Picasso, PabloBiblio.com
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0857425854.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2070770702.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
75-8567Turin: Editions du Choucas 1995. Fo. Hard Cover with Illustrated Boards ca. 250 pp. B&W and Color Plates. Very Good with Sunning along Spine and Cover. Text in French Spanish EnglishHeavy Book Extra Shipping Charges may be Required [Turin]: Editions du Choucas, 1995 hardcover
1988Q-0500275130Thames & Hudson 1988-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Thames & Hudson paperback
194653254Paris: Braun et Cie 1946. Hardcover. Used: Good/Missing. beige cloth in good condition with no DJ; No marks. Corners are slightly bumped but boards are not through; used book in good condition; not musty. 10.8 X 8.5 X 0.6 inches. NO DUST JACKET <br/><br/> Braun et Cie hardcover
02-0274Paris ca. 1960. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Signed in the plate. Black and white. 9 x 12. Paris, ca. 1960. Distributed graphics by Dow & Frosini. unknown
1985DYTWW10421Japan Modern Print Dealers Association 1985. Soft Cover. Fine. Number of books£º1 Japan Modern Print Dealers Association paperback
2008201009Paris: Flammarion; Reunion des Musees Nationaux 2008. Cloth 367 pages illustrations some colour; 28 cm. English Edition. Catalogue of an exhibition held at the Musee National Picasso Paris September 19 2007 to January 7 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. "In the world of art Cubism was nothing less than revolutionary representing a paradigm shift in the way artists perceived the world and incontestably one of the most influential movements in art history. To celebrate the one-hundredth anniversary of Picassos seminal work Les Demoiselles dAvigon leading Picasso scholars and art historians assess its legacy and the extraordinary influence of Picassos Cubism on the development of twentieth-century art." - Publisher. CONTENTS: "You have to see the work" by Anne Baldassari; The stages of Picasso's discovery of Cubism: late 1905-early 1909 by Pierre Daix; Periods: Cubism in its day by Jean-Claude Lebensztejn; The odore Aubanel's Les filles d'Avignon and Picasso's "sum of destructions" by Irving Lavin; Resisting Cezanne: Picasso's Three women by Leo Steinberg; The Prague Self-portrait and Picasso's intelligence by Leo Steinberg; Horta de Ebro 1909: genetics of Cubism by Anne Baldassari; Le laboratoire central: Cubist drawings in the Musee Picasso by Pepe Karmel; Touring the Stockholm collage by Leo Steinberg; Chronology of Cubism by Anne Baldassari and Paule Mazouet ; with Anais Bonnel Jeanne-Yvette Sudour and Nadege Raymond-Clergue; Bibliography by Jeanne-Yvette Sudour. 1st. Hardcover. NEW. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
200773042Flammarion. New. 2007. Hardcover. 2080300482 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9782080300485. Text in English. 368 pp. With 305 ills. 271 col. . 28 x 26 cm. -- with a bonus offer-- . Flammarion hardcover
1948461951Genève : Éditions Albert Skira 1948. First Edition. Softcover. Good paperback copy only retaining the rare glassine wrapper over a dust-wrapper designed by Picasso himself. Glassine wrapper now somewhat torn at the edges; dust-wrapper slightly dust-toned. Text block loose in its covers with several earlier signatures loose. The first signature has a very minor scuff to the outer edge. Leaves otherwise strong and well-preserved; plates and leaves remain remarkably clean. Further scans images and additional bibliographical material available on request. Physical description; 2 leaves 11 pages 18 leaves of colour plates : illustrations ; 37 cm. Notes; Texte de Suzanne et Georges Ramié. Date of publication from colophon. Subjects; Picasso Pablo b. 1881. Ceramic sculpture France 20th century. Pottery French 20th century. Artists as potters France. Ramié Suzanne. Ramié Georges. Éditions Albert Skira. Genève : Éditions Albert Skira paperback
