PICASSO - ELUARDBiblio.com
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1951118496Paris : Editions du Cercle dÕArt 1951. 295x225mm. collation effectuÂŽ: 29 dessins n/b in texte dont un en couleurs brochÂŽ. Couverture ˆ rabats. Un des 2000 exemplaires sur papier vÂŽlin offset supÂŽrieur numÂŽrotÂŽ n.¡ 322 / 2000. Ce volume achevÂŽ dÕimprimer en octobre mil neuf cent cinquante-et-un a ÂŽtÂŽ tirÂŽ pour les lithographies sur les presses de Mourlot FrÂres la typographie est de lÕimprimerie Union ˆ Paris. Bloch 687. Cramer 62. Mourlot 203. TrÂs bel exemplaire. 284 Editions du Cercle dÕArt unknown
1970G5 - HAY004351970. Paris Editions Cercle d'Art et Editions La Farandole. relié pleine toile éditeur. Excellent état. in-4. avec quelques illustrations dans le texte et aussi les planches illustrées de 100 reproductions de dessins d'enfants et de Picasso sur le thème de la tauromachie ; sur la page de garde un dessin collectif des écoliers de Vallauris ; couverture ornée d'un dessin en couleurs de Picasso. unknown
45739Comité national de la Gravure francaise In-4 30 cm 72pp. illustr. petite étiquette ex-libris sur le premier plat B71-A1-2 unknown
102410New York Museum of Modern Art 1980. 4° 463 S. 758 Abb 208 Abb. in Farbe OLwd. m. OU. Tadell. Text: engl. 010 New York, Museum of Modern Art, 1980 unknown
1971239175Bern: Kornfeld und Klipstein 1971. Rilegato tela sovracoperta cloth dust jacket. Buono Good. <strong>Volume I</strong>. Catalogue of the printed graphic work 1904-1967. <strong>Band II</strong>. Katalog des grapischen Werkes 1904-1967. Prefazione di René";" Wehrli. Testo di Georges Bloch. 1399 illustrazioni in bianco e nero. Edizione in francese inglese e tedesco. Cm 295x245. pp. 350. Buono Good. Volume sciupato nella parte inferiore a causa dell'umidità. Il volume non presenta però alcun odore Volume damaged at the bottom due to moisture. However the volume does not have any odour. Seconda edizione riveduta Second Revised Edition. Kornfeld und Klipstein, hardcover
107169Stuttgart Hatje Cantz 2000. 4° 303 S. zahlr. Abb. Broschur Min. gebrauchspurig tadell. - Dieser Band enthält Picassos gesamtes lithografisches Werk von 860 Nummern. Die Werke stammen fast ausschließlich aus der Sammlung Huizinga die den Kernbestand des ersten Picasso-Museums in Deutschland des Graphikmuseums Pablo Picasso Münster bildet. 010 Stuttgart, Hatje Cantz, 2000 unknown
1994BN152386Spadem et Flammarion Belgien 1994. 1994. Pablo Picasso - Boite de cartes à jouer <br/><br/>Pablo Picasso - Boite de cartes à jouer Picasso - Spielkarten - Picasso Pablo Spadem et Flammarion, Belgien unknown
97729Paris Editon Cahier d'art 1948-1957. 4° je ca 40 Textblatt ca. 200 s/w. Tafeln. Orig.-Brosch. teilweise unbeschnitten Rücken von Vol. 1 m. Fehlstellen Bindung etwas locker sonst gutes Ex. Umschäge etwas gebräunt min fleckig innen sauber. Vol.1 u. 2 num Exemplare eines von einer Auflage von 500. Text franz.- Die berühmte umfangreiche Standard-Publikation zu Picasso die über einen Zeitraum von mehr als 30 Jahren in 33 Bänden erschien. 010 Paris, Editon Cahier d'art, 1948-1957 unknown
1972209507Bern: Kornfeld und Klipstein 1972. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. <strong>Tome III. Volume III. Band III</strong>. Catalogue de l'&oelig";uvre gravé cé"ramique 1949-1971. Catalogue of the printed ceramics 1949-1971. Katalog des grapischen Keramikwerkes 1949-1971. Testo di Georges Bloch. 227 illustrazioni a colori e in bianco e nero. Edizione in francese inglese e tedesco. cm 295x245. pp. 198. Molto buono Very Good. Prima edizione First Edition. Kornfeld und Klipstein, hardcover
194820280AB1948. Geneve Skira 1948 39 : 29 cm. With 16 coloured mounted plates by Picasso. Original boards. Les trèsors de la peinture Francaise. - Binding dusty. hardcover
1964116340Monte-Carlo : AndrÂŽ Sauret - Editions du Livre 1964. 320x245mm. frontispice 147 planches en couleurs et n/b brochÂŽ. Couverture rempliÂŽe. La couverture et le frontispice sont deux lithographies originales gravÂŽes par Picasso spÂŽcialement pour cet ouvrage. TrÂs bel exemplaire. 1245 Andr Sauret - Editions du Livre unknown
