261 résultats
1950154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
1911182771Paris: Deplanche 1911. One of the most important French illustrated books of the 20th century First edition one of 91 copies on Hollande paper from a total edition of 120 copies only signed by Apollinaire and Dufy as issued; the other 29 copies were on japon. This copy is additionally inscribed on the front free endpaper to a musician and music publisher "a monsieur Georges Vriamont cordialement Raoul Dufy". It is rare in the original binding. Apollinaire conceived the idea for the book after seeing wood engravings of animals made by Picasso in 1906. He turned to Dufy to create these striking full-page woodcuts his first published and most important illustrations. The more common second edition of 1918 reproduced the woodcuts in a smaller and less impressive format. There were a further two copies of this title printed hors commerce destined for dépôt légal with impressions of the cancelled blocks "rayées au couteau" scratched with a knife. Folio. Title page printed in red and black 30 woodcuts and 5 ornaments by Dufy in black. Original limp vellum wrappers edges untrimmed. Housed in a custom marbled blue chemise and slipcase. A few spots of foxing to endpapers offsetting from woodcuts; joints of chemise just starting: a near-fine copy. Castleman A Century of Artists' Books p. 119; The Artist & the Book 1860-1960 91. hardcover
C86392Editions Motte. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - FIVE 5 VOLUME SET WITH SUPPLEMENT. Volumes 1 - 4 published between 1972 - 1977; supplement published 1985. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions Motte hardcover
1953002960Paris: Textes Pretextes 1953. Book. Fine. Hardcover. Signed by Authors. 1st Edition. Magnificent binding and matching clamshell box by French master binder Florent Rousseau.The book is bound in full black calf with patterned color paper inlays. Spine lettered in various colors. The binders name printed on a matching inlay on the front paste down. Clamshell box in half-calf with corner inlays and 3 title labels on spine. Covered with velvet on the inside. With an original pencil drawing on transparent paper by Raoul Dufy bound in 325 x 245 cm. Signed by Raoul Dufy with his initials RD in ink. Authentication stamp of Andre Robert on verso: 'Authentifie Raoul Dufy par Andre Robert'. The drawing is reproduced as a lithograph on page 73. Limited edition of 277 copies. This is number 73 of 250 copies printed by on Arches. Illustrated with full page double page and in-text color and black & white lithographs by Raoul Dufy. 124 pp. 33 x 28 cm. book 35 x 235 cm. box. The original drawing the other contents and the binding are in pristine condition. A unique copy in several respects. We are happy to provide additional images or information on request. Textes Pretextes Hardcover
1985C93912L. Carre. As New. 1985. Hardcover. 2865740056 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 212 pages over 250 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . L. Carre hardcover
200286390Editions Jacques Bailly. New. 2002. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 384 pages many black and white and color illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Editions Jacques Bailly hardcover
201193825Editions Jacques Bailly. New. 2011. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 400 pages; well. -illustrated with most images in color. Catalogue Raisonné Catalogue Raisonne La Vie Et L'uvre Oeuvre Complete Works Life and Work Catalog Raisonnee -- with a bonus offer . Editions Jacques Bailly hardcover
191887198Paris: Editions de la Sirène 1918. Fine. "" C'est le crach du Panama qui fit de moi un poète !"" It was the Panama crash that made me a poet! Editions de la Sirène Paris 1918 19 x 23.50 cm broché First edition one of 500 numbered copies on Arches laid paper. Work illustrated with 25 American railroad route maps. Spine skillfully restored discreet crease marks to corners. Superb livre-objet like the Prose du Transsibérien which was composed in the same period the poem is presented folded. The second cover in bright red executed by Raoul Dufy resembles the railway timetables that one slipped into one's pocket: ""Le nom de Cendrars orne une bouée de sauvetage associant l'auctorité d'avant-garde au travail de sauvetage dans une décennie marquée par les catastrophes maritimes du Titanic au Lusitania"" The name of Cendrars adorns a life preserver associating avant-garde authority with rescue work in a decade marked by maritime disasters from the Titanic to the Lusitania Sophie Esch. Rare early autograph inscription signed and dated December 1918 on this text by Blaise Cendrars to Georges Le Cardonnel literary critic who co-wrote with Charles Vellay La Littérature contemporaine a survey conducted among French critics writers and poets. The year following the inscription he would sign a review of J'ai tué in la Minerve française. Editions de la Sirène unknown
