Picasso, PabloBiblio.com
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1969Q-0810903814H. N. Abrams 1969-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! H. N. Abrams hardcover
8494024981.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
195236197New York: Curt Valentin Gallery 1952. Fine/Very Good Condition. New York: Curt Valentin Gallery 1952. First Edition. Small octavo; ten pamphlets collected in one volume; publisher's cloth original wrappers bound in white pictorial dust jacket. Jacket flap folds and spine panel toned light dust-soil contemporary ownership signature to front free endpaper; a Near Fine copy in Very Good jacket.<br /> <br /> Quite scarce annual from the New York City gallery featuring solo exhibitions of Pablo Picasso Mary Callery Marc Chagall Henri Matisse and others. Curt Valentin Gallery unknown
2015166061New York: Museum of Modern Art MOMA 2015. First Edition. Hardcover. First Edition. Published in conjunction with the 2015-2016 retrospective at the Museum of Modern Art the first large-scale survey of Picasso's sculpture since 1967.<br /> <br /> Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Museum of Modern Art [MOMA] unknown
199027149NY: Rizzoli. As New in As New dust jacket. 1990. First American Edition. First Printing. Hard Cover. 0847812383 . Publisher's full cream cloth black lettering on spine black endpapers printed entirely on glossy stock. Profusely illustrated with 1584 illustrations 378 in full-color. . Both the volume and the unclipped dust jacket are in perfect pristine condition; unread unmarked tight square and clean. The pictorial slipcase has some slight wear on its corners. A large quarto heavy book 11 pounds - additional shipping charges may apply. AS NEW/AS NEW. Color and B&W Photographs. 4to 11" - 13" tall. 529 1 pp . Rizzoli hardcover
2005100225-01Prestel Publishing 2005-04-25. hardcover. As New. 11x0x13. Still in publisher's shrink wrap. Ships securely in a box. Prestel Publishing hardcover
51-4867Geneva: Patrick Cramer 1987 Alan Wofsy Fine Arts distribution. Cloth in dust-jacket. 25 x 29cm. 132 pages 278 reproductions including 82 in colors.Created by Picasso in 1935 the Minotauromachy is by far the most important engraved work of the 20th century; possibly even since Rembrandt. This volume aims to elucidate the iconographic signs of by means of a more precise explanation of the content as well as of the structural values.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon. Geneva: Patrick Cramer, 1987 (Alan Wofsy Fine Arts distribution) hardcover
20068Boston Book and Art 1970. First Edition. Hard Cover. 307 p. 407 reproductions many in color. First American edition. Mourlot was a lithographer in Paris where Picasso did much of his post-1945 work; his descriptions of the artist at work are invaluable. Freitag 7469. Quarto boards in paper acetate over dust jacket dj slight tears to bottom spine repaired book fine. Stock#20068. Boston Book and Art [1970] hardcover
2000895Wäinö Aaltonen Museum of Art 2000. 1st Edition. Soft cover. Fine. A fine copy with no markings. Stylish exhibition catalogue. Released alongside an exhibition of the same name held in Wäinö Aaltonen Museum of Art in Finland in 2000. Text in Finnish Swedish and English. 150 pp. Wäinö Aaltonen Museum of Art paperback
BAY_10_SH_030931Crown Publishers. Used - Good. 1957. Binding is tight text block is sturdy and clean boards straight no highlights or underlining. Dust wrapper shows some chipping/rubbing to edges. Some tanning to DJ and pages. Well packaged and promptly shipped from California. US veteran operated. Crown Publishers hardcover
1965N5006Paris: Cercle D'art 1965. Original Cloth w. Dust Jacket. Very Good/Good. 4to- Big. Picasso. 197pp. Richly illustrated. Large 4to. Dust jacket at spine side with some markings. OTHERWISE A VERY GOOD CLEAN AND FRESH COPY.- With decorative Hebrew ex libris <br/> <br/> Cercle D'art hardcover
51-5518San Francisco: Alan Wofsy Fine Arts 2023. 4to. Cloth in dust-jacket. 456pp. Fully illustrated.The first edition of this catalogue was published in 2002 and contained 342 pages. This new edition contains 456 pages. Picasso is 82 at the beginning of 1964. He and Jacqueline havenow lived together for 10 years and been married since 1961.They reside in Mougins in the south of France. Images ofJacqueline continue to figure prominently in Picasso’s work.In 1964 he paints portraits of Jacqueline posed seated and as areclining nude often with a cat. Picasso then draws a series ofpencil sketches alternating between the head of Shakespeare andthat of a monkey. Mid-year he does a series of portraits of men:often bearded with a cigarette and wearing a striped shirt.In October of 1964 Picasso completes 29 paintings of an artistat an easel. These all take as their starting point his 1963 paintingThe Painter. Picasso then makes paintings of an artist and model.In December Picasso creates a number of works depicting thehead of a man or a boy.In the early part of 1965 Picasso begins a series with a lobsterusually being attacked by a cat. He also paints the first in a seriesof a youth serenading a nude woman at dawn on the beach titled- L’aubade and works on a group of views of Mougins. In Marchthere