D'emilio, Emilio/ Picasso, Luigi EBiblio.com
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2017x-3319532669Springer Verlag 2017. Hardcover. New. 2nd edition. 383 pages. 9.25x6.25x0.75 inches. Springer Verlag hardcover
33414446-nnew. unknown
28833182-nnew. unknown
33414446like new. unknown
28833182like new. unknown
159333Cham: Springer 978-3-319-53266-0 978-3-319-53266-0 2017 2nd edition. Hardcover 383pp. Fine no dust jacket. Formulas index. Publisher series: Unitext for Physics. Science Quantum Mechanics. Springer 978-3-319-53266-0 Hardcover
mon0003889232Springer 7/21/2018 12:00:01 A. paperback. Good. 0.8661 9.2126 6.2205. Book is bending/warping. Cover shows minor creasing. Pages are clean text and pictures are intact and unmarred. Good reading copy. Springer paperback
1981763131PN. New. 1981. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
105746Paris Berggruen 1976. . Limited edition inscribed by Douglas Cooper to William McCarty one of 500 copies; oblong 4to 24.3 x 30.5 cm; inscription in blue ink to front free endpaper frontispiece 24 full-page hors-texte illustrations very light spotting to prelims some minor marginal toning otherwise unmarked internally; publisher's grey paper-backed boards front cover lettered in black stain to bottom edge of front cover board edges and spine slightly toned overall an attractive copy; 21pp text 24pp descriptive text. <br /> Limited edition of Picasso's Pour Eugenia one of 500 copies reproducing a suite of 24 drawings made by the artist in 1918. This presentation copy is not numbered but states on the colophon 'Exemplaire spécialement imprimé pour William McCarty'.<br /><br />Inscribed by the prominent art dealer and collector Douglas Cooper to his adopted son William McCarty 'For Billy / a Christmas surprise / at Castille / with all love Cooper's signature' dated 26 December 1976. McCarty had been adopted by Cooper four years earlier in 1972. The arrangement where the adoptee is not an orphan was not uncommon in the world of the arts. <br /><br /><br /><br /> Paris, Berggruen, 1976. hardcover
ML 7/5-12Book. Fine. Soft cover. FIRST. A NEAR FINE FIRST IN WRAPS. Paperback
1965176514Stuttgart: Verlag Gerd Hatje 1965. With two signed Picasso lithographs First edition first printing number 98 of 100 copies with a suite of 9 original lithographs printed by Mourlot Paris on BFK Rives paper and signed by the artists: 2 by Picasso and 1 each by Elie Lascaux André Beaudin André Masson Suzanne Roger Eugène de Kermadec Yves Rouvre and Sebastian Hadengue The picasso lithographs are titled Visage and Le femeur. Kahnweiler was a German-French art dealer who was a great supporter of burgeoning artists without dealers from the Montparnasse and Montmartre area. His initial purchases included works by Kees van Dongen André Derain André Masson Fernand Léger Georges Braque Juan Gris and Maurice de Vlaminck. He also represented all of the artists participating in this book. Quarto. Nine full-page lithographs including dust jacket tipped-in illustrations throughout. Original blue cloth boards lettering and design to front cover gilt. With dust jacket. Together with a blue cloth folder housing 9 original lithographs sheet sizes: 29.5 x 25 cm. All contained in publisher's cardboard slipcase. All in fine condition jacket unclipped. Bloch 1179 & 1180; Mourlot 403 & 404 Cramer 133. hardcover
195772563New York 1957. Folio. Originalbind med smussomslag. 31 s. Med 24 plansjer i farver. Crown Publishers Inc Engelsk. <br/><br/><em>Smussomslaget med bruksspor. </em> unknown
1957TA250913056GT7Crown Publishers 1957. hardcover. Good. 14x10x0. Hardback--spine tight--pages unmarked--cover has edge wear--no dust cover Crown Publishers hardcover
BAY_10_SH_030931Crown Publishers. Used - Good. 1957. Binding is tight text block is sturdy and clean boards straight no highlights or underlining. Dust wrapper shows some chipping/rubbing to edges. Some tanning to DJ and pages. Well packaged and promptly shipped from California. US veteran operated. Crown Publishers hardcover
1957524235New York: Crown Publishers Inc 1957. Hardcover. Near Fine/Very Good. First edition. Edited and with an Introduction by Joseph K. Foster. Folio. 31pp.text; 24 full page color plates; printed on rectos only Illustrated in color and black-and-white reproducing posters by Pablo Picasso. Thin line of fading along bottom edge else a near fine copy with plates fresh and bright in very good price-clipped dust jacket with a few closed tears a small chip on spine and front panel and long crease on rear panel. Nicely printed reproducing Picasso's posters in his original colors. Crown Publishers, Inc hardcover
