1 544 résultats
19543116682Paris: Editions Cercle D'Art. Near Fine with no dust jacket. 1954. First Edition; First Printing. Hardcover. First trade edition. after a signed limited of 100 copies Near fine in creme-colored buckram binding without dust jacket as issued with orange-colored belly band present. 153pp. 10 3/4" x 14 1/4" Couple mild spots of soiling at bottom edge of covers. A few short tears in tissue guards. 1/2"-inch tear in belly band. Numerous b&w drawings. Features 6 color lithographs on wove paper. Two accordion-fold photolithographs in rear sleeve of Picasso's murals of the same titles -- ""La Guerre" and "La Paix" ; 10 1/2" X 14 1/4"; 153 pages . Editions Cercle D'Art hardcover
1988Q-0946590893Tate Gallery 1988-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Tate Gallery paperback
198867213Gallery; University of Washington Press Distribution. New. 1988. Paperback. 0946590893 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 312 pp. With 349 ills. 105 col. . 27 x 23 cm. -- with a bonus offer-- . Gallery; University of Washington Press (Distribution) paperback
1988634a4290UK: The Tate Gallery 1988. Book. Illus. by Picasso Pablo. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 311 pages. Biography. Bibliography. Over 100 works illustrated in colour. "Focuses our attention on this industrious period of Picasso's art. The intimate relationship between the artist and his model and the bold colours and freedom with which Picasso has approached his subject are both stimulating and provocative. Five essays by distinguished art historians and critics together with a fully illustrated biography offer the reader fascinating insights into Picasso's life and work during the years 1953-1973." - from back cover. Above-average wear and soiling. Usual library markings. Binding intact. A worthy reference copy. The Tate Gallery Paperback
19312428Paris: Ambroise Vollard 1931. First edition. No. 217 of 240 copies on Rives paper of a total edition of 305. 13 original etchings by Pablo Picasso and 67 wood engravings after drawings by the artist engraved by George Aubert. Bound in gray calf by Renée Haas and collaborators Renaud Vernier and Claude Ribal. Front and back covers with a black and gray inlaid checkerboard pattern with alternating gold squares mounted each cover with inlaid red line vertically zigzagging with white mirrored line throughout lettered in gilt on the spine; all edges gilt; red suede doublures gray suede endleaves; morocco-tipped slipcase with suede-lined chemise spine mirroring volume spine text. Original wrappers bound in. An excellent copy. <br /> <br /> The binding dated 2008 is the work of three hands: the designer Renée Haas and Renaud Vernier and Claude Ribal executors of the binding. According to the Pierre Bergé catalogue description of the binding on Matisse's Jazz executed by the same trio in 1983 "Renée Haas reserved her talents only for a few lucky collectors hence the rarity of her bindings on the market today."<br /> <br /> In 1926 Ambroise Vollard commissioned illustrations from Picasso for The Unknown Masterpiece a formidable Balzacian reflection on pictorial creation in which his "text declares his aesthetic faith in artists and their search for inspiration despite their struggles to reach their goals." Johnson Artists' Books in the Modern Era. And as Strachan notes "who better than Picasso could understand and convey the restlessness of an artist battling with the inexpressible" "The diversity yet harmony of Picasso's genius is represented here by the inclusion of both abstract and classical styles in a single volume. The wood-engravings reproduce Cubist figures still-lifes and the sparkling 'constellation drawings' of 1926 while the etchings are classical in character combining pure line with cross-hatching." Garvey The Artist and the Book One of the most important livres d'artistes of the twentieth century; as Chapon notes "un des ouvrages qui fait le plus honneur à Vollard reste Le Chef-d'oeuvre Inconnu."