100752Stuttgart Hatje Cantz 1988. 4° 238 S. zahlr. Abb. OLwd. m. OU. Widmung a. Vors. Tadell. Jacqueline Picasso 24. Februar 1927 in Paris als Jacqueline Roque; † 15. Oktober 1986 in Mougins war die zweite und letzte Ehefrau von Pablo Picasso und sein meist dargestelltes Modell. Im Oktober 1954 malte der frisch verliebte 72-jährige Pablo Picasso die 27-jährige Jacqueline Roque seine neue Geliebte und spätere Ehefrau. Keine Frau porträtierte Picasso häufiger. Sie heirateten in Vallauris am 2. März 1961.Jacqueline verbrachte die letzten 20 Jahre mit Picasso davon zwölf legitim verheiratet bis zu seinem Tod 1973 die Ehe blieb kinderlos. Sie ließ seine Porträtmalerei wieder aufblühen und es entstanden mehr als 400 Porträts von ihr.Jacqueline Picasso nahm sich 1986 nach der Eröffnung einer von ihr mit arrangierten Picasso-Ausstellung durch Erschießen das Leben 13 Jahre nach dem Tod ihres Mannes. 010 Stuttgart, Hatje Cantz, 1988 unknown
195215308AB1952. Paris Flammarion 1952. 524 pages with 607 partly coulered plates and illustrations. Illustrated original cloth with coloured illustrated dust-jacket. hardcover
1967N4869Paris: Editions Cercle D'art 1967. Decorative Cloth. Fine. 4to. 412pp RICHLY ILLUSTRATED IN COLOUR. VERY DECORATIVE ORIGINAL BINDING A FINE COPY. <br/> <br/> Editions Cercle D'art hardcover
1982227103Milano: Rizzoli 1982. Rilegato tela cloth. Ottimo Fine. Testo di Josep Palau I Fabre. Con 1557 illustrazioni a colori e in bianco e nero. Biografia. 4to cm 315x30. pp. 560. Ottimo Fine. Manca la sovracoperta No DJ. . Rizzoli, hardcover
1974209494Roma: Editori Riuniti 1974. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Testo di Rafael Alberti. 203 tavole a colori opere di Pablo Picasso comprese tra il 1970 e il 1972. 4to cm 33x27. pp. 210. Molto buono Very Good. Sovracoperta piuttosto sciupata ai margini con strappetti e mancanze Chipping and nicks around top and bottom of dust jacket. Prima edizione First Edition. <em><strong>"Il raggio ininterrotto"</strong> definirei io con maggior precisione prendendo a prestito il titolo di Miguel Hernandez di quel giovane e straordinario poeta nostro morto in un carcere di Spagna l'incessante impulso creatore di Picasso la sua frenesia vitale che neppure la morte ha potuto arrestare e che mai avrà"; la forza di oscurare. Perchè questa è l'immagine che egli ci lascia un persistente raggio di luce serpeggiante che ci scuote ogni giorno che ci apre improvvise cavità" nel buio sentieri e strade che non si sa bene dove potranno condurre" dal testo di Alberti.</em> Editori Riuniti, hardcover
196920220AB1969. Avantgarde 8. New York Avant Garde 1969. 29 : 28 cm. 30 leaves with many illustrations by Pablo Picasso. Illustrated original boards. This special issue of Avantgarde is devoted entirely to one subject: a series of erotic gravures by Pablo Picasso the pre-eminent artist of our time. They are intended to stand as Picasso himself has said "As an abiding celebration of life itself". hardcover
196721443New York: The Museum of Modern Art 1967. Brossura wrappers. Molto buono Very Good. Chronology by Alicia Legg. Related works - Bibliography - Catalogue of the exhibition. With 284 reproductions in black and white. Con 284 riproduzioni in nero delle opere ed una tavola a colori in antiporta. Cronologia di Alicia Legg. Bibliografia - Catalogo della mostra. 4to. pp. 232. Molto buono Very Good. Prima edizione First Edition. The Museum of Modern Art, unknown
2012ABE-8503061553The British Museum Press London 2012 Rare British Museum Press Limited Edition of only One Hundred. The copies are beautifully printed and are contained in a bronze metallic titled slipcase. Although the copies are un-numbered the British Museum has issued only a hundred copies of this slipcased edition to coincide with the stunning exhibition of the only set in England to be on display. No dustjacket has been issued. A preface by the Director Neil MacGrgor and a scholarly text by Stephen Coppel relate the story of Picasso's most celebrated suite of etchings. This is a superb production. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Limited Edition. Hardcover. New. The British Museum Press, London hardcover
1983BN253784Stuttgart : Hatje 1983. 1983. Picasso das plastische Werk : Katalog zur Ausstellung Picasso Plastiken ; Nationalgalerie Berlin Staatl. Museen Preuss. Kulturbesitz 7.10. - 27.11.1983 ; Kunsthalle Düsseldorf 11.12.1983 - 29.1.1984. Werkverzeichnis der Skulpturen in Zusammenarbeit mit Christine Piot <br/><br/>Picasso das plastische Werk : Katalog zur Ausstellung Picasso Plastiken ; Nationalgalerie Berlin Staatl. Museen Preuss. Kulturbesitz 7.10. - 27.11.1983 ; Kunsthalle Düsseldorf 11.12.1983 - 29.1.1984. Werkverzeichnis der Skulpturen in Zusammenarbeit mit Christine Piot Picasso / Plastiken - Spies Werner und Pablo Picasso Stuttgart : Hatje unknown
