Picasso, PabloBiblio.com
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50-0022Paris 1968. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Black and white. 9 x 12 inches. Signed and dated 3.9.68 in the plate. Reverse image of Bloch no. 1789. Paris, 1968. Distributed graphics by Dow & Frosini. unknown
198318230Paris: Société Anonyme de Television Pirate 1983. Red-and-blue serigraph printed to reflective plastic sheet 23.5 x 29 cm. Share number 000036 perforated to top-right margin. Fine. In early-Winter 1983 the graphic artist/media provocateur Kiki Picassoi.e. Bazooka member Christian Chapironannounced the development of a new experimental television station in Paris to be named Antene 1 A1. In his inimitable style Picasso designed these visually striking/disturbing 100 franc shares in the corresponding Société Anonyme de Television Pirate to support the channel's application for an official license. Whether or not the idea of a Limited Companyand pirate's licensewas another media stunt A1 would indeed get a chance to broadcast an absurd stream of content later that Summerfor a few hours after midnight to the 18th 19th and 20th arrondissementsuntil the police found their location. Eventually Picasso would play with experimental television for a longer stretch being involved in the development of Ondes sans frontières OSF which began broadcasting in 1998. From one of at least six variant printings of this bond variously-colored in combinations of blue red green yellow pink and gray. Société Anonyme de Television Pirate unknown
17-5096New York NY: Hammer Galleries 1999. 4to. 24 pp. Softcovers. Very Good. Color Plates. New York, NY: Hammer Galleries, 1999. paperback
17-0028Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Softcover. Good very minor tearing on spine minor marking and creasing. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz 1919-2019. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
17-0657Chicago IL : R.S. Johnson Fine Art 2018. 4to. 114p. Soft Cover. Very Good. Illustrated paper wraps. B&W and color prints throughout. Scarce. Chicago, IL : R.S. Johnson Fine Art, 2018. paperback
19392092902137302598Atorie-sha 1939. Soft Cover. Fine. The book is in fine condition. Atorie-sha paperback
33106Couverture rigide. Bon/1945. in-8. Paris Les Editions de Minuit 1945 in-8 76pp broché Superbe exemplaire de l'édition en partie originale sur papier bleu pas de grand papier annoncé. En frontispice un portrait de l'auteur par Picasso. unknown
194586101Paris: Les Editions de Minuit 1945. Fine. Les Editions de Minuit Paris 1945 13.50 x 20.50 cm broché First edition one of 120 numbered copies on pur fil paper the only deluxe copies. Work illustrated with a portrait of the author by Pablo Picasso. Discreet marginal restorations to the boards. Precious and handsome autograph inscription signed by Paul Eluard: ""A l'ami à Jean Cocteau ce livre écrit dans l'ombre muette d'un coeur et à un coeur qui ne se démentent pas Paul Eluard"" To my friend to Jean Cocteau this book written in mute shadow from a heart and to a heart that do not falter Paul Eluard. Les Editions de Minuit hardcover
19561288661956. Signed. PICASSO Pablo. Autograph letter signed. Cannes March 4 1956. One leaf measuring 5-1/4 by 8-1/4 inches writing in ink on recto; handsomely floated matted and framed with a later print of his self-portrait entire piece measures 17-1/2 inches by 15 inches. $13500.Autograph letter signed by Pablo Picasso written to his friend the banker Max Pellequer.The letter written from Picasso's studio ""La Californie"" in Cannes reads in full in translation: ""'La Californie' Cannes le 4.3.56. ""My dear friend Max I present to you my friend Roland Penrose who is writing a book about me. He would like me to see his words manuscript at your house. Thank you and best to you. Picasso."" The recipient of this letter Max Pellequer was a French banker who co- founded and later directed the Banque Nationale du Commerce et de l'Industrie. Over several decades Pellequer's astute financial advice and shrewd stewardship of Picasso's sprawling assets enabled the artist to become a millionaire. Pellequer was also a kindred spirit a serious art collector who acquired artwork by artists like Picasso Degas Cézanne Gauguin Matisse Miró Modigliani Dufy and others. Picasso purchased works from Pellequer's collection and the artist designed a bookplate for his beloved friend. During the Nazi occupation of France Pellequer is believed to have helped save some of Picasso's work by hiding it. This is no small accomplishment when one considers it would have probably been classified as ""degenerate"" by the Nazis and otherwise destroyed. Sir Roland Penrose 1900-1982 was a British surrealist artist and avid promoter of modern art. He wrote Portrait of Picasso in connection with an exhibition in celebration of Picasso's 75th birthday held from May to September 1956 at the Institute Contemporary of Contemporary Arts in London and MOMA in New York. With an introduction by Alfred Barr the volume included paintings and drawings personal photographs documents and souvenirs of Picasso as seen by himself and through the eyes of his friends.Fine condition. unknown
