697 résultats
193038926Paris: Ambroise Vollard 1930. A PRISTINE COPY ON JAPANESE PAPER OF ONE OF THE TRULY GREAT LIVRES D'ARTISTE AND PERHAPS THE MOST BEAUTIFUL BOOK DEVOTED TO MARSEILLES. Illustrated with 94 original etchings by Raoul Dufy. From a total edition of 340 copies this is ONE OF ONLY 35 COPIES ON LUMINOUS JAPON SUPERNACRÉ PAPER common called "pearl Japan" in English. Folio. Loose as issued in original wraps. Cloth case. FINE AND BRIGHT WITH NO DEFECTS. Chapon p. 281; Erving 12; Skira 107; Rauch 47; Manet to Hockney 85; Strachan p. 331; Garvey & Wick 15; Stern 38; Wheeler pp. 42 and 101; The Artist & the Book 93; Jentsch 22; Johnson 185. <br/><br/> Ambroise Vollard paperback
797291André Delpeuch Paris 1925 In-4 ( 255 X 195 mm ) de 264 pp.-( 2 ff. )-22 planches, plein maroquin havane clair, vue du port de Marseille dessinée aux filets à froid sur les plats et le dos, pastille de maroquin bleu clair entourée de filets à froid en bandes et du nom de Marseille en lettres à froid sur le premier plat, dos lisse orné d un carré de maroquin bleu clair, doublures et gardes de soie bleu clair, doubles gardes, couverture et dos conservés, chemise à dos et bandes à rabats de maroquin havane clair, étui ( Reliure signée de A. PONCELET ). Edition originale et premier tirage des 101 compositions en noir de Raoul DUFY, dont 22 hors texte. Un des 116 exemplaires réimposés au format in-4 couronne, celui-ci faisant partie des 100 numérotés sur vélin d Arches ( N° 94 ). Très minime défaut à une coiffe, trés bel exemplaire, non rogné, fort bien relié. C'est sans aucun doute l'un des livres les plus séduisants illustrés par DUFY. "Bel hommage à la Provence et à ses parfums, à l'ail qui parfume toute sa cuisine", Oberlé 287.
1937218871New York 1937. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "I I: VL : 17". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. unknown
1914413911Paris: Société Générale d'Impression 1914. Unbound. Good. Magazine. A near-complete set of all 20 issues published from 28 November 1914 to 1 July 1915. The first issue consists of two leaves lacking an internal bifolium issue no. 3 is lacking the final leaf; else all other issues appear to be complete in stapled wrappers including several with publisher’s printed slips. The front and back covers of most issues are split along the spine folds else overall a good or better set with some scattered foxing to a few covers toning and modest scattered chipping to the edges.<br /> <br /> A rare near-complete set of this satirical-political wartime review founded by Jean Cocteau and Paul Iribe early in their careers in illustration fashion and graphic design. Both men were important exponents of avant-garde art: as a teenager Iribe drew illustrations for the popular caricature journal L’Assiette au Beurre The Butter Plate; and Cocteau who had published his first volume of poems "Aladdin's Lamp" at 19 had already become widely known in Bohemian circles as "The Frivolous Prince." Iribe designed most of the covers and Cocteau contributed both images and text signing his drawings with the pseudonym “Jim†the name of his dog. Other important contributors include Russian painter and theater designer Léon Bakst Fauvist painter Raoul Dufy and Cubist painters Albert Gleizes and André Lhote.<br /> <br /> Established as the wartime sequel to François Bernouard’s Schéhérazade but printed on much poorer paper the set includes fine impressions of the many famous double-page drawings and series of cartoons and sketches including Cocteau’s series titled “Atrocites†comprising frightening figure of fat stupid and sadistic Germans. Also included in issue no. 5 is one of Cocteau’s most celebrated phrases … Entre le “GOUT†et la “VULGARITɆ…: “Between Taste and Vulgarity both unpleasant there remains an élan and a measure: The Tact of Understanding Just How Far To Go Too Far. Le Mot hopes you will follow it on this path of Franceâ€.<br /> <br /> A scarce set of 20 loose issues with two additional covers and the original publisher’s advertisement slips. A detailed list is available. Société Générale d'Impression unknown
1937218871New York 1937. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "I I: VL : 17". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait. Gelatin silver print. 1 vols. 35 x 27.5 cm. approximately 13-7/8 x 10-7/8 inches. unknown books
193033000N.p. Montpellier N.d. C. 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Octavo 1 page on blue paper in French. An excellent letter Dufy mentions that he is expecting Valery and that if it were not for our "grand poète" I wouldn't be so accommodating and would have accepted your invitation. Extend to Picasso my friendship - I hope to see him soon. I'm happy to know he is recovering. A very good letter in fine condition. R.D. unknown
1912016225Moscou Nauka 1912 In-12 Broché
192822835DEVAMBEZ 1928 1 Annuaire du luxe à Paris, Hommage des grandes maisons françaises, Paul Poiret fondateur. Paris, Devambez, 1928, in-4, reliure toile éditeur ocre titrée noir et argent, (Magnier Relieur).