51-0583San Francisco: Pasquale Iannetti Art Gallery 1987. Poster. 25 x 15 inches. Image of "Jacqueline au mouchoir." San Francisco: Pasquale Iannetti Art Gallery, 1987. unknown
61357Louis Carré - Maximilien Vox Paris 1946 In-12 235pp. illustr. 8 planches hors-texte couverture cart. souple illustree. Nb-0352 unknown
1971PICASSOP000734Lund Humphries London. 1971. Second edition completely revised and enlarged from the original 1956 version. Quarto. 128 pages. 329 black and white illustrations and one in colour.Presentation copy from the author inscribed by him on the front free endpaper: ''Barbara from Roland - October 25th 1971.'' The recipient is Barbara Bagenal 1891-1984 whose address label is next to the inscription. She was an artist associated with various members of the Bloomsbury Group primarily Vanessa Bell Saxon Sydney-Turner and John Maynard Keynes. In the fifties she became the companion of Clive Bell and it was while touring France with him that she met Picasso. The Tate has a humorous photograph taken by her of Bell and Picasso together. She later noted in her journal ''P. kissed me!''.Covers slightly rubbed at head and tail of spine. Very good indeed in very good dustwrapper with a small chip at head of spine. Lund Humphries, London. unknown
1070751955 . Lithograph 1955 on Arches wove paper signed in pencil by the artist numbered 25/50 from the edition of 50 printed by Mourlot Paris published by Galerie Louise Leiris Paris sheet: 66.4 x 50 cm. 26 x 19¾ in.<br /> This abstract three-quarter profile is of Picasso's second wife Jacqueline Roque. The couple met during the summer of 1952 whilst Roque was working at Georges and Suzanne Ramié's Madoura pottery works in Vallauris the studio where Picasso made his ceramics in the South of France. The couples love endured until the artist's death in 1973 Picasso adored Jacqueline so much so that for seventeen of the twenty years the couple spent together - the longest relationship of Picasso's life - Roque was the only female Picasso painted. When Picasso embarked on his late great period his biographer John Richardson succinctly defined and characterised as 'l'époque Jacqueline.' In this lithograph Picasso bestows Roque with an elegant sphinx-like appearance. The straight line of the nose which extends directly from the forehead to the tip is particularly evocative of these ancient Egyptian sculptures as well as in the calm gaze in her characteristically almond-shaped eyes.<br /> Bloch 780; Mourlot 272. 1955 unknown
10353München Schirmer/Mosel 1989. 4° 496 S. 184 teilw. farb. Tafeln OLwd. m. OU. in Schuber. Schuber min. läd. kl. Einr. in OU. Zusammengestellt und bearbeitet von Marie-Laure Bernadac und Christine Piot. Mit einem deutschen Vorwort von Michel Leiris. Ansonsten alle Texte auf Französisch. «Seine Poesie ist so plastisch wie seine Malerei poetisch ist» André Breton. 010 München, Schirmer/Mosel, 1989 unknown
1970889T27London: Calder and Boyars 1970. First edition. Cloth. Near Fine/Very Good Indeed. 8.5" by 5.5". Pablo Picasso. The first English translation of this play from painter and artist Pablo Picasso. First thus. Illustrated throughout. Originally written in French this work is the second of two full-length plays written by Picasso. Due to its stream of consciousness style many critics believe the piece was never intended to be performed only read. Written and illustrated by Pablo Ruiz Picasso a Spanish painter sculptor printmaker ceramicist and theatre designer who is considered one of the most influential artists of the 20th century and is known for co-founding the Cubist movement. Translated by Sir Roland Algernon Penrose an English artist historian and poet who was a major promoter and collector of modern art and an associate of the surrealists in the United Kingdom. In the original black cloth binding. Externally very smart with light shelf wear only. Original unclipped dust wrapper is also smart with light shelf wear and the odd small mark. Internally firmly bound. Pages are very bright and clean with the odd small spot. Near Fine Calder and Boyars hardcover
1970177615London: Calder and Boyars 1970. 1st Edition in this form. Hardback. Fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 63 pages; Physical desc.: 63 p. 22 cm. Subjects: Drama -- Plays. Notes: Translated edition by Sir Roland Penrose published originally in 1945. London: Calder and Boyars hardcover
1066721968 . Etching 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1066771968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1066711968 . Etching 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
