Picasso, [Pablo].Biblio.com
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73939München Schirmer/Mosel 1989. . Mit dt. Vorwort von Michel Leiris: "Picasso als Schriftsteller oder die Dichtung außer sich" übersetzte Joseph Vogel aus dem Französischen; die spanischen Texte von Picasso übersetzte Albert Bensoussan ins Französische. - Mit einem Beitrag von Marie-Laure Bernadac: "La poésie de Picasso dictionnaire abrégé" u. von Christine Piot: "Picasso et la pratique de l'écriture" sowie Anmerkungsteil Zeittafel Bibliographie u. Register. - Michel Leiris 1901-1990 französischer Schriftsteller u. Ethnologe. - Gutes Exemplar (München), Schirmer/Mosel, (1989). unknown
1989BN151092München : Schirmer-Mosel 1989. 1989. Die poetischen Schriften 1935 - 1959. Picasso. Zsgest. u. bearb. von Marie-Laure Bernadac u. Christine Piot. Mit e. Vorw. von Michel Leiris. Das Vorw. übertr. Joseph Vogl aus d. Franz. Die span. Texte von Picasso übers. Albert Bensoussan ins Franz. <br/><br/>Die poetischen Schriften 1935 - 1959. Picasso. Zsgest. u. bearb. von Marie-Laure Bernadac u. Christine Piot. Mit e. Vorw. von Michel Leiris. Das Vorw. übertr. Joseph Vogl aus d. Franz. Die span. Texte von Picasso übers. Albert Bensoussan ins Franz. Picasso Pablo und Marie-laure Bernadac München : Schirmer-Mosel unknown
BN270476Die vergessenen Kinder <br/><br/>Die vergessenen Kinder Marina Picasso unknown
3639647203.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009835094RMN. New. 2009. Paperback. 2711856283 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 200 pages; 257 illustrations. -- with a bonus offer-- . RMN paperback
1962189240Paris: Berggruen 1962. Picasso experiments with Cut-Outs and photography First edition number 775 of 1000 copies. This Picasso's only foray into the world of photography began as a way to entertain his grandchildren making simple cut-outs of paper masks and animal faces in the style of Matisse. Years later Villers and Picasso met when the young photographer came to take the artist's portrait. The two experimented with photographic printing techniques by exposing cutouts on bromide paper which Villers then re-photographed. Folio. With 30 black and white photographs by Picasso and Villers. Original paper chemise with title to front cover designed by Picasso text and photographs in paper sleeves with printed caption loose as issued. All housed in publisher's cloth portfolio with title and illustration by Picasso. Slipcase rubbed spine toned a few creases to paper sleeves: a near-fine copy. hardcover
51-3635Mougins: October 1986. A collection contemporary newspaper and magazine articles on the suicide of Picasso's muse and second wife who committed suicide at the age of 60 on Oct. 15 1986.From Nice-Matin Le Monde and articles by Helene de Turckheim and Paul Raphael. From the collection of Danièle Giraudy. Diplômée de l’École des Beaux-arts et de l’École du Louvre Danièle Giraudy a accompli sa carrière dans de nombreux musées de France : Musée Picasso d’Antibes Musée des Arts décoratifs de Paris musées de Marseille. Conservateur général du patrimoine elle est spécialisée dans l’art moderne la pédagogie de l’art et la muséologie. Mougins: October, 1986 unknown
1914194441Firenze: Libreria Della Voce 1914. Paperback. Good Wraps are shelf/edgeworn with notes in pencil smudging foxing; textblock edges are foxed; interior pages are age toned and lightly foxed; textblock is cracked. Light blue wraps with black lettering and illustration; 2 leaves 12 plates. Text in Italian. Libreria Della Voce paperback
50-0025Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white on colored paper. 26 x 20 inches. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
02-0344Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black on gold paper. 26" x 20" 66 x 50.5 cm. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
02-0343Paris 1955. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white on blue paper. 26 x 20 inches. Signed and dated 1955 in the image. Paris, 1955. Distributed graphics by Dow & Frosini. unknown
