261 résultats
12873Dufy Raoul. Dufy Raoul. LA DANSE DANCE. Woodcut c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches image 19 3/4 x 26 1/4 sheet. In excellent condition. unknown
12874Dufy Raoul. Dufy Raoul. LA PECHE FISHING. Woodcut c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches image 19 3/4 x 26 1/4 sheet. In excellent condition. unknown
5976Dufy Raoul. Dufy Raoul after. DEAUVILLE. Lithograph in colors. c. 1950s. 18 5/16 x 26 5/8 inches; 469 x 682 mm. Edition of 200 numbered in pencil. In very good condition except that the stamped signature of the artist proved fugitive in the cleaning process and is no longer visible. unknown
04-1127Paris 1929. Silkscreen pochoir. 67 x 52 cm. Signed and dated 29 XII 1929 in the image. Additional text: Denis Sarthon Orme. Framed and glazed. Paris, 1929. unknown
16-6161Monaco: La Revue "Hommage" Philippe Fontana 1943. 4to. 24 x 31cm. sheets loose as issued in original printed chemise. One of 1000 numbered prtfoliios. Loosely inserted prospectus for "30 Poèmes de Ronsard" First edition. First issue of the Revue "Hommage" published by Philippe Fontana during the German occupation. Folio loose as issued containing plates after drawings by Pierre Bonnard 1 Raoul Dufy 1 in double page Aristide Maillol one of the two in double page Matisse 2 Picasso one in double page Léon Zack fac-simile of a manuscript poem by Pierre Emmanuel. Justification page with the number of the copy. Philippe Fontana Publisher Monaco.OCLC Number / Unique Identifier:12180940.Premier numéro de la revue Hommage ; il présente une étude de Bonnard une symphonie de Dufy en noir à double page deux nus de Maillol dont 1 à double page deux expressions de Matisse une satire de Picasso en noir à double page et un poème de Pierre Emmanuel illustré d'une grande et belle composition par Léon Zack. Monaco: La Revue "Hommage," Philippe Fontana , 1943 unknown
193830835New York: Plaza Hotel / Perls Galleries n.d. 1938 1938. 1st Edition. 1st Edition. Signed by Author. 4 page 5" x 8 3/4" folded exhibition promotional catalogue printed in black & white on stiff semi-gloss paper stock. With the original Othon Friesz autograph manuscript used as text for the introduction of the catalogue of the Jean Dufy exhibition held at the Perls Galleries. Written in French on The Plaza Hotel New York stationery 1938 1 page about 6 by 8 inches in very good plus condition. The manuscript in Friesz's hand is not signed but credited in the catalogue in which the introduction by Friesz has been translated into English. Friesz writes: "An Exhibition of Jean Dufy's works coincides with my sojourn in New York. I am happy to see the sparkling and witty canvases of our "little" Jean so fortunately placed here. It has been said too often and erroneously that he imitates his big brother Raoul. Surely he directly stems from him. He absorbed the color technique of his elder brother as well as the expressive and spontaneous form of statement which he uses with savor to express his very personal emotions. But to see him as any servile imitation of Raoul Dufy would be a serious blunder. In the case of brothers so closely united within their family and their lives - was not Jean the best draftsman in his brother' s atelier - it would be almost strange that they should not resemble each other. Instead of deploring the resemblances one should rather see in the case of the brothers Dufy a situation paralleling that of the brothers Le Nain". Othon Friesz was one the most important painters at the start of the twentieth century; one of the founders & leading painters of Fauvism from Le Havre along with George Braque & Raoul Dufy. During his early years of painting before & in the Fauve style he often painted & exhibited with Henri Matisse Albert Marquet Henri Manguin Jean Puy Andre Derain Maurice Vlaminck and others. He remained a life long friend of Raoul Dufy both of whom were born & learned art in Le Havre. A lovely item. Original artist autograph manuscripts like Friesz are extremely scarce & seldom come on the market. This one is enhanced because it discusses one great artist's impressions of another. Some glue mounting remains on the verso of the catalogue otherwise fine. Plaza Hotel / Perls Galleries, n.d. 1938 unknown
192965420Paris, Édition des Chroniques du Jour 1929. 1929. 4°,eine nummerierte Orig.-Radierung, XXXV (I) S. Text mit 3 (davon 1 farbige) ganzseitige und zahlreiche Textabbildungen und XXXIX Tafeln, Orig.-Leinen.
