PICASSO, Pablo (artist)Biblio.com
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2024411255New York: Gagosian Gallery 2024. First edition. New in shrinkwrap. Volume 2 of 2. 12.5 x 9 inches. 208 pages. Profusely illustrated in color. Original cloth; pictorial boards. Gagosian Gallery unknown
2024BN95488Gagosian. 2024. 2024. Hardcover. A Foreigner called Picasso. <br/><br/>A Foreigner called Picasso. Gagosian. hardcover
33917Monte Carlo André Sauret 1961. First edition hardcover in grey cloth with black illustration 10" x 12 3/4" 25 x 32 cm landscape orientation in a red slipcase 153pp. <br /> Edited by André Sauret with French text contributed by Picasso's long time friend Jaime Sabartés. <br /> This unique book focuses on the bullfighting theme which is deeply ingrained in Spanish culture and was a subject that fascinated Picasso throughout his life.<br /> <br /> Featuring four original lithographs one of which is in twenty-four colours printed by Mourlot Frères this monograph makes a splendid acquisition for Picasso lovers. The balance of this book is populated mostly by pen and ink washes depicting the world of toreadors exquisitely rendered by the Draeger Frères presses and printed in France. <br /> <br /> This exemplar of A LOS TOROS AVEC PICASSO is in truly Fine condition and includes all four lithographs bright and crisp. The slipcase alone shows some very minor scuffing. Monte Carlo, André Sauret, 1961 unknown
1961193440Monte Carlo: André Sauret 1961. With four original lithographs First German edition published simultaneously with the French edition with four lithographs executed by Picasso for this work: La Pique; Le Picador II; Jeu de la Cape; Les Banderilles. Sabartés 1881-1968 was an artist poet and writer as well as a close personal friend of Picasso's "the friendship of Picasso and Sabartés in later years the artist's secretary goes back more than 60 years to their youth in Barcelona" The Artist and the Book 240. This edition was printed in September 1961 by Draeger Frères; the lithographs were printed by Mourlot Frères. Oblong folio. With 4 original lithographs 3 in black 1 in twenty-four colours and 103 full-page illustrations. Original grey cloth lettering to spine in black illustration to front cover in black illustrated endpapers. With the publisher's illustrated slipcase titles to spine in black. Near fine in corner rubbed slipcase. Cramer 113; Freitag 9666. hardcover
83097Couverture rigide. Bon/1944. in-8. Paris 1944 in-8 168pp broché Superbe exemplaire! abondamment illustré des oeuvres de Picasso unknown
20101-0870707809Museum of Modern Art 2010. Hardcover. New. 192 pages. 10.63x9.25x0.87 inches. Museum of Modern Art hardcover
2010DADAX0870707809Museum of Modern Art 2010-04-30. Illustrated. hardcover. New. 9.10x1.00x10.60. Buy with confidence. Excellent Customer Service & Return policy. Museum of Modern Art hardcover
2010835325Museum; D. A. P. /Distributed Art Publishers Distribution. New. 2010. Hardcover. 0870707809 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 174 color illustrations. -- with a bonus offer-- . Museum; D. A. P. /Distributed Art Publishers (Distribution) hardcover
1954PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
17-0753New York NY: Jan Kruger Gallery 1993. 8vo. 8 pp double-sided fold-out with 2 inserted loose prints. Very Good. Color and black & white plates throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York, NY: Jan Kruger Gallery, 1993 unknown
003589Soft cover. Vol. XXXII Nos. 322-23-24 1967. Softcover. Edited by Miron Grindea. Includes "Trozo de Piel" A Scrap of Skin ten poems by Picasso with translations facing original text. Book is fine except for very light wear on wraps. unknown
120103Paris Le degré quarante et un 1940. . Limited edition one of 50 copies from a total edition of 64 this numbered 42 oblong 4to; signed in red by Iliazd and pencil by Picasso on the Russian justification page with 6 illustrations total: 2 aquatints and 4 engravings with burin on Montval wove à la cuve paper some minor foxing more so to some leaves text in Russian; attached with string unbound in wrappers reinforced with grey cardboard and a sheet of Montval paper some pages uncut title in black kufic lettering on the front; brown paper-covered slipcase a very good copy.<br /> The first of nine books Iliazd and Picasso collaborated on. Afat is a collection of seventy-six classical sonnets in Russian written by Iliazd the majority of which were written between January and June 1938. <br />All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917.Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.<br /><br />The sonnets are preceded by two Arabic titles in aquatint by Picasso both titles are written in kufic letters. Afat - the title is a Persian term signifying unhappiness in love. The second title 'madjusiya' means 'sorceress' and the illustrations Picasso produced were inspired by these two words. The first ten examples were reserved for close friends. Coco Chanel's copy number five included an extra sonnet dedicated to her.<br /> Paris, Le degré quarante et un, 1940. unknown
