832 résultats
1974ALIddDAL59New York: William Morrow & Company Inc. 1974. 1974. 8vo. pp. 318 1. 7 illus. quartercloth. Hardcover. New York: William Morrow & Company, Inc. 1974. Hardcover
194413718scsNew York: The Dial Press 1944. First Edition. Octavo black cloth hardcover gilt letters xviii 413 pp. Very Good with lightly rubbed edges light foxing & tiny hairline tear to title. From jacket: As was to be expected Dali’s first venture as a novelist has produced a highly original disconcerting and fascinating masterpiece that has the passion intensity and brilliant color that characterize his paintings. Through a small number of characters who with their private passions are caught up in the maelstrom of history the author evokes a decadent European society as it sinks into vice sterility and irresponsibility and becomes engulfed in the catastophe of war.Love is the central theme and it is played with several varieations one or two of which are the strangest to be found in literature since the writings of Marquis de Sade. War politics friendship loyalty love of the land heroism are among the subsidiary themes which the author develops in his own original way. The Dial Press, 1944. First Edition. hardcover
198074222E-387: Secaucus : Chartwell Books. 1980. Hardcover. Very Good. Hardcover. 4to. Chartwell Books Inc Secaucus NJ. 1980. 160 pgs. Lithograph frontispiece present image of Christ on the cross. Illustrated with 65 colour plates and 112 monochrome illustrations throughout. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in red cloth boards with gilt titles present to the spine. No ownership marks present. Text is clean and free of marks binding tight and solid boards clean with no wear present. Authors of the articles on all the aspects of Dali's work include: Pierre Volboudt Michel Deon Marcel Brion Luis Romero Pierre Courthion Julian Clay Daniel Le Comte Jean-Louis Ferrier Antonio Urrutia Catherine Iglesias Georges Borgeaud Gerard Xuriguera Nicolas Calas Pierre Argillet Wolfgang Saure Stephane Lupasco.; 8vo 8" - 9" tall; 160 pages . 0890093695 . Secaucus : Chartwell Books hardcover
198044457Secaurus New Jersey Chartwell Books 1980. 4to. Orig. boards with dustjacket. 160 pp. Richly illustrated partly in colour. With 1 orig. double-page lithograph in colour. hardcover
198051198New jersey Chartwell Books Inc. 1980. Large 4to. Orig. boards. with orig. cold. dustjacket. With 65 plates in colour and 112 in black and white. With a lithograph from an original work by Dali. <br/><br/><em> </em> hardcover
198041173AB1980. Paris Vilo = XXe Siècle nouvell serie numero 54 / No. spécial 80 1980 4° 160 S. mit zahlreichen Farb- und s/w-Abbildungen und der extra für das Heft geschaffenen doppelblattgroßen Lithographie "La bataille de Tétouan" Text: französisch illustr. original Pappband Hardcover der Schnitt minimal gelbpunktfleckig die erste leere Vorsatzseite wurde entfernt sost ein schönes sauberes Exemplar. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. hardcover
1967512145Paris: Hotel Meurice 1967. Softcover. Near Fine/Very Good. First edition. Text in French. Small quarto. With gravure illustrations and four color lithographs by Salvador Dali. Near fine in plain card covers and very good or better color pictorial dust jacket. Hotel Meurice unknown
67725Paris Hotel Meurice 1967. 4° Frontispiz o. P. 16 Bl. mit 4 ganzseit. farb. Orig.-Lithographien u. Abb. Brosch. m. OU OU tlw. randrissig u. -knittrig sowie an den Kapitalen läd. sonst nur min. gebrauchsspurig. Erstausgabe. 010 Paris, Hotel Meurice, 1967 unknown
1032191975-76 . Colour lithograph with screenprint and etching 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 D 1975-76 unknown
1954154366Roma: Del Turco Editore 1954. 1st edition. Nice copy. folio. original folder 11pp. colour plates text ills. maps appends. bibliog. index Comprises 10 fine colour plates each tipped on to a heavy card backing. With an 11pp. autobiographical account on heavy textured paper. Presented in a gloss laminated folder with a colour illustration tipped into the front cover Del Turco Editore unknown
2931567H. Good. unknown
8477271542.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189074Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 B. Michler & Lopsinger 654. unknown
123471Paris: Jean Lavigne 1974. One of 25 artist's proofs aside from the edition of 195. Signed in pencil lower right by Dalí inscribed EA lower left. One of 12 prints from the La Conquête du Cosmos portfolio. Printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered in two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on Arches paper. Sheet size: 100 x 70 cm. Small vertical crease to top centre of image. Presented in a hand made white gold leaf frame with conservation acrylic glazing. Field 74-12K. Michler & Lopsinger 650. unknown
189084Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 K. Michler & Lopsinger 664. unknown
193527818Paris: Editions Surrealistes. 1935. First Edition; First Printing. Softcover. Cardboard wraps with red wraparound band torn laid in. The wraparound band is printed 'Face au "realisme socialiste" ' This is near fine copy with a little soiling to rear wrap and two small marks on front wrap. The band is rarely seen. This is one of the 1200 copies that constitute the French edition of this notoriously fragile book. Splendid copy.; 12mo 7" - 7½" tall; 24 8 33 plates pp . Editions Surrealistes paperback