50-0017Paris 1961. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Four colors. 67 x 51 cm. 20 x 26 inches. Signed and dated 25.7.61 in the image. Paris, 1961. Distributed graphics by Dow & Frosini. unknown
51-5814Paris: Fernand Mourlot 1957. Folio. 44 x 34cm. Original cloth portfolio with 27 drawings after Picasso by Henri Deschamps and Fernand Mourlot. Includes the text but not the 6 hors texte original lithographs. It includes 27 lithographs after Picasso one of which is signed by Picasso Faune. Twelve of the lithographs are full page. One of 275 numbered copies. Portfolio slightly soiled; 2 pages of the index and colophon defective.Cramer no. 88.Picasso signed the limitation page which contains a portrait of a faun by Picasso and is a lithographic reproduction of a drawing by Pablo Picasso. The craftsman that reproduced the drawing by hand was Henri Deschamps Picasso’s favorite and most trusted master printer at the Mourlot Studio. He relied on Deschamps any time that a painting or drawing had to be reproduced and it was not an already original print. They collaborated very closely from 1945 until the death of the artist in 1973.This small lithograph is an “after†as it was reproduced by a craftsman while the artist was alive and had to be supervised and approved by the artist himself. In the case this beautiful little gem of a lithograph was created for the book: Dans L’atelier de Picasso – which was written by Picasso’s secretary and close friend Sabartes and published and printed by Editions Mourlot. It included 13 original lithographs and dozens of reproductions of paintings and drawings. Each book was signed by Picasso on the justification page in red Pencil. However none of the lithographs inside were ever signed. Paris: Fernand Mourlot, 1957 hardcover
1998Q-345819102XInsel Frankfurt 1998-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Insel, Frankfurt hardcover
3962Stuttgart G. Hatje 1984. 4° 424 S. zahlr. teilw. farb. Abb. OLwd. m. OU. Grossflkächige Widmung auf Vors. min. gebrauchsspurig. Werkverzeichnis! 010 Stuttgart, G. Hatje, 1984 unknown
51-6780Berlin: Propyläen-Verlag 1925. 8vo. 18 x 24.5cm. XVI 452pp. Original boards. and cloth spine; stains on cover.One of 700 numbered copies. OCLC Number / Unique Identifier:2266700.Eins von 700 nummerierten Exemplaren. - Söhn HDO V.534 - Mit 2 Lithos von R. Grossmann und 1 Linolschnitt von Carry Hauser. - Mit Beiträgen von G. Benn E. Hemingway T. Mann G. Grosz R. Grossmann F. Masereel P. Picasso u.a. - Block vor Titel geplatzt Bindung leicht gelockert papierbedingt stellenweise leicht gebräuit zahlr. Illustr. im Text und auf zahlr. Tafeln und mit 3 Original-Graphiken von Carry Hauser 1 u. Rudolf Großmann 2. Original-Halbleinenband Der Schriftsteller Übersetzer und Herausgeber Hermann von Wedderkop Eutin 1875-1956 Hamburg war Herausgeber der Zeitschrift "Der Querschnitt - Das Magazin der aktuellen Ewigkeitswerte" von 1924 bis 1931. - "Die Zeitschrift wurde ursprünglich 1921 von dem Galeristen Alfred Flechtheim als Mitteilungsblatt seiner Galerie initiiert und erzielte 1921-23 in Jahrbuchform Auflagen .Der Querschnitt 1921–31The magazine ‘Der Querschnitt’ was launched by Alfred Flechtheim. It captured the zeitgeist and combined contemporary art literature sport and more. Initially it was published by the Verlag der Galerie Flechtheim and from 1923 by the Querschnitt-Verlag. In 1924 it switched to Propyläen-Verlag. The number of issues varied from year to year. During the first four years a year book was also published in addition. After the April issue 1931 the editor and publisher Hermann von Wedderkop left ‘Der Querschnitt’. The issues that followed had no connection whatsoever with Alfred Flechtheim. Berlin: Propyläen-Verlag, [1925] hardcover
