1 544 résultats
6389783470Assouline pp. 200 . Other. New. Assouline unknown
196158023Ny And Monte Carlo: George Brazilier & Andre Sauret. 1961. First Edition. Hardcover. Fine in Near Fine dust jacket. Original red pictorial cloth decorated in black pictorial eps. Incudes the four original lithographs. About fine with slight rubbing to the board edges and hint of toning to the lithographs. The DJ is price clipped with slightly toned spine and trace edgewear.; Oblong quarto; 153 pages . George Brazilier & Andre Sauret hardcover
19603993424Thames and Hudson 1960. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1400grams ISBN: Thames and Hudson hardcover
1954007666New York: The Noonday Press 1954. Limited First Edition. Cloth. Fine. No. 22 of 64 copies printed of which 55 were placed on sale. Printed on hand-made Fabriano paper by Igal Roodenk and James Lanier. Lithographs pulled in Paris by Fernand Mourlot Freres. The fine woven paper is various colors -- cream black blue rose. Folio 44 by 28.5 cm. Light wear to black cloth -- a few light scratches. Otherwise like new. The Noonday Press unknown
51-5140Paris: Éditions Albert Lévy.1931. Folio. 27.5 x 38cm. Original cream cloth with red stamping; reinforced spine along edges. 36 pp 124 plates each with several collotype illustrations some hand-colored by the pochoir method in the workshop of J. Saudé plus collotype illustrations in the text some also in pochoir. 15x10¾" original gray cloth. No. 566 of 600 copies of the French Edition.The photographs and drawings document performances costume and stage design of avant-garde theater and dance companies of Russia Europe and the United States with work by Jacoleff Popova Exter Bel Geddes Léger Picasso et al. for productions by Tairoff Meyerhold Brecht Reinhardt Vakhtangov and many others. Paris: Éditions Albert Lévy.1931 hardcover
1954PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
104308London Calder and Boyars 1970. . First edition in English first impression hardback issue. Inscribed and with an original pastel by the translator. 8vo; publisher's black boards titles to spine in silver. With the dust jacket. A very good copy in the lightly rubbed dust jacket with one or two very short tears.<br /> A superb presentation copy inscribed by the translator within a full page pastel artwork of a stylised flower/sun 'for Peggy with love Roland'. Though tempting to imagine the book to have been inscribed to the great Peggy Guggenheim the actual presentee is a much closer association for Penrose. Rosamund Berniers née Rosamond Margaret Rosenbaum was an art critic and long-time friend of the translator. Penrose a considerable artist in his own right is perhaps best known as the greatest proponent of Surrealism in the UK. Instrumental in staging the 1936 International Surrealist Exhibition in London he would would go on to establish with Lee Miller The Elephant Trust whose goal is "to develop and improve the knowledge understanding and appreciation of the fine arts in the United Kingdom." Penrose would often illustrate his presentation inscriptions but this one is particularly nice.<br /><br />Rosamond Berniers née Rosamond Margaret Rosenbaum was familiarly known as Peggy.<br /> London, Calder and Boyars, 1970. hardcover
16-5307Paris: Georges Hugnet 1941. Original wraps. 10 x 14.8cm. 8pp. Sheets loose as issued. 6 zincographs; 3 reworked with an engraver. One of 200 unnumbered copies.Reference: Goeppert/Cramer no. 35:In-16 oblong broché. Édition originale illustrée de 6zincographies dont 3 retravaillées en taille-douce de Pablo Picasso.Tirage limité à 200 exemplaires. Paris: Georges Hugnet, 1941 paperback
007553New York: SPADEM/ Pace Gallery Publ. 1986. Poster. Near Fine. Poster. First Printing. 22 1/4"w x 38"h. RARE exhibition poster SIGNED by Paloma Picasso renowned fashion designer and daughter of Pablo Picasso signed lower left and dated by her "86. The exhibition ran at the Pace Gallery New York City from May 2 - August 1 1986. Near Fine faint creases small stain bottom right corner. Well suited for framing will be shipped loosely rolled in a mailing tube. SPADEM/ Pace Gallery Publ. unknown
51-5511Paris: Louis Broder 1966. Portfolio without the etchings. 38 x 48cm. Folio. Original cloth slipcase and vellum wraps. Includes half-title limitation page signed in pencil by Picasso colophon list of plates 4 Rives chemises 8 pages of text. One of 255 numbered copies on Rives.Cramer 136; Bloch 1183-92; Bloch Books 129.Picasso created these etchings and aquatints as homage to Reverdy's poem. Sable Mouvant quicksand. The poems are set in the desert and relate to a series of psychological struggles and hallucinations. Picasso's images elegantly depict the poet's intentions and transport the viewer from reality to expose the inner turmoil of a helpless man and his harsh surroundings. Paris: Louis Broder, 1966 paperback