1924513857Paris: Librairie de France 1924. Softcover. Near Fine. First edition "sur Madagascar" issue. Folio. Unsewn signatures laid into color pictorial wrappers as issued. Pp. viii 40 8 plus plates profusely illustrated including full-page plates printed rectos only by Raoul Dufy Jean Cocteau Maurice Denis Pablo Picasso Georges Rouault etc. Contains a number of color lithographs including plates by Dufy Denis Rouault and Andre Favory.<br /> <br /> Limited to 40 hors commerce copies reserved for the author and the artists this copy designated in print on the colophon leaf: "Exemplaire reserve a" completed in Hervieu's ink holograph: "Raoul Dufy" and signed "Louise Hervieu." Front cover has short closed tear at lower edge rear cover has short bumped tear at topedge else a near fine bright copy housed in very good publisher's folding chemise of decorated paper-covered boards with moderate wear on spine and corners.<br /> <br /> Hervieu exhibited at the Salon des Independants and had a one-woman show at the Galerie Eugene Blot in Paris in 1910. Her work included book illustration and painting but a childhood illness led to diminished vision and she began to write instead resulting in her work L'Ame du Cirque. Her novel Sangs won the Prix Femina in 1935. A splendid association. Librairie de France unknown
2011C93825Editions Jacques Bailly. As New. 2011. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 400 pages; well. -illustrated with most images in color. Catalogue Raisonné Catalogue Raisonne La Vie Et L'uvre Oeuvre Complete Works Life and Work Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions Jacques Bailly hardcover
2002C86390Editions Jacques Bailly. As New. 2002. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 384 pages many black and white and color illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions Jacques Bailly hardcover
19301204Dufy Raoul 1877-1953 Montfort Eugene. <b>La Belle-Enfant ou l'Amour a Quarante Ans.</b>. Paris: Ambroise Vollard 1930 . #163 of 340 copies Entire edition 390 copies: 60 with suites; 35 on Japan supernacre; 244 as this copy; 50 hors commerce. Loose as issued. Page size 13.2 x 10.2 inches; overall size 14 x 11 x 2.5 inches Illustrated with 110 original etchings by Raoul Dufy 94 of which are 1/2 or full page plates 41 hors-texte loose in pictorial wrapper folder. Fine copy Brown buckram folding box. <br /><br />Garvey notes in <i>The Artist & The Book" </i>#93 "In search of accuracy of detail for La Belle-Enfant one of the most celebrated of Dufy's illustrated books he made preliminary studies in Marseilles the locale of the novel." Vollard recounts the determination of Dufy to get exactly the right images he wanted "His conscientiousness was extraordinary. After several journeys to Marseilles a Marseilles that is beginning to disappear which adds still more to the interest of these illustrations just as he was about to engrave one of the last plates representing Alinees salon the artists felt doubtful.He decided to go to Marseilles.again." 257-8 <br /><br />References: Chapon p. 281; Kornfeld 152/62; Skira 107; Rauch 47; "From Manet to Hockney"85; StrachanW.J. The Artists and the Book in France. Vollard Ambroise. Recollections of Picture Dealer 1936; The arts of the French book 1900-1965 1967: #15 Inventory #: 1204 Vollard hardcover books
A PRISTINE COPY ON JAPANESE PAPER OF ONE OF THE TRULY GREAT LIVRES D'ARTISTE, AND PERHAPS THE MOST BEAUTIFUL BOOK DEVOTED TO MARSEILLES. Illustrated with 94 original etchings by Raoul Dufy. From a total edition of 340 copies, this is ONE OF ONLY 35 COPIES ON LUMINOUS JAPON SUPERNACR… PAPER (common called "pearl Japan" in English). Folio. Loose as issued in original wraps. Cloth case. FINE AND BRIGHT, WITH NO DEFECTS. Chapon, p. 281; Erving 12; Skira 107; Rauch 47; Manet to Hockney 85; Strachan, p. 331; Garvey & Wick 15; Stern 38; Wheeler, pp. 42 and 101; The Artist & the Book 93; Jentsch 22; Johnson 185.