1957N - 2023 - 60<p>Louis Broder 1957 Artaud Antonin. Illustrated with a drypoint engraving in color by Picasso. Third volume of the Collection Miroir du poète. One of the 20 copies on Japon ancien paper signed in pencil by Picasso numbered in Roman numbers from X to XX. Total edition 120 copies. Complete of title text justification and one etching loose as issued in japan wrappers guarded in the original chemise and slipcase. For the engraving Cramer indicates that this is "the only color engraving that Picasso made for a book". Provenance: Collection of the publisher Pierre Cailler 1901-1971 Very good condition. Ref : Cramer 87</p> Louis Broder hardcover
98905Paris Louis Broder 1957. . Limited edition numbered 67 of 120 copies on papier Japon signed by Picasso colour drypoint frontispiece by Picasso; small square 8vo 17 x 15 cm; title-page justification page signed by artist in pencil text in French pp 4 24 4 unsewn as issued in original card wrappers with printed tissue dust jacket board chemise printed on spine black cloth slipcase.<br /> Limited edition number 67 of 120 copies on Japon paper signed by and with colour drypoint frontispiece by Picasso volume III in the series 'Miroir du poete' by Antonin Artaud. <br /><br />Antonin Antoine-Marie-Joseph Artaud 1896-1948 was a French dramatist poet actor and theoretician of the Surrealist movement. He attempted to replace the 'bourgeois' classical theatre with his 'theatre of cruelty' a primitive ceremonial experience intended to liberate the human subconscious and reveal man to himself.<br /> Artist and the Book 239. Paris, Louis Broder, 1957. hardcover
1969103440New York: Avant-Garde Media Inc 1969. Softcover. Fine. First edition. Fine with a tiny tear on the front panel in wrappers. Avant-Garde Media, Inc unknown
196929282New York: Avant Garde 1969. First Edition; First Printing. Softcover. Very Good in wrappers. Stiff illustrated wraps. Wraps are faintly soiled with a trifle wear to the extremities.; Square Quarto. Avant Garde unknown
1969BN031116Avant Garde Magazine 1969. First Edition. Paperback. Fine. Quarto. Pablo Picasso. A special issue of this august modern art magazine devoted entirely to a series of hitherto unpublished erotic gravures and engravings by Pablo Picasso with the intention of making them stand as Picasso himself has said 'as an abiding celebration of life itself.' Tall 4to perfect bound titled wrappers unpaginated. A fine clean and unmarked copy free of creases. Avant Garde Magazine paperback
1969P-27544Avant Garde Magazine 1969. First Edition. Paperback. Fine. Quarto. A special issue of this august modern art magazine devoted entirely to a series of hitherto unpublished erotic gravures and engravings by Pablo Picasso with the intention of making them stand as Picasso himself has said 'as an abiding celebration of life itself.' Tall 4to perfect bound titled wrappers unpaginated. A fine clean and unmarked copy free of creases. Avant Garde Magazine paperback
1969B6537New York: Avant Garde. 1969. A very good copy. Edition: First Edition. Binding: publisher's paper boards title on the upper board and flat spine. <br><br> Notes: This special issue of Avant-Garde is devoted entirely to one subject: a series of erotic gravures or engravings by Pablo Picasso the pre-eminent artis of our time. They are indeed to stand as self said “As an abiding celebration of life itselfâ€. <br>Pablo Ruiz Picasso 1881–1973 was a Spanish painter sculptor printmaker ceramicist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century he is known for co-founding the Cubist movement the invention of constructed sculpture the co-invention of collage and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon 1907 and Guernica 1937 a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.<br><br> Size: Large quarto Category: Book Modern; Book Erotica; Avant Garde. hardcover
1969OP-06651969. paperback. fine. unknown
0714874353.Gboard_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