19302476Paris: Éditions Surréalistes 1930. First edition. 72 pp. Original aluminum foil paper wrappers covered by red tissue paper title printed in black on the cover. Unbound sheets as this variant was issued. Photo-lithographed portrait of Gala heliogravure frontispiece retouched with a burin and six heliographic plates. A bit of wear to the extremities else a beautiful copy of a very fragile production.<br /> <br /> Of an edition of 204 copies one of the very few on Rodingold vellum in sheets justified on the colophon by the Service de Presse stamp. With DalÃ’s autograph dedication on the half-title “Hommage de l’auteur. Salvador Dali.†Laid in is the prière d’insérer announcement with text by André Breton and Paul Eluard.<br /> <br /> This issue of La Femme Visible is unbound sheets laid into the foil and red wrappers. For these few copies Dali apparently often added a simple autograph homage. The book did not meet with great success as Eluard reveals in a letter to Gala on January 27 1931: “La Femme visible a une presse immonde. Pourquoi Dali n’a-t-il pas mis dans ses dédicaces le nom des gens. Comme cela on n’en parlera pas ou en mal.†La Femme Visible is receiving dreadful publicity. Why didn’t Dali put people’s names in his dedications That way people won’t talk about it or talk about it badly. Georges Sebbag in his bibliography of Editions Surréalistes does not mention these press copies nor the printing of the book in sheets.<br /> <br /> One of DalÃ’s earliest books containing four texts: “L’Âne Pourri†“La Chèvre Sanitaire†“L’Amour†and “Le Grand Masturbateur.†In these writings inspired by Freudian and post-Freudian theories DalÃ’s aim is to upset the frontiers between dream and reality and to break down the convictions that form the basis of so-called “bourgeois values.†He later spoke of it as “a spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and delirious interpretations.†<br /> <br /> References: Michler and Löpsinger. Salvador DalÃ: Catalogue Raisonné of Etchings and Mixed-Media Prints 1924-1980 no. 4. Cowling. The Magic Mirror. Dada and Surrealism from a Private Collection Scottish National Gallery of Modern Art 1988 no. 92. Mundy ed. Surrealism: Desire Unbound. pp. 131-33; 148-49. Eluard. Letters to Gala 1989 trans. p. 98. Sebbag Les Editions Surréalistes 1993. pp. 63-64. Éditions Surréalistes unknown
117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photolithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy.<br /> The first edition of Dali's first surrealist work. <br /><br />The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork.<br /><br />The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition.<br /> Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
20223730211Figueres.: Fundación Gala-Salvador Dalí. 2022. Paperback. Good. 24 cm. 400 páginas 2 páginas de láminas sin numerar ilustraciones blanco y negro y color. Encuadernación en tapa blanda de editorial. Dalí Salvador 1904-1989. La vie secrète de Salvador Dalí. Traducción al castellano José Martínez. Autobiografías. Martínez José. traductor. traductor . ISBN: 8437024442615 Biografías 929 Dalí Salvador Arte en general. Bellas artes. Deportes 7 Dalí Salvador Fundación Gala-Salvador Dalí. paperback
2001IPB1976Dasa Edicions 2001. 17 x 24 cm in very good condition<br /> Dasa Edicions unknown
186952Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14G. Michler & Lopsinger 1513. unknown
143123Paris & New York: Jean Lavigne Levine & Levine Graphics 1974. Edition of 195. Signed in pencil lower right by Dalí numbered in roman numerals lower left. One of 12 prints from the La Conquête du Cosmos portfolio printed by Atelier Lithographique Paris. Although these were made in 1974 they were offered as two portfolios of six in 1974 and 1977. Drypoint etching over chromolithograph with embossing on BFK Rives watermarked paper. Sheet size: 100 x 70 cm. Framed size: 111.6 x 78 cm. Light creasing to the margins hidden by the mount image extremely bright. Presented in a white gold leaf frame with conservation acrylic glazing. Field 74-12D; Michler & Lopsinger 647. unknown
189079Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper left and right edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 58.5 x 40.5 cm. Sheet size: 76 x 56.5 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 F. Michler & Lopsinger 659. unknown
189075Saint Raphael: Editions Des Maitres Contemporains 1974. One of 12 plates from Le Bestiaire de la Fontaine Dalinesé portfolio. Artist's proof aside from the edition of 250. Drypoint etching with hand coloured pochoir stencil on Arches paper upper and lower edges deckled. Signed in pencil lower right by Dalí A.E to lower left. Plate size: 40.5 x 58.5 cm. Sheet size: 56.5 x 76 cm. Unframed. Light spotting to lower edge affecting the margins image in excellent condition. Field 74-1 E. Michler & Lopsinger 655. unknown
180554New York: Transworld Art 1974. One of 12 plates from the After 50 Years of Surrealism portfolio. Transworld blind stamp lower left. Publisher's copyright printed to verso. Edition of 195 on Rives paper from a total edition of 460. Signed in pencil lower right by Dalí numbered lower left. Drypoint etching with pochoir stencil on Rives wove paper. Plate size: 40 x 30 cm. Sheet size: 66 x 50 cm. Excellent condition. Field 74-8K. Michler & Lopsinger 676. unknown