14807Dufy Jeam French 1888-1964 PAYSAGE RURAL. Drawing. pencil on Arches MBM paper not dated. Stamped signature lower right. Provenance Galerie Reine New York. 12 1/2 x 19 inches. In very good condition. unknown
1926elala1256Paris: Au Sans Pareil 1926. 1926. 4to. pp. 2 p.l. 147 1 leaf. with half-title. 36 original lithographs by Raoul Dufy incl. 18 plates with tissue guards. A fine untrimmed copy in fine blind & gilt-stamped red morocco binding by Zipélius Brillouin original wrs. bound in. matching slipcase slight wear to slipcase. First Edition Illustrated by Dufy Limited to 450 copies 20 hors commerce this one of 380 on vélin Montgolfier dAnnonay. Issued on the eighth anniversary of Apollinaires death. The Artist & The Book 92. Skira 106. Museum of Modern Art 62. 1st Edition. Hardcover. Very Good. Paris: Au Sans Pareil, 1926. Hardcover
193047038Paris.: Ambroise Vollard Editeur. 1930. Loose as issued in original publisher's pictorial cream printed wrappers with Dufy's etching to front cover. Small folio. 335 x 258 mm. Illustrated half-title with Dufy's etching and justification verso printed title with etched vignette recto and vignette verso and Chapitre Premier to Chapitre Quinzième of Montfort's text iIllustrated with ninety-four etchings 16 full-page and hors-text as well as text illustrations vignettes and cul-de-lampes and the cover etching all by Raoul Dufy 'Tables' and final leaf with achevé d'imprimer A very good unsophisticated copy of 'La Belle-Enfant ou l'Amour à Quarante Ans' with Raoul Dufy's illustrations for Eugène Montfort's text.From the edition limited to 390 numbered copies including 15 exemplaires d'exposition and 35 hors commerce with this one of 245 on vélin d'Arches.'Commissioned by Vollard to provide illustrations for Montfort's work Dufy made a number of preliminary studies in Marseilles a centre from which he travelled to gather material for pictures of Société Mondaine and the locale of Montfort's novel.' From Manet to Hockney.The Artist & The Book 93; From Manet to Hockney 85. Ambroise Vollard Editeur. unknown
193038926Paris: Ambroise Vollard 1930. A PRISTINE COPY ON JAPANESE PAPER OF ONE OF THE TRULY GREAT LIVRES D'ARTISTE AND PERHAPS THE MOST BEAUTIFUL BOOK DEVOTED TO MARSEILLES. Illustrated with 94 original etchings by Raoul Dufy. From a total edition of 340 copies this is ONE OF ONLY 35 COPIES ON LUMINOUS JAPON SUPERNACRÉ PAPER common called "pearl Japan" in English. Folio. Loose as issued in original wraps. Cloth case. FINE AND BRIGHT WITH NO DEFECTS. Chapon p. 281; Erving 12; Skira 107; Rauch 47; Manet to Hockney 85; Strachan p. 331; Garvey & Wick 15; Stern 38; Wheeler pp. 42 and 101; The Artist & the Book 93; Jentsch 22; Johnson 185. <br/><br/> Ambroise Vollard paperback
1937218871New York 1937. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "I I: VL : 17". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. unknown
1914413911Paris: Société Générale d'Impression 1914. Unbound. Good. Magazine. A near-complete set of all 20 issues published from 28 November 1914 to 1 July 1915. The first issue consists of two leaves lacking an internal bifolium issue no. 3 is lacking the final leaf; else all other issues appear to be complete in stapled wrappers including several with publisher’s printed slips. The front and back covers of most issues are split along the spine folds else overall a good or better set with some scattered foxing to a few covers toning and modest scattered chipping to the edges.