Delpard RaphaëlLivre Rare Book
25 427 résultats
2010R300270006Calmann-Lévy. 2010. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 279 pages.. . . . Classification Dewey : 840.092-XXI ème siècle
1990RO80245546Victoires Editions - Litec. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 159 pages.. . . . Classification Dewey : 341-Droit international
66452Paris, Payot, 1972. 14 x 23, 272 pp., broché, bon état (couverture légèrement défraîchie).
1981R100084167Planeta. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 238 pages - couverture contrepliée - nombreuses illustrations en noir et blanc hors texte - livre en espagnol.. . . . Classification Dewey : 460-Langues espagnole et portugaise
1948R300325965"""Temps futur"". 1948. In-12. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Non coupé. 362 pages. Papier jauni. Le dos se décolle des cahiers.. . . . Classification Dewey : 270-Histoire et géographie de l'Eglise"
1988ROD0121549FAYARD. 1988. In-8. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur frais. 371 pages.. . . . Classification Dewey : 840.091-XX ème siècle
1996R200081488DU BASTBERG. VERS 1996. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 37 pages. 1 étiquette de bibliothèque en dos + 1 tampon et annotations de bibliothèque en page de texte + 1 étiquette et/ou 1 pochette de prêt en 2ème contreplat. Nombreuses illustrations en couleurs, dans et hors texte.. . . . Classification Dewey : 840.091-XX ème siècle
1928bb1753André Delpeuch Broché 1928 In-12 broché, XX et 234 pages, non coupé, 7 planches hors texte noir et blanc et un frontispice, papier jauni, couverture salie, dos jauni, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
2006R200088346PRESSES UNIVERSITAIRES DE STRASBOURG. 2006. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 184 pages.. . . . Classification Dewey : 294-Religions d'origine hindoue
2000R200087301GALLIMARD. 2000. In-12. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Pliures. 247 pages.. . . . Classification Dewey : 840.092-XXI ème siècle
74877"Paris/Bruxelles, Les Editions de la Revue ""Demain"", 1944." 13 x 18, 334 pp., broché, partiellement coupé, bon état.
189974817Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille Rare original lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie"". The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974816Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille et une serpente Rare original colour lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe issue on verso; engraving preceded by a tissue guard captioned with the artist's name title and a poem. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colours also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974817Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Février 1899) | 23.50 x 34.50 cm | une feuille
189974816Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Février 1899) | 23.50 x 34.50 cm | une feuille et une serpente
1999R100069068Les éditions du relié. 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 156 pages.. . . . Classification Dewey : 141-Spiritualisme
2000R300304455Séfi. 2000. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 161 pages.. . . . Classification Dewey : 332-Banque (économie financière)
1954RO80259782Payot. 1954. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 384 pages. 70 illustrations monochromes dans le texte.. . . . Classification Dewey : 909.04-Ethnologie
2009RO80247449Flammarion. 2009. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 232 pages.. . . . Classification Dewey : 284-Protestantisme
1986R200091517ENTREPRISE MODERNE D'EDITION / LIBRAIRIE TECHNIQUES / ESF. 1986. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 65+52 pages. Ouvrage réversibles, relié par une spirale. Nombreux tableaux et graphiques en noir et blanc,dans et hors texte.. . . . Classification Dewey : 658-Gestion des entreprises privées et publiques
2022RO20255255EMC2 SAS. 2022. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 98 pages illustrées en couleur et noir/blanc- petite déchirure d'un centimetre en rebord des pages. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
89299Paris, Editions RBA, 2013. 16 x 23, 155 pp., quelques illustrations en couleurs et figures, reliure d'édition carton imprimé, très bon état.
2004RO80243865Fleurus. 2004. In-4. Relié. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 27 pages. Nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 598-Ornithologie
2002RO30338217Michel Lafon. 2002. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur acceptable. 349 pages. Léger jaunissement.. . . . Classification Dewey : 843.081-Le roman historique
1927R240155828Henri Laurens. 1927. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 126 pages augmentées de nombreuses illustrations en noir et blanc hors texte. Annotations au crayon de papier et à l'encre en page de faux titre.. . . . Classification Dewey : 750-La peinture et les peintres