Laffaille, Maurice and Fanny Guillon-Lafaille: Raoul Dufy. Catalogue raisonné de l'oeuvre peint. 5 vols. Geneva: Editions Motte, 1972. 4to. pp.379; 403; 391; 346, 207. Illustrated throughout in monochrome and colour. Cloth. Light stain on cover of volume 2, otherwise a fine set. Hardback. 29 x 22cms. The catalogue raisonné is prefaced with an Introduction by Marcelle Berr de Turique and a biography by Bernard Dorival. This set includes the 1985 supplement. The catalogue raisonné is prefaced with an Introduction by Marcelle Berr de Turique and a biography by Bernard Dorival. This set includes the 1985 supplement
19533267Paris, Pierre Lecuire éditeur, 1953. Un volume in-8 (25,2 x 16,5 cm) en feuilles, 108 p., couverture rempliée illustrée d'une lithographie. - Édition originale du premier livre de Pierre Lecuire, né de la collaboration du poète avec Nicolas de STAËL (1914-1955) qui composa pour l’occasion : - UNE GRANDE LITHOGRAPHIE EN COULEURS SUR UN FEUILLET REMPLIÉ SERVANT DE COUVERTURE. - DEUX BURINS ORIGINAUX À PLEINE PAGE, l'un introduisant la lecture de l'ouvrage et l'autre le refermant. - L'exemplaire est enrichi et personnalisé par une belle lettre de Lecuire et un envoi autographe signé au justificatif à Raymond Schawb. - Note historique et bibliographique : à sa parution l'ouvrage constituait le texte le plus important qui ait été écrit sur la peinture de Nicolas de Staël. - Tirage à 210 exemplaires signés par l’auteur à la justification, celui-ci faisant partie des 190 sur vélin d’Arches (n°139, dédicacé). - ENGLISH (Short description): In-8 (25.2 x 16.5 cm.), in loose sheets as published, printed wrappers with an original colour lithograph and two original burins by Nicolas de Staël. No.129, one of 190 copies on Vélin d'Arches from a total edition of 200, here with an ink autograph dedication and an autograph letter by the author. Mint condition, perfect, very scarce condition.
193032964Montpellier N.D. Circa 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Two full pages. Quarto. On blue/beige paper in French. Dufy complains that he can't come to Paris as he's suffering the effects of an anti-rheumatism vaccine. He stays in Montpellier because he's in need of warmth and "serious" doctors. Dufy is sending his wife with 40 watercolors of a group which he qualifies as "beautiful & new". Dufy thinks the average price of 1000 francs each is reasonable. A fine letter with trade content. Quite uncommon. R.D. unknown
195077144Sous étui cartonné et chemise Rhodoïd. Reliure maroquin noir à encadrement. Plats ornés d'une composition décorée à la main s'inspirant de l'illustrateur. Tête dorée. Couverture et dos conservés. Reliure signée C. MAYER. Avec 12 aquarelles de Raoul DUFY reproduites en couleurs.
Das Werkverzeichnis der Gemälde. Beschrieben sind 2040 Werke, die sämtlich reproduziert sind, davon viele farbig. Enthält alle Signaturen, Bibliographie und eine Zusammenstellung sämtlicher Ausstellungen. Die Bände 1-4 sind in 1200 Exemplaren erschienen, der Supplementband lediglich in 1000 Exemplaren. Fehlt daher öfters.
19273138Paris, François Bernouard, 1927. un volume in-4 (272 x 220 mm) broché de 36 ff. les 2 premiers et dernier blancs, 5 planches, couverture imprimée en deux couleurs. Édition originale, illustrée de 5 EAUX-FORTES ORIGINALES DE LÉONARD FOUJITA. Tirage limité à 301 exemplaires, celui-ci l' un des 275 numéroté sur vergé de Rives (n°158), en parfait état d'origine. - ENGLISH DESCRIPTION: Paris, François Bernouard, 1927. one volume in-4 (272 x 220 mm) paperback of 36 ff. the first 2 and last blank, 5 plates, cover printed in two colors. First edition, illustrated with 5 ORIGINAL ETCHINGS BY LÉONARD FOUJITA. Limited edition of 301 copies, this one of 275 numbered on Rives paper (n°158), in perfect original condition.