200556909Flammarion / Rizzoli International Publications Inc. New. 2005. Hardcover. 2080304860 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in English. 240 pp. With 200 ills. 148 col. . 29 x 23 cm. -- with a bonus offer-- . Flammarion / Rizzoli International Publications, Inc. hardcover
1924345912Paris: L'Union des Artistes Russes 1924. Softcover. Very Good. First edition. Folio. 12pp. Printed self-wrappers stapled. Soiling to the front wrap and edges else very good or better. Title vignette by Victor Barthe. With six full page plates by Boris Chatzman Edouard Manet Pablo Picasso Marie Vassilieff Serge Fotinsky and Nachmann Granovsky. Printed on thick sheets of "Normandy Vellum" paper. Program for the third ball of the Union of Russian Artists in Paris "from midnight to 6 am." Scarce. OCLC locates only 4 copies. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. L'Union des Artistes Russes unknown
192427069Paris: Union des artistes russesFrançois Bernouard 1924. Fine. Union des artistes russes François Bernouard Paris 1924 24.50 x 29 cm broché The program is illustrated by V. Barthe wrapper and includes hors-texts by Chatzman Manet a reproduction of his Olympia Picasso Vassilieff Fotinsky and Ganovsky a spatial composition. Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin the dance of the lobster crab and crocodile with costumes by Marie Vassilieff and Fernand Léger the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry a dance by Thamara Svirskya to Satie's Gymnopédies Japanese Sports by Foujita a Spectacle on a Star from Tzara a new system of fantastical projections from Larionov and universal Foot Ball with multicolored balloons by Fotinsky and Bogoutsky. The rooms were decorated by Barthe Pougny Tchelitcheff Chazman Lanskoy Weinberg Geo Charles Chana-Orloff Alexeieff Maner-Katz and Frenkel. A rare and attractive copy. Union des artistes russesFrançois Bernouard unknown
1933B-2022-0929Lot of three artistic programs: Le Ballet des Champs Elysées 1948 Les ballets 1933 au théâtre des Champs Elysées Les ballets de Roland Petit 1949.<br />-Ballets des Champs Elysées. 1948 The program for the November 1948 ballet season with the cover designed by Picasso text by Sartre and Barrault. Incomplete with only 18 pages Picasso cover Sartre and Barrault text are included. Picasso cover with some painting stains at the bottom. -Les ballets 1933 de George Balanchine. Editions des quatre chemins Paris. Artistic director Boris Kochno Théâtre des Champs Elysées. Preface by Edward James. The program include presentation text of the performances and illustrations of scenography and customs by Derain Tchelitchew and a full page reproduction drawing by Caspar Neher for Les Sept Peches Capitaux performance. <br />-Les ballets de Roland Petit. Paris 1949 Preface by Marcel Archard and Lenor Fini. With full pages of photographic portraits of Roland Petit Colette Marchano Serge Perrault and others performers illustrated with marquettes in color by Antoni Clavie and double page of Leonor Fini. French text. Good conditions. Please ask for complete report. paperback
191760103Paris Mai 1917. Folio. Original illustrated extra wrappers with a picture by Picasso on the front and the décor for "Baba Iaga" on the back; original illustrated wrappers for "Théatre du Chatelet" drawing by André Marty on front and advertisements on back in grey and red; original illustrated coloured wrappers for "Programme des Ballets Russes" front wrapper illustrated by Picasso with the Chinaman-costume from "Parade". A bit of soiling to the extra-wrappers and small professional restorations to upper front cover and top of spine this barely noticeable as well as to blank margin of back wrapper. Apart from that an excellent and very well perserved copy with only slight browning to some leaves. Apart from the described wrappers and extra-wrappers there are in all 24 leaves with -mostly photographic- illustrations four of them with original hand-colouring on top and 6 leaves of text.With the original errata-leaf laid in loose stating also that the illustrations "Femmes de bonne humeaur" and "Parade" have been hand-painted by Carlos Socrate after the designs of Bakst and Picasso and that the front wrapper for "Parade" the Chinaman has been handpainted by Picasso himself. <br/><br/><em>Scarce original printing of this seminal avantgarde-publication the May 1917 "Théatre du Chatelet"- publication that presents Diaghilev's "Ballets Russes" in Paris - here containing the entire separate publication mainly devoted to Jean Cocteau's groundbreaking ballet "Parade" - being one of the most important publications in the history of modern art. It is here in his