194048600Paris.: Le Degré Quarante et Un. 1940. Loose as issued in original publisher's printed parchment wrappers over card boards with title in black to upper cover original tan patterned paper board chemise and matching slipcase with label with 'ILIAZD / PICASSO' in blue ink to edge. Oblong 4to. 215 x 320 mm. Half-title original aquatint with 'arabesque' title leaf with justification in Russian verso leaf with justification in French leaf with title in French verso leaf with title in Russian leaf with original aquatint with second 'arabesque' and Iliazd's verse in Russian in double columns illustrated with 4 engravings with burin by Picasso final leaf with achevé d'imprimer in Russian. The first of Iliazd's beautiful and typographically inventive illustrated books and the first he produced with Picasso.From the edition limited to 64 copies on 'Montval à la cuve' signed by Picasso and Iliazd in pencil. 'Afat was the first of nine books Iliazd and Picasso collaborated on. All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917 . Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.'Afat . contained features that would become signature elements of his work. The book was structured as a whole . The sequencing and number of pages were ordered by a mathematical scheme. The image was not linked to directly to the text thematically or physically and the interaction produced a dialogue rather than subordinating one to the other as illustration and / or caption. The sequence of blank sheets title half title and justification of the edition were laid out symmetrically so that the closing of the book echoed the opening . The typographic style was restrained and the pages produce subtle equilibrium instead of dynamic activity - no confusion no clamor no crowding no elaborate display faces. The sole decoration on the cover was the stamped title Afat a term that invokes unhappiness / and / or beauty that causes it rendered in kufic . With this work Iliazd's architectural approach to book structure with strong emphasis on symmetry and balance made its appearance.' Johanna Drucker.Cramer 33; see Johanna Drucker's 'Iliazd - A Meta-Biography of a Modernist' 2020 pp. 146 - 147. Le Degré Quarante et Un. hardcover
24104Dimensions : 668 x 473 mm. Affiche d'une exposition qui s'est tenue en la Galerie Louise Leiris du 22 octobre au 28 novembre 1981 imprimÂŽe par les soins de Draeger et agrÂŽmentÂŽe d'une large composition d'aprÂs Picasso. Infimes marques de plissures. Du reste trÂs belle condition. b42961 unknown
198215963Paris: Futuropolis 1982. Limited Edition. Hardcover. g. 1/1000 copies numbered and signed by Loulou Picasso at free front endpaper in pencil dated 1982. <br /> 4to. Unpaginated. Illustrated cover with black and white lettering. Illustrated endpapers. Monograph of the acclaimed artist Loulou Picasso. Illustrated throughout with full-page b/w paintings of the artist printed on different kinds of paper and color backgrounds. Reprint of the cover painting is loosely laid in. While the cover painting is trimmed this also shows some . Some discoloration and fading to boards and spine with head and tail of spine slightly bumped. Text in French. In good condition. Futuropolis hardcover
198229961Paris: Futuropolis 1982. Bound in gray cloth with cover image affixed to front panel; near fine. First Edition. Small quarto. One of 1000 copies of this masterful work from Bazooka's Loulou Picasso i.e. Jean-Louis Dupré SIGNED in pencil and dated 1982. A combine of his unmistakable collages with poetic texts organized into a series of 10 sections e.g. Agreable No. 1: Un après-midi au club des ouvriers / No. 2: La couveuse électrique. Includes the loose leaf that reproduces the original collage-work for the cover. Paris: Futuropolis unknown
1982766695PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
191371213Paris: Mercure de France 1913. Fine. “To Henri Ghéon whose poetry I love Guillaume Apollinaire” Mercure de France Paris 1913 11.50 x 18.50 cm broché First edition one of the first-issue copies press-numbered from a total limitation of just 23 deluxe copies on Holland paper. Illustrated with a frontispiece portrait of Guillaume Apollinaire by Pablo Picasso. Spine sunned with discreet restorations.Our copy is preserved in a red half morocco chemise spine with five raised bands date lettered at the foot paper-covered boards matching paper slipcase edged in red morocco the whole signed by Boichot. Rare signed autograph inscription by Guillaume Apollinaire: « à Henri Ghéon dont j'aime la poésie Guillaume Apollinaire ». Our copy further contains five manuscript corrections in ink by Apollinaire on pages 71 77 92 110 and 189. Also included is an autograph satirical quatrain by Apollinaire composed two years earlier offering a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Apollinaire presented this copy to Henri Ghéon literary critic for La Nouvelle Revue Française. The poet took care to correct himself the typographical errors still present in this very first edition corrections likewise found in other presentation and review copies distributed by the author. Upon receiving his copy Ghéon devoted an article to Alcools «Alcools par Guillaume Apollinaire» Nouvelle Revue Française no. LVI 1 July 1913 describing the collection as a «démarche aventureuse». Presentation copies of this work inscribed by Apollinaire are rare and highly sought after. The small autograph satirical quatrain by Apollinaire composed two years earlier offers a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Although it makes no claim to