1930211Paris, Vollard, 1930. 4 Bll., 249 S., 4 Bll. mit 77 Original-Radierungen im Text und 16 Tafeln mit Original-Radierungen von Raoul Dufy. 4°. Lose Bogen in OKart. mit Original-Radierung von Raoul Dufy als Deckelillustration (etw. gebräunt, Transparentumschlag).
19683122Paris Pierre de Tartas 1968. 1 volume in-folio (37,5 x 28 cm), en feuilles, sous couverture papier d'Auvergne grise rempliée et coffret éditeur de toile bordeaux. Avec 15 EAUX-FORTES ORIGINALES DE VAN DONGEN DONT UN FRONTISPICE TIRÉ EN NOIR, 2 DOUBLE-PAGE, 2 HORS-TEXTE ET 10 COMPOSITIONS DANS LE TEXTE, L'ENSEMBLE EN COULEURS. - Tirage limité à 270 exemplaires, celui-ci le n° 257 sur vélin d'Arches, signé par l'artiste, l'éditeur et portant bien le cachet d'authenticité requis. Note : Cette sélection de "poèmes immortels" des Fleurs du Mal, avec une préface de Jean-Paul Sartre, constitue le dernier livre illustré par Kess Van Dongen. -- ENGLISH DESCRIPTION: Paris Pierre de Tartas 1968. 1 folio volume (37.5 x 28 cm), in loose sheets, in an Auvergne paper cover and the burgundy cloth publisher's box. With 15 ORIGINAL ETCHINGS BY VAN DONGEN INCLUDING A FRONTISPIECE PRINTED IN BLACK, 2 DOUBLE PAGES, 2 OUF-OF-TEXT AND 10 COMPOSITIONS IN THE TEXT, ALL IN COLOR. - Limited edition of 270 copies, this one number 257 on Arches paper, signed by the artist, the publisher and bearing the required stamp of authenticity. This selection of "immortal poems" from Les Fleurs du Mal, with a preface by Jean-Paul Sartre, constitutes the latest book illustrated by Kess Van Dongen. The copy offered here is in mint condition.
192687387Sous chemise cartonnée éditeur illustrée en rouge d'une composition de Raoul Dufy et nouée d'un cordon. Couverture souple rempliée, titre en noir au sein d'un triangle rehaussé à l'or. Illustrée en noir de 36 lithographies. Non rogné. Dos de la chemise légèrement fissuré. Rousseurs éparses.
193015521Paris AMBROISE VOLLARD 1930 1 Paris, Ambroise Vollard, 1930, fort in-4, sous chemise et étui percalinés rouge, 250 pages.
19521387Paris, Bernard Klein éditeur,1952. In-folio,en feuilles, 200 pages, couverture illustrée en couleurs, étui-chemise de l'éditeur. Édition originale et premier tirage des illustrations de Jacques Villon, Raoul DUFY (2), SEGONZAC (3), Max JACOB (2), André DERAIN (2), Jean COCTEAU, Gen Paul (2), FOUJITA, KISLING (2), UTRILLO (2), VLAMINCK, mises en couleurs par Daniel Jacomet. Avec des textes de Textes de Duhamel, Jacob, Vitrac, Ponchon, Derème, Louis Juvet, Colette, Mac Orlan, Héron de Villefosse, Fleuret, Fombeure et Valéry et une partition de Honegger. Ex. sur papier du Japon nacré non numéroté, enrichi d'une suite sur papier de Chine, d'une SUITE EN NOIR et une SUITE EN COULEURS sur papier d'Arches, 4 épreuves sur papier du Japon et une gravure aquarellée par Jacques Villon et signée au premier plat de couverture. Véritable édition originale et premier tirage des illustrations et gravures rehaussées aux pochoirs.