101473New York Random House 1970. First Edition. Hardback. Two linen-backed gilt-blocked leather volumes in matching clam-shell case. Top-edge gilt. An exceptional example in a like if somewhat dust-dulled clam-shell case. Additional bibliographic detail on request. ; 1 pages; Description: 2 v. 22 p. 347 plates 30 x 43 cm. Includes the major part in English of Georges Bloch's introd. To Picasso's ""Pablo Picasso. Catalogue de l'oeuvre grave et lithographie 1904-1967 "" published in 1968. New York, Random House hardcover
1984TH233286Thames & Hudson London 1984. 1st Edition. HARDCOVER. From the collection of Ruth Lynam the photographer fashion writer and noted balletomane and has a slip of paper signed in black ink by Yves Saint Laurent pasted to the half title leaf no other marks or inscriptions. This is the UK edition of the book published to accompany the Yves Saint Laurent retrospective exhibition at the Metropolitan Museum of Art New York 14 December 1983 - 2 September 1984. Large heavy 4to. gilt embossed black cloth gilt lettering to spine 192pp numerous plates in colour and b/w etc. __CONDITION : A well preserved near FINE clean and tight unmarked copy pages very slightly tanned hint of shelf rub to cover bottom edges in a VERY GOOD complete Dust Jacket very slightly creased and nicked along the top edge head of spine panel slightly chipped looks fine in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. . . . . . . . . . . . . To see more of our Costume fashion etc type DBBCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Thames & Hudson, London hardcover
323708San Francisco: Alan Wofsy vd. Titles in English and French; Spanish and Catalan. 12 vols. 4to. Cloth. Fine in fine dust jackets. Titles in English and French; Spanish and Catalan. 12 vols. 4to. Alan Wofsy unknown
36072Paris: La Bibliothèque Française 1945. Portfolio. 1st edition. Loose sheets as issued in later custom clamshell box with original portfolio cover mounted on front. 4to.<br> One of 3200 Numbered Copies. 111 plates of drawings the first 100 relating to Buchenwald originally drawn on stolen paper plus 6 portraits and 5 aquarelles in color. Captions in French English and Russian. 26 cm. Title page and preface in French. Title translates as "111 Drawings Made in Buchenwald 1944-1945."<br> Very early 1945 publication from the year of liberation. <br> Boris Taslitzky began painting at the age of fifteen and attended the academie Montparnasse and the École des Beaux-Arts in Paris between 1925 and 1933. In 1933 he joined the Association of Revolutionary Writers and Artists A. É. AR where he became general secretary of the section of Painters and Sculptors and then in 1935 he joined the Communist Party.<br> In 1936 during the presentation of Quatorze Juillet by Romain Rolland Taslitzky participated in the exhibition that brought together Picasso Léger Matisse Braque Jean Lurcat Laurens and Pinion in the lobby of the Alhambra Theatre.<br> Taslitzky was captured in June 1940 escaped in August and joined the Resistance. He was arrested again in November 1941 sentenced to two years in prison and then on July 31 1944 he was deported to Buchenwald where he manages to make some two hundred drawings showing life in the camps. "If I go to hell I will make sketches. Besides I have experience I've been there and I've drawn! . " he later said. His mother died at Auschwitz .<br> In 1946 Taslitzky exhibited his works which were inspired by the Resistance and Deportation winning the Prix Blumenthal. He was later awarded the Military Cross and Military Medal and in 1997 he received the insignia of Chevalier of the Legion of Honour under the Resistance and Deportation. He was both witness and actor in the story of French Resistance and the Holocaust.<br> For more on Taslitzky see for example https://boris-taslitzky.fr/fortune-critique/02fortune-critique-1970-2004.ht m <br> SUBJECTS : Concentration camps -- Pictorial works. Buchenwald Camp de Guerre mondiale 1939-1945. Prisonniers et déportés. Camps allemands. Buchenwald. Album. Concentration camps. Pictorial works. Wear to original illustrated cover which has been mounted on front of box but no damage to illustration. Moving early and important. Holo2-125-44. Paris: La Bibliothèque Française unknown