19663143BB1966. Erste Auflage. Düsseldorf Droste Verlag 1966. 22 x 30 cm. 162 Seiten. Hardcover/ Gebundene Ausgabe im originalen Schutzumschlag. Der Schutzumschlag in spezieller Sammlerschutzfolie entfernbarer Brodart - Umschlag. Sehr guter Zustand mit minimalen Gebrauchsspuren. Der Schutzumschlag mit ganz minimalem Einriss. Honoré de Balzac 20. Mai 1799 in Tours; 18. August 1850 in Paris war ein französischer Schriftsteller. In den Literaturgeschichten wird er obwohl er eigentlich zur Generation der Romantiker zählt mit dem 17 Jahre älteren Stendhal und dem 22 Jahre jüngeren Flaubert als Dreigestirn der großen Realisten gesehen. Sein Hauptwerk ist der rund 88 Titel umfassende aber unvollendete Romanzyklus La Comédie humaine dt.: Die menschliche Komödie dessen Romane und Erzählungen ein Gesamtbild der Gesellschaft im Frankreich seiner Zeit zu zeichnen versuchen. Wikipedia hardcover
200033630<p>New York / Geneva: Mitchell-Ines & Nash / de Pury & Luxembourg Art 2000 Scarce title First and only printing in photo-illustrated self-wraps no remainder or other markings binding tight pages bright a pristine unread copy of this remarkable book featuring 180 never-published photographs of the master in the many moods of work and private life some of which were first seen in a special exhibition organized by Sidney Janis at the Museum of Modern Art to commemorate the centennial of Picasso's birth on October 25 1981; sq 4to; 191pp with pictorial index. First Edition. Soft Cover. Fine.</p> Mitchell-Ines & Nash / de Pury & Luxembourg Art paperback
1120381949 . Lithograph 1949 on Velin Arches paper inscribed dated and signed lower left in red chalk 'Pour Geneviève Laporte épreuve unique 26.5.51 Picasso' a rare unique print dedicated to Geneviève Laporte his lover during the 1950s aside from the six artist's and printer's proofs image: 64.5 x 47.7 cm. 25.4 x 18.8 in. sheet: 70 x 50 cm. 27.5 x 19.7 in.<br /> This work is a unique proof gifted to Geneviève Laporte 1926-2012 Picasso's lover during the 1950s. In 1951 Picasso and Laporte began an affair which lasted for two years and during which time the artist presented her with a number of his works. A poet and writer herself Laporte published her book 'Sunshine at Midnight: Memories of Picasso and Cocteau' in 1973 in which she recounts Picasso giving her the current work: <br />'He Picasso also pulled out a lithograph to show me a David and Bethsabée after a painting by Cranach. The date on the first proofs appeared in reverse because for once said Picasso he had forgotten that it had to be written back to front on the zinc. The plate shows Bethsabée richly dressed seated in a garden and stretching out her foot to be washed by a serving woman while David peers down at her with lust in his eye from a terrace above The proof Picasso showed me was pulled on a sheet of paper which had a silken feel. 'It's Chinese paper' Picasso told me. They don't make much of it anymore. This is the only proof of this state.' He looked at me while I fascinated by the lithograph remained silent. Then Picasso said with a smile: 'Tell me as you used to do what you think of it.' I remained speechless tongue- tied by the beauty and force radiating from this black and white linear image he put it on the table took a red pencil and wrote: Pour Geneviève Laporte épreuve unique. Then he added the date and remarked: 'It's for you. Take care of it because your print is unique.' Then he disappeared into a cupboard and returned with a very simple white wooden frame. Picasso himself put the lithograph into this frame and Marcel brought it round to my apartment that evening.' Laporte Geneviève. Sunshine at Midnight: Memories of Picasso and Cocteau 1973 Weidenfeld ad Nicolson London p.89-90. <br /><br />In the late 1940s Picasso entered his 'old master period' spending the next decade studying and reworking masterpieces of the past to rewrite them in his own visual language. This work is based on a painting by the German Renaissance painter and printmaker Lucas Cranach the Elder and depicts the biblical King David gazing upon the beautiful Bethsabée as she bathes. Noted for the use of contour and absence of chiaroscuro in his works Cranach was a highly skilful and much revered printmaker. Picasso greatly admired the Master Printmakers who had come before him highlighting the importance of the medium in Picasso's own work.