187 résultats
1950154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
1911182771Paris: Deplanche 1911. One of the most important French illustrated books of the 20th century First edition one of 91 copies on Hollande paper from a total edition of 120 copies only signed by Apollinaire and Dufy as issued; the other 29 copies were on japon. This copy is additionally inscribed on the front free endpaper to a musician and music publisher "a monsieur Georges Vriamont cordialement Raoul Dufy". It is rare in the original binding. Apollinaire conceived the idea for the book after seeing wood engravings of animals made by Picasso in 1906. He turned to Dufy to create these striking full-page woodcuts his first published and most important illustrations. The more common second edition of 1918 reproduced the woodcuts in a smaller and less impressive format. There were a further two copies of this title printed hors commerce destined for dépôt légal with impressions of the cancelled blocks "rayées au couteau" scratched with a knife. Folio. Title page printed in red and black 30 woodcuts and 5 ornaments by Dufy in black. Original limp vellum wrappers edges untrimmed. Housed in a custom marbled blue chemise and slipcase. A few spots of foxing to endpapers offsetting from woodcuts; joints of chemise just starting: a near-fine copy. Castleman A Century of Artists' Books p. 119; The Artist & the Book 1860-1960 91. hardcover
C86392Editions Motte. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - FIVE 5 VOLUME SET WITH SUPPLEMENT. Volumes 1 - 4 published between 1972 - 1977; supplement published 1985. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions Motte hardcover
1953002960Paris: Textes Pretextes 1953. Book. Fine. Hardcover. Signed by Authors. 1st Edition. Magnificent binding and matching clamshell box by French master binder Florent Rousseau.The book is bound in full black calf with patterned color paper inlays. Spine lettered in various colors. The binders name printed on a matching inlay on the front paste down. Clamshell box in half-calf with corner inlays and 3 title labels on spine. Covered with velvet on the inside. With an original pencil drawing on transparent paper by Raoul Dufy bound in 325 x 245 cm. Signed by Raoul Dufy with his initials RD in ink. Authentication stamp of Andre Robert on verso: 'Authentifie Raoul Dufy par Andre Robert'. The drawing is reproduced as a lithograph on page 73. Limited edition of 277 copies. This is number 73 of 250 copies printed by on Arches. Illustrated with full page double page and in-text color and black & white lithographs by Raoul Dufy. 124 pp. 33 x 28 cm. book 35 x 235 cm. box. The original drawing the other contents and the binding are in pristine condition. A unique copy in several respects. We are happy to provide additional images or information on request. Textes Pretextes Hardcover
1985C93912L. Carre. As New. 1985. Hardcover. 2865740056 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 212 pages over 250 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . L. Carre hardcover
200286390Editions Jacques Bailly. New. 2002. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 384 pages many black and white and color illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Editions Jacques Bailly hardcover
201193825Editions Jacques Bailly. New. 2011. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 400 pages; well. -illustrated with most images in color. Catalogue Raisonné Catalogue Raisonne La Vie Et L'uvre Oeuvre Complete Works Life and Work Catalog Raisonnee -- with a bonus offer . Editions Jacques Bailly hardcover
191887198Paris: Editions de la Sirène 1918. Fine. "" C'est le crach du Panama qui fit de moi un poète !"" It was the Panama crash that made me a poet! Editions de la Sirène Paris 1918 19 x 23.50 cm broché First edition one of 500 numbered copies on Arches laid paper. Work illustrated with 25 American railroad route maps. Spine skillfully restored discreet crease marks to corners. Superb livre-objet like the Prose du Transsibérien which was composed in the same period the poem is presented folded. The second cover in bright red executed by Raoul Dufy resembles the railway timetables that one slipped into one's pocket: ""Le nom de Cendrars orne une bouée de sauvetage associant l'auctorité d'avant-garde au travail de sauvetage dans une décennie marquée par les catastrophes maritimes du Titanic au Lusitania"" The name of Cendrars adorns a life preserver associating avant-garde authority with rescue work in a decade marked by maritime disasters from the Titanic to the Lusitania Sophie Esch. Rare early autograph inscription signed and dated December 1918 on this text by Blaise Cendrars to Georges Le Cardonnel literary critic who co-wrote with Charles Vellay La Littérature contemporaine a survey conducted among French critics writers and poets. The year following the inscription he would sign a review of J'ai tué in la Minerve française. Editions de la Sirène unknown
