private life in France, but only this first part--which covers everything related to cooking, wine, eating, and hunting--was published. Discusses the origins of cooking tools and techniques, the provenance of all kinds of foods (including, of course, foodstuffs that came from the New World), and much more, including an extensive section on hunting. A classic. PRINTED ON FINE LAID PAPER. 8vo. ELEGANTLY BOUND IN FULL CONTEMPORARY HALF RUSSIA AND MARBLED BOARDS, SPINE IN SIX COMPARTMENTS WITH RAISED BANDS. Minimal traces of wear to bindings, upper joint of volume I cracked but firm, else a fine and bright copy with very large margins and very white paper. Vicaire 510 ("Ouvrage tres interessant et tres utile...."); Bitting 280 ("This is one of the finest works upon the social life of the French people...."); Thiebaud 576. AN OUTSTANDING SET OF A RARE AND IMPORTANT WORK.
1990EXE-563Lausanne, André et Pierre Gonin, 1990. in-8° carré, en feuilles sous couverture, boîte en toile rouge de l'édition. Illustré de 20 eaux-fortes originales de Hans Erni. Tiré à 138 exemplaires, le nôtre est justifié "exemplaire B" et fait partie des 12 exemplaires de tête imprimés sur papier Duchêne et enrichis d'une suite sur Japon Torinoko, d'un cuivre original barré et d'un dessin original.
18780030671878 Paris, Plon, 1878. Deux volumes grand in-quarto (216 X 305) reliés à la Bradel demi-percaline verte à coins, pièce de titre maroquin brun à grain long sertie de deux double filets dorés, fleuron doré, double filet doré et date en queue, plats de la couverture conservés (reliure de lépoque). Tome I : (1), faux-titre, frontispice, titre imprimé en rouge et noir, 328 pages ; Tome II : faux-titre, titre imprimé en rouge et noir, 329-659 pages. Fortes piqures à certains cahiers (pages 208 à 225 & 352 à 401), qui semblent habituelles au grand papier de cet ouvrage.
pp. (16), 316, in-8, mezza pelle con angoli e tassello al dorso
474061/ Les principales bévues des vignerons,aux environs de Paris et par-tout.Paris.1782.43 pages. 2/ Avis et leçon à tous les laboureurs,cultivateurs.Paris.1781.EO.61 p. 3/ Nouvelle méthode non encore publiée,pour planter et cultiver la vigne.Paris.1782.E.O.30 p.4/ Théorie ou leçon sur le temps le plus convenable de couper la vendange,dans tous les pays et dans toutes les années.Paris.1782.E.O.81-30-33 pages.5/ La richesse des vignobles ou nouvelle manipulation générale des vins.Paris.1782.28-10-6-32 pages.6/ Expériences principales et instructives de la nouvelle manipulation des vins.Paris.(S.D.1782).32-30 p.7/ Moyen pour assurer la durée des vins.(S.D.)19 p. 8/Considération sur l'art de la vigne et sur la seule richesse du peuple.(S.D.) 14 p. In-8,demi-reliure XIXème,Fleurons dorés au dos.TBE. Rare recueil de textes de M.Maupin,réservés à ses clients.Reçus signés de la main de l'Auteur,à la fin de certains textes.
1572LL 290<p>Provisioni et ordini della Gabella del sale & del modo di vender VINO a fiaschi. Et che non si possa portar vino da luogo a luogo senza licentia. TOGETHER WITH: Bando che non si possa comperare VINO per Rivendere. Et a chi e permesso & quanto sono obbligati li VINATTIERI Florence: Giunti 1572 and 1575. Two scarce Bandi on wine dated 1572 and 1575. First Edition. Together 2 pamphlets small 4to. Ad 1: 10 pp. integral blank leaf foliated in MS in upper right corners: "303"-"308." Ad 2: 4 pp. foliated in MS in upper right corners: "322"-323." Later marbled wrappers. Both Bandi with large Giunta printer's device on title-page. Very good. Ad 1: Provisions on the salt tax gabelle; selling wine in flasks; and transporting wine from place to place without a license. This Bando references regulations from 13 October 1481 1541 1542 and 1550. Scarce: FirstSearch and KVK searches produce only the much later 1616 edition and this in a single copy only BYU plus five Italian library according to EDIT16 CNCE 67599. Raffaello Uccelli Contributo alla bibliografia della Toscana no. 5339. Ad 2: Prohibiting the purchasing of wine to be RESOLD and with orders concerning the legal methods of sale of wine. Of this edition according to FirstSearch and KVK there are copies at BYU and Columbia plus 4 Italian libraries acccording to EDIT16 CNCE 67224. The Bibl. Nazionale centrale de Roma BnF Yale Law and UPenn have a Bando with this title printed in the same year by Giorgio Marescotti priority indeterminate.</p> Giunti