19471909200005Paris- Barcelona Editorial Albor 1947. First Edition. Hardcover. Very Good. Fine printing of Picasso Limited edition no. 104 of 250. Four dry point plates by Picasso with tissue guards. Title engraved in upper cover in red. 28 leaves. Folio 34 cm. Loose as issued. Housed in original wooden boards with cloth ties. Title-page half-titles l 10b initials etc. reproduced from Picasso's lettering. Mornand: Vingt artistes du livre 306. Cramer Picasso livres illustres 44; Bloch 468 471. Catalan. <br> Ramon Reventos was a Catalan writer and with his brother Conti long-time friend of Picasso who wrote one of the first articles published on Picasso's work. When Reventos passed away in 1923 his writings fell into obscurity. Many years later Picasso would write to Conti's son: "I loved your uncle so much that when it occurred to me to make him acknowledged here in Paris because this boy did not enjoy the success that he deserved it was during the war 1939-1945. I often went to the National Library on foot with all of the dangers that this entailed in order to copy these two stories and I copied them all by hand. Someday I will show you in my own handwriting" Reventos i Conti Picasso i els Reventos Barcelona 1972 p 20. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. <br> Capvespre d'un faune. Paris- Barcelona, Editorial Albor hardcover
2511112 June 1979. On letterhead of the Chateau de Castille 30 Argilliers T 10 Vers par Nimes. See the entries for Cooper born Arthur William Douglas Cooper and Richardson in the Oxford DNB. From the papers of the recipient Philip Dosse who was proprietor of Hansom Books publisher of a stable of seven arts magazines including Art and Artists and Books and Bookmen. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. 2pp 8vo on a single leaf of air mail paper. Forty-six lines of text. Somewhat worn and creased but in fair condition overall. Signed ‘D C’ and addressed to ‘DEAR PHILIP’. After discussing a publicity photograph he writes: ‘You sound depressed. I dare not let my feelings go so far because I might never bounce back. I’m depressed because it is wet and cold whereas it should be hot hot and hotter. Am just back from a 4 day run around in Burgundy with two American friends. We saw chateaux ate excellently and drank our fill. It was full of laughter and bonhomie. That was a change.’ He reports that he will be spending two days in Venice ‘where I have to look at the Binnale and record a critical piece for the Italian TV. They pay me for the honor of giving me a 5 day holiday so why should I argue.’ He will then travel to Menton for a week as a juror at their biennale. He longs for hot weather so he can bathe: ‘It is difficult and dangerous to be southern.’ He discusses reviews he has written for ‘Art and Artists’. He has been in touch with the theatre historian Richard Buckle ‘about the Theatre Museum’: ‘But why oh why oh why MUST it take 79 years in England to get started something that in any other country would take 79 days That’s the inertia that I have deliberately left behind.’ Dosse’s ‘political forecasts are of the utmost pessimism. . The trouble in Ulster is much more bound up with the parrot-cry of King and Country than with religious differences. Which is why Mr William Hamilton is my hero and which is why I have no hesitation in saying that the monarchy must be dethroned.’ He feels that William Whitelaw just appointed Home Secretary in Thatcher’s first government ‘can only fail’ and that ‘Ulster is the Rhodesia of the north. They should give Ulster one week’s notice that the British are going to take ship and disappear for ever cutting off all finance soldiers etc. And they should go leaving a vacuum to be filled by Dublin. If only the IRA would put bombs in Buckingham and Windsor we would all be better off for there would be immediately a republican rising. And I might play J of Arc.’ In the final paragraph he describes Lord Goodman as ‘VERY ugly. He may change his ill-fitting clothes and appear under different names but the play’s always a bad one and his acting as ham as can be. His only truth is as a canny jewish family solicitor. I find it fascinating that the man who prevented the Prime Minister’s divorce on the day he took office should be rewarded with the kingdom of culture and the secret diplomacy. What world are we in’ 12 June [1979]. On letterhead of the Chateau de Castille, 30 Argilliers, T 10 Vers (par Nimes). hardcover
02-0273Paris 1961. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Two colors. 9 x 12. Paris, 1961. Distributed graphics by Dow & Frosini. unknown
199868952Verlag Gerd Hatje. New. 1998. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 320 pp. With 315 ills. 110 col. . 29 x 24 cm. -- with a bonus offer-- . Verlag Gerd Hatje hardcover
BN267049Ein Tag mit Picasso WIE NEU <br/><br/>Ein Tag mit Picasso WIE NEU Pablo Picasso unknown