1924513857Paris: Librairie de France 1924. Softcover. Near Fine. First edition "sur Madagascar" issue. Folio. Unsewn signatures laid into color pictorial wrappers as issued. Pp. viii 40 8 plus plates profusely illustrated including full-page plates printed rectos only by Raoul Dufy Jean Cocteau Maurice Denis Pablo Picasso Georges Rouault etc. Contains a number of color lithographs including plates by Dufy Denis Rouault and Andre Favory.<br /> <br /> Limited to 40 hors commerce copies reserved for the author and the artists this copy designated in print on the colophon leaf: "Exemplaire reserve a" completed in Hervieu's ink holograph: "Raoul Dufy" and signed "Louise Hervieu." Front cover has short closed tear at lower edge rear cover has short bumped tear at topedge else a near fine bright copy housed in very good publisher's folding chemise of decorated paper-covered boards with moderate wear on spine and corners.<br /> <br /> Hervieu exhibited at the Salon des Independants and had a one-woman show at the Galerie Eugene Blot in Paris in 1910. Her work included book illustration and painting but a childhood illness led to diminished vision and she began to write instead resulting in her work L'Ame du Cirque. Her novel Sangs won the Prix Femina in 1935. A splendid association. Librairie de France unknown
2011C93825Editions Jacques Bailly. As New. 2011. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 400 pages; well. -illustrated with most images in color. Catalogue Raisonné Catalogue Raisonne La Vie Et L'uvre Oeuvre Complete Works Life and Work Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions Jacques Bailly hardcover
2002C86390Editions Jacques Bailly. As New. 2002. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 384 pages many black and white and color illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions Jacques Bailly hardcover
14807Dufy Jeam French 1888-1964 PAYSAGE RURAL. Drawing. pencil on Arches MBM paper not dated. Stamped signature lower right. Provenance Galerie Reine New York. 12 1/2 x 19 inches. In very good condition. unknown
1926elala1256Paris: Au Sans Pareil 1926. 1926. 4to. pp. 2 p.l. 147 1 leaf. with half-title. 36 original lithographs by Raoul Dufy incl. 18 plates with tissue guards. A fine untrimmed copy in fine blind & gilt-stamped red morocco binding by Zipélius Brillouin original wrs. bound in. matching slipcase slight wear to slipcase. First Edition Illustrated by Dufy Limited to 450 copies 20 hors commerce this one of 380 on vélin Montgolfier dAnnonay. Issued on the eighth anniversary of Apollinaires death. The Artist & The Book 92. Skira 106. Museum of Modern Art 62. 1st Edition. Hardcover. Very Good. Paris: Au Sans Pareil, 1926. Hardcover
193047038Paris.: Ambroise Vollard Editeur. 1930. Loose as issued in original publisher's pictorial cream printed wrappers with Dufy's etching to front cover. Small folio. 335 x 258 mm. Illustrated half-title with Dufy's etching and justification verso printed title with etched vignette recto and vignette verso and Chapitre Premier to Chapitre Quinzième of Montfort's text iIllustrated with ninety-four etchings 16 full-page and hors-text as well as text illustrations vignettes and cul-de-lampes and the cover etching all by Raoul Dufy 'Tables' and final leaf with achevé d'imprimer A very good unsophisticated copy of 'La Belle-Enfant ou l'Amour à Quarante Ans' with Raoul Dufy's illustrations for Eugène Montfort's text.From the edition limited to 390 numbered copies including 15 exemplaires d'exposition and 35 hors commerce with this one of 245 on vélin d'Arches.'Commissioned by Vollard to provide illustrations for Montfort's work Dufy made a number of preliminary studies in Marseilles a centre from which he travelled to gather material for pictures of Société Mondaine and the locale of Montfort's novel.' From Manet to Hockney.The Artist & The Book 93; From Manet to Hockney 85. Ambroise Vollard Editeur. unknown