is a series with a nude model seated in a room and a canvason an easel sometimes with an artist present. In April the artiststarts looking like Picasso and the model like Jacqueline.During April of 1965 Picasso paints large horizontal canvasesof a nude often reclining next to the head or torso of a manor boy. Another horizontal canvas is the first of the WatermelonEaters. Picasso continues to paint horizontal views of Mouginsand by mid-year Picasso paints a series of heads childlike withbold lines. During October Picasso begins painting images of amother and child.The artist is not particularly productive during 1966. In the earlypart of 1966 Picasso produces only some sketches and in Aprilhe begins a series after Jupiter et Thétis by Ingres. For the balanceof the year Picasso does caricatures and sketches on themes fromprevious years.During January of 1967 Picasso creates sketches including a musicianwatermelon eater flutist and man holding a lamb. Picassoalso begins ink washes and oil paintings of a musketeer whichdevelop into a painter who then caresses a model. The musketeersometimes as an artist sometimes with a nude woman becomesa series of paintings in March and April. Between April and JunePicasso designs a number of covers for the book Picasso: Theatre.In June Picasso continues the Serenade at Dawn series. FromJuly through September Picasso draws sketches with a variety ofthemes. In October he makes a group of drawings of a violentand distorted kissing couple. At the end of 1967 Picasso completespaintings based on his sketches from the previous summerand winter. San Francisco: Alan Wofsy Fine Arts, 2023 hardcover
51-4487San Francisco: Alan Wofsy Fine Arts 2021. 4to. Cloth in dust-jacket. 328pp.The first edition of this catalogue was published in 2000 and contained 248 pages. This new edition contains 328 pages. 186 works have been added and there are 276 updated or revised entries. The main source for new works are auction catalogues from American English French Swiss and German auction houses. A secondary source for newly added entries include works that were also not catalogued by Zervos but ended up in museums notably the Musée Picasso Antibes.The main post-2000 exhibition catalogues covering the period 1944-1949 are: Picasso. La Joie de Vivre 1945-1948 organized by the Palazzo Grassi Venezia and the Musée Picasso Antibes in 2006 and Picasso 1945-1949 l’ère du renouveau organized by the Musée Picasso Antibes in 2009.Picasso’s heirs are the primary consignors of newly catalogued works that were sold at auction. There are also drawings that Picasso drew spontaneously for friends acquaintances and strangers. Some of these are drawn directly into books about the master normally on half-titles or title pages. San Francisco: Alan Wofsy Fine Arts, 2021 hardcover
51-4489San Francisco: Alan Wofsy Fine Arts 2021. 4to. Cloth in dust-jacket. 480pp.The first edition of this catalogue was published in 2002 and contained 446 pages. This new edition contains 480 pages. 78 works have been added and there are over 200 updated or revised entries. The main sources for new works are auction catalogues from American English French Swiss and German auction houses. Picasso’s heirs are the primary consigners of newly catalogued works that are sold at auction. There are also drawings that Picasso drew spontaneously for friends acquaintances and strangers. Some of these are drawn directly into books about the master normally on half-titles or title pages. During this period the master created linoleum cuts many of which he would rework as watercolors and drawings. This new edition provides new details from the Picasso Project catalogue of the linocuts which was published in 2012. San Francisco: Alan Wofsy Fine Arts, 2021 hardcover
51-4488San Francisco: Alan Wofsy Fine Arts 2021. 4to. Cloth in dust-jacket. 440pp.The first edition of this catalogue was published in 2000 and contained 376 pages. This new edition contains 440 pages. More than 150 works have been added and there are another 200 updated or revised entries. The main sources for new works are auction catalogues from American English French Swiss and German auction houses. Picasso’s heirs are the primary consigners of newly catalogued works that are sold at auction. There are also drawings that Picasso drew spontaneously for friends acquaintances and strangers. Some of these are drawn directly into books about the master normally on half-titles or title pages. The main new exhibition catalogue cited is Picasso from caricature to metamorphosis of style Barcelona 2003 and all the images from Paul Eluard’s Le Visage de la Paix 1950 have been added. San Francisco: Alan Wofsy Fine Arts, 2021 hardcover
330-3San Francisco: Alan Wofsy Fine Arts. June 2014. Recent publications. 4to. 376 pp. with over 1100 illustrations. Cloth in dust jacket. 9.125 x 12.25 inches 23 x 31 cm. The most comprehensive catalogue of the African period featuring all the works related to the Demoiselles d'Avignon with concordances to all the major catalogues and information on public sales. There is an extensive chronology of the period. This is an essential reference for the collector curator dealer and scholar. San Francisco: Alan Wofsy Fine Arts. June, 2014. Recent publications. hardcover
