21 369 résultats
195318314PRIMERA EDICION.- Madrid: s.n. Art. Graf. Estades Distr. Serv. Comercial del Libro 1953.- 124 p.: Ilustrado con una viñeta en cada capÃtulo; 4º 255 cm; Cartulina flexible Ed. Dedicatoria autógrafa del autor a Inés O'Reilly en la portada. LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español [s.n.] Art. Graf. Estades paperback
75364Couverture rigide. Bon/sd. in-8. Opfikon sd 1975 in-8 162pp reliure éditeur jaquette illustrée Superbe exemplaire! Très bel envoi manuscrit de l'artiste accompagné d'un dessin original au fusain. unknown
191714.2249Bilbao: Edición Lux Sabino Ruiz Impresor 1917. 1ª ed. Tela editorial estampada. 12x17. Cada soneto viene acompañado por una fotografía de una escultura y una viñeta al estilo medieval. Edición Lux, Sabino Ruiz, Impresor hardcover
1967211958Parigi: Edizione a cura della Galleria 1967. Brossura wrappers. Molto buono Very Good. Catalogo della mostra tenutasi presso la Galerie Denise René"; Parigi maggio - giugno 1967. Testo di Jean Clay. 31 illustrazioni a colori e in bianco e nero. Alcune fotografie in bianco e nero di André" Morain Cy Perry Cornel Capa. Biografia dell'Artista. 8vo cm 23x23. pp. 32. Molto buono Very Good. . Edizione a cura della Galleria, unknown
1005CS015<p>DEDICADAS AO CONSTERNADO POVO LUZITANO. POR LUÃS RAFAEL SOYÉ. LISBOA NA REGIA OFFICINA TYPOGRAFICA. ANNO M. DCC. LXXXX. 1790</p>_x000d_<p>In 16.º de 17x11 cm. Com 248-ii págs. Encadernação da época inteira de pele.</p>_x000d_<p>Ilustrado com 17 gravuras de página inteira em extratexto: retrato de D. José desenhado por Carneiro da Silva o frontispÃcio gravado decorado com figuras alegóricas desenhado e gravado por Jerónimo de Barros o retrato do autor desenhado por Jerónimo de Barros e gravado por G. Frois uma gravura alegórica com três figuras chorando a morte do prÃncipe desenhado e gravado por L. R. Soyé; 12 gravuras no inÃcio de cada canto em que as primeiras 11 foram desenhadas por João Tomás da Fonseca e gravadas por diversos artistas mas em que sete delas foram por Ventura da Silva; a décima segunda foi desenhada por Jerónimo de Barros e gravada por Gaspar Frois; e uma gravura final desenhada por por J. T. da Fonseca e gravada por Ramalho.</p>_x000d_<p>Além das referidas está ilustrado com 12 cabeções gravados de meia página cada um no inÃcio dos cantos e uma gravura como remate no fim do último canto todos estas desenhados por Jerónimo de Barros e gravados por Lucio Matos G. F. de Queiroz Frois e Ventura.</p>_x000d_<p>Exemplar com desgastes na encadernação com perdas de pele superficiais nas charneiras e nos cantos e pequena mancha no último fólio em branco.</p>_x000d_<p>As páginas finais sem numeração incluem um catálogo das obras impressas e manuscritas do autor o valor em que foi taxado em 23 de Julho de 1790 e duas páginas em branco.</p>_x000d_<p>Bela edição de grande apuro tipográfico magnificamente impressa sobre papel de linho e ilustrada pelos melhores desenhadores e gravadores portugueses da época; Carneiro da Silva Jerónimo de Barros Soyé Frois João Tomás da Fonseca Ventura da Silva Lucius Ramalho.</p>_x000d_<p>Obra poética de caracter elegÃaco sobre a dor causada pela morte permatura com varÃola do PrÃncipe D. José herdeiro do trono Lisboa 1761 - 1788. Filho primogénito de D. Maria I foi educado por tutores nomeados por seu avô o rei D. José entre eles Frei Manuel do Cenáculo. Os apoiantes do Marquês de Pombal depositavam grandes esperanças nas suas qualidades intelectuais e na sua adesão ao Iluminismo.