Pablo Picasso; Alexander Calder; R DufyBiblio.com
1 544 résultats
17-5175Paris France: Daniel Malingue 1984. 12mo. Ca. 40 pp. Softcovers. Very Good with edgewear on cover. Color Plates. Text in French. Paris, France: Daniel Malingue, 1984. paperback
193447317New York:: Random House 1934. Second edition. original spiral-bound stiff wrappers illustrated in color. The white spiral binding is slightly sunned; a few little creases to the front wrapper. . Folio. With a Portrait by Picasso. Texts by Andre Breton Paul Eluard Rrose Selavy Tristan Tzara. Preface by Man Ray. Illustrated from photographs throughout. Random House, unknown
196963304Washington DC: New Mobilization Committee 1969. First Edition. Original illustrated poster offset printed in red and black on white stock measuring 38cm x 59cm ca 15" x 23". Mild handling a few vertical creases smoothed out with a handful of small closed tears to the margins; unbacked; Very Good.<br /> <br /> Poster issued in advance of the New Mobe's November 1969 March on Washington with the illustration printed by permission of the artist. New Mobilization Committee unknown
05-0037ca. late 1940s. Wool tapestry inspired by images from the late 1940s. 133 x 95 cm. 52 x 37.5 inches. ca. late 1940s. unknown
198151995New York: George Braziller 1981. Very good plus. First edition of this scholarly look at Picasso's work on paper presenting each drawing side-by-side with analysis. 11'' x 9''. Original off white cloth with black sketch portrait design to front board black and blue letttering on spine. Illustrated throughout in black and white and color. 270 2 pages. Few spots of soil some toning. Interior fresh. George Braziller unknown
198165381Art Museum. As New. 1981. Paperback. 0916724433 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 272 pp. With 37 text ills. And 111 ills. On 109 pls. 5 col. . 28 x 23 cm. -- with a bonus offer-- . Art Museum paperback
58450Paris France: Braun & Cie. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - Corresponds to ASIN: B0026C5T4C .ND; Circa 1945 or 1950 Pages clean and tight to spine -- with a bonus offer-- . Braun & Cie hardcover
000006Paris France : Braun & Cie . Hard Cover. Very Good/Very Good. Braun & Cie . Matisse - Picasso: Two Great Masters of Contemporary Paintings - 48 Plates In Color and 22 Drawings in Monochrome Jean Cassou Matisse; Jaime Sabartes Picasso Les Editions Braun & Cie Paris. Cloth. Book Condition: Very Good Spine Weak and starting to separate Top Of Spine Finger Pulled Off. Dust Jacket Condition: Very Good/ Top Of Spine Finger Pulled Off Edge Ware. Published under the direction of George Besson. A very clean & unmarked copy of this unusual title. This B00K Is A Historically Significant Treasure From The Past. = = This B00K Is Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift. = = World Wide Shipping AVAILABLE. = = <br/> <br/> Braun & Cie hardcover
199969019Flammarion; Et Al / Abbeville Distribution. New. 1999. Hardcover. 2080135481 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 272 pp. With 282 ills. 176 col. . 29 x 24 cm. -- with a bonus offer--; 1.1 x 11.2 x 9.43 Inches . Flammarion; Et Al / Abbeville (Distribution) hardcover
2019209524Canberra Australia: National Gallery of Australia 2019. Softcover. VG. White wraps with color illustrations. 196 pp. Many color and bw illustrations. The extraordinary relationship between Henry Matisse and Pablo Picasso is one of the most important and eventful narratives in modern art. Between them they set the course of western art history in the first half of the twentieth century where Renaissance one-point perspective and realism were abandoned for radical ideas about depicting the third dimension. Their artistic rivalry and collaboration began the new story of modernism. This publication examines the paths of these two artists over the years and the way they each responded to the other's work. National Gallery of Australia paperback
200265942The Museum of Modern Art New York. Near Fine in Very Good dust jacket. 2002. First. Hardcover. 0870700081 . 10 X 1.5 X 12.25 inches; 400 pages . The Museum of Modern Art, New York hardcover
2002Q-0870700081The Museum of Modern Art New York 2002-09-15. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
199969022Benedikt Taschen Verlag. New. 1999. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 240 pp. With 282 ills. 121 col. . 31 x 25 cm. -- with a bonus offer--; 1.25 x 12.5 x 9.75 Inches . Benedikt Taschen Verlag hardcover
73-2563Paris: Musée Picasso 1994. 60x40 cm. Color poster. Very Good. Text in French.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 Paris: Musée Picasso, 1994 unknown