347-1San Francisco: Alan Wofsy Fine Arts. January 2015. Recent Publications. 4to. 404 pp. with over 1200 illustrations. Cloth in dust jacket. 9.125 x 12.25 inches 23 x 31 cm. The first edition of this catalogue was published in 2004. This new edition adds works that have come to light since 2004as well as references to subsequent public sales and exhibitions. This new edition has 404 pages twenty more than the first edition as wellas eight new color plates.Fifty-five of the new works in this edition originated in two sketchbooks from 1970-1971.The first of these is sometimes referred to as the Birthday Sketchbook since the first work is dated on the master’s 89th birthday October25 1970. The last is dated April 26 1971. The sketchbook contained 27 drawings and was acquired by François Lachenal in Paris. Asubsequent owner consigned the whole sketchbook of Christie’s who sold the individual pages in London on June 23 2005.The second sketchbook is referred to as the Berggruen Album since it was acquired by the prominent dealer Heinz Berggruen whoselegacy is the Berggruen Museum in Berlin. This sketchbook contained 26 drawings and manuscript dates on the two covers. The wholesketchbook was first published as a facsimile by Berggruen’s son John a dealer in San Francisco in 2004. An exhibition was held at JohnBerggruen’s gallery in early 2004 on the occasion the publication of the facsimile. The Berggruen heirs then put the sketchbook up for saleat Sotheby’s in London where the individual pages were sold on February 9 2005.The main exhibition since 2004 focusing on Picasso’s final years was held at the Gagosian Gallery in New York in the spring of 2009. Thecatalogue and show were entitled Picasso Mosqueteros and included 52 paintings from 1964-1972 and a selection of etchings from the late1960s.The last image in the first edition of this catalogue was dated Feb. 21 1973. A later image of a musketeer is now the last known work byPicasso before his death on April 8 1973 at age 91. This drawing is dated March 10 1973 73-003. San Francisco: Alan Wofsy Fine Arts. January 2015. Recent Publications. hardcover
1936013737Paris: Alliance de Publicite et d'Impressiom 1936. 1st Edition. Soft cover. The program for the third season 1936 of the Ballet Russes at Convent Garden. Elaborate program measures approx 10 x 12" unpaginated many tipped-in color plates and full of advertisements in 1930s Art Deco style. Some scenery by Picasso Leon Bakst et al. Published by the Ballet's French promotional firm but printed in London by Burrup Mathieson & Company. Alliance de Publicite et d'Impressiom unknown
00-0450Paris: Musée Picasso 1988. 2 vols. Wraps. 712 pp. Paris: Musée Picasso, 1988. paperback
50-0025Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white on colored paper. 26 x 20 inches. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
02-0344Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black on gold paper. 26" x 20" 66 x 50.5 cm. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
02-0343Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white on blue paper. 26 x 20 inches. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
51-3633Paris: Museé Picasso 1991. Fold-out invitation from Jack Lang and Jacques Sallois. with 3 copies of the laminated board cover catalogue with 58pp.From the collection of Danièle Giraudy. Diplômée de l’École des Beaux-arts et de l’École du Louvre Danièle Giraudy a accompli sa carrière dans de nombreux musées de France : Musée Picasso d’Antibes Musée des Arts décoratifs de Paris musées de Marseille. Conservateur général du patrimoine elle est spécialisée dans l’art moderne la pédagogie de l’art et la muséologie. Paris: Museé Picasso, 1991. unknown
51-3638Paris: Musée Picasso & Beaux Arts Magazine 2006. Folio. and invitation card. Original wraps. 33 x 29.5 cm. Fold mark in upper right corner. Catalogue of Xavier Lucchesi's exhibition 'Picasso XRAYS' was the National Picasso Museum in Paris 10 Sept. 2006 tto 8 January 2007. In 2006 Xavier Lucchesi has exclusive rights to x-ray Picasso sculptures. He managed to get a scanner truck in front of the museum to X-ray Picasso works.It was a joint effort with Picasso Museum and the Center for Research and Restoration of Museums of France C2RMF.From the collection of Danièle Giraudy. Diplômée de l’École des Beaux-arts et de l’École du Louvre Danièle Giraudy a accompli sa carrière dans de nombreux musées de France : Musée Picasso d’Antibes Musée des Arts décoratifs de Paris musées de Marseille. Conservateur général du patrimoine elle est spécialisée dans l’art moderne la pédagogie de l’art et la muséologie. Paris: Musée Picasso & Beaux Arts Magazine 2006. paperback
19791381062Paris 1979. Original poster in metal frame measuring 17 in. x 24 in. Poster not examined out of frame. Condition is Very Good with light age toning. AP Consignment. Shelved in Rockville Room B. This is an oversized item. Additional postage necessary for expedited and international orders. Economy International shipping unavailable due to size/weight restrictions. For international and expedited customers please inquire for rates. 1381062. Special Collections - Upstairs. unknown