<br /> <br /> A rare near-complete set of this satirical-political wartime review founded by Jean Cocteau and Paul Iribe early in their careers in illustration fashion and graphic design. Both men were important exponents of avant-garde art: as a teenager Iribe drew illustrations for the popular caricature journal L’Assiette au Beurre The Butter Plate; and Cocteau who had published his first volume of poems "Aladdin's Lamp" at 19 had already become widely known in Bohemian circles as "The Frivolous Prince." Iribe designed most of the covers and Cocteau contributed both images and text signing his drawings with the pseudonym “Jim†the name of his dog. Other important contributors include Russian painter and theater designer Léon Bakst Fauvist painter Raoul Dufy and Cubist painters Albert Gleizes and André Lhote.<br /> <br /> Established as the wartime sequel to François Bernouard’s Schéhérazade but printed on much poorer paper the set includes fine impressions of the many famous double-page drawings and series of cartoons and sketches including Cocteau’s series titled “Atrocites†comprising frightening figure of fat stupid and sadistic Germans. Also included in issue no. 5 is one of Cocteau’s most celebrated phrases … Entre le “GOUT†et la “VULGARITɆ…: “Between Taste and Vulgarity both unpleasant there remains an élan and a measure: The Tact of Understanding Just How Far To Go Too Far. Le Mot hopes you will follow it on this path of Franceâ€.<br /> <br /> A scarce set of 20 loose issues with two additional covers and the original publisher’s advertisement slips. A detailed list is available. Société Générale d'Impression unknown
1937218871New York 1937. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "I I: VL : 17". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. unknown books
193033000N.p. Montpellier N.d. C. 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Octavo 1 page on blue paper in French. An excellent letter Dufy mentions that he is expecting Valery and that if it were not for our "grand poète" I wouldn't be so accommodating and would have accepted your invitation. Extend to Picasso my friendship - I hope to see him soon. I'm happy to know he is recovering. A very good letter in fine condition. R.D. unknown
Laffaille, Maurice and Fanny Guillon-Lafaille: Raoul Dufy. Catalogue raisonné de l'oeuvre peint. 5 vols. Geneva: Editions Motte, 1972. 4to. pp.379; 403; 391; 346, 207. Illustrated throughout in monochrome and colour. Cloth. Light stain on cover of volume 2, otherwise a fine set. Hardback. 29 x 22cms. The catalogue raisonné is prefaced with an Introduction by Marcelle Berr de Turique and a biography by Bernard Dorival. This set includes the 1985 supplement. The catalogue raisonné is prefaced with an Introduction by Marcelle Berr de Turique and a biography by Bernard Dorival. This set includes the 1985 supplement
193032964Montpellier N.D. Circa 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Two full pages. Quarto. On blue/beige paper in French. Dufy complains that he can't come to Paris as he's suffering the effects of an anti-rheumatism vaccine. He stays in Montpellier because he's in need of warmth and "serious" doctors. Dufy is sending his wife with 40 watercolors of a group which he qualifies as "beautiful & new". Dufy thinks the average price of 1000 francs each is reasonable. A fine letter with trade content. Quite uncommon. R.D. unknown
Das Werkverzeichnis der Gemälde. Beschrieben sind 2040 Werke, die sämtlich reproduziert sind, davon viele farbig. Enthält alle Signaturen, Bibliographie und eine Zusammenstellung sämtlicher Ausstellungen. Die Bände 1-4 sind in 1200 Exemplaren erschienen, der Supplementband lediglich in 1000 Exemplaren. Fehlt daher öfters.
1930211Paris, Vollard, 1930. 4 Bll., 249 S., 4 Bll. mit 77 Original-Radierungen im Text und 16 Tafeln mit Original-Radierungen von Raoul Dufy. 4°. Lose Bogen in OKart. mit Original-Radierung von Raoul Dufy als Deckelillustration (etw. gebräunt, Transparentumschlag).