196948574Barcelona.: Ediciones de la Cometa. 1969. Loose as issued in original publisher's printed wrappers and cloth-lined parchment-covered box. 2 vols. Folio. 470 x 370 mm or the reverse. Frontispiece engraving with burin signed in pencil by Picasso loose in paper portfolio as issued and Picasso's printed text illustrated with a further 12 original etchings by Picasso. Picasso's poetic and pictorial homage to El Greco and Velazquez.From the edition limited to 263 copies with this one of 220 examples with 12 original etchings together with an original etched frontispiece signed in pencil by Picasso.'From 1955 on the frequent visits of fellow Spaniards re-awakened Picasso's memories of Spain. In 1957 he began to write again in Spanish and he painted 'Las Meninas' after Velazquez. From January 6 1957 to August 20 1959 - the date of each text is meticulously noted - he wrote this dramatic poem and gave it the title of El Greco's masterpiece … Ten years later he suggested to Gustavo Gili a publisher in Barcelona that he should publish the piece. To illustrate it he chose 15 prints done between 1966 and 1967 … The prints depict fleshy women watched by a jealous cupid a male who is ferocious and ready for violence circus theatre and family scenes and the painter and his model. To these was added a burin engraving dated June 9 1939 in which a text in Spanish beginning 'Trozo de almíbar' 'bit of sirop' is enclosed by remarques.' Cramer.Cramer 146. Ediciones de la Cometa. hardcover
1969902981969. PICASSO Pablo. El Entierro del Conde de Orgaz. Three volumes. 12 XI 1 69 7 pp. Illustrated with one signed engraving and 12 etchings by Picasso and a preface by Rafael Alberti. Folio 370 x 470 mm bound loose as issued in the original wrappers and vellum-covered slipcase. The whole preserved in a cloth folding box. Barcelona: Gustavo Gili and Ediciones de la Cometa 1969. A Spanish production in every sense in this Picasso book Picasso illustrated his own poetry based upon his life and youth in Andalucia. The title bears reference to the painting by El Greco an artist very much admired by Picasso. Picasso began this poem in 1957 during a period of renewed interest in his Spanish heritage. Included in the work is a facsimile of Picasso's original manuscript of the poem written in coloured pencils. To illustrate his autobiographical poetry the artist selected one of his engravings from 1939 and etchings finished between 1966 and 1967. Printed and published by the publishing house Gustavo Gili of Barcelona with a prologue-poem by Rafael Alberti El Entierro del Conde de Orgaz includes a total of thirteen Picasso etchings of circus scenes and allegorical images infused with eroticism all echoing the artist's Spanish homeland and influences therefrom. One of an edition of 263 copies on Romani wove. It is notable that the present publication was the subject of a single exhibition at the Fundacion Picasso "Pablo Ruiz Picasso: El Entierro del Conde de Orgaz" May 2004. Goeppert 146. Bloch 1465-1477. Johnson Artists' Books in the Modern Era 1870-2000 No. 92. hardcover
2003Y-127-511Museo Picasso Málaga 2003. Paperback. Very Good. Former library book. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations. Museo Picasso Málaga paperback
BN315983Museo Picasso Málaga. Softcover. El Picasso de los Picasso <br/><br/>El Picasso de los Picasso Pablo Picasso Museo Picasso Málaga paperback
1954007666New York: The Noonday Press 1954. Limited First Edition. Cloth. Fine. No. 22 of 64 copies printed of which 55 were placed on sale. Printed on hand-made Fabriano paper by Igal Roodenk and James Lanier. Lithographs pulled in Paris by Fernand Mourlot Freres. The fine woven paper is various colors -- cream black blue rose. Folio 44 by 28.5 cm. Light wear to black cloth -- a few light scratches. Otherwise like new. The Noonday Press unknown
200672532Hatje Cantz Verlag. New. 2006. Hardcover. 3775718567 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 168 pp. With 117 ills. 100 col. . 31 x 26 cm. -- with a bonus offer-- . Hatje Cantz Verlag hardcover
ETRYHERN08280NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
1971315251971. Barcelona Editorial Gustavo Gili 1971. Un vol. au format pt in-4 303 x 262 mm de 330 pp. Reliure d'ÂŽdition de pleine toile grÂge sous jaquette illustrÂŽe par la photographie. L'ouvrage s'agrÂŽmente d'une abondante iconographie et dÂŽcrit plus de 650 oeuvres constituant le catalogue raisonnÂŽ de l'oeuvre sculptÂŽ de Picasso. Petites altÂŽrations affectant angles et coupes de la jaquette. DiscrÂtes rousseurs sur les tranches. Du reste belle condition. b42961 unknown
2003132667United Kingdom: Parragon Publishing 2003. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. ; 11.5 X 8.5 X 1.1 inches. Parragon Publishing hardcover