<br /> <br /> Goeppert-Cramer Picasso no. 20; Hyza et. al. Picasso et le livre d'artiste pp. 56-57 ; Garvey The Artist and the Book 1860-1960 no. 225; Garvey & Wick The Arts of the French Book 1900-1965 no. 18; Johnson Artists' Books in the Modern Era no. 54; Mellby Splendid Pages p. 209; Coron De Goya à Max Ernst pp. 255-262; From Manet to Hockney 92; Skira Anthologie du Livre Illustré par les Peintures et Sculpteurs 293; Strachan The Artist and the Book in France pp. 60-62 339; Chapon Le Peintre et le Livre pp. 57 74-78 281. Carteret Le trésor du bibliophile: livres illustrés modernes 1875 à 1945 vol. 4 p. 51. Ambroise Vollard unknown
1945208921Paris: Gallimard 1945. Softcover. VG/VG: Wear to the edges and corners of both the dust jacket and the wraps. Tanning to the pages. A white softcover book with red and black text on the front cover and a rice paper dust jacket. 63 pages. Text is in French. A play written by Picasso over a three-day period; rarely performed due to its "sheer incomprehensibility." It has no discernible plot. It was first directed by Albert Camus in 1944; David Hockney acted in a staging by the Guggenheim Museum in 1984. Gallimard paperback
1945518034Paris: NRF / Gallimard 1945. Softcover. Very Good/Very Good. First edition trade issue. Octavo. 62pp. Printed wrappers. Small chip at crown and nick at base of spine front cover has two tiny closed tears at fore-edge else a very good bright copy in publisher's unprinted glassine dust jacket tanned at extremities with a few nicks else very good. Publisher's printed wrap-around band stating: "Picasso auteur dramatique. nrf" is laid into the book. Limited to 1660 copies of a total edition of 2200. Noted French theatre scholar and author Jacques Guicharnaud's copy with his tiny ink name on front flyleaf. Text in French. NRF / Gallimard unknown
dola3264New York: Harry N. Abrams Inc. 1970. First Edition this one of 660 Abrams copies of a total edition 1998 copies shared between three publishers in Paris New York and Bremen. Printed under the personal supervision of Picasso the prints are the exact size of the original drawings and were made with the same materials as used by the artist: grease crayon lithographic tusche lead pencil and charcoal instead of the usual printing inks. 4to. 71 lithographed reproductions of pencil drawings by Picasso 26 in colour printed on hand-made Vélin d’Arches. loose gatherings as issued in cloth clamshell box with leather strap closure & matching cloth chemise. Fine copy. dola3264 New York: Harry N. Abrams Inc., [1970] hardcover
1964205995np: np 1964. First edition. Number 189 from an edition of 375 copies in French from a total edition of 750. Features a softcover leperello with commentary text in French by Marcel Duhamel. Include a small hardcover that measures 3" by 4" that is a facsimile of a sketchbook by Picasso. Text booklet and sketchbook are in very fine condition and in a fine publisher envelope and in an about very good printed plastic slipcase that has some of the typical splitting and wear. A lovely copy of this very fragile and attractive production. np unknown
1939172347Paris: Jonquières 1939. Edition of 226. Signed in red pencil crayon lower right by Picasso numbered in pencil lower left. Linocut on Velin d'Arches paper lower edge deckled. Image size: 15.9 x 20.2 cm. Sheet size: 36.7 x 28 cm. Framed size: 48.6 x 43.3 cm. Toning to margins otherwise a bright impression. Presented in a handmade white gold leaf frame with conservation acrylic glazing. Bloch 326; Baer 1028; Cramer 84. unknown
