DALI, SalvadorBiblio.com
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1032171975-76 . Colour lithograph with screenprint and etching 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 F 1975-76 unknown
1032191975-76 . Colour lithograph with screenprint and etching 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 D 1975-76 unknown
1033891975-76 . Colour lithograph with screenprint and etching with collage elements 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 C 1975-76 unknown
193653047Paris: GLM 1936. Fine. Offered to the friend beyond words companion of all wars and of loves as well GLM Paris 1936 12.50 x 17 cm broché First edition one of 100 numbered copies on vellum ours unnumbered the only deluxe papers after 15 copies on Japon. Illustrated with a frontispiece drawing by Salvador Dalí. Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. » It was in 1929 that René Char first discovered the verse of Paul Eluard. Captivated the young twenty-two-year-old poet from L'Isle decided to send him a copy of his collection Arsenal inscribing it with the following dedication: « à Paul éluard enfin. L'Isle 17 septembre 1929. » His elder responded kindly a few weeks later: « Cher Monsieur n'est-il pas possible que nous nous connaissions mieux Ne pensez-vous pas venir à Paris Je serais heureux de vous dire combien j'aime vos poèmes tout ce si beau livre. » The young Char elated set off for the first time to meet his « substitute brother » Laurent Greilsamer René Char Perrin 2012 and soon decided to move to Paris to join his new companions Aragon Breton and Eluard placing himself under the Surrealist banner. Eluard abandoned by Gala who left him for Dalí offered Char to live in his apartment on rue Becquerel. The two bachelors soon engaged Odette a young maid who was more than agreeable: « Char enjoyed this refined service but was nevertheless surprised by the marked kindness of this pretty brunette. One day he took her in his arms. The young beauty smiled yielded and proved herself expert. That evening René recounted his adventure to Eluard who the next morning had his breakfast served in bed and invited Odette to join him. A temporary trio was thus formed. » op. cit. Char and Eluard now inseparable shared a taste for revelry and frenetic seduction roaming the Parisian boulevards in search of adventure. Thus on the evening of 21 May 1930 they met a destitute actress and trapeze artist: Nusch. « Eluard decided to take her back like a precious parcel to rue Becquerel. But it would take all the friendship of Char and his powers of persuasion to convince the young woman to stay giving Eluard the timeall the timeto fall in love. » op. cit. Char thus played the role of mediator enabling Eluard to win the great love of his life who died prematurely in 1946 of a cerebral haemorrhage. Despite several passing quarrelsnever over women but always over ideasthe two poets maintained a strong bond of friendship and intellect until the end of Eluard's life. « Je suis vieux René par instants à force de ne plus aimer la vie. Je vis par devoir. Mais je t'aime profondément comme je t'ai toujours aimé : ne te choque de rien ; venant de moi tout est pour moi affection et admiration. . Quelle preuve de plus peux-tu en avoir que je te dise que tu es le seul homme à qui je pourrais avouer ce grand vide que je porte en moi et devant qui je pourrais pleurer autant que j'en ai toujours envie. » GLM hardcover
107427Paris Michèle Broutta et Pamela Verlag 1972. . Limited edition numbered 57 of 150; folio 48 x 35 cm; complete with 10 drypoints printed in colours each signed by Dali in pencil each numbered 57/150 on Richard de Bas paper; each protected by transparent sheet text in Italian printed title and justification pages printed cream dust wrapper slightly marked all loose and housed in red cloth foldover box with title lettered in silver; a fine copy.<br /> An excellent example of the complete portfolio of the Italian text edition of this work on Richard de Bas paper with each coloured etching numbered 57/150 and each signed by Dali in pencil. <br /><br />This collection of erotic love stories first written in the fourteenth century are represented by Dali's highly erotic evocative and ethereal imagery. He captures masterfully the tragic and the comic in his illustration. The images are as follows: 'La Péché Partegé' La fiancé du roi de Garbe Le diable de Enfer l'ange Gabriel L'enfer des Beautés cruelles Le femme adultère le tonneau Blanchefleur Le jument de compère Pierre La ressuscitée.<br /><br />The Richard de Bas paper is of exceptional quality and is produced in a mill dating back to the sixteenth century. This paper was much favoured by Dali and other artists such as Picasso. It was also used for the sole copy of the Constitution of the 5th French Republic of 1958 and the Nobel Prize diplomas have also been written on Richard de Bas paper.<br /> Michler-LApsinger 552-561; Field 72-8 Paris, Michèle Broutta et Pamela Verlag, 1972. hardcover