In-4 (209 x 136 mm), plein vélin à rabats, dos à 4 nerfs plats, pièce de titre de maroquin brique encadré de filets dorés (reliure moderne), (12), 252 feuillets, (20) feuillets de table (pour "L'agriculture et maison rustique") et 22 feuillets titre compris (pour "La Chasse du Loup"), planches gravées sur bois. Nouvelle édition, celle-ci autorisée avec le privilège royal. Elle est illustrée de 6 gravures sur bois dans le texte et de nombreuses initiales pour la maison rustique; ainsi que de 14 grandes planches pour "La chasse au loup". L’ouvrage de Charles Estienne (1504-1564), est considérablement enrichi par Jean Liébault et augmenté du traité de Jean de Clamorgan "La chasse au loup", placé en fin sous page de titre et pagination particulières. "Après la mort de Charles Estienne, c’est son gendre Jean Liébault (vers 1534-1596), également médecin, qui assure les mises à jour et les révisions de l’ouvrage" (cf. exposition "Le succès de la Maison rustique", BM de Lyon, en ligne). Véritable encyclopédie de la vie rurale, l'ouvrage obtint un immense succès et fut édité sans interruption jusqu'au XVIIIe siècle. Il constitue une source fondamentale sur le sujet. Soins aux personnes et aux animaux, habitat, agriculture, élevage, basse-cour, chevaux et chiens, jardinage, chasse et pêche, préparation des aliments, beurre et fromages, viticulture et vin, boissons et alcools, miel et confitures, boulangerie et pâtisserie, etc., etc. (Goldsmiths'-Kress,, n°154.2-1. Thiébaud, col. 344. Mortimer, n°142). Court de marge supérieure avec petite perte en tête des titre et titres courants. Remarquable provenance: l'humaniste, érudit et bibliothécaire néerlandais Hugo Blotius ou Hugo de Bloote (1533, Delft - 29 janvier 1608, Vienne). D'abord intéressé à la bibliothéconomie, il étudia le droit puis fut nommé, en 1575, premier bibliothécaire en chef de la Bibliothèque impériale à Vienne par l'Empereur d'Autriche Maximilien II. Avec ex-libris manuscrit daté en pied du titre: "Ex haeraditate H. Guttÿ [Helfricus Guttius] exit H. Blotius Viennae 1585". La bibliothèque Nationale d'Autriche possède une épitaphe manuscrite composée par Hugo Blotius en l'honneur d'Helfricus Guttius en cette même année 1585: "Epitaph und Symbolum für Guttius" (Artikel ref. AC14250895). Très bon exemplaire, très frais, imprimé sur beau papier, bien conservé.
35601315, Lyon, Seb. Gryphius, 1549 "Relié à la suite: ALEXANDRINUS (Georgius). Enarrationes vocum priscarum in libris de re rustica. Ph. Beroaldi in libris XIII Columellae Annotationes- Aldus de Dierum generibus, simulq. de Umbris et Horis quae apud Palladium. Lyon, Seb. Griphe, 1549 ; 2 ouvrages reliés en 1 vol. in-12, vélin ivoire du XIX e siècle. A. PALLADIUS . 184 pp. et 4 ff. n.ch. avec la marque du griffon au verso du dernier. Belle édition lyonnaise du traité d’agriculture de Palladius (IV e siècle de notre ère). Il nous apprend lui-même qu’il possédait des terres dans la campagne napolitaine et en Sardaigne et qu’il en dirigeait l’exploitation. Il rassembla ses observations en 14 livres qui renferment des préceptes importants : qualité du sol, situation de la ferme, bâtiments, avec des détails précieux d’architecture et d’aménagements intérieurs, chambres, citernes, caves, etc. Elevage des volailles, ruches, jardins, agriculture, tenue de maison, VITICULTURE ET ART DE FAIRE LE VIN, huile d’olive, confitures, hydromel, verjus, etc.Baudrier VIII, p. 234. B. ALEXANDRINUS. 84 ff. non chiffrés. Ce recueil s’ouvre sur un dictionnaire des mots utilisés dans le recueil des auteurs agronomiques anciens. Suivent des commentaires de Beroalde sur l’ouvrage de Columelle et un petit calendrier de l’ensoleillement aux différentes heures du jour pour tous les mois de l’année par Alde, pour accompagner l’ouvrage de Palladius. Baudrier VIII, p. 231."
190323Editions Masson 1903-1910 Format : 27 x 36 cm, reliures demi-chagrin à coins, toutes les planches (23 X 34.5 cm) sont montées sur onglets. Une véritable encyclopédie reproduisant 500 superbes planches en couleurs de cépages au format réel, 70 planches en noir et blanc et 840 gravures en noir in texte. L'ouvrage recense 5200 cépages du monde entier, représentant une liste d'environ 24000 noms. le monumental travail de Victor Vermorel et Pierre Viala, qui fut mené à bien après dix ans d'études et de recherches minutieuses à la tête d'une équipe internationale de 70 ampélographes. Sur les 7 volumes qui compose cette encyclopédie je met en vente les volumes 1,4,5 et 6. Soit 300 planches couleurs sur 500 et les 70 planches en noir (le tome 7 est un volume de tables sans planche) Tome 1 : 730 pages de texte illustrées de dessins et 70 planches de gravures en noir Tome 4 : 374 pages de descriptifs de cépages et 100 planches couleurs Tome 5 : pages de descriptifs de cépages et 100 planches couleurs Tome 6 : pages de descriptifs de cépages et 100 planches couleurs les 300 planches couleurs ont été peintes par J. TRONCY ou A. KREYDER les 70 dessins en noir sont de H. GILLET