presentation-article to "Parade" that Apollinaire coins the term "surrealism" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. Furthermore the ballet "Parade" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie Jean Cocteau Pablo Picasso Léonide Massine and Serge Diaghilev and is famous not only for its contents and its music but also for its magnificent costumes designed by Picasso the drawings of which are presented in the present publication for the first time - most famously the front cover for the "Parade"-programme which depicts the "Costume de Chinois du ballet "PARADE"/ Aquarelle de Picasso" an etching with original stunning pochoir-colouring hand-painted by Picasso himself!.It is the 1917 ballet "Parade" - the first of the modern ballets - originally presented for the first time in the present publication that marks Picasso's entry into the public and bourgeois institutions of ballet and theatre and presents Cubism on the stage for the first time. The present publication constitutes an outright revolution in the history of art theatre and ballet.Several variants of this spectacular publication exist but the one we have here is as original and complete as it comes containing the entire contents of the different variants. We not only have the extremely scarce and fragile dust-wrapper and the equally scarce illustrated coloured double-wrappers front: "Peinture de Picasso"; back: Décor de Larionow pour le ballet "BABA IAGA"" but also the entire 1917 "Théatre du Chatelet"-programme in original illustrated wrappers with the entire separate "parade"-issue -also entitled "Programme des Ballets Russes"- also in original illustrated wrappers with more than 20 leaves of photographic illustrations containing pictures of the actors and actresses also in their spectacular avant-garde-costumes Bakst's portrait of Leonide Massine Picasso's portrait of Stavinski Bakst's portrait of Picasso Picasso and Massine in the ruins of Pompei Picasso's drawings of a scene from "Parade" and of Massine as well as several mostly humorous advertisements. But more importantly we have apart from the above-mentioned famous Chinaman by Picasso in original pochoir-colouring the other famous etching by Picasso "Costume d'acrobate du ballet "Parade"/ Aquarelle de Picasso" also in original pochoir-colouring bright blue the seminal presentation-article by Apollinaire which coins the term "surrealism" see bottom of description for full translation of this groundbreaking preface the two "Les Femmes de Bonne Humeur"-figures by Bakst Constanza and Battista printed and heightened in gold pochoir the printed costume by Larionow "Les contes russes" which is with original bright red and blue pochoir-colouring and the "Le Mendiant"-costume by Bakst for "Parade" and of course the texts by Bakst on choreography and décor Georges-Michel Ballets Russes after the War as well as the texts for the various ballets listing the actors and their rôles as well as a resume of the plot. " "Tact in audacity consists in knowing how far we may go too far." Jean Cocteau poet writer and arts advocate made this statement in his 1918 manifesto The Cock and Harlequin. Cocteau in collaboration with Erik Satie and Pablo Picasso discovered "how far" to "go too far" in the circus-like ballet Parade-one of the most revolutionary works of the twentieth century. Parade incorporates elements of popular entertainment and uses extra-musical sounds such as the typewriter lottery wheel and pistol combining them with the art of ballet. Cocteau wrote the scenario for the one-act ballet and contracted the other artists. Satie wrote the score to the ballet first in a piano four-hands version and then in full orchestration while Picasso designed the curtain set and costumes. Later Léonide Massine a dancer with the Ballet Russes was brought in as the choreographer. Serge Diaghilev's Ballet Russes premiered the ballet Parade on May 18 1917. The program notes for the ballet were written by the poet Apollinaire. They became a manifesto of l'esprit nouveau or "the new spirit" which was taking hold in Paris during the early twentieth-century. Apollinaire described the ballet Parade as "surrealistic" and in doing so created a term which would develop into an important artistic school." Tracy A. Doyle Erik Satie's ballet PARADE p. 1.When the French poet and army officer Guillaume Apollinaire wrote the program notes For "Parade" he created the manifesto of the "l'esprit nouveau" - "the new spirit". Cocteau had called the ballet "realistic" but Apollinaire took it an important step further and described it as "surrealistic" thus coining a