117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photolithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy.<br /> The first edition of Dali's first surrealist work. <br /><br />The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork.<br /><br />The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition.<br /> Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
74865<p>Salvador Dalí<br />Bird of Paradise from Hawaii: California Suite 1973<br />Lithograph<br />Image size: 55 x 39 cm<br />Sheet size: 64 x 49.5 cm</p><p>Reference: Fields 73-3A</p>
N - 2026 - 36<p>La Vida es Suenos Life is dream E. Subirana Barcelona 1975. This book is one of 28 copies printed on Japon Nacre paper lettered from A to Z of which this copy J. Complete portfolio with text by Calderón de la Barca a medieval play that deals with the philosophical struggle between fate and free will illustrated by Salvador Dali with 16 original etchings of which one full color four etchings with two inks 2 plates six etchings with two inks 1 plate and five black and white etchings. This copy of the DeLuxe edition also includes an additional suite of 10 etchings in sanguine and a suite of 15 etchings of the unused plates. The illustrations in this book were started by Dali in 1962 and were completed in 1975. Loose as issued guarded in the original burlap chemise and slipcase. Ref: Michler Löpsinger Prestel-Verlag Munich # 792-807.</p> E. Subirana
B-25-010007<p>Dali Salvador - Malraux André. Geneva: Albert Skira 1973 First edition. Copy 22 of 150 from a total edition of 160 copies printed in Rive wove paper watermarked with Dali design. Signed by Salvador Dali André Malraux and Albert Skira on the justification page. The portfolio contains: 12 drypoints printed on sheep-skin parchment paper signed and numbered in pencil by Dali each collected in a Rive paper folder with captions inside; two etchings of which one in text and one full page; text in French index of prints colophon and justification page. Loose as published in original paper wrappers with dali's design collected in hard chemise with parchment and black morocco boards with black embossed design gilded title on the spine all guarded in matching black morocco slipcase Ref: Field 73-8</p> Albert Skira
1969147228New York: Maecenas Press & Random House 1969. Limited illustrated edition of Lewis Carroll's beloved children's classic signed by and with twelve illustrations by Salvador Dali. Folio loose portfolio as issued in original brown silk chemise decorated in gilt illustrated with an original three-color etching as a frontispiece and 12 striking full-page color photogravures heliogravures after DalÃ's original gouache paintings. One of 2500 numbered copies signed by Salvador Dali on the title page. Housed in the original tan leather-backed clamshell case lacking imitation bone clasps. In very good condition. “DalÃ’s images have become icons of the fantastic signposts not maps that point the way inward to that realm†Clute & Grant 246. This magnificent production printed on Mandeure paper contains an original three-color etching as a frontispiece and 12 striking full-page color photogravures heliogravures after Dali’s original gouache paintings Michler & Löpsinger. Maecenas Press & Random House hardcover
74788<p>Salvador Dalí<br />Jack of Clubs from Playing Cards 1972<br />Lithograph<br />Hand-signed lower right<br />Edition 43 / 150<br />Image size: 36.2 x 23.5 cm<br />Sheet size: 65.5 x 51 cm<br />Reference Field 72-4</p>
196839447Paris: Draeger 1968. Salvador Dalí. First edition. A PRESENTATION COPY FOR DR. ROUCAUTE Dalí's personal physician with a SIGNED AND DEDICATED INDIA INK DRAWING BY DALI ON A PRELIMINARY BLANK. Most of Dalí's presentation drawings were done on the spur of the moment in ballpoint or felt-tip pen and are rather simple compositions. This one however is in India ink with Dalí's characteristic carefully-planned spatter: it was obviously prepared ahead of time for presentation to a close friend the doctor. The drawing measures 27.5 x 30 cm and features several typical elements of Dalí's iconography: a knight on horseback an angel a dedicatory phrase a signature with a crown and a date. They are arranged in an absolutely wonderful apparent chaos--making it impossible to know what to look at first or what to focus on--and yet there is perfect harmony. Large 4to. Publisher's cloth with dustjacket. An excellent copy of the book WITH THE INDIA INK DRAWING IN PERFECT CONDITION. <br/><br/> Draeger hardcover
N - 2026 - 16<p>Paradis Perdu Paradise Lost. Translated by Pierre Messian. Les Bibiliophiles de l'Automobile-club de France 1974. One of John Milton's most important works illustrated by 10 dry-points by Salvador Dali in color signed and numbered in pencil by the artist. One of 150 copies in BFK de Rives paper of which this this n 145. Loose as issued and held within original linen wrapped slipcase and chemise.</p> Les Bibiliophiles de l'Automobile-club de France hardcover