</p>_x000d_<p>LuÃs Rafael Soyé Madrid 1760 - Rio de Janeiro 1831 filho de pais estrangeiros de nacionalidade desconhecida que faleceram cedo. Passou a ser protegido pelo morgado da Oliveira João de Saldanha Oliveira e Sousa Conde de Rio-Maior. Fez estudos de humanidades no Seminário de Rilhafoles dos padres da Congregação de S. Vicente de Paulo e aprendeu também pintura e gravura a buril. Aos 29 de Outubro de 1777 professou a regra franciscana no Convento de N. S. de Jesus da Terceira Ordem da Penitencia estudou na Universidade de Coimbra sem concluir o curso. Em 1791 obteve a anulação dos votos religiosos. Cerca de 1802 partiu para França enviado pelo Ministro D. Rodrigo de Sousa Coutinho e depois estabeleceu-se em Paris como Livreiro tendo publicado poesias em louvor de Napoleão. Depois da queda de Napoleão ficou numa situação difÃcil e não podendo voltar para Portugal partiu para o Rio de Janeiro onde foi nomeado Secretario da Academia das Belas Artes. Foi autor de diversos livros de poesia especialmente de caracter pastoril.</p>_x000d_<p>Jerónimo de Barros Ferreira Guimarães 1750 - Lisboa 1803 notável pintor gravador e professor foi irmão da Academia de S. Lucas onde entrou em 1781. A presente obra reune algumas das suas poucas obras assinadas.</p>_x000d_<p>João Tomás da Fonseca Lisboa 1754 - 1835 importante pintor e escultor discÃpulo de João Grossi. Foi professor na Escola dos Caetanos e director da Academia de Belas Artes.</p>_x000d_<p>Joaquim Carneiro da Silva Porto 1727 - Lisboa 1818 o mais relevante gravador da segunda metade do século XVIII foi também desenhador de talento. Depois de alguns anos no Brasil estudou em Roma Florença Paris e estabeleceu-se em Lisboa. O conjunto de gravuras mais notável que produziu são as 93 gravuras da Luz da Liberal e Nobre Arte da Cavalaria.</p>_x000d_<p>EN 17x11 cm. 248 ii pp. Contemporary full leather binding.</p>_x000d_<p>Illustrated with 17 full-page <em>hors texte</em> engravings: portrait of King José drawn by Carneiro da Silva the engraved frontispiece decorated with allegorical figures drawn and engraved by Jerónimo de Barros the portrait of the author drawn by Jerónimo de Barros and engraved by G. Frois an allegorical engraving with three figures weeping at the death of the prince drawn and engraved by L. R. Soyé; 12 engravings at the beginning of each canto in which the first 11 were drawn by João Tomás da Fonseca and engraved by various artists but in which seven of them were by Ventura da Silva; the twelfth was drawn by Jerónimo de Barros and engraved by Gaspar Frois; and a final engraving drawn by J. T. da Fonseca and engraved by Ramalho.</p>_x000d_<p>Além das referidas está ilustrado com 12 cabeções gravados de meia página cada um no inÃcio dos cantos e uma gravura como remate no fim do último canto todos estas desenhados por Jerónimo de Barros e gravados por Lucio Matos G. F. de Queiroz Frois e Ventura.</p>_x000d_<p>In addition to the above listed it is illustrated with 12 half-page engraved headpieces each at the beginning of the <em>cantos</em> and an engraving at the end of the last <em>canto</em> all these designed by Jerónimo de Barros and engraved by Lucio Matos G. F. de Queiroz Frois and Ventura.</p>_x000d_<p>Copy with signs of wear on the binding with superficial leather loss on the hinges and corners.</p>_x000d_<p>A fine edition of great typographical refinement magnificently printed on linen paper and illustrated by the best Portuguese draughtsmen and engravers of the time; Carneiro da Silva Jerónimo de Barros Soyé Frois João Tomás da Fonseca Ventura da Silva Lucius Ramalho.</p>_x000d_<p>Poetic work of elegiac character about the pain caused by the permature death with smallpox of Prince José heir to the throne Lisbon 1761 - 1788. The first-born son of Maria I he was educated by tutors appointed by his grandfather King José among them Friar Manuel do Cenáculo. The Marquis of Pombal's supporters pinned great hopes on his intellectual qualities and his adherence to the Enlightenment.