21 369 résultats
198083250Havana: OSPAAAL 1980. Original lithographed poster with text and images offset printed in colors on white stock measuring 51cm x 75cm 20" x 29.5". Pinholes to corners light wear and several tiny tears and creases to extremities with paper around upper left margin slightly abraded and a few faint marks and stains on verso; Very Good. Attractive poster designed by Cuban artist Rafael Enríquez Vega b.1947 calling for an international day of solidarity with the people of Cuba. The central image features a large Cuban flag and an American hand holding a revolver with the barrel pointed at itself. 83250. OSPAAAL unknown
elala4674Kamloops: 1925. First Edition. Banks p. 154. Edwards & Lort 2096. 12mo. pp. 32. text in Duployan shorthand. original printed wrs [Kamloops:] 1925 unknown
34365New York: n.p. Letter. Very good. Letter/document. Approx. 7" x 8" single sheet of paper. 1 page content. Letter addressed 91 9th Street and dated December 4th 1862. Document reads "This Certifies that George Montgomery West has for some near past been afflicted with a species of Insanity. That last spring he was for two months in the Bloomingdale Lunatic Asylum. He is liable at any time to paroxysms a sudden attack or violent expression of a particular emotion or activity of this infirmity. Signed R G Raphael MD. Professor of Surgery N.Y. Med College. n.p. unknown
197131972AB1971. London Phaidon 1971. 19 cm wide x 27.2 cm high. 220 pages / Illustrated throughout. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. hardcover
77518London: W Foulsham. N.D. Paperback. Very Good. A complete run of 86 issues from 1875 to 1961 up to 1897 3rd or 4th editions published in the 1920s 6 copies lack their covers. Bound in original card covers; Small Octavo . W Foulsham paperback
1879LL1<p><strong>Portugal's First Great Political Satirical Magazine a Complete Set</strong></p><p><strong>Includes Portuguese Poetry </strong></p><p>6vols; small folio; 315 issues COMPLETE. Contemporary half leather bindings red brown and green.2 color title pages and two chromolithographic cartoons; three full-page chromolithographic caricatures; black and white lithographs throughout.</p><p>O António Maria was Portugal's first great political satire magazine directed by Portugal's first great political cartoonist Rafael Bordalo Pinheiro 1846-1905.</p><p>The title meant as an exclamation expropriated the first half of the name of the reigning Portuguese Prime Minister António Maria Fontes Pereira.</p><p>Like Puck O António Maria usually devoted its first last and center pages to cartoons. The text pages also were dotted with cartoon art. Among the contributors were the poet Guilherme de Azevedo "João Rialto" Ramalho Ortigão "João Ribaixo" Alfredo Morais Pinto "Pan-Tarantula" João Broa Emílio Pimentel Enrique Casanova António Ramalho Ribeiro Cristino Columbano Bordalo Pinheiro Manuel Gustavo and others. Initially the magazine struck a balance between cartoons and text but as it matured the text took a subservient position to cartoons and comic strips.</p><p>Pinheiro used satire and irony in the pages of his magazine to oppose those in power and denounce the selfishness and corruption of the elites. All of Portugal's leading politicians and heads of first families appeared in caricature at one time or another in the weekly In 1884 the government revised the criminal code which seriously limited freedom of the press. It was in this repressive environment against which journalists generally adopted a passive attitude that led Pinheiro in his final issue to explain: "<em>When in a meeting of journalists' I proposed an 18-day publishing moratorium to protest the shameful situation in which the Portuguese government has placed the Portuguese press it was pointed out that O António Maria as a weekly sheet would not be seriously affected by the resolution. So I take the execution of my proposal one step further: O António Maria closes its doors forever in a sign of mourning</em>."</p><p>#WorldCat: 2 copies in US Libraries.</p>