193038926Paris: Ambroise Vollard 1930. A PRISTINE COPY ON JAPANESE PAPER OF ONE OF THE TRULY GREAT LIVRES D'ARTISTE AND PERHAPS THE MOST BEAUTIFUL BOOK DEVOTED TO MARSEILLES. Illustrated with 94 original etchings by Raoul Dufy. From a total edition of 340 copies this is ONE OF ONLY 35 COPIES ON LUMINOUS JAPON SUPERNACRÉ PAPER common called "pearl Japan" in English. Folio. Loose as issued in original wraps. Cloth case. FINE AND BRIGHT WITH NO DEFECTS. Chapon p. 281; Erving 12; Skira 107; Rauch 47; Manet to Hockney 85; Strachan p. 331; Garvey & Wick 15; Stern 38; Wheeler pp. 42 and 101; The Artist & the Book 93; Jentsch 22; Johnson 185. <br/><br/> Ambroise Vollard paperback
1937218871New York 1937. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "I I: VL : 17". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. unknown
1914413911Paris: Société Générale d'Impression 1914. Unbound. Good. Magazine. A near-complete set of all 20 issues published from 28 November 1914 to 1 July 1915. The first issue consists of two leaves lacking an internal bifolium issue no. 3 is lacking the final leaf; else all other issues appear to be complete in stapled wrappers including several with publisher’s printed slips. The front and back covers of most issues are split along the spine folds else overall a good or better set with some scattered foxing to a few covers toning and modest scattered chipping to the edges.<br /> <br /> A rare near-complete set of this satirical-political wartime review founded by Jean Cocteau and Paul Iribe early in their careers in illustration fashion and graphic design. Both men were important exponents of avant-garde art: as a teenager Iribe drew illustrations for the popular caricature journal L’Assiette au Beurre The Butter Plate; and Cocteau who had published his first volume of poems "Aladdin's Lamp" at 19 had already become widely known in Bohemian circles as "The Frivolous Prince." Iribe designed most of the covers and Cocteau contributed both images and text signing his drawings with the pseudonym “Jim†the name of his dog. Other important contributors include Russian painter and theater designer Léon Bakst Fauvist painter Raoul Dufy and Cubist painters Albert Gleizes and André Lhote.<br /> <br /> Established as the wartime sequel to François Bernouard’s Schéhérazade but printed on much poorer paper the set includes fine impressions of the many famous double-page drawings and series of cartoons and sketches including Cocteau’s series titled “Atrocites†comprising frightening figure of fat stupid and sadistic Germans. Also included in issue no. 5 is one of Cocteau’s most celebrated phrases … Entre le “GOUT†et la “VULGARITɆ…: “Between Taste and Vulgarity both unpleasant there remains an élan and a measure: The Tact of Understanding Just How Far To Go Too Far. Le Mot hopes you will follow it on this path of Franceâ€.<br /> <br /> A scarce set of 20 loose issues with two additional covers and the original publisher’s advertisement slips. A detailed list is available. Société Générale d'Impression unknown
193033000N.p. Montpellier N.d. C. 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Octavo 1 page on blue paper in French. An excellent letter Dufy mentions that he is expecting Valery and that if it were not for our "grand poète" I wouldn't be so accommodating and would have accepted your invitation. Extend to Picasso my friendship - I hope to see him soon. I'm happy to know he is recovering. A very good letter in fine condition. R.D. unknown
193032964Montpellier N.D. Circa 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Two full pages. Quarto. On blue/beige paper in French. Dufy complains that he can't come to Paris as he's suffering the effects of an anti-rheumatism vaccine. He stays in Montpellier because he's in need of warmth and "serious" doctors. Dufy is sending his wife with 40 watercolors of a group which he qualifies as "beautiful & new". Dufy thinks the average price of 1000 francs each is reasonable. A fine letter with trade content. Quite uncommon. R.D. unknown
193886746Vence: S. n. 1938. Fine. S. n. Vence 29 Janvier 1938 20.50 x 26.50 cm une page recto verso une enveloppe Autograph letter dated and signed by Raoul Dufy 34 lines in blue ink from his property at Villa Beethoven in Vence. Creases inherent to postal delivery. Envelope included. Date and sender indications in Laboureur's hand in red and blue pencils on the envelope. The painter will not be able to attend the P.G.I. meeting independent painters and engravers and will miss his friend Jean-Emile Laboureur: ""J'ai quitté Paris pour un moment. J'aurais bien aimé aussi vous revoir."" I have left Paris for a moment. I would have very much liked to see you again as well. Moreover he