1952PICASSOP013319Souillac. Octobre 1952. First edition. Quarto. 56 pages. Illustrated mostly with photographs. Card wrappers. The entire issue is devoted to Picasso. Interviews and essays. The contributors are Maurice Raynal Daniel Henry Kahnweiler Pierre Reverdy George Besson Tristan Tzara Paul Gay Edouard Pignon and Claude Roy.At page 51 there are three photographs of Picasso one of which is with Edouard Pignon. The page is signed by both of them and dated by Pignon 25 mai 53.Head and tail of spine a bit rubbed. Near fine. Souillac. Octobre, unknown
1952TH241414Souillac Mulhouse 1952. 1st Edition. SOFTCOVER. Special issue of le Point XLII October 1952 devoted to Picasso who has signed this copy in ink on the title-page no other marks or inscriptions. Provenance: from the estate of the Canadian artist Kathleen Daly Pepper. 4to in stiff card covers with colour printed over-wrapper 56pp b/w plates photos and facsimiles etc. Text in French Housed in an attractive custom made archival case. Full provenance provided __CONDITION : A well preserved FINE very clean and tight unmarked copy pages very slightly tanned in a slightly edge-rubbed but otherwise FINE wrapper. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Souillac, Mulhouse paperback
198767332Paris-Musees; Et Al. New. 1987. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in French. 310 pp. With 258 ills. 243 col. . 28 x 25 cm. -- with a bonus offer-- . Paris-Musees; Et Al paperback
16-4178Paris: Éditions Paul Rosenberg 1920. 4to. 28 x 21 cm. Sheets loose as issued in original board chemise with cloth ties. One tie torn but torn part is present. One of 50 copies of the deluxe edition with the plates both colored and black and white. Collotype printing and handcoloring in the ateliers of André Marty and Daniel Jacomet. Some copies have a black and white reproduction of the rideau curtain which is not present here nor is the etching Bloch 34. There are a total of 31 colored collotypes and 31 uncolored for a total of 62 prints. Each print has a blindstamp in the lower right corner with the initials of the publisher for authenticity.References: Goeppert/Cramer 8; The Picasso Project From Cubism to Neoclassicism pp 206-227; Parmenia Migel Pablo Picasso Designs for the "Three Cornered Hat;" Picasso Le Tricorne: Musée des Beaux-Arts de Lyon 1992.Here is a list of the plates. We can also provide concordances of each print to the references cited.Décor definitif.Le Meunier.La Meunière.Le Corrregidor.Costume pour un groupe de voisines.Le Dandy.Costume pour un groupe de voisines.Costume pour des deux serviteurs.La Majorique.Costume des Aragonaises.Costume de la femme du Corrregidor.Costume des Aragonaises.Le Corregidor dans le manteau du Meunier.Costume du Picador.Costume des danseuses de la sevillana.Project de costume pour le torero.Project de costume pour le torero.Costume de l'un des fous.Costume d'un voisin.Costume des Aragonais.Costume d'un voisin.Project de costume pour une vieille femme.Costume de l'un des fous.Costume du béquillard.Costume d'un vieux nègre.Costume pour un alguazil.Costume des alguazils porteurs de lanternes.La Chale de la La Menuère.La chaise a porteurs de la femme de Corrregidor.La cape du béquillard .Pièces des costumes du torero de l'Aragonais es des Aragonaises.Le Tricorne.Paris Éditions Paul Rosenberg 1920. In-4 chemise à rabats et rubans de l'éditeur.Portfolio contenant 31 pochoirs sur 32 de Pablo Picasso reproduisant les maquettes en couleurs des costumes et décors du ballet éponyme.Tirage limité à 250 exemplaires numérotés celui-ci un des 50 exemplaires accompagnés d'une eau-forte originale inédite de Picasso et d'une EPREUVE DE L'ETAT EN NOIR DE CHACUNE DES PLANCHES.Le Tricorne créée en 1919 fut produite par les Ballets Russes et marqua le début de la collaboration entre Picasso et la Compagnie. Le ballet fut donné à Londres en 1919 et à Paris en 1920.Manque une planche et l'eau-forte inédite lacets fatigués.Expertise by : Jean Lequoy Librairie Giraud-Badin 22 rue Guynemer 75006 Paris Paris: Éditions Paul Rosenberg, 1920. hardcover