the poetic ambition of Alcools the poem nevertheless shares with that celebrated collection several features that illuminate the genesis of Apollinaire's masterpiece. Published under the pseudonym « Montade » in the Mercure de France of April 1911 with five commas the manuscript of the poem is written entirely without punctuation just like the avant-garde poems of Alcools. The very form of this brief poem reveals Apollinaire's curiosity and his constant search for the renewal of poetic expression as evidenced by the introductory note accompanying its publication in the Mercure: « Chantecler a été l'occasion pour les poètes français de reprendre un genre délaissé l'épigramme. . Le Rivoli de M. Fauchois a aussi inspiré des épigrammes. En voici deux qui sont bien tournés. L'une a été insérée dans l'Intransigeant :Après Beethoven Amen ! Après Rivoli au lit !La seconde parce qu'il y a plus de ruelles court les brasseries :Le grand Napoléon au jour de Rivoli Avait fait par ma foi une belle trouvaille Inutile vraiment puisque partout on lit Qu'à l'Odéon Fauchois a perdu la bataille » One also notes the poet's own assessment of his work and his desire for a poetry that wanders freely through the streets and cafés liberated from the constraints of print punctuation and formal rigidity much like the cascading calligraphy of these handwritten verses composed nine years before Calligrammes. Mercure de France hardcover
1913128083Paris: Mercure de France 1913. First edition of Apollinaire's first collection of poems signed by him and Pablo Picasso. Octavo bound in three quarter morocco with gilt titles and raised bands to the spine patterned endpapers frontispiece portrait of the poet by Pablo Picasso. Association copy inscribed by both Apollinaire and Pablo Picasso on front free endpaper "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71 77 92 110 and 189. The recipient of Apollinaire's inscription Paul-Napoléon Roinard was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier included in the present volume on p. 129 to Roinard. The recipient of Picasso's inscription Robert Valançay was a poet translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet playwright short story writer novelist and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century he became one of the most popular members of the artistic community of Paris both in Montmartre and Montparnasse. His friends and collaborators in that period included Pablo Picasso Henri Rousseau Gertrude Stein Max Jacob André Salmon André Breton André Derain Faik Konitza Blaise Cendrars Giuseppe Ungaretti Pierre Reverdy Alexandra Exter Jean Cocteau Erik Satie Ossip Zadkine Marc Chagall Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement the term Orphism in 1912 and the term "Surrealism" in 1917 to describe the works of Erik Satie. Mercure de France hardcover
19622480Paris Imprimerie Mourlot. 1962. Mourlot 382 Bloch 1298. Original lithograph exhibition poster in 3 colors 652 x482 25.66" x 18.97" on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins. Alex Maguy
193571763Paris: Gallimard 1935. Fine. Gallimard Paris 1935 12 x 19 cm broché First edition an advance copy. Spine and covers lightly soiled without significance. Very precious autograph inscription signed by Marcel Jouhandeau: ""Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau."" ""For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."" Gallimard unknown
193934506Paris: From the Press of Robert Blanchet ca. 1939. No. 161 of a Limited Edition of only 226 copies printed on vélin d'Arches. AN ORIGINAL GRAVURE A LA GOUGE PRINT SIGNED IN CRAYON BY PICASSO. Folio single sheet. A fine copy of the signed engraving. A very important print a signed impression of the original linogravure 'Le Pigeonneau' c. 1939 which is believed to be either Picasso's first or second effort in the technique. From the Press of Robert Blanchet unknown
1989214676Paris France: Drouot-Montaigne 1989. Hardcover. VG. Color illustrated slipcase with black text on spine color illustrated and textured djs boards are facsimile. Warhol Volume - 56 pp. Picasso Volume - 56 pp. Both feature color and bw illustrations. Contents: V.1 Andy Warhol : Ladies and gentlemen collection de 26 tableaux : Binoche Japan vente jeudi 30 novembre 1989 -- v.2 Picasso : Les noces de Pierrette 1905 : Drouot Montaigne Binoche et Godeau vente jeudi 30 novembre 1989. Drouot-Montaigne hardcover
1947518137Buenos Aires: Editorial Victor Leru 1947. Softcover. Very Good. First Spanish language edition. Translated from the French by B. F. Iribarren. Quarto. 248 120 plates 3pp. Illustrated in black and white along with ten tipped-in color plates. Soiling and stains along the edges and spine corners and spine ends bumped a bit of offsetting on the endleaves very good. Reproduces artwork by Pablo Picasso Paul Cezanne Henri Matisse Tsuguharu Foujita and others and prints essays and criticism by Waldemar George Jules Romains Robert Delaunay Tristan LeClerc Paul Valery and others. Editorial Victor Leru unknown
74-0585Antibes France : Musee Picasso Chateau Grimaldi 1983. 4to. 40 pp. Soft covers. Mostly color plates. Minor creasing. Light signs of shelf wear. Very Good. Text in French.Provenance: From the Collection of Art Historian Peter Selz 1919-2019. Antibes [France] : Musee Picasso, Chateau Grimaldi, 1983. paperback