envisions his future only in painting: ""Pour moi personnellement je crois bien que ma carrière de graveur est terminée : tombé dans la litho et la peinture d'histoire comme vous savez je me demande si jamais je pourrai refaire un beau bois au canif car comme graveur je ne sais ou plutôt n'ai su faire que ça et malgré le désir que j'en ai je me demande si jamais j'en aurai le loisir."" For me personally I do believe that my career as an engraver is finished: fallen into litho and history painting as you know I wonder if I will ever be able to make a beautiful penknife woodcut again because as an engraver I don't know or rather have only known how to do that and despite the desire I have for it I wonder if I will ever have the leisure for it. even though he will keep his place within this association bringing together engravers and painters: ""Donc malgré que je n'assiste jamais ou presque aux réunions je crois même que ma cotisation ne soit pas en règle je suis quand même PGI de tout coeur et quand je rentrerai à Paris j'aurai bien du plaisir à vous revoir tous."" So although I never or almost never attend the meetings I even believe that my dues are not up to date I am nevertheless PGI with all my heart and when I return to Paris I will have great pleasure in seeing you all again. S. n. unknown
1926134245Paris: Au Sans Pareil 1926. A reflection of the close working relationship between Dufy and Apollinaire First Dufy edition number 113 of 380 copies printed on Montgolfier d'Annonay paper from a total edition of 450. "Dufy again paid tribute to Apollinaire. by illustrating one of his major pieces of prose fiction. Le Poète Assassiné was originally a book of short stories which took its title from its opening novella. Dufy had attended the launch party for the book organized by Paul Dermée and Juan Gris at the Palais d'Orléans in Montparnasse on New Year's Eve 1916. In 1924 the Sans Pareil publishing house reportedly invited Picasso to illustrate a new edition of the story but once again two years later it was Dufy who took on the job. The closeness of the working relationship between Dufy and Apollinaire is reflected thematically in the collector's edition of Apollinaire's Le Poète Assassiné produced in 1926 10 years after initial publication of the work and eight years after the poet's death" Brown pp. 4 and 24. Quarto 285 x 224 mm. 18 full-page and 18 smaller lithographs by Raoul Dufy. Later morocco halved diagonally into red and black fields lettered in white on spine and front cover untrimmed. Contemporary bookplate of "J.A. -B.E. Dunbar". Sometime furbished lettering clumsily retouched light wear to extremities spine ends chipped hinges tender occasional faint toning; a very good copy in an interesting binding Apollinaire's name misspelled on the front cover. Artist and the Book in France 92; Carteret IV 46; for a full discussion of Dufy's illustrations see Kathryn Brown ed. The Art Book Tradition in Twentieth-Century Europe Routledge 2013. unknown
1961002933Paris: Pierre de Tartas 1961. Book. Fine. Hardcover. 1st Edition. Loose sheets in lithographed wrappers in blue cloth clamshell box with white lettering. Original lithographs by Raoul Dufy. Number V of 20 roman numbered copies reserved for collaborators of the edition with an extra suite of the lithographs. The total edition was limited to 325 copies. This copy and the extra suite are printed on Grand Velin D'Arches. Lithographed wrappers 5 lithographs in color of which 4 double page. 12 black & white lithographs of which 9 double page of which 2 partly with text and 5 in text illustrations. The extra suite in white paper wrappers contains 4 double page color lithographs and 9 black & white lithographs of which 6 double page. All full page lithographs protected by tissue guards. The text by Michel de Saint-Pierre was set by hand in Paganini Romain. 38 x 275 cm. Very fine set in box with lightest wear one corner with repaired split. . Pierre de Tartas Hardcover
198382820David R Godine Publishers Inc U.S. As New. 1983. Hardcover. 0879233192 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ISBN: 0879233192.66 pages. -- with a bonus offer-- . David R Godine Publishers Inc, U.S. hardcover
198082819Godine. As New. 1980. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 67 pages 30 illus. ; small 8vo. -- with a bonus offer-- . Godine paperback
197784863Metropolitan Museum of Art. As New. 1977. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 88 pages 32 b/w illustrations folio. -- with a bonus offer-- . Metropolitan Museum of Art hardcover
