Salvador DaliBiblio.com
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197274901<p>Salvador Dalí <br />"Le Decameron" suite Portfolio 10 prints<br />A set of ten drypoints with color engraving<br />The English text and engravings are enclosed in a green slipcase with cover. <br />Each signed in pencil<br />Numbered 71/125 <br />Sheet size: 45 x 31.5 cm<br />Case size: 47 x 34 cm<br />Publisher: Transworld Art New York Fribourg Switzerland<br />Reference Field 72-8; ML552-561.</p>
1935Dali2<p><strong>DALà Salvador 1904-198</strong></p><p>Original drawings and autograph poem charcoal on paper N.p.n.d c. 1935 1 p. in-8° 16 x 205 cm Some spots</p><p><strong>Unpublished poem with superb pencil studies representing surrealist shapes faces as well as a masturbation scene</strong></p><p>Superb pencil drawings some of surrealist shapes others representing faces or a scene of masturbation and fellatio. The Catalan painter has added an exquisite corpse which he calls "descriptive poem" which to our knowledge remained unpublished to this day.</p><p>Dalà titled the poem "imperceptible outbreak of nutrition" he writes as usual in phonetic French:</p><p><em>" ge pique ta nuque</em> <em>ge coupe ton pique </em> <em>ge nuque ta coupe</em> <em>ge vide mon mal </em> <em>J'avale ta male </em>… <em>"</em></p><p>1935 is a turning point in the creation process for the Catalan master. Dalà found the surrealist works too limited the impossibility of going further in the exploration of this world led him to proceed to a work of introspection leading to paranoia. He worked on this aspect of himself and studied the behavior of the mentally ill especially people with paranoid tendencies. It will result from this research a method to open one's mind to the things of the invisible of the unconscious through the use of the paranoid character present in each of us; it is called the Paranoia-Critical Method or M.P.C. In painting this will result in the double or even multiple image to which he will remain attached for most of his life.</p><p><u>Provenance :</u></p><p>– Paul Eluard collection – Georges Hugnet collection acquired from the above – Jacques Desbrière collection acquired from the above – Galerie Marignan Paris acquired from the above – Private collection acquired from the above</p><p>This work is recorded in the archives of Nicolas Descharnes under the reference d7065_1935</p>
1969CH22Maecenas Press 1969. Book. Fine. Hardcover. Signed by Authors. FIRST. THE ROLLING STONES BILL WYMAN'S COPY OF THE DELUXE EDITION OF SALVADOR DALI'S ILLUSTRATED "ALICE'S ADVENTURES IN WONDERLAND" Paris and New York 1969 4000/6000 New York: Random House Maecenas Press 1969. Copy CXXXI of 200 copies of the deluxe edition. The Deluxe Edition of Lewis Carroll's Alice in Wonderland is signed by Salvador Dali on both the title page and the original colored etching with double suites of the original etching and 12 mixed-media illustrations each overprinted with Dali's remarque. Large folio 18-1/2 by 13 inches with 16 loose gatherings as issued including an original four-color etched frontispiece signed by Dali and 12 full-page mixed-media illustrations on Rives and an extra suite of the etching and 12 illustrations on Japanese Nacre. Both suites are housed in black raw silk portfolios all contained in original full tan morocco clamshell box secured with black fore-edge toggles both detached one present. This deluxe edition distinguished from the more commonly found edition of 2500 includes the extra suite of illustrations and etching and it features hand signed and numbered original etching. 18 1/2 by 13 inches PROVENANCE Property From Bill Wyman and his Rolling Stones Archive The Rolling Stones Memorabilia WITH COA. Maecenas Press Hardcover
196691822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
196948500New York.: Maecenas Press - Random House. 1969. Loose as issued in original publisher's black cloth silk portfolios each with Dali to covers loose in original carrot morocco box with ties the ties lacking as usual. Folio. 430 x 285 mm. Carroll's text illustrated with an original frontispiece etching signed and numbered by Dali in pencil and twelve colour woodcut plates' this copy with the additional suite on Japon Nacré. The deluxe edition with the additional suite of Salvador Dali's illustrations for Lewis Carroll's proto-Surrealist masterpiece.From the edition de luxe limited to 200 signed and numbered copies on vélin de Rives with the additional suite of all the plates on Japon Nacré including the frontispiece etching which is signed in pencil by Dali; the full edition was 2500 copies on Mandeure paper.This copy is numbered from the edition of 200 Roman numbering CC. The number is LX no.70Michler & Löpsinger 321 - 333. Maecenas Press - Random House. hardcover
198474914<p>Salvador Dali<br />"Nobility of Time" from "The Sculpture Collection"<br />Conceived in 1977 first cast in 1984<br />Bronze and green patina<br />Edition: 194/350<br />Inscribed "Dali" <br />Dimensions: 60 x 38 x 29 cm<br />Reference: D.635</p><p>"The Sculpture Collection" consists of the most iconic images from Dali's paintings in sculptural form. The epitome of Surrealism this body of work is a product of the artist's direct involvement that focused on ideas over</p>
19711410731c. 1971. Mixed Media Original gouache over photographic reproduction of painting. In Near Fine condition. Unframed. Signed by Dali to lower right corner. Image measures 8.75in. x 12.5in. Mat measures 13.1in. x 17.2in. Exhibited:<br /> <br> <br /> New York Dali in Manhattan April 18 - May 1 2002 Page 63 of the catalogue.<br /> Los Angeles Dali at UCLA July 14 - 27 2001.<br /> <br> <br /> <br> <br /> This work was an original design for the deck of Tarot cards issued under the title Tarots de Salvador Dali. This work represents 'The Lovers' or 'Los Enamorados'.<br /> <br> <br /> <br> <br /> Salvador Dali was one of the most prominent surrealist artists and one of the 20th centuries most recognizable artists. From his signature mustache to his influence on most artistic disciplines Dali continues to inspire. 1410731. Shelved Dupont Bookstore. unknown
