91 résultats
1867EEzz4102Berlin, Dümmler 1867. 26 S., obrosch., unaufgeschnitten.
187618879Librairie des Bibliophiles, D. Jouaust 1876 Paris, Librairie des Bibliophiles, Damase Jouaust éditeur, 1876. Troisième édition. Édition illustrée, comprenant 87 reproductions des gravures d'Holbein, dans le texte. Traduction de Victor Develay. Avertissement et Note de l'éditeur pour la première édition. In-8 broché de XI - 247 pp. Couverture verte illustrée. Couverture usagée, dos fendu et recollé, un manque restauré en coiffe, des rousseurs à l'intérieur. En l'état.
188436298München, Georg Hirth, 1884. Small 4to. Uncut in orig. printed wrappers. With facsimiles of the woodcuts.
185816035London:: Henry G. Bohn 1858. 7.5 x 4.75 inches. Single leaf from the 1858 edition of Hans Holbeins Dance of Death by Francis Douce & Thomas Frognall Dibdin. The leaf portrays the angel Gabriel comforting Daniel - Daniel VIII:17. with text lines beneath. Excellent woodblock and leaf in excellent condition. Top corners with a little bit of bleed from previous adhesive on verso overall excellent and suitable for framing. 7.5 x 4.75 inches. The reproduction fomr the Douce & Dibdin were cut from wood by Messrs. Bonner and Byfield. The authors aimed to provide extremely accurate woodcut representations of the original Holbein designs to readers. This leaf shows the clarity of line and beautiful use of light and shade which Holbein had achieved in his original work . [Henry G. Bohn,] unknown
186860539ABLeipzig, Seemann 1868. XX, 495 S. mit Holzschnitten im Text, 8 (davon 2 gefalt.) Holzschnitttafeln, HLdrbd. der Zeit. Diverse leichte Gebrauchsspuren, Papier stockfl., Tafeln teils lose. HLdrbd. der Zeit. Diverse leichte Gebrauchsspuren, Papier stockfl., Tafeln teils lose.
1856GF323881856 Paris - Imprimé pour Edwin Tross - 1856 - 1 volume in8 broché de 96 pages - dos passé - menus défauts à la couverture - belle édition sur beau papier partiellement non coupé -
184410030501844. 4to. 18 Bl. mit 32 wiederholten figürlichen Rahmungen, 3 Holzschnitt-Vign., 7 Holzschnitt-Initialen und ebensoviele figürl. Szenen. Goldgeprägter Lwdbd d. Zeit (stärker braunfl.).
1884B439München, Georg Hirth, 1884. "Kartoniert, 8°, unpag., ca 90 S., IX. Bändchen der »Liebhaber-Bibliothek Alter Illustrationen in Facsimile-Reproduction«, »Das "Alte Testament"" umfasst mit den nicht Holbein'schen Blättern nach Woltmann im Ganzen 91 Nummern. In der ersten Lyoner Ausgaben fehlen die drei Blätter 1, 40. 73 welche wir hier nach der 1543er Lyoner Ausgabe nebst dem dort zugegebenen Text reproduzieren. Ausserdem theilen wir aus der letzte Ausgebe auch noch das lateinische Gedicht mit, worin Nic. Bourbon den Meister Holbein feiert.«" [2 Warenabbildungen]
1881RC59781881. Rylands William Harry . Bullen George. Hardback. The purple cloth binding has faded it remains sound. The endpaper has an owner's incription. There is a little light foxing in places in the text which is otherwise very clean. hardcover
181273591London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273585London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273601London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273604London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273615London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
181273606London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273587London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273583London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273612London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
181273582London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
18562974Paris, Edwin Tross, 1856 In-8, n.p., cart. toile rouge, titre doré au dos et au 1er plat (cartonnage légèrement sali, petit manque à la coiffe supérieure).
1884159806Georg Hirth Münche Georg Hirth 1884, In-8 relié demi véon blanc, plats cartonnés. Non paginé (102 pages), couverture conservée. Réédition à l'identique de l'édition de Lyon 1538, avec les bois gravés. Imprimé sur papier Van Gleder filigrané. Liebhaber-Bibliothek Alter Illustratoren in facsimile-reproduction. Bon état.
185019531850. Steel-engraving. 270mm by 175mm sheet 125mm by 100mm image. Sir Thomas More 1478 - 1535 was an English lawyer social philosopher author statesman and noted Renaissance humanist. He was an important councillor to Henry VIII of England and was Lord Chancellor from October 1529 to 1532. He was an opponent of the Protestant Reformation and in particular of Martin Luther and William Tyndale. unknown
18796851Paris, Societe francaise d`editions d`art, o.J. (1879). 198 S., 4 Bll. mit zahlr. Textxylos. 26 Kupfertafeln und 1 doppelblattgr. Tafel in Xylographie. Gr.-Fol. OLwd. (Rücken mit Einrissen, stärker gebräunt, fleckig und bestoßen).
1821038120London 1821. 1st Edition 1st Printing. No Binding. Near Fine. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.Charles Pye Jr. 1777 - 1870 Was An Engraver In England. His Engraving Work Was Included In Cadell & Davies' "Britannia Depicta". <br/> <br/> unknown
1890021220New York: Frederick A. Stokes and Brother 1890. First Edition. Cloth. Good. Folio. First edition #430 of 1000 clothbound books issued. Signed by the publisher on the copyright page. White cloth with extensive gilt decorations along with gridded cloth. Large folio. Unpaginated. 10 photogravures of paintings throughout. A look at various depictions of the Madonna by Old Masters accompanied by critical and historical commentary. GOOD condition. Moderate scuffing and toning to the covers with some soiling and staining. A few small wormholes in the front cover. Text block weak with some pages slightly loose in the binding. One plate rather foxed. Text block toned. Frederick A. Stokes and Brother unknown