19732090202118203009Shinchosha 1973. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
1946213543New York: Doubleday &";" Company 1946. Rilegato hardback. Molto buono Very Good. Testo di Harriet e Sidney Janis. Una fotografia in bianco e nero dell'artista. 135 illustrazioni in bianco e nero e a colori a piena pagina. 8vo cm 28x22. pp. 211. Molto buono Very Good. Senza sovracoperta Without dust jacket. . Doubleday &";" Company, hardcover
1933B-2022-0929Lot of three artistic programs: Le Ballet des Champs Elysées 1948 Les ballets 1933 au théâtre des Champs Elysées Les ballets de Roland Petit 1949.<br />-Ballets des Champs Elysées. 1948 The program for the November 1948 ballet season with the cover designed by Picasso text by Sartre and Barrault. Incomplete with only 18 pages Picasso cover Sartre and Barrault text are included. Picasso cover with some painting stains at the bottom. -Les ballets 1933 de George Balanchine. Editions des quatre chemins Paris. Artistic director Boris Kochno Théâtre des Champs Elysées. Preface by Edward James. The program include presentation text of the performances and illustrations of scenography and customs by Derain Tchelitchew and a full page reproduction drawing by Caspar Neher for Les Sept Peches Capitaux performance. <br />-Les ballets de Roland Petit. Paris 1949 Preface by Marcel Archard and Lenor Fini. With full pages of photographic portraits of Roland Petit Colette Marchano Serge Perrault and others performers illustrated with marquettes in color by Antoni Clavie and double page of Leonor Fini. French text. Good conditions. Please ask for complete report. paperback
191033635Montrouge Paris: 1910 1910. Original Litho. Original Litho. PICASSO. MAX JACOB. Double Signed Litho. Montrouge Paris Seine. 1910. 14" 7/8 X 10" 3/4 on plain paper stock with the lithograph printed in two tones: Greenish grey for Picasso's drawing and handwriting and black for Max Jacob. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend Max Jacob done in celebration of Jacob's conversion to Christianity. Jacob who had Jewish origins claimed to have had a vision of Christ in 1909 causing his conversion. The illustration of Jacob the first of Picasso's drawings of Max Jacob seated comfortably in a fine armchair dressed in his three piece suit. The printed text: Top A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge Seine - Middle L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" and by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists and the surrealists as can be seen in his prose poems Le cornet à dés The Dice Box 1917. Throughout the year of 1901 Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris Picasso met Max Jacob. Max Jacob was a poet painter & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work Richardson Vol. I 203. Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème Richardson Vol. I 338. "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir and when tickets could be found to the Moulin Rouge" Penrose Picasso 76. Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals exchange ideas & celebrate special occasions such as the opening of an exhibition Penrose Picasso 117. The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904 Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose this place was ". . . composed it seemed of nothing but lofts & cellars all in such a sad state of repair. . . " Picasso 96. Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters sculptors writers & actors Penrose Picasso 102. One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright identified as a Surrealist who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris Picasso Penrose 177. Even though Picasso was not in Paris he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example during summer 1910 in Cadaques Catalonia painting with Derain Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. Penrose Picasso 179. This was only the first of a collections of poetry they collaborated on. 1910 unknown
19952090202120413272Izumi so 1995. Soft Cover. Fine. Number of books: 1 Izumi so paperback