20624New York: Raphael Tuch & Sons Co. Ltd. Good/No Dust Jacket As Issued. <br /> A vibrant survivor of the Edwardian nursery. <br /> <br /> This charming alphabet book part of the legendary 'Father Tuck's Mother Goose Series' represents the pinnacle of early 20th-century children's lithography. <br /> <br /> Utilizing Raphael Tuck's Untearable linen process the book was designed to withstand the rough handling of children while providing a rich visual introduction to the alphabet. Each letter is paired with anthropomorphic animals and classic nursery-rhyme vignettes rendered in the lush saturated colors that made Tuck the most famous name in the "toy book" trade.<br /> <br /> KEY FEATURES<br /> Publisher Heritage: Produced by Raphael Tuck & Sons Publishers to Their Majesties the King & Queen known for the finest color printing of the era.<br /> Material: Printed on untearable linen; a tactile and durable format that replaced traditional paper for high-use nursery books.<br /> Visuals: Features 12 pages of alternating full-color lithographs and detailed black-and-white illustrations.<br /> Theme: An anthropomorphic alphabet where animals take on the roles of classic Mother Goose characters.<br /> <br /> CONDITION: Good to Very Good -- A remarkably sturdy example of a book meant for heavy use. The original stapled binding is strong and structural. The linen shows expected "hand-soiling" and age-toning throughout. There is minor loss to the rear cover and tiny chips to the front cover edges but the lithography remains bright and the text is fully legible. 7.25 x 8.5 inches. HISTORICAL SIGNIFICANCE --<br /> Raphael Tuck & Sons was a powerhouse of the Victorian ephemera world. Their Father Tuck brand was synonymous with quality utilizing German chromolithography that was far superior to most American or British competitors. These linen books were a technological response to the destructiveness of young readers; finding one today with the staples intact and the colors still poping provides a rare window into the visual landscape of a turn-of-the-century childhood.<br /> <br /> SUBJECTS: Children's Literature Raphael Tuck Alphabet Books Anthropomorphic Art Edwardian Ephemera Mother Goose Toy Books Linen Books Early 20th Century Juvenilia. Raphael Tuch & Sons, Co., Ltd unknown
70351Paris Joubert 1803. Large Folio 59.5 x 41.5 cm. 4 pp. Four large engraved plates. Later mottled half roan over paper boards resembling tree calf. Black morocco label with gilt title. Original printed wrappers bound in. = This work shows two - probably life-size - designs for candlesticks designed by Renaissance artists Raphael and Michelangelo on the occasion of a contest organized by Popes Julius II and Leo X. Each leaf shows either the top or the foot of a candle. The wrapper text extensively describing the candlesticks is printed in French and in English in two columns Armorial bookplate on the front pastedown. Some mostly marginal spotting. Otherwise a very good copy. Rare. Not in Brunet. hardcover
1866451247s.l. : s.n. 1866. First Edition. Hardcover. Very good portfolio copy in leather-backed cloth boards. Some light scuffs and speckling to covers with spine somewhat worn. Inside the prize sketches by Raphael are embossed on the upper margin by the awarding institution. The miscellaneous reproductions feature gilt outer edges. Some light smudges to leaves' margins with plates in very good condition. An overall well-preserved portfolio. Physical description; 30 loose leaves 29 cm. Contents; Twelve Raphael sketch reproductions on card stock constitute the Third Grade Prize in Art at the Warrington School of Art awarded in 1866 as introduced by the prize label and table of contents. An additional presumably later seventeen sketch reproductions are also enclosed with Raphael represented in addition other Renaissance artists. Subjects; Raphael 1483-1520—Reproductions. Art—Study and teaching—England—Warrington—19th century. Drawing Renaissance—Reproductions. [s.l.] : [s.n.] hardcover