term that would soon develop into an important artistic movement. With Picasso Apollinaire had established the aesthetic principals of Cubism and was considered a leader in the European avant-garde. ENGLISH TRANSLATION OF APOLLINAIRE'S PROGRAMME NOTES TO "PARADE": "Definitions of Parade are blossoming everywhere like the lilac bushes of this tardy spring.It is a scenic poem transposed by the innovative musician Erik Satie into astonishingly expressive music so clear and simple that it seems to reflect the marvelously lucid spirit of France. The cubist painter Picasso and the most daring of today's choreographers Léonide Massine have here consummately achieved for the first time that alliance between painting and dance between the plastic and mimetic arts that is a herald of the more comprehensive art to come. There is nothing paradoxical about this. The Ancients in whose lives music played such an important role were totally unaware of harmony which constitutes the very basis of modern music. This new alliance - I say new because until now scenery and costumes were linked only by factitious bonds - has given rise in Parade to a kind of surrealism which I consider to be the point of departure for a whole series of Manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness for it is only natural after all that they keep pace with scientific and industrial progress. Having broken with the choreographic tradition cherished by those who used to be known in Russia under the strange name 'balletomanes' Massine has been careful not to yield to the temptation of pantomime. He has produced something totally new-a marvelously appealing kind of dance so true so lyrical so human and so joyful that it would even be capable if it were worth the trouble of illuminating the terrible black sun of Dürer's Melancholy. Jean Cocteau has called this a realistic ballet. Picasso's cubist costumes and scenery bear witness to the realism of his art. This realism - or this cubism if you will - is the influence that has most stirred the arts over the past ten years. The costumes and scenery in Parade show clearly that its chief aim has been to draw the greatest possible amount of aesthetic emotion from objects. Attempts have often been made to return painting to its barest elements. In most of the Dutch painters in Chardin in the impressionists one finds hardly anything but painting. Picasso goes further than any of them. This is clearly evident in Parade a work in which one's initial astonishment is soon replaced by admiration. Here the aim is above all to express reality. However the motif is not reproduced but represented-more precisely it is not represented but rather suggested by means of an analytic synthesis that embraces all the visible elements of an object and if possible something else as well: an integral schematization that aims to reconcile contradictions by deliberately renouncing any attempt to render the immediate appearance of an object. Massine has Adapted himself astonishingly well to the discipline of Picasso's art. He has identified himself with it and his art has become enriched with delightful inventions such as the realistic steps of the horse in Parade Formed by two dancers one of whom does the steps of the forelegs and the other those of the hind legs. The fantastic constructions representing the gigantic and surprising features of The Managers far from presenting an obstacle to Massine's imagination have one might say served to give it a liberating impetus. All in all Parade will change the ideas of a great many spectators. They will be surprised that is certain; but in a most agreeable way and charmed as well; Parade will reveal to them all the gracefulness of the Modern movements a gracefulness they never suspected. A magnificent vaudeville Chinaman will make their imaginations soar; the American Girl cranking up her imaginary car will express the magic of their daily lives whose wordless rites are celebrated with exquisite and astonishing agility by the acrobatin blue and white tights." </em> unknown
19623177BB1962. Berlin F.A. Herbig Verlagsbuchhandlung 1962. 20 x 245 cm. 237 Seiten. Hardcover/ Gebundene Ausgabe. Sehr guter Zustand mit minimalen Gebrauchsspuren. Enthält u.a.: Der König von La Californie / Der König von Kalifornien Ein Märchen / Kleine Geschichten von La Californie - Der Mistral / Der Strand / Mappen voller Zeichnungen / Picasso in der Arena / Portrait der Madame H.P. / Die Friedenstauben und die Menschen / Vom Geist Vauvenargues / hardcover
19672092902137306480Bijutsu shubbansha 1967. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
