Dali, Salvador; Moore, J PeterBiblio.com
832 résultats
197353941New York: Felicie Inc 1973. First printing. Very good plus in very good jacket. First edition of this fantastic and fantastical cookbook of the many dishes that graced the table of Dalí and his wife Gala illustrated with incredible surrealist collages and photographs. From hors-d'œuvres "délices petits martyrs" to aphrodisiacs "je mange GALA" and from Hieronymous Bosch to melting clocks LES DÎNERS DE GALA is a fabulously surreal culinary adventure. "Elaborated with great precision by a 'chef' wishing to remain in the most secret anonymity" colophon this large cookbook features recipes from Lasserre Maxim's la Tour d'Argent and le Buffet de la gare de Lyon many of which featured in Dalí and Gala's extravagant dinner parties. A beautiful copy of this classic culinary book from one of the 20th century's most iconic and recognizable artists. 12'' x 8.25''. Original color cloth boards. Original unclipped no price as issued stiff color pictorial dust jacket with metallic elements. Color pictorial endpapers of Dalí paintings that incorporate food. Lavishly illustrated in color. 324 pages. Rubbing to jacket as common. Minor edgewear. Some faint shelf-soil to book. Overall sound. Felicie, Inc unknown
196925215Lausanne: Edita A l'Erotitiade 1969. 10 plates. 33 cm. unbound as issued in red cloth portfolioslipcase. 60 pp. plus portfolio of an additional ten plates. Very fine. One of 900 copies on Zerkall paper. This is copy # 626. Edita A l'Erotitiade unknown
2070775488.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967173254Paris & New York: Leon Amiel 1967. From Dali's "Twelve Signs of the Zodiac" portfolio Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. This is one of 12 plates from the Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches watermaked paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 67-6. unknown
1033891975-76 . Colour lithograph with screenprint and etching with collage elements 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 C 1975-76 unknown
1975008048Cleveland: The Dali Museum 1975 16 unnumbered pages. One tiny nick to edge of cover otherwise near fine. "This facsimile of the rare 1968 folio published by Argilet in Paris during the student riots has been translated from the original French by Mrs. Eleanor Morse. The Englilsh Edition is privately printed by the Reynolds Morse Foundation in conjunction with the current exhibit in the Dali Museum of Cleveland of statements by Mr. Dali." Size: 12mo. First Thus. Staped Wraps. Near Fine. The Dali Museum paperback
1840680679-11-1Creation Books TC. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Creation Books (TC) unknown
0979984734.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200459350Fundacion La Caixa De Pensiones. Very Good. 2004. Paperback. 8476648405 . Card wrappers lightly shelf-marked corners and spine bumped very small tear to upper spine but no loss small black markings to lower edge of front cover; binding is tight; pages are unmarked with colour plates and black and white photographic illustrations. ; 9.5 x 1 x 11.75 inches; 284 pages . Fundacion La Caixa De Pensiones paperback
2844854184.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196770259Cleveland Ohio: Éditions Chagrin 1967. First edition. Paperback. Very Good . 12pp. 21.5 cm tall. Saddle-stitched white and black printed wraps. Small area of soiling on front wrap. Price sticker residue on rear wrap. Internally clean and bright. Majority of text in English with occasional text in French. A poem about Dalí accompanied by seven illustrations. Éditions Chagrin paperback
196770278Cleveland Ohio: Éditions Chagrin 1967. First edition. Paperback. Very Good . 12pp. 21.5 cm tall. Saddle-stitched white and black printed wraps. Trivial soiling on front wrap. Price sticker residue on rear wrap. Internally clean and bright. Majority of text in English with occasional text in French. A poem about Dalí accompanied by seven illustrations. Éditions Chagrin paperback
1411855Offset lithograph in colors on paper depicting a surreal figural composition with geometric "Dalivision" optical imagery and the concealed image of Abraham Lincoln. Bearing printed signature to lower right "Salvador Dalí" and numbered to lower left "__56/1700." The limited-edition number is partially covered by the mat. Presented under glass in a gilt wood frame with a white mat. Print: Approx. 23 in. x 18 in.; Frame: 36.5 in. x 30 in. In Very Good condition. Print shows mild overall toning. Frame exhibits minor surface wear. Not examined out of frame. Shelved at Dupont.<br /> <br> <br /> <br> <br /> Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1411855. Shelved Dupont Bookstore. unknown
09-0438Paris: Demart Pro Arte 1992. Full color lithograph 30 x 40 cm 20.5 x 25 cm. in the plate. Signed and dated in the plate at bottom with publisher info at bottom margin. Reproduction of 1935 Dali painting "Solitude Paranoïaque-Critique" on matte paper. Fine. Paris: Demart Pro Arte, 1992. unknown
19923295288Madrid.: Casariego. 1992. Hardcover. Good. 32 cm. 25 p. il. col. Encuadernación en tapa dura de editorial ilustrada. Dalí Salvador 1904-1989. Texto en latín castellano catalán gallego vasco y otras lenguas. Padrenuestro . ISBN: 8486760291 Pintura 75 Dalí Salvador La Biblia 226.91 Casariego. hardcover
196622958PRIMERA EDICION DE BIBLIOFILO.- Milano: Rizzoli Editore 1966.- 26 hojas sin numerar: 9 láminas a todo color; Gran Folio 41 x 34 cm.; Magnífica impresión en grandes caracteres de color gris diferentes para cada idioma y con bellísimas letras capitales todo ello sobre excelente papel verjurado con filigrana transparente de Rizzoli Editore con todas sus barbas; Enc. Editorial en seda azul con el mismo diseño de la portada dorado estampado en la tapa anterior y camisa plástica transparente.- BELLISIMA EDICION DE BIBLIOFILO SIN DUDA DE CORTA TIRADA AUNQUE NO LO INDICA. PINTURA DIBUJO Y GRABADO ESPAÑOLES Libro in italiano Rizzoli Editore paperback
186950Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14B. Michler & Lopsinger 1510. unknown
20172-8842823961Il Saggiatore 2017. Paperback. New. Italian language. 8.43x5.98x1.10 inches. Il Saggiatore paperback
1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 866; Field 77-3 62 1977 unknown
1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 907; Field 77-3 21 1977 unknown
1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 923; Field 77-3 5 1977 unknown
16-4360Stuttgart.: Graphik International 1975. 4to. 4 page prospectus.The set titled “Hommage à Leonardo†conssts of three drypoint etchings with aquatint and color by lithography. Published by Graphik International Stuggart. Printed by Leblanc/Matthieu Paris. Michler & Löpsinger 764 Stuttgart.: Graphik International, 1975 unknown
198265784Museum. As New. 1982. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English and Japanese. 156 pp. With 20 text ills. And 167 ills. On 88 pls. 47 col. . 24 x 26 cm. -- with a bonus offer-- . Museum paperback
67272Luis de Caralt 1952 B. 1ª edición. 20x14. Tela editorial. 349 pgs. Ilustraciones en b/n en portada y colofón. Mancha de humedad en corte frontal. Cantos amarillentos. C0886 Luis de Caralt, 1952, B. 1ª edición. hardcover
1967163542Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