17035770Rome: Gaetano Zenobi 1703. First edition. Octavo 23 cm; 114 2 pages. Vignette with arms of Pope Clement XI flanked by putti on title page. LACKS FRONTISPIECE PORTRAIT. Decorated letters and ornaments in text. Bound in mottled calf weak at joints and worn at extremities. Early inscription abraded at base of title page. Pages lightly toned with occasional stains. References: Cicognara 2404; Anthony Blunt "Don Vincenzo Vittoria" in The Burlington Magazine 109:766 1967 31-32. <br /><br />The author was a Spanish engraver and printer who lived and worked in Rome for part of his life. The text is a defense of Raphael and others from some dismissive remarks made by Carlo Cesare Malvasia in his promotion of the Carracci and of the Bolognese school "La Felsina Pittrice" 1678. Vittoria wrote the material probably in Spanish while still living in Valencia. In the preface he apologizes for his Italian which "lacks purity." The significance of the book according to the art historian Anthony Blunt lies in the author's descriptions of several drawings by Raphael and his contemporaries which are either lost or known only in engraved copies. Condition noted. Gaetano Zenobi unknown
17-2563San Francisco: San Rafael Graphics 1980s. Large format color print poster 25†x 18â€. Very Good. Minor wear at top right corner not affecting image. Extremely Scarce. [San Francisco]: [San Rafael Graphics], [1980s?]. unknown
61446London: John and Josiah Boydell 1798. 1803. Original copper engraving 44 x 60 cm overall sheet 54 x 66 cm. Light scattered foxing to lower margin not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1798. [1803]. unknown
68716Carington Bowles at his Map and Print Warehouse no. 69 in St. Pauls Church Yard London 1775. . Two uncoloured mezzotints slight flaking to edges of sheets not affecting image.<br /> Attributed to John Raphael Smith these satires comprise part of a set of six.<br /> D'Oench 1999 p. 19. Carington Bowles, at his Map and Print Warehouse, no. 69 in St. Pauls Church Yard, London, 1775. unknown
20075082Sonora: Universidad Nacional Autónoma de México 2007. First Edition — Primera edición. Softcover — Tapa blanda. 225x150mm. 8¾x6". Sonora Universidad Nacional Autónoma de México 2007. En 4º 225 x 150mm. 467 pp. 7 láminas a color. Rústica. Primera edición. Universidad Nacional Autónoma de México paperback
198215611EWashington D.C: Hirschhorn Museum and Scuplture Garden / Smithsonian Institute Press 1982. First Edition. Paperbound 9†x 10â€. An illustrated catalogue issued to accompany an exhibition of paintings by Raphael Soyer. With an introductory essay by Abram Lerner. Fine in printed wrappers. Hirschhorn Museum and Scuplture Garden / Smithsonian Institute Press unknown
1900028714New York London Paris Circa 1900: Raphael Tuck & Sons Ltd 1900. First Edition . Soft cover. Good. 8 3/4" Tall. Color Cover Color Plates And Sepia Pictures. 12 Pp Including Four Full-Color Plates; Color Illustration On Cover Shows Child Watering Her Garden Rear Color Cover Of Girl With A Donkey. Two Spine Staples Also Bound With Bow-Tied Ribbons Through The Two Punched Holes Near Spine. Scarce No Copy Showing In Worldcat With Only A Few Copies Of Others In Series Shown In Worldcat Listings Of Institutional Holdings. <br/> <br/> Raphael Tuck & Sons Ltd paperback
68-7179London UK: Raphael Tuck ca. 1890. Five cards mounted on backing board print on verso. Color greeting cards. Good with losses and tears to backing board. En Francais. London, UK: Raphael Tuck, ca. 1890. unknown
190734458Santiago de Chile: Imprenta Barcelona 1907. First edition. Full black morocco raised bands gilt title and decorations marbled endpapers. Spine ends scuffed else a near fine copy. 319 pp. Illus. with b/w photos. Sm. 4to. Claudio Vicuña Guerrero 1833-1907 was a politician journalist and presidential candidate in the 1891 election. OCLC shows only two copies: Columbia Univ. & BN Chile. Not in Palau. Imprenta Barcelona hardcover
20171-3330760001Novas Edições Acadêmicas 2017. Paperback. New. 72 pages. Portuguese language. 8.66x5.91x0.17 inches. Novas Edições Acadêmicas paperback
46853950-nnew. unknown
60-00821Editorial Grijalbo. Paperback. New. . Editorial Grijalbo paperback
650541156Royal Botanic Gardens Kew . Papeback. Used. Royal Botanic Gardens, Kew unknown
0366348167.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365867829.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
61303232Lonely Planet Publications pp. 1244 13th Revised Edition . Papeback. New. Lonely Planet Publications unknown