195148786Paris.: Cercle d'art. 1951. Original publisher's printed wrappers with titles to front cover in black. 4to. 285 x 228 mm. With original lithograph by Picasso and 29 lithographs after Picasso drawings printed by Mourlot. The édition de tête with Picasso's original lithograph.From the edition limited to 150 copies with the original lithograph; this copy exceptionally signed by Picasso in pencil and with the collector's mark WDB.The book published the 29 drawing Picasso made of variations on the theme of peace for the 30th Anniversary of the French Communist Party.Mourlot 203; Cramer 62. Cercle d'art. unknown
1962art pic 1PARIS: Editions CERCLE D'ART 1962. Book. Very Good. Hardcover. FIRST. A VERY GOOD FIRST IN SLIPCASE WITH COFFEE RING. SOILED.Beige cloth over boards with an illustration in green and red. Numerous colour and b&w plates. Text in French. repaired hinge. Editions CERCLE D'ART Hardcover
19882699028Barcelona.: Polígrafa. 1988. Hardcover. Sobrecubierta deslucida. Good. 28 cm. XXII 712 p. il. col. y n. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Guardado en estuche. Picasso Pablo 1881-1973. Albert Mestres ha tingut cura de la revisió i la correcció dels textos. Exposición realizada en el Museo Picasso de Barcelona 1988. Bibliografía: p. 698-710. Les demoiselles d'Avignon. Exposiciones . Sobrecubierta deslucida. ISBN: 8434305224 Pintura. Picasso Pablo. Les demoiselles d'Avignon Publicaciones de los particulares tipos de sociedades entidades organizaciones. 75 Picasso Pablo. Les demoiselles d'Avignon 064.3 75 Polígrafa. hardcover
1988333883Paris: Musee Picasso 1988. paperback. very good. picasso. Musee Picasso unknown
050009196X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1988227066Barcelona: Ediciones Poligrafa 1988. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. Presentation de M. Teresa Ocana Introduccion de Helena Seckel. Textos de Leo Steinberg El burdel filosofico William Rubin La genesis de les demoiselles d'Avignon Pierre daix El Historial de les demoiselles d'Avignon revisado con Ayuda de los albumes de Picasso. Antologia. Bibliografia seleccionada. Ilustrado con reproducciones de esbozos dibujos pintura / Volume riccamente illustrato con riproduzioni di schizzi disegni dipinti nel testo e fuori testo in nero e a colori. Edizione spagnola. 4to. pp. 714. Ottimo Fine. . Ediciones Poligrafa, hardcover
198851420Musees Nationaux. As New. 1988. Paperback. 2711821773 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block pristine pages tight to spine - -- with a bonus offer-- . Musees Nationaux paperback
1963mon0003318188Abrams 1963T. hardcover. Very Good. . Abrams hardcover
196275267Paris - Düsseldorf - Lausanne 1962. Folio. Rikt dekorert originalt striebind. I dekorert pappkassett. 35 s. Illustrert med 165 plansjer i svart/hvitt og farver. Cercle d’Art - A G de May Tysk. <br/><br/><em>Den tyske utgaven skal være uvanlig. Pent eksemplar. </em> unknown
2370Geneva: Edito Service. Hardcover. Near Fine. Near Fine condition hardcover in Very Good slipcase. Hardcover containe two volumes the first is "Suite des reproductions des eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d"ovide" and the second is "Les Metamorposes D'Ovide" 394 pages. Facsimile of the 1931 original work this is a beautiful facsimile with loose plates and text. This is a LIMITED EDITION and is numbered 3576. Edito Service hardcover
1203761969 . Lithograph in colours 1969 on wove paper with the artist's printed signature as issued numbered from the American edition of 250 marked 'A' Printed by Marcel Salinas New York with his blindstamp verso Published by Harry N. Abrahams inc. New York 65 x 50 cm. 25½ x 19¾ in.<br /> <br /> 1969 unknown