191033635Montrouge Paris: 1910 1910. Original Litho. Original Litho. PICASSO. MAX JACOB. Double Signed Litho. Montrouge Paris Seine. 1910. 14" 7/8 X 10" 3/4 on plain paper stock with the lithograph printed in two tones: Greenish grey for Picasso's drawing and handwriting and black for Max Jacob. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend Max Jacob done in celebration of Jacob's conversion to Christianity. Jacob who had Jewish origins claimed to have had a vision of Christ in 1909 causing his conversion. The illustration of Jacob the first of Picasso's drawings of Max Jacob seated comfortably in a fine armchair dressed in his three piece suit. The printed text: Top A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge Seine - Middle L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" and by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists and the surrealists as can be seen in his prose poems Le cornet à dés The Dice Box 1917. Throughout the year of 1901 Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris Picasso met Max Jacob. Max Jacob was a poet painter & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work Richardson Vol. I 203. Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème Richardson Vol. I 338. "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir and when tickets could be found to the Moulin Rouge" Penrose Picasso 76. Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals exchange ideas & celebrate special occasions such as the opening of an exhibition Penrose Picasso 117. The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904 Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose this place was ". . . composed it seemed of nothing but lofts & cellars all in such a sad state of repair. . . " Picasso 96. Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters sculptors writers & actors Penrose Picasso 102. One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright identified as a Surrealist who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris Picasso Penrose 177. Even though Picasso was not in Paris he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example during summer 1910 in Cadaques Catalonia painting with Derain Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. Penrose Picasso 179. This was only the first of a collections of poetry they collaborated on. 1910 unknown
1985172828Montreal: Montreal Museum of Fine Arts 1985. First edition. Hardcover. 307 pages. Monograph published in conjunction with a major exhibition in Montreal. Includes numerous numerous color plates from the personal collection of his wife Jacqueline accompanied by commentary by Pierre Theberge and Louise d'Argencourt. Also featured are numerous essays by various writers among which are: Andre Breton Paul Eluard and Guillaume Apollinaire. Also includes many photographs of Picasso by Man Ray Brassai Doisneau and Karsh. A clean near fine copy in a very near fine dust jacket. One of the more attractive books on Picasso. This is a heavy and oversized book and will require extra shipping. Montreal Museum of Fine Arts unknown
1985038386Not Given: Montreal Museum of Fine Arts 1985. DJ is clean with minimal wear on edges. Cover is clean. Pages are clean & free from markings. Binding is tight. . Hard Cover. Good/Good. Folio - over 12" - 15" tall. Montreal Museum of Fine Arts Hardcover
1944079662paris: Pierre Seghers. Small Qto. Limited edition copy 998 of 1500. Illustrated with drawings by Picasso. Housed in a late brown buckram cloth clamshell box. The original card covers are clean and solid. Overall a very Good copy. . Very Good. Paperback. 1944. Pierre Seghers paperback
2024__3150114942Reclam Philipp Jun. 2024. New. 1116 pages. Latin language. 5.08x1.93x7.60 inches. Reclam Philipp Jun. unknown
15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
59402Paris; Editions Albert Skira 1934 1934 1935. Issues 5 6 and 7 bound together in one hardback volume. 4to 31cm x 25cm iv 33pp 68pp 69pp plus plates and adverts. Bound in plain brown cloth with the original cover of issue number 5 a design by F Bores pasted to the front board. The binding is defective - a substantial section of the spine is missing but the text block remains tightly bound. There are some signs of wear to the contents - the endpapers are foxsed a few of the plates have some creasing of the corners and there is a tear to one page. This book includes originals of issues 5 6 and 7 of the avant-garde surrealist magazine. Please note that the covers of issues 6 and 7 have not been bound in. Text in French. Paris; Editions Albert Skira, 1934, 1934, 1935. hardcover
51-4867Geneva: Patrick Cramer 1987 Alan Wofsy Fine Arts distribution. Cloth in dust-jacket. 25 x 29cm. 132 pages 278 reproductions including 82 in colors.Created by Picasso in 1935 the Minotauromachy is by far the most important engraved work of the 20th century; possibly even since Rembrandt. This volume aims to elucidate the iconographic signs of by means of a more precise explanation of the content as well as of the structural values.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon. Geneva: Patrick Cramer, 1987 (Alan Wofsy Fine Arts distribution) hardcover
1987mon0000074290Patrick Cramer 1987T. unknown_binding. Like New. in x in x in. Patrick Cramer unknown
19272092902137300890Shunchokai 1927. Soft Cover. Fine. The book is in fine condition. Shunchokai paperback
19502090202118202988Bijutsu shubbansha 1950. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