51-5761Palma de Mallorca: Las Ediciones de los Papeles de son Armadans 1962. Folio. 25 x 35cm. Original burlap binding.158pp. plus index limitation statement and colophon. Illustrated with reproductions of 32 Picasso pastel drawings. On Guarro paper with Picasso-designed "sun" and "sheaf" watermarks. Text in Spanish.Camilo José Cela Spanish 1916-2002 was a poet novelist member of the Royal Spanish Academy and Royal Senator in the Spanish parliament. He won the Nobel Peace Prize for literature in 1989. This book a collection of fables presents a collaboration between Cela and his friend Picasso.Light wear to boards with rubbed corners; light wear and toning to page edges occasional minor mark light foxing along top edge; a near fine copy.A collection of fables by the Spanish writer who won the Nobel Prize in 1989 the Cervantes Prize the Premio Planeta etc. Published in Palma de Mallorca in an edition of 2135 copies with 32 color drawings by Picasso. Of these 2000 were numbered 1-2000: this copy is numbered 417 and signed by the author. Bound in straw-coloured roughly woven hessian that was specially made for this edition. Printed on ‘papel Picasso’ – used here for the first time – made with double watermarks a sun and a sheaf or a bunch of flowers loosely bound with a ribbon both designed by Picasso. Palma de Mallorca: Las Ediciones de los Papeles de son Armadans, 1962 hardcover
05-00191945. Wool tapestry after the painting. 97 x 120 cm. 38 x 47.5 inches. Picasso Project no. 45-012. 1945. unknown
1971mon0003131073Marlborough / Saidenberg. 1971T. paperback. Good. 0.4000 11.7000 8.1000. Marlborough / Saidenberg. paperback
19521607150006Paris decembre 1952: Mourlot 1/1/1952. Poster. Very Good. Woodcut lithographic poster by Picasso. 65 x 47 cm. 1000 total on Cranson Paper in Different Colors Mourlot - Paris pub. Ref: Mourlot 68 - Czw 77 The poster is subtitled "Maison de la Pensee Francaise/ 2 Rue de L'Elysee-VIII/ A Partir du 6 Decembre. It is titled "The Goat" in the Catalogue Raisonne. The Maison de la Pensee is where Picasso held his first ceramics exhibition and his largest exhibition of sculptures and drawings in 1951. In the bottom left corner is small text that reads "Mourlot-Paris". The artist's signature is printed in the stone. Included in the Catalogue Raisonne "Picasso In His Posters: Image And Work" by Luis Carlos Rodrigo catalogue number 015 on Pages 1697-1698. See our pictures. Paris decembre 1952: Mourlot unknown
1936028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
192427069Paris: Union des artistes russesFrançois Bernouard 1924. Fine. Union des artistes russes François Bernouard Paris 1924 24.50 x 29 cm broché The program is illustrated by V. Barthe wrapper and includes hors-texts by Chatzman Manet a reproduction of his Olympia Picasso Vassilieff Fotinsky and Ganovsky a spatial composition. Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin the dance of the lobster crab and crocodile with costumes by Marie Vassilieff and Fernand Léger the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry a dance by Thamara Svirskya to Satie's Gymnopédies Japanese Sports by Foujita a Spectacle on a Star from Tzara a new system of fantastical projections from Larionov and universal Foot Ball with multicolored balloons by Fotinsky and Bogoutsky. The rooms were decorated by Barthe Pougny Tchelitcheff Chazman Lanskoy Weinberg Geo Charles Chana-Orloff Alexeieff Maner-Katz and Frenkel. A rare and attractive copy. Union des artistes russesFrançois Bernouard unknown
193989995Paris: Paul Rosenberg 1939. Fine. First presentation at the Paul Rosenberg Gallery in Paris of an artwork foreshadowing the bull of Guernica: The Negro Sculpture before the Window. Paul Rosenberg Paris 1939 11 x 13.5 cm Une feuille pliée 4 pp. Rare first edition of the catalogue for Picassos final exhibition at the Galerie Paul Rosenberg in Paris held from 17 January to 18 February 1939 at 21 rue La Boétie. The front wrapper is illustrated with a black-and-white photograph of the exhibitions centrepiece: La sculpture nègre devant la fenêtre now known as Buste de Minotaure devant une fenêtre Private Collection; see Zervos vol. VIII p. 360. Painted on 19 April 1937 the work is widely regarded as a precursor to the bull of Guernica executed only a few weeks later. An excellent well-preserved copy. The plaquette lists the 33 works exhibited arranged by year of execution- 1936 1937 and 1938. The verso carries the notice of the next exhibition Centenary of Cézanne dated 20 February 1939. These two events were followed only by a final show devoted to Georges Braque before the gallery closed and Paul Rosenberg left France for permanent exile in the United States. The event met with considerable success as reported by the American collector and sculptor Meric Callery to Alfred H. Barr the first director of the Museum of Modern Art in New York: ""R's Rosenberg present show of Picasso is surprising in that it is so pretty colorful and gay. They have had over 600 people per day to see it."" Making Modernism Michael C. FitzGerald 1996 