1969190911New York: Maecenas Press Random House 1969. Wonderland Surrealized First Dalí edition number 608 of 2500 copies signed by Dalí on the title page recasting Carroll's children's classic into adult surrealist vision. "The artist Salvador Dalí famous for his surreal images of melting clocks and barren landscapes at first glance might not seem to have much in common with a retiring Victorian English don who wrote children's books. But actually Dalí and Carroll had much in common: both men were ardent explorers of dreams and the imagination attempting in their art to show the fertile pathways to the unconscious. This artistic temperament might explain why in his sixties Dalí created twelve surreal illustrations - one for each chapter - for Alice in Wonderland. Because he required a rich lush palette for his painted drawings Dalí turned to the oldest process for reproducing photographic images for printing: heliogravure. Similar to engraving the method is time consuming and costly. Each heliogravure is printed by hand and considered an original" Nichols p. 28. A further 200 copies were issued signed and with extra plates. This copy has a duplicate limitation leaf numbered 608 inserted; presumably a collation error by the publisher; the book is otherwise complete. Folio. With 12 colour heliogravures and a four-colour etched frontispiece on Rives paper. Publisher's fall-down-back box of brown straight-grain quarter morocco cloth sides portfolio of letterpress and illustrations loose in the brown cloth chemise as issued. Box neatly restored along joints and has lost its ties; contents in fine condition. Catherine Nichols Alice's Wonderland: a Visual Journey through Lewis Carroll's Mad Mad World 2014. hardcover
1970156803Beverley Hills: Vanguard Studios 1970. Artist's proof of XVIII of XXV on Japon paper aside from the edition of 150 on Rives paper. Each print signed in pencil lower right by Dalí numbered lower left. Titles of the prints are Tete L'Ange Le Dragon Le Cheval La Fourme and Don Quichotte. Quarto. Six loose original etchings from ink drawings printed in brown on Japon paper. Sheet sizes: 24.8 x 32.2 cm. Original white boards Dalí embossed to front cover. Light rubbing to boards otherwise a bright set in excellent condition. Field 70-112. hardcover
196574820<p>Salvador Dali<br />Fantastic Voyage 1965<br />Lithograph<br />Hand Signed lower right<br />Numbered: 177/300 lower left<br />Image size: 60 x 46 cm<br />Sheet size: 76 x 56 cm<br />Published by Sidney Lucas New York and with their ink stamp lower left with Peter Lucas authentication signature and date 3/12/98 in pencil verso<br />REFERENCE: Field 65-4</p>
148162New York: Lyle Stuart Inc 1971. Rare first edition of this book of illegal recipes. Square quarto original boards illustrated with diagrams throughout. Association copy inscribed by the publisher to Salvador Dali "To Salvador Dali - Not as good as your cookbook - but the Spanish edition will be better - Lyle Stuart." The true first edition of this infamous manual that includes instructions on making bombs weapons drugs and much besides. This copy in the rarer hardback edition. Stuart's publishing house developed a reputation as a publisher of controversial books he collaborated with Salvador Dali when he helped publish his set of six lithographs The Lyle Stuart Tarot. A letter of provenance accompanies this book. Near fine in a very good dust jacket. Introduction by Peter M. Bergman. An exceptional association. Written by William Powell as a teenager and first published in 1971 at the height of Vietnam War protests and the counterculture movement in the United States 'The Anarchist Cookbook' was created as an educational tool meant to teach the general public "that violence is an acceptable means to bring about political change" and provide them with the skills to do so. The book contains instructions for the manufacture of explosives rudimentary bugging devices lethal and nonlethal weapons as well as instructions for the home manufacture of illicit drugs including LSD. When Powell converted to Anglicanism in 1976 he attempted to have the book removed from circulation but because the copyright had been issued to the original publisher Lyle Stuart and subsequent publishers that purchased the rights circulation continued until 1991. Lyle Stuart, Inc hardcover
196474864<p>Salvador Dalí <br />Pegasus from The Mythology suite 1960-1964<br />Etching and engraving with color aquatint. <br />Hand Signed lower right<br />Numbered 28/150 <br />Image size: 52 x 61 cm<br />Sheet size: 55 x 76 cm<br />Published by Argillet Paris<br />Reference Field 63-3 B</p>
74868<p>SALVADOR DALÃ<br />Don Quichotte 1971<br />Color drypoint <br />Hand signed lower right<br />Numbered 16/100<br />Image size: 51 x 39 cm<br />Sheet size: 78.5 x 58.5 cm<br />Printed by Ateliers Rigal Fontenay-aux-Roses.<br />Published by De Fracony Paris. <br />Reference: Michler/Löpsinger 451; Field 71-7 A.</p>
1972021298New York and Fribourg: Pamela Verlag and Transworld Art 1972. First Edition. Hardcover. Fine in a Near Fine case. Salvador Dali. Portfolio with loose sheets 12-1/4" x 17-1/2" laid in a paper cover and cloth portfolio lettered in silver on the backstrip as issued. Copy #26 of 150 with English text and 10 ORIGINAL DRYPOINT ENGRAVINGS in color image size 5" x 7-1/4" on 12-1/4" x 17-1/2" sheets each SIGNED by the illustrator. <br/><br/> (Pamela Verlag) and (Transworld Art) hardcover