</p>_x000d_<p>LuÃs Rafael Soyé Madrid 1760 - Rio de Janeiro 1831 was born to foreign parents of unknown nationality who died early. He became the protégé of João de Saldanha Oliveira e Sousa Count of Rio-Maior. He studied humanities in the Rilhafoles Seminary belonging to the Fathers of the Congregation of S. Vicente de Paulo and also learned painting and engraving. On the 29th of October 1777 he professed the Franciscan rule in the Convent of Our Lady of Jesus of the Third Order of Penitence he studied in the University of Coimbra without finishing the course. In 1791 he obtained the annulment of his religious vows. Around 1802 he left for France sent by Minister D. Rodrigo de Sousa Coutinho and then settled in Paris as a bookseller having published poetry in praise of Napoleon. After the fall of Napoleon he was in a difficult situation and unable to return to Portugal he left for Rio de Janeiro where he was appointed Secretary of the Academy of Fine Arts. He was the author of several books of poetry especially of pastoral character.</p>_x000d_<p>Jerónimo de Barros Ferreira Guimarães 1750 - Lisboa 1803 a noted painter engraver and teacher was a brother of the Academy of S. Lucas which he entered in 1781. The present work brings together some of his few signed works.</p>_x000d_<p>João Tomás da Fonseca Lisbon 1754 - 1835 important painter and sculptor disciple of João Grossi. He was a teacher at the School of Caetanos and director of the Academy of Fine Arts.</p>_x000d_<p>Joaquim Carneiro da Silva Porto 1727 - Lisbon 1818 the most relevant engraver of the second half of the 18th century was also a talented draughtsman. After a few years in Brazil he studied in Rome Florence Paris and settled in Lisbon. The most notable set of engravings he produced are the 93 engravings of <em>Luz da Liberal e Nobre Arte da Cavalaria</em>.</p>_x000d_<p>Referências/References:</p>_x000d_<p>Ernesto Soares História I p. 271-272 nº 971 e II 2118 Soyé.<br />Ameal 2324.<br />Azevedo e Samodães I 3277.<br />Monteverde 5245.<br />Inocêncio V 316-319.</p> M-4-D-9 hardcover
2017x-1138204293Taylor & Francis 2017. Hardcover. New. 296 pages. 9.50x6.50x1.00 inches. Taylor & Francis hardcover
BN114178Die Kunst des Ankommens <br/><br/>Die Kunst des Ankommens unknown
196971016New York Reynal 1969. First Edition. Hardback. Fine cloth copy in a near fine now mylar-sleeved dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 649 pages; Description: 649 p. Illus. col. Plates. 38 cm. Subjects: Raphael 1483-1520. A sumptuous large format presentation of the works. New York, Reynal hardcover
2024x-1032846933Routledge 2024. Hardcover. New. 206 pages. 9.68x6.87x9.61 inches. Routledge hardcover
2020x-1138351326Taylor & Francis 2020. Hardcover. New. 256 pages. 9.02x5.98x0.98 inches. Taylor & Francis hardcover
2009DADAX1594516723Routledge 2009-06-30. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1972Q-0810904861H. N. Abrams 1972-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! H. N. Abrams hardcover
2013x-3642358306Springer Verlag 2013. Hardcover. New. 2013 edition. 250 pages. 9.25x6.50x1.25 inches. Springer Verlag hardcover
2018x-3319934872Springer 2018. Hardcover. New. 352 pages. 9.25x6.10x0.83 inches. Springer hardcover
2017x-1138215120Routledge 2017. Hardcover. New. 80 pages. 9.00x6.00x0.75 inches. Routledge hardcover
2014x-1780936826Bloomsbury USA Academic 2014. Hardcover. New. 200 pages. 9.25x6.50x1.00 inches. Bloomsbury USA Academic hardcover