193632058AB1936. Paris Freres Draeger 1936. Folio 26 cm wide x 32 cm high. 44 pages with 19 aquarelles. / 19 photolithographs of watercolors 18 in colors plus 1 photolithograph of a drawing wrappers. Original illustrated Softcover with illustrated dustjacket. Very good condition with only minor signs of wear. This delightful little volume first published in French in 1936 extols the many joys and benefits of wine. Wine drinkers will take pleasure in Gaston Derys's quaint appreciation of the grape and art lovers will admire Raoul Dufy's joyful watercolors. Reflecting the exuberance and elan of an earlier day Derys takes us back to a time when the doctor's favored prescription was an amiable glass of wine. In Derys's ode to wine here translated into English we discover that the medicinal and therapeutic uses of wine are it assists in fighting typhoid infant sicknesses and diabetes; it exerts a positive effect on one's character beauty and and it lends a fortifying power to athletes and soldiers. Supported by the comments of French doctors as well as Dufy's beautifully reproduced paintings Derys's argument to raise a glass of wine becomes pleasantly irrefutable. Goodreads ______________________________________________________________________________ Raoul Dufy 3 June 1877 23 March 1953 was a French painter associated with the Fauvist movement. He gained recognition for his vibrant and decorative style which became popular in various forms such as textile designs and public building decorations. Dufy is most remembered for his artwork depicting outdoor social gatherings. In addition to painting he was skilled in various other fields including drawing printmaking book illustration scenic design furniture design and planning public spaces. Wikipedia paperback
198224000Paris, Éditions Louis Carré & Cie, 1981-1982. 2 Bände komplett. LXXIII, 395; LVII, 439 S., mit über 2050 Abb. u. 1 mehrf. gefalt. Taf. 4°, OLwd., OSU., in Orig.-Pappschubern [3 Warenabbildungen]
1921150741921. Dufy Raoul. Signed receipt dated December 11 1921 documents the commercial activity of a Fauvist painter whose work expanded beyond painting into textile design ceramics and large-scale decorative commissions during the interwar period. Associated with Fauvism Dufy developed a distinctive visual language characterized by bold color and rhythmic line that translated effectively into applied arts and commercial design. The document situates the artist within the economic structures of the Paris art and design market in the years following World War I when collaborations between fine artists and decorative industries became increasingly central to modern French visual culture. It supports research into artist economies the integration of avant-garde aesthetics into commercial production and the financial documentation of early twentieth-century European artists.<br /> <br /> Dufy Raoul. Receipt signed. Paris December 11 1921. Single sheet measuring approximately 5.5" x 7" written in French and signed "Raoul Dufy." A 50 centime revenue stamp appears below the signature indicating formal financial validation within the French fiscal system. The document includes docketing holes along the right margin consistent with filing or record-keeping practices. The receipt reflects routine transactional documentation tied to Dufy's professional activities during a period when his designs were widely adapted for textiles and decorative commissions.<br /> <br /> Created during a decade in which Dufy collaborated with fashion houses and manufacturers including textile production associated with Bianchini-Férier the receipt provides material evidence of the administrative and commercial dimensions of modernist artistic practice. Paris in the early 1920s functioned as a central hub for the fusion of avant-garde art and industrial design with artists like Dufy contributing to the dissemination of modern aesthetics across everyday objects and public spaces. Such financial documents though routine in form contribute to a fuller understanding of how modern artists sustained their practices within evolving markets for both fine and applied art. Minor wear and docketing holes at right margin; document clean and legible; overall in very good condition. unknown
194982796Toulouse: Arts et formes 1949. Fine. Arts et formes Toulouse 1949 12 x 18.50 cm en feuilles sous chemise et étui First edition printed in 450 numbered copies. Very handsome copy. Illustrated work complete with all 205 binding plates plate 79 then 79 bis. Under the direction of Marcel Garrigou with contributions by Raoul Dufy Roger Devauchelle René Kieffer Pierre-Lucien Martin André Dunoyer de Segonzac. Arts et formes unknown