193886746Vence: S. n. 1938. Fine. S. n. Vence 29 Janvier 1938 20.50 x 26.50 cm une page recto verso une enveloppe Autograph letter dated and signed by Raoul Dufy 34 lines in blue ink from his property at Villa Beethoven in Vence. Creases inherent to postal delivery. Envelope included. Date and sender indications in Laboureur's hand in red and blue pencils on the envelope. The painter will not be able to attend the P.G.I. meeting independent painters and engravers and will miss his friend Jean-Emile Laboureur: ""J'ai quitté Paris pour un moment. J'aurais bien aimé aussi vous revoir."" I have left Paris for a moment. I would have very much liked to see you again as well. Moreover he envisions his future only in painting: ""Pour moi personnellement je crois bien que ma carrière de graveur est terminée : tombé dans la litho et la peinture d'histoire comme vous savez je me demande si jamais je pourrai refaire un beau bois au canif car comme graveur je ne sais ou plutôt n'ai su faire que ça et malgré le désir que j'en ai je me demande si jamais j'en aurai le loisir."" For me personally I do believe that my career as an engraver is finished: fallen into litho and history painting as you know I wonder if I will ever be able to make a beautiful penknife woodcut again because as an engraver I don't know or rather have only known how to do that and despite the desire I have for it I wonder if I will ever have the leisure for it. even though he will keep his place within this association bringing together engravers and painters: ""Donc malgré que je n'assiste jamais ou presque aux réunions je crois même que ma cotisation ne soit pas en règle je suis quand même PGI de tout coeur et quand je rentrerai à Paris j'aurai bien du plaisir à vous revoir tous."" So although I never or almost never attend the meetings I even believe that my dues are not up to date I am nevertheless PGI with all my heart and when I return to Paris I will have great pleasure in seeing you all again. S. n. unknown
34162Paris, Textes Prétextes, 1953. Petit in-folio, 124p. en feuilles, sous couverture imprimée, chemise et étui.
1926134245Paris: Au Sans Pareil 1926. A reflection of the close working relationship between Dufy and Apollinaire First Dufy edition number 113 of 380 copies printed on Montgolfier d'Annonay paper from a total edition of 450. "Dufy again paid tribute to Apollinaire. by illustrating one of his major pieces of prose fiction. Le Poète Assassiné was originally a book of short stories which took its title from its opening novella. Dufy had attended the launch party for the book organized by Paul Dermée and Juan Gris at the Palais d'Orléans in Montparnasse on New Year's Eve 1916. In 1924 the Sans Pareil publishing house reportedly invited Picasso to illustrate a new edition of the story but once again two years later it was Dufy who took on the job. The closeness of the working relationship between Dufy and Apollinaire is reflected thematically in the collector's edition of Apollinaire's Le Poète Assassiné produced in 1926 10 years after initial publication of the work and eight years after the poet's death" Brown pp. 4 and 24. Quarto 285 x 224 mm. 18 full-page and 18 smaller lithographs by Raoul Dufy. Later morocco halved diagonally into red and black fields lettered in white on spine and front cover untrimmed. Contemporary bookplate of "J.A. -B.E. Dunbar". Sometime furbished lettering clumsily retouched light wear to extremities spine ends chipped hinges tender occasional faint toning; a very good copy in an interesting binding Apollinaire's name misspelled on the front cover. Artist and the Book in France 92; Carteret IV 46; for a full discussion of Dufy's illustrations see Kathryn Brown ed. The Art Book Tradition in Twentieth-Century Europe Routledge 2013. unknown
1961002933Paris: Pierre de Tartas 1961. Book. Fine. Hardcover. 1st Edition. Loose sheets in lithographed wrappers in blue cloth clamshell box with white lettering. Original lithographs by Raoul Dufy. Number V of 20 roman numbered copies reserved for collaborators of the edition with an extra suite of the lithographs. The total edition was limited to 325 copies. This copy and the extra suite are printed on Grand Velin D'Arches. Lithographed wrappers 5 lithographs in color of which 4 double page. 12 black & white lithographs of which 9 double page of which 2 partly with text and 5 in text illustrations. The extra suite in white paper wrappers contains 4 double page color lithographs and 9 black & white lithographs of which 6 double page. All full page lithographs protected by tissue guards. The text by Michel de Saint-Pierre was set by hand in Paganini Romain. 38 x 275 cm. Very fine set in box with lightest wear one corner with repaired split. . Pierre de Tartas Hardcover
198382820David R Godine Publishers Inc U.S. As New. 1983. Hardcover. 0879233192 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ISBN: 0879233192.66 pages. -- with a bonus offer-- . David R Godine Publishers Inc, U.S. hardcover
198082819Godine. As New. 1980. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 67 pages 30 illus. ; small 8vo. -- with a bonus offer-- . Godine paperback