178421751784. Mezzotint. 435mm by 550mm. Scene from Shakespeare's 'King Lear'; Lear reclining on bed beneath curtain awakened to find the spirit of Cordelia kneeling beside his bed holding his hand and looking into his eyes.<br /> Trimmed with loss of margins and title area. Faint creasing at top of the image. A couple of small marginal breaks. unknown
33185490like new. unknown
2005x-1588294358Humana Pr Inc 2005. Hardcover. New. 1st edition. 320 pages. 9.00x6.25x1.00 inches. Humana Pr Inc hardcover
200765405Redworld Editions. Near Fine with no dust jacket. 2007. Limited Edition. Hardcover. A; #114/1000. Binding tight and straight inner pages clean and unmarked. Housed in near-fine pictorial slipcase. Signed by Mazucco on half-title page. ; Signed by Author . Redworld Editions hardcover
1849BOOKS20926London UK: David Bougue. G/NO DUSTJACKET. 1849. Cl/BrdHardcover. 4to. viii32pp.43 cover worn and frayed inside hinges weakened some minor foxing bookplate . David Bougue hardcover
59-0065Paris de l'Imprimerie Royal Cabinet Crozat 1729. Engraving by Claude du Flos retouched by Nicolas de Larmessin after the painting by RaphaëlImage size: 321 x 215 mmSheet size: 542 x 406 mmWater stain in upper margin.Plate number 24From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy dans celuy de Monseigneur le Duc d'Orleans & dans d'autres Cabinets Tome Premier. Cabinet Crozat Volume 1 Paris, de l'Imprimerie Royal [Cabinet Crozat], 1729. unknown
19898545Toronto: Lumiere Press. Very Good with no dust jacket. 1989. Limited Edition. Hardcover. 0921542038 . 45 pp. With 12 colour photographs tipped in. Ltd Edition 167/170 with signatures by Goldchain Torosian and Manguel on the limitation page at the rear. Cream linen spine grey paper hardboards with very minor wear only except that there is a small very faint finger spot on the back cover. Interior first blank has pencil erasure otherwise crisp and clean. The portfolio of a series of photographs made in the mid-to-late eighties in México and Central América is introduced by noted anthologist and author Alberto Manguel and accompanied by an essay by photographer and publisher Michael Torosian. Beautifully printed on mould-made Frankfurt paper. A lovely copy of a scarce book. ; 45 pages; Signed by All Authors . Lumiere Press hardcover
201977604Zurich: JRP Ringier 2019. First Edition. Hardcover. Near fine. Inscribed by Charles Atlas to Howie Pyro 1960-2022 bassist DJ and longtime veteran of the New York punk and underground scenes on the front flyleaf. For almost 50 years New York-based artist Charles Atlas b.1949 has been a leading figure in film and video art creating seminal works documenting dance and performance art involving choreographers such as Merce Cunningham and Michael Clark as well as the fashion designer and performance artist Leigh Bowery. His network of collaborators and associates largely coincides with his circle of friends: many of his works from the 1980s and 1990s are portraits of fellow protagonists of the New York underground scene and the contemporary milieu employing a sub- and pop-cultural idiom to scrutinize aspects of bio-power and the politics of bodies and identity. The publication features commissioned essays by art historians and curators reflecting on Atlas' strategies and the themes that have shaped his oeuvre over the years. Octavo: 188 p. Original pictorial boards; issued without a dust jacket. Near fine. JRP | Ringier hardcover
1902191212New York: Macmillan 1902. Hardcover. vii 261p. iii ads frontispiece and 7 plates mild foxing front hinge starting at publisher's device and frontis untrimmed fore-edge and bottom edge first edition according to Sisson page 6 and BAL 11873 blue-gray cloth titles in white decorations on cover and spine in red black and white spine titles abit rubbed otherwise very good. Macmillan hardcover