192356458Paris: Nrf 1923. Fine. Nrf Paris 1923 14.50 x 19 cm broché Illustrated edition with 22 original woodcuts by Raoul Dufy of which 21 are hand-colored by Jeanne Rosoy and L. Petitbarat one of 320 numbered copies on natural raffia paper the only issue after 15 Japan and 35 Holland. A small stain at the head of the first cover two tiny corner lacks to the boards handsome interior condition. Nrf hardcover
1956323768Paris: Mourlot Editions 1956. unbound. Raoul Dufy. Poster. Lithograph. Measures 28" x 20".<br/> <br/> Lovely original poster advertising an exhibition at the Musee de Grenoble featuring Raoul Dufy's painting "Homage to Claude Debussy". Includes Mourlot watermark on lower right hand corner of the page. In excellent condition with minimal creasing to edges of paper. <br> <br> Printed by Mourlot Studios a fine art lithography printer founded in Paris in 1852. Mourlot is known for pioneering and popularizing the art poster collaborating with prominent painters including Matisse Bonnard Miro and others. Pablo Picasso began collaborating with the studio in 1945 producing over 400 lithographs from his private corner of the studio where he lived for months at a time.<br/> <br/> Mourlot Editions unknown
1930B-2022-0852Catalogue Complet des Editions Ambroise Vollard – Complete catalogue of Vollard editions. 1930 Le Portique. One of the 125 numbered copies in Montval paper with an eau-forte by Dufy in sanguine. Loose as issued in wrapper and clamshell box.<br />Very good. Please ask for complete conditions report. Dufy, catalogue, Portique, Montval paper
50-0696Paris: Galerie Louis Carré 1953. Lithograph poster printed by Mourlot. 66 x 47.5 cm. Paris: Galerie Louis Carré, 1953. unknown
193039336Paris: Le Portique 1930. Raoul Dufy. WITH AN ORIGINAL ETCHING BY RAOUL DUFY. An exceptional copy of the first and only edition of the first bibliography of Vollard's livres d'artiste which revolutionized the modern illustrated book. From a total edition of 625 numbered copies this is ONE OF ONLY 125 LARGE-PAPER COPIES BEAUTIFULLY PRINTED ON FINE MONTVAL LAID PAPER WITH THE ORIGINAL ETCHING PRINTED IN SANGUINE AND SIGNED IN THE PLATE. Folio original wraps. Completely uncut. A bit of foxing especially to front cover otherwive very good. The Dufy etching is in perfect condition. <br/><br/> Le Portique paperback
1920DUFYRAOU020338Gazette du Bon Ton - No. 1 Paris. F�vrier 1920. First edition. Small quarto. Eight hand-coloured lithographs from drawings by Raoul Dufy preserved in the original paper folder which has an explanation of the plates on the rear cover. Fashion plates of women wearing clothes designed by Doeuillet Doucet Lanvin Paquin Poiret Vionnet and Worth. Dufy's fashion illustration began in 1909 with the great French couturier Paul Poiret and continued with the Lyons-based silk manufacturer Bianchini-Ferier who invited Dufy to work on an industrial scale.The first plate is just a little rubbed at bottom edge otherwise a very good and attractive set in a very good indeed clean folder. Gazette du Bon Ton - No. 1, [Paris]. F�vrier hardcover
33967Geneva: Edito-Service S.A. 1st Edition. 1st Edition. Numbered 1269 limited facsimile edition 24 cm x 31 cm 9 1/2 x 12 inches published by Edito-Service S.A and printed in Italy on thick paper papier bouffant by Papeteries de Casteljoux. 219 loose bound pages with an extra section 'Suite' with all illustrations 'hors textes'. Both sections are enclosed in thick white portfolio paper which are in turn enclosed in a heavy green cardboard portfolio with leatherette buckram spine that slides into a green cardboard slipcase. Dorgelès' text in French Vacances Forcées a euphemism for the War years between 1940 and 1944 is adroitly complimented by 24 Dufy compositions lovingly recreated by Beltrand as color lithographs from woodcuts. The loose-bound pages and protective portfolio are in excellent - fine condition while the slipcase shows some wear and is slightly buckled on the bottom right side. <br /> <br /> Again the second section 'Suite .' is 'hors textes' so all of Dufy's wonderful images are available without text and ready to be framed.<br /> <br /> <br /> A superb portfolio. Edito-Service S.A. unknown
50-0697Paris: Galerie Louis Carré 1953. Poster. 66 x 47.5 inches. Paris: Galerie Louis Carré, 1953. unknown
50-0699Albi: Musée Toulouse-Lautrec 1955. Poster. 73.5 x 52 inches. Printed by Mourlot. Albi: Musée Toulouse-Lautrec, 1955. unknown
Paris, Société Littéraire de France, 1916."Achevé d'imprimer par Durand à Chartres... Le 4 novembre 1916 cent vingt et unième jour de la victoire de la somme", (23 jours avant le décès de l'auteur). Un volume de format petit in 8° carré de 230 pp., un frontispice et de nombreux bandeaux gravés par Raoul Dufy. Reliure postérieure en pleine peau grise de lézard, dos à 4 nerfs, titre doré. Couverture entièrement conservée. Edition originale sur Vergé numéroté, exemplaire N° 758. Bel exemplaire.