The adjectives pretty colourful and gay may seem surprising given both Picassos style and the political context of 1939. Indeed the exhibition - comprising chiefly still lifes painted between 1936 and 1938 in the Tremblay-sur-Mauldre studio - appears at first sight to contrast sharply with the tragic contemporary events. From 1937 onwards the Nazis began confiscating over 20000 modern artworks to mount the notorious Entartete Kunst Degenerate Art exhibition. Circulated throughout Germanys major cities it culminated in June 1939 in a large-scale auction to finance the war preceded by the burning of more than 5000 paintings in the courtyard of Berlins main barracks. Fully aware of the ongoing tragedy Paul Rosenberg took measures to save as many works as possible organising in the same year the first retrospective of Picasso at the Museum of Modern Art where Guernica was displayed and preserved. In 1940 he took permanent refuge in New York opening his celebrated gallery on 79th Street while some 2000 works he could not take with him were looted by the Nazis. Belying its seemingly innocuous appearance the exhibition of recent works by the foremost representative of so-called Degenerate Art held by a Jewish dealer constituted a genuine act of resistance to the rise of Nazism. Yet it was above all through a single work prominently displayed in the main salon and reproduced on the catalogues front that Rosenberg and Picasso transformed the still-life exhibition into a profoundly political statement. Later known as Buste du Minotaure devant une fenêtre this transitional work as noted by the art historian Vérane Tasseau is highly symbolic: The bull does not stand for fascism but for brutality and darkness Picasso remarked in the autumn of 1944 during an interview with the young painter Jerome Seckler for the American Marxist journal New Masses. Seckler had hoped to elicit from him the assertion that the late 1938 series of still lifes with bull heads was a political statement in continuity with Guernica."" This first bulls head in the still-life series gradually evolved over the course of 1938 into a curious zoomorphic human visage. It is nevertheless still titled in the catalogue La sculpture nègre devant la fenêtre. Although this title was not retained in subsequent monographs it establishes a remarkable link between two major themes in Picassos oeuvre: th Paul Rosenberg unknown
1946510632Editions de la Revue Verve Draeger Frères 1946. Hardcover with Dust Jacket. FINE/NEAR FINE. Tall 4to 35.5cm. Illustrated throughout by Picasso on every page with 18 mounted heliogravures and text by Picasso and Jaime Sabartès. Sewn binding in Picasso-designed lithographic paper over boards. Verve double issue devoted to Picasso's lithographs etchings and paintings which he made specifically for his Grimaldi Chateau just purchased while in the Golfe-Juan on the French Riviera with another young lover Francoise Gilot muse for most of the work here. With lithographic cover and dust jacket both designed by Picasso expressly for this issue. The manilla DJ is fairly scarce and here has kept the book itself extremely clean and sharp. Now covered in our thick mylar jacket. “In September October and November he turned out a prodigious amount of work often using boat paint and plywood or fibro-cement because supplies were short and he thought they would better withstand the château’s damp. The centerpiece was the enchanting “Joie de vivre†or “Antipolis†with a dancing Gilot in the center surrounded by frolicking satyrs and fauns… Picasso was recalling an antique past and Antipolis the ancient Greek name of Antibes†New York Times. Editions de la Revue Verve (Draeger Frères) hardcover
05-0037ca. late 1940s. Wool tapestry inspired by images from the late 1940s. 133 x 95 cm. 52 x 37.5 inches. ca. late 1940s. unknown
16-6412Paris: Arts du Monde - Librairie Hachette Paris 1954. 4to. 22.5 x 31cm. Original red cloth cover by Matisse. Lithographed frontispiece created for this work by Picasso "La Danseuse" Bloch 767; Mourlot 259;: light foxing at top of the lithograph.415 text illustrations many tipped-in and/or folding color plates some after Léger Miró Bakst among others. . .Goeppert Goeppert-Frank and Cramer. Pablo Picasso: The Illustrated Books. Catalogue Raisonné no. 68. OCLC Number / Unique Identifier:977664915. Paris: Arts du Monde - Librairie Hachette, Paris, 1954 hardcover
16-5940Monte Carlo: André Sauret. 1949-1964. 4to . 4 vols. Original wraps lacking the dust-jackets and frontispieces except for the frontispiece for Vol. 1 which is present: La Petite Colombe Mourlot no. 174 We also have sets with all the lithographs. Very good.Each one of 2500 copies. Monte Carlo: André Sauret. 1949-1964. paperback