19302476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production.<br /> <br /> Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With DalÃ’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.†Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard.<br /> <br /> This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.†La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets.<br /> <br /> One of DalÃ’s earliest books containing four texts: “L’Âne Pourri†“La Chèvre Sanitaire†“L’Amour†and “Le Grand Masturbateur.†In these writings inspired by Freudian and post-Freudian theories DalÃ’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.†He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.†<br /> <br /> References: Michler and Löpsinger. Salvador DalÃ: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
1969NE 2Maecenas Press 1969. Book. Fine. Hardcover. Signed by Authors. FIRST. First edition. Maecenas Press/Random House New York 1969. Illustrations by Salvador Dali.of a signed limited edition of 2500 copies issued as a portfolio containing 12 color wood engravings and a color etching. Signed by the illustrator on the title page. Signed by Dali on the title page with an original etched frontispiece in four colors signed in the plate and 12 color heliogravures each with an original remarque. Press/Random House New York 1969. Illustrations by Salvador Dali. 1147 of a signed limited edition of 2500 copies issued as a portfolio containing 12 color wood engravings and a color etching. Signed by the illustrator on the title page. twelve full page color heliogravures. Interior contents bright clean and fresh. Spine of morocco case lovely copy to beige cloth of folding case. Loose as issued in original brown cloth chemise quarter morocco folding case original bone closures . Maecenas Press Hardcover
1962166410Paris: Bibliothéque des Arts 1962. Inscribed with a drawing to a childhood friend First edition first printing presentation copy inscribed by Dalí across the verso of the front free endpaper and the facing page in Catalan "Per en Josep Xirau qui un del primer xicits de Tudela con abraçades den one of the first children of Tudela with hugs from Dalí 1962" and with two ink sketches: one of Don Quixote and the other of Dalí and Josep walking into the mountainous landscape of Tudela in the Cap de Creus national park. This copy is also inscribed by Descharnes on the half-title in French "Pour Monsieur Joseph Xirau hommage te 'amical de a friendly tribute from Robert Descharnes". The recipient was the Catalan lawyer and politician Josep Xirau i Palau who founded the Socialist Union of Catalonia. Dalí was a childhood friend of the Xirau family and painted portraits of several family members including Josep's brothers the philosopher Joaquim and the chemist Joan. Quarto. Text in French. Colour illustrations throughout many images tipped in. Original grey cloth front cover and spine lettered in brown. With dust jacket. Spine lightly bumped; price-clipped dust jacket with light wear at corners small tape repair at head of spine panel: a very good copy in good dust jacket. hardcover
74890<p>Salvador Dali<br />Femmes fleurs 1970<br />Color lithograph<br />Hand signed lower right<br />Numbered 94/150<br />Image size 51.5 x 66 cm<br />Sheet size 56.5 x 76 cm<br />Printed by Desjobert Paris. <br />Published by Musée de l'Athénée Geneva. <br />Reference: Michler/Löpsinger 1329; Field 70-2</p>
196918586New York: Maecenas Press / Random House 1969. Limited Edition. Original wraps. Fine. Signed limited edition of Alice's Adventures in Wonderland featuring twelve illustrations with woodcuts and an original etching by Salvador Dalí. Folio 150pp 6. Full set measures 22" x 16" x 3.5". Portfolio of loose leaves held in brown cloth wraps. "Dalí" stamped in gilt on front cover. Leaves are gathered in signatures of 6 with each centerfold featuring an illustration. All in fine condition. Complete with twelve vibrant full-page color illustrations and one frontispiece etching. One of 2500 portfolios printed on Mandeure paper. This set is numbered 1860. Each portfolio features an original colored etching signed by the artist Salvador Dalí. Housed in the matching cloth clamshell title in gilt on orange morocco spine brown silk interior. Small orange stain to bottom right corner. Held shut with leather straps along fore-edge lacking one latch. Includes the publisher's original shipping box with the matching limitation number. A truly exceptional piece combining classic literature with modern art. Salvador Dalí 1904-1989 illustrated a number of limited edition works throughout his artistic career. In addition to Alice's Adventures in Wonderland Dalí was commissioned to illustrate Macbeth 1946 Don Quixote De La Mancha 1946 The Divine Comedy 1960 Arabian Nights 1964 and The Bible 1967. Maecenas Press / Random House unknown
