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1903EEzz6940fWien, Druck A. Holzhausen (1903). 4°. 71(1) S. Mit 1 Vignette u. 29 Abb. von Zeichnungen und Gemälden. OKart. m. transparentem Pergaminumschlag sowie schwarzgedr. Titel u. Vignetten. Umschlag gebräunt u. Kapitalen wie an einer Ecke kleine Fehlstellen, Pergamin-Umschlag etwas wellig. 1903 zeigte die Secession 80 Werke Gustav Klimts. Die Anordnung der Ausstellung und des Kataloges besorgte Koloman Moser, die Gestaltung des Vorraums Josef Hoffmann. Der Katalog enthält ein Vorwort von Ernst Stöhr. Nur wenige Frühwerke wurden gezeigt, hingegen aber zum ersten Mal die 'Jurisprudenz'.
1931142902Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.3 x 29.5 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142900Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark sepia monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.5 x 29.9 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142899Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.3 x 27.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142898Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 32 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142896Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27 x 30.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142897Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 29.4 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142901Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark blue grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.9 x 31.1 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
190319693(Wien, Secession, 1903). 71 S. mit zahlr. teils ganzseit. Abb. Gr.-8°. OKart (etw. gebräunt, Rücken mit Einrissen und Klebespuren, vorderer Deckel mit einem hinterlegtem Randeinriss) und OU aus Pergamin (hinterer Deckel mit ca. 3 cm großem Einriss, sonst kl. Läsuren).
198818778ABGraz, ADEVA, 1988. 61 : 43 cm. 15 pages with 4 coloured and some b/w illustrations, 12 plates by Gustav Klimt. Illuistrated original half-cloth portfolio.
190322618Wien, Wiener Verlag, 1903. 45 S., 2 Bll. mit farbigem Buchschmuck von Berthold Löffler. 8°. OKart. (Gebrssprn.). [5 Warenabbildungen]
197664321Museum. As New. 1976. Paperback. 085670301X . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 164 pp. With 105 ills. 6 col. . 29 x 21 cm. -- with a bonus offer-- . Museum paperback
197879517Verlag Galerie Welz. As New. 1978. Hardcover. 385349059X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 266 pages. 206 illustrations including several in color. -- with a bonus offer-- . Verlag Galerie Welz hardcover
1981100107Museum. New. 1981. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - flawless copy brand new pristine never opened -- Text in Japanese and English. Many illustrations including a number in color. -- with a bonus offer-- . Museum paperback
1978C86530Rizzoli. As New. 1978. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 112 pages with 272 illustrations including 64 in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Catalogo delle Opere L'Opera Completa Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Rizzoli hardcover
1919139056Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 33.2 x 51.2 cm. Framed size: 53.3 x 69.7 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919139055Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 33 x 51.5 cm. Excellent condition. unknown
1919138276Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 52.3 x 32.3 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919157499Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.4 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919157501Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 52.3 x 33.5 cm. Framed size 70.8 x 51.2 cm. Foxing to mount otherwise in excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919138284Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.5 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919139054Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 34 x 51.3 cm. Excellent condition. unknown
197886530Rizzoli. As New. 1978. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 112 pages with 272 illustrations including 64 in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Catalogo delle Opere L'Opera Completa Complete Works Rizzoli hardcover
198519068ABGraz, Akademische Druck- u. Verlasgsanstalt, 1985. 70 : 51 cm 4 leaves and 12 photolithographed plates under Passepartout. Black original cloth portfolios with illustration on front cover and gilt lines, Title on spine. 2 volumes.
190115840ABVienna, Herzig, 1901. 45 : 34 cm. Original photoengraving in an gilt frame designed by Josef Hoffmann especially for Gustav Klimt.