<br /> Mourlot 109 State 10a or 10 bis; Bloch 442; Hatje Cantz 214 1949 unknown
195048463Paris.: Bordas Editeur. 1950. Original publisher's printed paper wrappers with flaps artist's and author's names in black to front cover and publisher's and details to rear additional vellum jacket with flaps and printed titles to front cover. Small folio. 328 x 258 mm. Half-title printed title with original lithograph illumination copyright verso and the 4 sections of Tzara's text in verse and prose illustrated with 8 full-page original lithographs in black by Picasso 3 leaves with 'Table' and final leaf with justification and achevé d'imprimer verso; also included loose is the additional suite of all of the lithographs on Japon. The édition de tête of Tzara's collection with a suite of Picasso's finger-drawn lithographs on Japon and with the additional vellum jacket.From the edition limited to 350 copies with this one of 30 on Hollande Van Gelder Zonen signed by the author and artist and with the additional suite of the plates on Japon Impérial paper; the 300 copies issued on Arches and the 20 hors commerce copies on Alfa Mousse were initialled by Tzara only.For Tzara's four-section collection the sections are 'Le Temps Détruit' 'Le Déserteur' 'Le Boeuf sur la Langue' and 'Le Poids du Monde' Picasso drew the illustrations directly and spontaneously on the lithographic stone with his finger. Although Tzara had been specific in what illustration he desired the lithographs he produced for the book were ultimately Picasso's own. The illustration for the title does not feature printed text in the suite.'This great poem which is in both verse and prose and which is formed of four parts was written by Tzara between 1946 and 1949. To some degree the poem represents the sum of the poet's experiences . Although Picasso agreed to illustrate the poem he kept putting off the work. He finally got around to it when Mourlot paid him a visit at Vallauris on April 16 1950. This same day he made the cover for the second volume of Picasso Lithographe as well as the 9 lithographs for De Mémoire d'Homme using a somewhat unusual procedure; he dipped his painting finger into the lithographic ink and then drew flora and fauna designs which are at once familiar and strange; he then marked their contours with lithographic chalk.' Patrick Cramer.Cramer 59; Berggruen 35. Bordas Editeur. hardcover
00-0450Paris: Musée Picasso 1988. 2 vols. Wraps. 712 pp. Paris: Musée Picasso, 1988. paperback
2014BN288856Diogenes Verlag Ag Diogenes 2014. 2014. Hardcover. Der Zeichner <br/><br/>Der Zeichner Pablo Picasso Diogenes Verlag Ag, Diogenes hardcover
20909234-nnew. unknown
2014__3257021240Diogenes 2014. Hardcover. New. German language. 7.60x5.47x2.24 inches. Diogenes hardcover
198165845Kunsthalle. As New. 1981. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 136 pp. With 95 ills. 17 col. . 28 x 20 cm. -- with a bonus offer-- . Kunsthalle paperback
51-1222Paris: Maeght Éditeur 1964. Folio 28 x 38 cm. with original lithographs by Picasso double page 38 x 56 cm Miró and others; photographs by May Ray and Brassai; other illustrations including color reproductions of works by Braque original printed wrappersFor Picasso: Cramer 124; Bloch 1847; Mourlot 401;For Miró: CramerFrom the collection of the late Picasso collector Stanley Seeger. Paris: Maeght Éditeur, 1964. unknown
